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Crossroads of Canopy: Book One in the Titan's Forest Trilogy
     

Crossroads of Canopy: Book One in the Titan's Forest Trilogy

by Thoraiya Dyer
 

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The highly-anticipated fantasy debut from Aurealis and Ditmar Award-winning author Thoraiya Dyer, set in a giant mythical rainforest controlled by living gods

Unar dreams of greatness.

Determined but destitute, she escapes her parents’ plot to sell her into slavery. Now she serves in the Garden of the goddess Audblayin, ruler of growth and

Overview

The highly-anticipated fantasy debut from Aurealis and Ditmar Award-winning author Thoraiya Dyer, set in a giant mythical rainforest controlled by living gods

Unar dreams of greatness.

Determined but destitute, she escapes her parents’ plot to sell her into slavery. Now she serves in the Garden of the goddess Audblayin, ruler of growth and fertility.

But when Audblayin dies, Unar sees her opportunity for glory – at the risk of descending into the unknown dangers of Understorey to look for a reincarnated newborn god. In its depths, she discovers new forms of magic, lost family connections, and murmurs of a revolution that could cost Unar her chance…or grant it by destroying the home she loves.

“I am majorly impressed with Thoraiya Dyer's Crossroads of Canopy. A unique, gorgeous, and dangerous world, a stubborn female hero, and a writer to watch!”—Tamora Pierce

Editorial Reviews

Publishers Weekly
★ 10/17/2016
An ambitious young woman fiercely chases her destiny through an enormous, lush forest in Dyer’s superb, epic, and hypnotic debut, which launches the Titan’s Forest trilogy. In the great Forest, where the trees are “seven hundred people-lengths tall” and a single tree can house an entire city, 13 gods inhabit the upper Canopy, where the brown-skinned elite live luxurious lives in the sun and are protected by a magical barrier that keeps out the poor pale citizens of the lower darker Understory and Floor. In Canopy, Unar pledges herself to Audblayin, the goddess of birth and life. Unar feels in her heart that when the goddess dies, she will be reincarnated as male and therefore will require a female bodyguard, a position Unar is eager to fill. But after rescuing a slave who’s been sentenced to death, Unar must flee to Understory, where she witnesses the consequences of slavery, meets an angry little girl named Frog, learns humility from three supportive brothers, and is ensnared by a dangerous revolutionary, who enlists Unar’s powerful magic in her war to destroy the barrier and unite everyone into the so-called One Forest. Readers will be delighted by Dyer’s polished prose and an exquisite new world of intricate mythology, rituals, and politics. Agent: Evan Gregory, Ethan Ellenberg Literary. (Jan.)
From the Publisher

“Readers will be delighted by Dyer’s polished prose and an exquisite new world of intricate mythology, rituals, and politics.”—Publishers Weekly, Starred Review

“I am majorly impressed with Thoraiya Dyer's Crossroads of Canopy. A unique, gorgeous, and dangerous world, a stubborn female hero, and a writer to watch!”—Tamora Pierce

“A glorious botanical quest fantasy. Crossroads of Canopy is everything I hoped for of a Thoraiya Dyer novel — vivid worldbuilding, complex characters and an evil sense of humour. It’s rare to find an epic fantasy that’s so radically different to anything else out there, so treasure this book, grubs and all.” —Hugo and Ditmar Award-winning author Tansy Rayner Roberts

“For her striking first novel Crossroads of Canopy, Thoraiya Dyer reworks the stuff of epic fantasy in ways that seem organic, rooted in the natural world but just as true to human experience.” —Locus magazine

“Recommended for readers who appreciate nuanced world building, as both Canopy and Understorey are strange, fleshed-out lands thrown into turmoil.”—Booklist

"Crossroads of Canopy has everything you expect from a great epic—quests, fearless warriors, gods born again—but all is transmuted, through the rich and vivid original setting, into something entirely new." —Brian Staveley, author of The Last Mortal Bond

