| Howard Jones | Primary Artist |
| Sandy McLelland | Vocals |
| Simon Clarke | Flute, Alto Saxophone |
| Claudia Fontaine | Background Vocals |
| The Kick Horns | Brass |
| Chris Hughes | Drums |
| Roddy Lorimer | Trumpet, Flugelhorn |
| Trevor Morais | Drums |
| Phil Palmer | Acoustic Guitar, Electric Guitar |
| Andy Ross | Guitar |
| Tim Sanders | Soprano Saxophone, Tenor Saxophone |
| Steve Sidwell | Trumpet |
| Ian Stanley | Keyboards |
| Peter Thoms | Trombone |
| Alan Hewitt | Chainsaw |
| Inga Humpe | Vocals |
| Mike Roarty | fairlight |
| Steg | Ebo |
| Martin Jones | Synthesizer, Bass, Flute, Guitar, Piano, Drums, Electric Guitar, Keyboards, Hammond Organ, Vocals, Sampling, fairlight |
| Ross Cullum | Producer, Engineer |
| Danny D | drum programming |
| The Kick Horns | Horn Arrangements |
| Chris Hughes | Producer, Engineer |
| Andrew Scarth | Engineer |
| Ian Stanley | Producer, Engineer |
| Mike Roarty | Engineer |
| Martin Jones | Arranger, Producer, Contributor, Horn Arrangements |
Editorial Reviews
All Music Guide - Iotis Erlewine
After a three-year wait, this album was a bit of a disappointment. Musically, it is his best yet, but it lacked a certain energy that the others had. The songs seemed to replace vivacity with length. The album didn't do very well on the charts; the number 13 single U.S., "Everlasting Love," was the biggest hit. Ironically, the best song on this album, "Out of Thin Air," does not use a single synthesizer but instead is a solo piano piece performed by Jones himself. After all those years of electronic music, a song featuring a real instrument is a welcome relief.