Crossing Over: A Mexican Family on the Migrant Trailby Ruben Martinez
A journalist/editor with Pacific News Service and PBS's Religion & Ethics Newsweekly traces the journey of a Mexican family who lost three sons in a 1996 border incident as illegal migrants to US farms and slaughterhouses, and the bilateral cultural impacts. Includes photos from both sides of the border. References would have enhanced this otherwise fine reportage. Lacks an index.
Annotation © Book News, Inc., Portland, OR
"To read Crossing Over is to read not the history of the foreign other, but to read the story of America, to understand the dynamic that renews the strength and hope of the American Dream even as it reshapes it.. . . [Martínez] has depicted a deep, enduring commonality that may change the way we understand immigration" Chicago Tribune
- Holt, Henry & Company, Inc.
- Publication date:
- Edition description:
- First Edition
- Product dimensions:
- 6.32(w) x 9.74(h) x 1.18(d)
Read an Excerpt
I am close to the line.
The mostly invisible line that stretches two thousand miles along sand, yellow dirt dotted with scrub brush, and the muddy waters of the Rio Grande. Invisible, save for certain stretches near San Diego, Nogales, and El Paso, where the idea of the U.S.-Mexico border takes physical form through steel, chain links, barbed wire, concrete, and arc lamps that light the barren terrain at night. At these three crossing points San Diego being the busiest port of entry in the world the Border Patrol has cleared the land for miles around, so that the human figures who try to breach the line stand in stark relief and cast shadows. The Border Patrol swallows as many shadows as it can.
It is late summer in California and the hills that line I-15 in southern Riverside County are tinged rusty brown; the brilliant green wild grass of spring is a distant memory. This is one of my least favorite stretches of California highway, an interminable, mostly barren valley corridor.
I-15 is a necessary route for travelers and truckers shuttling between the Inland Empire and San Diego. It is also the preferred route of the "coyotes," the smugglers of human cargo who charge $1,000 a head or more to foil the designs of the Border Patrol and get their migrant clients on the road to their American future.
I am in the badlands of Southern California, en route to an appointment with the dead. I'm headed to Temecula, a growing city on the edge of Riverside County. It is arid country here, the westernmost point of the vast desert that spreads from the California beach all the way to the Gulf Coast of Texas.
For the American migrants who rode the wagon trains westward, California was once the "other side," just as it is today for the migrants heading north. Up from the fine yellow dust of these hills rise imported laurels, palms, sycamores, avocados, willows, oleander, eucalyptus. There are even apple and citrus orchards. But now and again, the old desert, a reminder of Mexican, or even Indian, California, appears in the form of an ancient, lonely stand of nopal cactus.
I take the exit at Rancho California Road. Temecula is picturesque, with its Western wagon-wheel décor. The elite live in the hills above town, in huge, recently built homes of the faux California Mission variety: red tile roofs, beige stucco, wrought iron. There are rose gardens and the occasional artificial pond gracing the spacious yards. One of the local realty agencies is called Sunshine Properties.
I head west along a winding two-lane that climbs into the Santa Rosa Mountains, a range that runs southward and eventually crosses the international line. The Santa Rosas are beautiful and bizarre: gently rolling hills of green give way suddenly to boulder-strewn peaks and chasms. On the Mexican side, the landscape is precipitous and infamous. There, a stretch of Mexico Federal Highway 2 known as La Rumorosa (The Whispering One, for the haunted winds that blow through the canyons) has been the site of hundreds of fatal wrecks over the decades.
My destination is the intersection of Calle Capistrano and Avenida Del Oro. The names are, of course, Spanish appropriated by the whites to romance their idyll with a dash of old California. The street signs are rendered in faux rustic, engraved wood. Most of the whites who live here now were once migrants themselves, belonging to subsequent waves of American wanderers the Depression-era and post-war generations that pulled up stakes in the Midwest and on the East Coast to spend their lives in balmy paradise. This land was a final destination for them, the consummation of their California dream. You don't leave paradise once you've found it.