“Dyer presents a rich, brutal, fascinating world and an unforgettable heroine.” —Ilana C. Myer, author of Last Song Before Night

“A remarkable debut. What a delight to read a fantasy so different from the mainstream and so beautifully realised.” —Juliet Marillier, winner of the Aurealis Award and the Alex Award

“A stunningly original debut fantasy set in a lush and deadly treetop realm, amidst the kingdoms of thirteen relentlessly reincarnated gods, where disobedience is punished by a draining of magic and nobody lives who falls.” —Cat Sparks, author of Lotus Blue

“Imaginative, original, inclusive – and fast-paced and exciting. Go get it and read it. Maybe twice.” —Pamela Freeman, author of The Castings Trilogy

"Dyer's writing seamlessly melds a lush and layered canopy setting and a complex magical culture to form a unique fantasy world, filled with memorable characters in constant jeopardy. Unar, a girl on the brink of womanhood, is at the heart of the tale. Feisty, opinionated, certain of her own destiny, she's a tough flawed heroine, one readers will not easily forget." —Glenda Larke, author of The Stormlord Trilogy and The Forsaken Lands Trilogy

"Dyer is a writer of immense talent. Her powerful, distinctive voice makes Crossroads of Canopy a fully immersive read, so well-written and believable it will have you checking to see if the realms of Canopy, Understorey and Floor really exist." —Kaaron Warren, author of Walking the Tree

“Thoraiya Dyer has woven a world of gods and magic, a merciless forest where the slightest misstep can send the unwary, the unworthy, or the simply unfortunate plunging to an unremarked doom. Guiding us through the heights of this remarkable place is a young woman, Unar. Scrappy, complex and surprisingly compassionate, she must fight to establish a place for herself among the trees. If Crossroads of Canopy explores the cost of caring, it also examines the even higher price of indifference. It is a riveting novel.” —A.M. Dellamonica, author of A Daughter of No Nation

"A wonderful, magical, poetic, tragic novel...a major achievement." —Jenny Blackford, World Fantasy Award judge, author of The Priestess and the Slave

"The book is quite marvelous. Tons of cultural richness. Complex and casually cruel...Thoraiya Dyer is the writer I most want to infect people with." —Anna Tambour, World Fantasy Award-shortlisted author of Crandolin

Kirkus Reviews
2016-11-01
In a debut novel, Dyer introduces an unusual fantasy world set in the different levels of a giant forest and plagued by social strife.Canopy is a great city that spreads across the top level of a giant forest. Divided into 13 kingdoms, each devoted to a different god or goddess whose soul is constantly reincarnated into a human body, the world of Canopy holds itself carefully separate from the realms on the forest's lower levels. The city basks in the abundance that comes with plentiful sunlight and shores up its power and wealth with the labor of slaves. Unar, an ambitious and fiercely determined teenager, escapes her parents' plan to sell her into slavery and becomes a Gardener serving in the Garden of the goddess Audblayin. When the goddess dies, Unar finds herself passed over for promotion to a new level of magical power and service. Adrift from what she assumes is her destiny, she sets out to find the new reincarnation of her goddess and stumbles on to uncomfortable realizations about Canopy and her own past. The world of Unar's story is complicated and sometimes difficult to visualize, afflicted with profuse but often haphazard detail. Careful descriptions of clothes and people and the various fantastical quirks of the forest feel like notes for worldbuilding that the story does not quite have the strength and momentum to knit together. Race seems to play an important role in the social hierarchy of Canopy, but the story hesitates to make a strong, or even clear, statement. It is unclear whether the Canopians hold themselves above the pale-skinned residents of the lower levels because of their race or simply because they have the privilege of cultivating tans. An epic fantasy that builds an intriguing setting but never quite comes into focus.

