Crossings

( 1 )

Editorial Reviews

All Music Guide - Richard S. Ginell
With the frenzied knocking of what sounds like a clock shop gone berserk, Crossings takes the Herbie Hancock Sextet even further into the electric avant-garde, creating its own idiom. Now, however, the sextet has become a septet with the addition of Dr. Patrick Gleeson on Moog synthesizer, whose electronic decorations, pitchless and not, give the band an even spacier edge. Again, there are only three tracks -- the centerpiece being Hancock's multi-faceted, open-structured suite in five parts called "Sleeping Giant." Nearly 25 minutes long yet amazingly cohesive, "Sleeping Giant" gathers a lot of its strength from a series of funky grooves -- the most potent of which ...
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Editorial Reviews

All Music Guide - Richard S. Ginell
With the frenzied knocking of what sounds like a clock shop gone berserk, Crossings takes the Herbie Hancock Sextet even further into the electric avant-garde, creating its own idiom. Now, however, the sextet has become a septet with the addition of Dr. Patrick Gleeson on Moog synthesizer, whose electronic decorations, pitchless and not, give the band an even spacier edge. Again, there are only three tracks -- the centerpiece being Hancock's multi-faceted, open-structured suite in five parts called "Sleeping Giant." Nearly 25 minutes long yet amazingly cohesive, "Sleeping Giant" gathers a lot of its strength from a series of funky grooves -- the most potent of which explodes at the tail-end of Part Two -- and Hancock's on-edge Fender Rhodes electric piano solos anticipate his funk adventures later in the '70s. Bennie Maupin's "Quasar" pushes the session into extraterrestrial territory, dominated by Gleeson's wild Moog effects and trumpeter Eddie Henderson's patented fluttering air trumpet. Even stranger is Maupin's "Water Torture," which saunters along freely with splashes of color from Hancock's spooky Mellotron and fuzz-wah-pedaled Fender Rhodes piano, Gleeson's electronics, and a quintet of voices. Still a challenging sonic experience, this music which can be heard on Warners' Mwandishi two-CD set has yet to find its audience, though the electronica-minded youth ought to find it dazzling.
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Product Details

  • Release Date: 6/26/2001
  • Label: Warner Bros Uk
  • UPC: 093624754220
  • Catalog Number: 247542
  • Sales rank: 39,542

Tracks

Disc 1
  1. 1 Sleeping Giant (24:48)
  2. 2 Quasar (7:25)
  3. 3 Water Torture (13:54)
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Album Credits

Performance Credits
Herbie Hancock Primary Artist, Percussion, Piano, Electric Piano, Mellotron
Billy Hart Percussion, Drums
Bennie Maupin Bass, Percussion, Bass Clarinet, Alto Flute, Piccolo, Soprano Saxophone
Julian Priester Percussion, Trombone
Eddie Henderson Percussion, Trumpet, Flugelhorn
Scott Beach Vocals, Voices
Victor Domagalski Vocals
Patrick Gleeson Synthesizer
Delta Horne Vocals, Voices
Candy Love Vocals, Voices
Victor Pantoja Conga
Victor Pontoja Conga
Sandra Stevens Vocals, Voices
Buster Williams Bass, Percussion, Electric Bass
Technical Credits
Fred Catero Engineer, Remixing
Patrick Gleeson Engineer
Rob Springett Cover Painting
Stuart Nicholson Liner Notes
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Customer Reviews

Average Rating 4
( 1 )
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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    A reviewer

    This is a little know album that finds Herbie Hancock extending his hand to the Avant-Guard realm. Yet it's classic Hancock, because he's always experimenting.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
Sort by: Showing 1 Customer Reviews