But for the Mexican migrants, Temecula is a stopover, not a final destination. Sure, there are Mexican gardeners tending to the rose bushes, cleaning the swimming pools, washing and folding the clothes, cooking the meals; brown women sing lullabies in Spanish to white babies. But the Mexicans are here for just as long as they have to be. They are mostly young and don't think of retiring, not only because they have no money to do so but also because they can't imagine themselves old yet. Most of the Mexicans in Temecula are literally just passing through, crammed into pickup trucks and vans driven by the coyotes. Temecula is just another of the hundred places they will blow through en route to St. Louis, Los Angeles, Houston, New York, Chicago, Decatur. But even these are not final destinations. The migrants will follow trails determined by America's labor economy: they will keep moving, from one coast to another, from picking the fields to working in hotels and restaurants, from cities to heartland towns.
Temecula was long a quiet town. But to the retirees' dismay, it is now a staging area for the battle of the border, in which two armies face off, usually under cover of darkness. It is a battle in which, occasionally, blood is spilled, though usually only on one side.
I turn right at Avenida Del Oro and pick up speed on a steep down-hill grade. The road begins a long curve between hills dotted with rural mansions and avocado orchards. At the bottom of the gully, at the intersection with Calle Capistrano, I stop the car. The sun has fallen behind the hills to the west but still illuminates the higher terrain with a lush, classic California gold. Silvery plumes from the irrigation sprinklers arc over the fields.
This is where it happened. Where Benjamín, Jaime, and Salvador Chávez and five others, all of them undocumented Mexican migrants, "illegals," died crammed in a truck that sped along this rural road four and a half years ago.
I clamber down into the drainage ditch below the road. Yellow dirt and sickly weeds. I find a screen from the window of the truck's camper shell and a blue piece of plastic from the shell itself, about a foot long and six inches wide. And another piece of black plastic: a fragment of the truck's running board. I pick up and examine a faded, crumpled tube of Colgate toothpaste, its ingredients listed in Spanish. There is an equally faded and torn McDonald's medium-size Coca-Cola cup.
Above the ditch, an anonymous artisan has built a small altar by taking the trunk of a California oak, slicing it in half, and carving out seven small crosses that he has filled in with light blue paint. (There should be eight crosses; the artisan was apparently unaware of the last victim's death in a nearby hospital several days after the accident.) It is a simple, beautiful monument.
I walk a ways up the hill, the bed of dead avocado leaves crunching underfoot. There is very little traffic and it is quiet, except for the leaves of the avocados rustling in the warm wind and, suddenly and eerily, the voices of men. Men speaking in Spanish. It sounds like they are nearby, but it takes me a while to spot them, high on a hill south of me. They are Mexican farmworkers, chatting casually as they pick avocados. They are a good half mile away, but the wind has brought their voices very close. These men traveled the same road that Benjamin and his brothers did. They are farmworkers now. Benjamín, Salvador, and Jaime Chávez are not. This is where their road ended.
Copyright © 2001 Rubén Martínez
Meet the Author
Rubén Martínez, an Emmy-winning journalist and poet, is the author of Crossing Over and The New Americans. He lives in Los Angeles, where he holds the Fletcher Jones Chair in Literature and Writing at Loyola Marymount University.
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I read this book to my husband as we were driving on a road trip. It was so interesting we didn't listen to the radio until we finished it. Even though my throat was getting tired from reading. The author writes very well so that the book stays interesting. This book puts the reader in a different place so that you feel like you are in Mexico going through what the poor people there face daily. This book opened up my eyes as to why America looks so wonderful that they would risk death and jail to get over here.
I picked this book up at the Atlanta,GA Airport from the Employee Picks table and it's one of the best books I've ever had the pleasure of reading! Being African-American, I am usually sensitive to the plight of other cultures..but those things that I could not intuit, couldn't fully realize, were all made astonishingly clear to me through this book. The author details not only the facts, but he also captures the human interest side- full of passion, sacrifice, love, tears and joy. What an amazing journey. This is typically not my genre, but I will now make it a point to read at least one book a month dedicated to cultural exploration. Much appreciation for the dedication and tenacity of Mr. Martinez and to all of the families who've shared their stories.