Product Details

ISBN-13:
9780765385925
Publisher:
Tom Doherty Associates
Publication date:
01/31/2017
Series:
Titan's Forest Series , #1
Pages:
336
Sales rank:
138,522
Product dimensions:
6.10(w) x 9.30(h) x 1.30(d)

Read an Excerpt

Crossroads of Canopy


By Thoraiya Dyer

Tom Doherty Associates

Copyright © 2017 Thoraiya Dyer
All rights reserved.
ISBN: 978-0-7653-8593-2



CHAPTER 1

Moonlight had followed Unar in the hours since she'd slipped out of the Garden, and now, as a shadow on a branch resolved into a rain-silvered silhouette, she realised something else had followed her, too.

Unar wanted to ignore the crouching outline above and to the left of her. Barefoot on her own broad bough in loose leaf-trousers and a red Gardener's tunic, she was impatient to see if she could reach the thing, several body lengths below, that she'd come for. There, barely discernible in the dark, a cloth-wrapped bundle was stuck in the fork of the next lowest lateral branch, tantalising her, but half-heard myths of the Understorey kept her gaze fixed to the silhouette.

She gripped her bore-knife. It had proven useless in her descent through the mighty forest. This was a gap-axe tree and couldn't be bored into by any means short of magic. The knife should puncture a lung easily enough, though.

"Who's there?" she called defiantly.

"You climb well," a man's low, amused voice replied. "For a Gardener. But you're trespassing. You crossed the border many minutes ago."

"Which border?"

"Both of them."

Unar had been aware of it even before she reached the crossroads. She'd felt the Garden's power shrinking as she crossed horizontally from the realm of the birth goddess into the realm of the rain goddess. Then she'd felt queasy in her gut as she'd climbed lower and lower, crossing the vertical border from Canopy into Understorey.

Here, none of the Canopian gods or goddesses held sway. All the magical gifts of Unar's mistress had faded completely. Only Unar's physical strength and stamina mattered here.

"You've crossed the border, too," she said. "Who are you?"

The man leaned forward out of the tree's moonshadow. A lined brow suggested he'd seen at least twice as many as Unar's sixteen years. Water dripped from his glossy, tousled hair. Raised, charcoal-rubbed scars in the shape of tears streaked down cheeks that in daylight would be dark brown, naming him neither Understorian, nor slave, but a Canopian dedicated to the rain goddess, Ehkis. The tears of her Servants were said to have terrible powers, but below the magically defended border, they could do nothing but mingle harmlessly with the rain.

Unar relaxed her grip on the bore-knife.

"I'm Edax," he said. "Bodyguard of the Bringer of Rain. Shall I tell you her birth name while she's sleeping?"

"You're not her Bodyguard," Unar said, shocked. "If you were, you'd be with her, watching her." As if the rain goddess's Bodyguard, her most trusted, feared, and beloved, would betray childhood secrets from a time before the nature of her soul became apparent.

"She sleeps in the bottom of a lake. Who can harm her there? Meanwhile, I'm cursed with a Bodyguard's sleeplessness."

"It's a gift."

"You think you want that gift, little adept from the Garden Temple? You think you want to be a Bodyguard to the next incarnation of your goddess, when she is reborn a god? And what if she is a woman, again, and then another woman, and then a woman a third time? Mulch for brains!"

"You're the mulch for brains if you think you can guess the next gender of the one I serve."

The goddess that Unar served, Audblayin, the birth goddess, had been a woman for three incarnations. She was old now, so old. Surely she would take a turn at being a man. She must be a man. Then she would need a woman Bodyguard, and Unar would be waiting, ready to take the power that being a Bodyguard would bring.

To never need sleep!

"You have bigger problems than the next incarnation of Audblayin. Staying out after dark, for one thing. Will the Great Gates of the Garden not be closed to you forever, little Gardener?"

Unar raised the rain-speckled bore-knife higher as Edax came closer again. She realised as he moved along the underside of the branch, with a brazenness only a chimera should have owned, that he must be what he claimed to be. With utter certainty, she knew she couldn't fight him and live.

But he didn't know everything. The Great Gates were already closed, of course. Unar had climbed them. Edax eased himself down to the final branch between them. The flaps of a sodden, silver-star-embroidered, indigo jacket hung loosely over his black tunic. Also hanging were the paired hems of a calf-length skirt, split up the sides to give him freedom to climb while still appearing formal when he stood on a flat platform. She couldn't see if he was barefooted like she was or wore boots.

