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Overview

Violet Paz has just turned 15, a pivotal birthday in the eyes of her Cuban grandmother. Fifteen is the age when a girl enters womanhood, traditionally celebrating the occasion with a quinceañero. But while Violet is half Cuban, she’s also half Polish, and more importantly, she feels 100% American. Except for her zany family’s passion for playing dominoes, smoking cigars, and dancing to Latin music, Violet knows little about Cuban culture, nada about quinces, and only tidbits about the history of Cuba. So when Violet begrudgingly accepts Abuela’s plans for a quinceañero–and as she begins to ask questions about her Cuban roots–cultures and feelings collide. The mere mention of Cuba and Fidel Castro elicits her grandparents’sadness and her father’s anger. Only Violet’s aunt Luz remains open-minded. With so many divergent views, it’s not easy to know what to believe. All Violet knows is that she’s got to form her own opinions, even if this jolts her family into unwanted confrontations. After all, a quince girl is supposed to embrace responsibility–and to Violet that includes understanding the Cuban heritage that binds her to a homeland she’s never seen. This is Nancy Osa’s first novel.

Violet Paz, a Chicago high school student, reluctantly prepares for her upcoming "quince," a Spanish nickname for the celebration of an Hispanic girl's fifteenth birthday.

Editorial Reviews

Publishers Weekly
"The charismatic narrator of this funny first novel doesn't know much about her Cuban heritage when her grandmother offers to throw her a quincea ero," said PW. "The heroine and her wacky family and friends keep the fiesta moving at a lively clip." Ages 12-up. (Mar.) Copyright 2005 Reed Business Information.
KLIATT
To quote the review of the hardcover in KLIATT, July 2003: Fifteen-year-old Violet Paz is caught between the old world of Cuba and her father's family, and the modern world of her freshman year in high school in Chicago. In Cuba, 15 is a turning point for young women, who celebrate their quincea±ero with a grand coming-out party where they are introduced as adults to the community. In Violet's circle of friends, no one has ever had such a celebration, and Violet doesn't want one either. As her abuela and her mother start planning in earnest, including searching for the perfect pink dress and finding ways to solicit party funds and supplies, Violet's initial reluctance turns into curiosity about her heritage and the land her grandparents fled so many years before. She takes a closer look at her family—her grandparent's broken speech, the domino tournaments, Tito Puente on the stereo—and creates an original comedy performance for competition as part of the school's speech team. As she struggles in her Spanish class, she decides to learn more about Cuba through a research project and even attends a peace rally with her activist best friend Leda, an act that puts her quince party on the line. Violet's appreciation for her family and their traditions grows as her skit becomes more and more polished. After she meets with Se±ora Flora, party planner extraordinaire, Violet realizes that the quince is really a statement about herself, and she decides to make the fiesta her own. The world becomes her stage as Violet embraces both her heritage and her individuality. Readers not only learn about the culture of Cuba, but also brush up on their Espa±ol as Osa skillfully stitches two worldstogether. (An ALA Best Book for YAs.) KLIATT Codes: JS*—Exceptional book, recommended for junior and senior high school students. 2003, Random House, Delacorte, 277p., Ages 12 to 18.
—Michele Winship
VOYA
Violeta Paz has just turned fifteen, and her Cuban grandmother takes it for granted that her beloved granddaughter will celebrate this milestone with a quinceañera, the grand coming-of-age festivity and cherished tradition that welcomes a girl into womanhood in many Hispanic communities. Violeta, American-born of a Cuban father and a Polish American mother, has scant knowledge of her Cuban heritage. Because even the slightest mention of Cuba brings sorrow and bitter memories of Fidel Castro's communist revolution to her father, the subject is avoided. Violeta really has no interest in such unfamiliar customs; however, after many discussions and with mixed feelings and great trepidation, she finally goes along with her doting grandmother's wishes. Osa's tale about a warmhearted, fun-loving family, a teenager's typical ambivalence about different cultures, the stress of dealing with high school demands and pressures, a budding romance, and how an imaginative, high-spirited young woman handles some thorny issues and does some growing up in the process, rings true and makes for an entertaining story with some hilarious moments. This reviewer's only quibble is that Spanish words and phrases are used liberally in dialogues, but translations are not always provided. A glossary is sorely needed. This marginal acquisition will fit best in areas with large Hispanic readerships. Other books on this traditional birthday celebration include Quinceañera Means Sweet 15 by Veronica Chambers (Hyperion, 2001/VOYA Ocotber 2001) and Elizabeth King's richly illustrated Quinceañera: Celebrating Fifteen (Dutton, 1998/VOYA February 1999). VOYA Codes: 3Q 2P M J (Readable without serious defects; For the YA with aspecial interest in the subject; Middle School, defined as grades 6 to 8; Junior High, defined as grades 7 to 9). 2003, Delacorte, 256p, Culberson
School Library Journal
Gr 6-10-Violet Paz, a 10th grader in suburban Chicago, spends the better part of a year preparing for her quincea-ero, the celebration of her womanhood, that her Cuban grandmother longs for her to experience. While her attention to the plans and her understanding of what the event means wax and wane in her consciousness, she turns her family's personal foibles and social extravagances into fodder for her speech team's Original Comedy competition. She wittily points up the bizarreness of her father's sartorial choices, her little brother's peskiness, her mother's quest to open her own restaurant, and the family's devotion to dominoes. She also struggles to make sense of traditions-including formal gown and waltzing-that are foreign to her life. Violet's father, born in Cuba and brought to the U.S. as a baby, refuses to discuss his native culture with his children, and Violet becomes increasingly anxious to learn more about her roots. Her two best friends are more than simply foils; they provide texture, humor, and tension to the story. In addition to speech team and family affairs, Violet's year includes a first crush and first date, each of which resolves pleasantly. Among the many strengths of this book are its likable and very real protagonist and her introduction to the nexus of politics and family. Too much goes on in this first novel, but the characters are so charming that while readers are in their company, the experience is interesting and engaging rather than frustrating.-Francisca Goldsmith, Berkeley Public Library, CA Copyright 2003 Reed Business Information.
Kirkus Reviews
This funny and tender chronicle of Violet's 15th year of life takes place in Chicago, but focuses on Cuban culture. Her family foists the quincea-era party, a marking of the passage from girlhood to womanhood, on Violet. She recoils from the idea of pink dresses and public performance but reluctantly agrees. Over time, while working on a stand-up comedy routine about her "loco" family, Violet becomes excited to be a quince, and grandmotherly genius solves the pink-dress problem. An appreciation of the absurd undulates through Violet and through the book itself. However, in conflict with the adult responsibilities her family promises are their refusal to discuss Cuba and their fury when Violet researches it. Conquering this problem is her real challenge. While the writing is choppy, with sentences falling awkwardly, there's heart and humor underneath all the same. (Fiction. YA)

