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2002 Hard cover Very good in very good dust jacket. Binding tight, pages clean, minor rubbing to dust jacket, corners sharp. In original wrapping. Sewn binding. Cloth over
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boards. 655 p. Contains: Illustrations. Audience: General/trade.
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Ships from: Cambridge, MA
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$149.95
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Hardcover Good 0262621657 Good; Hardcover; 2002, The MIT Press; Former library copy with standard library markings; Rebound by former library owners in thick, red textured
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boards with the title in white paint lettering along spine; Light wear to covers; Library stamps to endpapers; Text pages clean & unmarked; Good binding with straight spine; 665 pages; "CTRL [SPACE]: Rhetorics of Surveillance from Bentham to Big Brother, " by Thomas Y. Levin, et al.
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$166.52
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Excellent customer service. May ship from alternate location depending on your zip code and availability. Satisfaction guaranteed!!
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$169.67
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2002 ISBN 0262621657. Hardback Textbook. Tight sound copy in very good condition with no apparent markings to the book.
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$175.00
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Cambridge: 2002 Hardcover Near Fine 0262621657. Color and black and white images throughout. First edition. SIGNED business card laid in: "With compliments from Ursula Froehne."
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About fine in glossy illustrated boards. No dust jacket, as issued.; 655 pages.
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Ships from: West Chesterfield, MA
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$175.99
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$203.69
Seller since 2013
Possible retired library copy, some have markings or writing.
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More About This Textbook
Overview
From the photographs taken with hidden cameras by Walker Evans and Paul Strand in the early twentieth century to the appropriation of military satellite technology by Marko Peljhan a hundred years later, the works of a wide range of artists have explored the dynamics of watching and being watched. The artists whose panoptical preoccupations are featured include, among others, Sophie Calle, Diller + Scofidio, Dan Graham, Pierre Huyghe, Michael Klier, Rem Koolhaas, Bruce Nauman, Yoko Ono, Thomas Ruff, Julia Scher, Andy Warhol, and Peter Weibel. This book, along with the exhibition it accompanies, is the first state-of-the-art survey of panopticism—in digital culture, architecture, television, video, cinema, painting, photography, conceptual art, installation work, robotics, and satellite imaging.
Editorial Reviews
The Los Angeles Times
If the camera as Cyclops is one figure of surveillance, another is the eye of God. In fact, the first text in CTRL [SPACE] argues that this eye is the prototype of surveillance in the Christian West: an omniscient gaze that is also internalized as conscience in our everyday struggle between "good and evil." — Hal FosterLibrary Journal
Published in conjunction with an exhibition at the ZKM Center for Art and Media in Karlsruhe, Germany, this timely catalog of the emerging genre of surveillance art is the first to compile critical essays discussing the history of surveillance, dating from Jeremy Bentham's Panopticon in 1787 to the present. The catalog includes many well-known Western artists and offers exposure to some who are lesser known. Curator and coeditor Levin has gathered a mixture of important original and previously published essays by some of the most respected postmodern theorists in this collection, among them Jean Baudrillard, Gilles Deleuze, Michel Foucault, Victor Burgin, and Slavoj Zizek. The layout mirrors the sensibility of the exhibit but is distracting, with overlapping type that can actually make reading the book difficult. This mammoth catalog includes biographies of the artists and authors, 950 illustrations (350 in color), and an exhibition checklist. Recommended for academic libraries with contemporary art collections.-Krista Ivy, California State Univ., San Bernardino Copyright 2002 Cahners Business Information.Product Details
Related Subjects
Meet the Author
Ursula Frohne is Professor of Art and Art History at International University Bremen, Bremen, Germany.
Peter Weibel is Director of ZKM | Center for Art and Media Technology, Karlsruhe, and coeditor of other ZKM books, including Making Things Public: Atmospheres of Democracy (MIT Press).