"I came for that," she said, indicating the bundle below them with her knife tip, not looking away from him.

"And what is that, exactly?" he asked.

"I felt it. When I was higher. I felt new life on the brink of being extinguished. Audblayin shares that power with all of us. So we can tend the Garden."

He dropped suddenly, suspended by clawed toes in front of her, upside-down with his skirt hems held in one hand, loincloth and concealed throwing knives showing, grinning, making her gasp. It wasn't right, to have feet like that. Unar had heard rumours that those who served Orin, goddess of birds and beasts, were permanently changed in size and shape, but nobody had ever mentioned to her that the Bodyguard of Ehkis had the grey toes and talons of a sooty owl.

"Shall I fetch it for you?" he asked whimsically.

"Yes," she said at once.

"What will you give me in exchange?"

"What do you want? I have nothing but what you see, and what you see is owned already. Audblayin gives no gifts to the Servants of her rivals."

"She owns you while you're in Canopy," Edax said salaciously. "Just as my oaths keep me celibate while I, one who walks in the grace of Ehkis, find myself in Canopy. This is Understorey."

Unar cursed.

"This is Understorey," she agreed. "Your goddess-given abilities to walk sideways and upside down won't work here, will they? Your tears will melt neither bones nor iron bars. Why did you offer to fetch it when you can't reach it? You're a liar. You're wasting my time." His owl talons were able to encircle the smaller branch that he hung from, but they couldn't penetrate the bark of the gap-axe tree.

New life on the brink of being extinguished. That bundle stuck in the tree fork could be the baby, Imeris, only fourteen days old. Unar had never met the baby's father, the merchant, Epatut. Imeris had fallen some ten hours ago. Everybody was looking for that baby, though. Epatut had offered a huge food reward. He'd even paid the Servants of the death god, Atwith, in order to learn that the child's spirit had not yet passed under their master's eye.

Unar didn't know Epatut, but she admired him for so desperately seeking a child who was probably far out of reach and alone in the dark, with death only a matter of time.

Except that I have surely found her.

Edax continued to grin and watch in silence while Unar stubbornly roped the wet, lichen-dappled bough of the great gap-axe tree. It was slippery, dangerous work. The tree was taller than seven hundred men standing on each other's shoulders, and falling wasn't the only risk. Understorians could be lurking anywhere in the gloom.

Worse, the longer she stayed below the border of Canopy, the more the arcane aura faded from her skin. By morning, the unseen magical barrier she'd passed through so easily would no longer admit her back to the high stratum that was her home.

Ten hours since the baby had fallen. Perhaps Imeris's aura was gone already, but Unar had to try. Nobody had tried to get Unar's sister back a decade ago when Isin had fallen.

Isin.

Isin had fallen during the monsoon. Unar paused with her fists tangled in rope, remembering. The rain had seemed to hang, fixed like spiderwebs. Water ran off branches unpredictably. There had been dry patches in odd places. Puddles in others. A man screamed that his dried fruit storage room was flooded and his fire was out, blaming the external stair tacked on by a neighbour.

All of that fell away when Unar, six years old, saw the open door of the hovel. Lacewings filled the black hole of it like flies in a dead animal's mouth. Her first, stupid thought: Our fire is out, too. Mother will be mad.

Father had halfheartedly called her name. That was how she knew she'd pushed ahead of him, teetering precariously on the path. The broken lock was gone. Stolen. It had contained a minuscule amount of metal. Faint light from the excuse for a window showed the empty crib.

Mother has taken Isin to the forge.

Mother had never taken either of her children to the forge.

Isin is taken, little Unar had thought, horrified. Isin is stolen, like the lock.

But, no. The ashy, wet smears on the splintered floor told the story. Isin had climbed over the railing and fallen into the wet ashes of the fire here. She'd crawled there, to get cooked grain from the cold wooden bowl with both hands, leaving ghostly, glutinous handprints here. Footprints there, where she used the bars of the crib to pull herself up. Landed on her bottom. Maybe she had cried.

She'd crawled to the open door and fallen into the dark.

Drips slowly, inexorably carried the ash and sticky grain residue over the edge. Unar had shrieked Isin's name.

And what had Father said?

We'll get another.

Another lock? Another child? Unar was afraid she knew which one he really meant, and when he tried to gather her, to push her inside, she bit his hand.

She didn't run away. Not then. Not yet. Not until years later, when she heard them talking and knew they intended to make her a slave.

"Your rope is too short," Edax observed, bringing her jarringly back to the present.

Unar wanted to cry. The man who claimed he was the Bodyguard of the rain goddess was right. She could return to the Garden for more rope, but by then it would be too late.

When she turned back to Edax, he stood beside her on the bough.

"Take my ankles," he said. For a moment, she simply stared up into his face. He couldn't be Ehkis's closest and most loyal Servant. Nobody with such grave responsibilities would be so rash.

Matching his impulsiveness, she wrapped her arms around his knees. Together, they toppled, face-first, the rope tied tight to Unar's climbing harness. It jolted them as they reached the end of it. Unar's grip on Edax's knees slipped to his feet. She managed not to recoil from them, even as the long owl-toes flexed, keeping the sharp talon-tips turned inwards. His hands grappled with the bundle.

"I have it," he shouted.

"What do we do now?" Unar cried as they swung in a pendulum arc, crashing into the gap-axe's smooth, unyielding trunk. But Edax, serpent-like, doubled back on himself, scaling the rope with the cloth-wrapped burden tucked under his arm, and with both of Unar's hands freed, she was able to climb up after him.

"Here," he said, breathing heavily, handing the bundle to her.

When Unar unwrapped it, her hands still shaking from the chance she'd taken, she found not a baby, but a bag of half-rotten blue quandong and white satinash fruit. Some of the seeds had germinated but withered in the absence of light.

"New life," Edax said. "Are you going to save it?"

Made mute by the deepness of her disappointment, Unar spread her hands, spilling the seeds and the wrappings into the blackness below.

CHAPTER 2

The Garden Gates were high and glittered in the moonlight with inset metals.

Elaborate carvings provided purchase for Unar's fingers and toes. It was probably sacrilege for her bark-encrusted bare soles to soil the life-giving lips of the engraved goddess, but she didn't care. All she could think about was the baby who had fallen and the smirk on Edax's face as she'd let the seeds scatter.

At the top of the Gate, the wards interrogated her memory, invading her mind.

Have you stolen food?

Have you stolen the sovereignty of another's body?

That question irritated her. If she'd been made a slave, as her mother intended, she could have been sold to the Garden and her bodily sovereignty stolen daily. But the Garden cared only for the sanctity of free Canopians.

Have you stolen human life?

"None of those things," she whispered, clutching her head as images of everything from her sister Isin's cross-eyed baby face to the withered seedlings flared and died. At last, the wards permitted her to drop down from the lintel into the Garden.

The Garden grew in the hollowed-out trunk and crown of a lopped-off tallowwood two hundred paces in diameter. It was the tallest tree in the niche of Audblayinland, one of thirteen sovereign kingdom niches that comprised the great city of Canopy, and despite losing half its leaves in the lopping, it was kept alive, growing, and malleable by the birth goddess's power.

Delicate suspended bridges connected the two dozen smaller gardens, planted in lopped lateral branches, to the central circle of the main garden. Soil was cultivated in the hollows, providing foundations for ferns and flowering miniature trees from Understorey and Floor. Open to the sky, except in the places where peaked pavilions stood, the Garden was watered by rain during the monsoon. In the dry season, slaves carried water from pools in the crotches of leafy lower laterals by screw pumps and buckets on chains.

At the very heart, surrounded by a moat filled with rainbow-hued fish, stood the egg-shaped Temple of Audblayin, Waker of Senses, the birth goddess, sometimes a god, carved of a piece from the lustrous white sapwood and pale yellow heartwood of the tree.

Unar hoped that the lone sentry, the sleepless Bodyguard of the goddess, would be hypnotised by the beauty of the moon this night and fail to spot the miscreant Gardener who crept back towards her hammock in the loquat grove. Unar had seen the goddess only once. It was the morning after an assassination attempt by a pregnant woman who had hoped to gain Audblayin's soul for her imminent child. The Bodyguard hadn't been with Audblayin when Unar saw her. Whispers said he had gone to punish the woman's family. It was he who had foiled the attempt itself, tossing the perpetrator out of one of those crescent-shaped windows to break her neck on the steps below.

Audblayin had emerged from the Temple at dawn to reassure her Gardeners and Servants. Her many-layered robe of eggshell-white and frost-green had a high, constrictive neck. It held her aged face in a receptacle like a benevolent, overripe aubergine. She'd made no motion to aid the growth of any tree or vine, yet all green things in close proximity had sent new growth creeping towards her. Out of season, luminous blue flax lily fruits burst into being on the ends of long black stems, and flowerfowl came nervously out from among the possum-paw plants and golden guineaflowers to lay their eggs at her feet.

Later in the morning, when the goddess had gone back into the Temple, Gardeners and slaves relished the eggs and fruit. Only Unar stared at the crescent-shaped window and wondered whether Audblayin's Bodyguard was short or tall, educated or unlettered, born an internoder or born stricken, a superior warrior or a superior mage.

Memories faded. Right now there wasn't time for Unar to stare at the window, not when she feared the Bodyguard might be staring back. She'd wasted enough of the night on her futile mission without being caught and punished as well.

As she skipped across a slender bridge that chimed gently and swayed under her weight, she barely avoided a collision with a slave.

The woman was cloaked and hooded. Dirty hands flew to her face an instant before she fell to her knees. White hands looked unfinished to Unar, like portrait outlines on parchment waiting for the mixing of the colours. Unar's friend Oos had made portraits on monkey-vellum upon arriving in the Garden. Those portraits, added to her manner of speaking, earned Oos the instant enmity of the other candidates. Plenty of them would have, prior to their calling, enjoyed a few extra animal skins, the source of the vellum, for warmth. They resented the vizier's daughter who wasted them on trifles.

"Forgive me, Warmed One," the slave said. She lowered her hands, revealing a bleached, hawkish face, and gazed up with white-lashed, watery, pale eyes.

Unar had noticed this particular slave before, one of five ageing beauties that had been left as a tribute at the Temple before Unar was born. They were the purchase price for the fertility of a Canopian princess, and in two decades, the five women had grown expert in tending plants.

Unar examined this one closely for the first time. The woman had the baby-sick skin but not the deep forearm scars of Understorian warriors with retractable "claws" for scaling trees. She couldn't be a slave taken in war, but instead must have been born a slave. Nobody had set the snake's teeth in place at puberty to form a grown fighter's magically grafted climbing spines.

"What are you doing?" Unar asked.

"Gardening, Warmed One."

"By moonlight?" Unar demanded, even as the rain clouds that had been covering and uncovering the moon all night cloaked it once again. Though the monsoon was over, there would be a few final, intermittent showers. "Is this Understorey superstition passing for true magic?"

"No!"

"Then explain what you're doing."

The slave looked everywhere but at Unar.


(Continues...)

Excerpted from Crossroads of Canopy by Thoraiya Dyer. Copyright © 2017 Thoraiya Dyer. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

THORAIYA DYER is a four-time Aurealis Award-winning, three-time Ditmar Award-winning Australian writer based in Sydney. Her stories have appeared in Clarkesworld, Apex, Analog, Redstone SF, Nature and Cosmos magazines, and anthologies, including War Stories, Long Hidden, and Cranky Ladies of History. Crossroads of Canopy is the first book in the Titan's Forest Trilogy.

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