Product Details

  • ISBN-13: 9780385732338
  • Publisher: Random House Children's Books
  • Publication date: 3/8/2005
  • Edition description: Reprint
  • Pages: 304
  • Sales rank: 308,199
  • Age range: 12 years
  • Lexile: 0750L (what's this?)
  • Product dimensions: 5.34 (w) x 7.96 (h) x 0.68 (d)

Read an Excerpt

1

What can be funny about having to stand up in front of everyone you know, in a ruffly dress the color of Pepto-Bismol, and proclaim your womanhood? Nothing. Nada. Zip. Not when you’re fifteen—too young to drive, win the lottery, or vote for a president who might lower the driving and gambling ages. Nothing funny at all. At least that’s what I thought in September.

My—womanhoods—hadn’t even begun to grow; I wore a bra size so small they’d named it with lowercase letters: aaa. Guys avoided me like the feminine hygiene aisle at the grocery store. And I never wore dresses. Not since I’d left school uniforms behind. Not ever, no exceptions. You’d think my own grandmother would remember that.

She didn’t.

“Eh, Violet, m’ija. I want buy you a gown and make you a ’keen-say’ party,” my grandmother said early that September morning in her customized English, shrewdly springing her idea on me at breakfast.

“Sounds good, Abuela,” I said as I buttered my muffin. “Except for the dress.”

Just Abuela, my little brother, Mark, and I were up; Abuelo, tired from traveling, was sleeping in, and Mom never got up until after Mark and I had left for school. Thrift store worker’s hours. Mom ran the Rise & Walk Thrift Sanctuary, a used-clothing shop in the church basement that operates on donations. Their motto is “The Threads Shall Walk Again.” Dad was on the early shift at the twenty-four-hour pharmacy inside the Lincolnville Food Depot, a combination grocery store/bank/hairdresser/veterinary hospital/pharmacy/service station. All they needed now was a tattoo parlor.

“What’s ’keent-sy’?” Mark asked, adding, “I want one too!”

“The quince,” said Abuela, “this is short for quincea-ero, the fifteenth birthday in Cuba.” She pronounced it

“Coo-ba,” the Spanish way. “Is a ceremony only for the girls,” she added, shaking a finger at Mark, who tipped his cereal bowl toward his mouth to get the last of the sugary milk at the bottom.

He swallowed. “That’s sexist, Abuela. Only for girls.” He tried another pass at his cereal bowl, but it was empty. “I know, because last year in my school on Take Your Daughters to Work Day, Father Leone said sons got to go to work too. So I got out of school!”

Abuela, looking starched somehow in one of Mom’s old terry cloth robes, her silver hair in a bun, raised an eyebrow and gave a wry smile. “This is equality, yes?”

She often says yes when she means no, and vice versa.

“The quincea-ero, m’ijo, this is the time when the girl becomes the woman.”

Mark, who was eleven then, shied away from any discussion that even hinted at having to do with body parts or workings. He turned corpuscle red, a nice counterpoint to his royal blue Cubs baseball cap, which he wore all day every day during the pro season, except in school and church, until the end of the last game of the World Series. The fringe of his dark hair stuck out in a ragged halo around his face. He immediately lost interest in the quince party. “Nevermind, countmeout,” he mumbled.

Abuela didn’t notice. “The quince is the time when all the resto del mundo ass-cepts your dear sister as an adult in the eyes of God and family. And she, in turn, promises to ass-cept responsabilidad for all the wonders in the world of adults.”

Responsabilidad. This sank in as deeply as the Country Crock into the nooks and crannies of my half-eaten English muffin, and raised a red flag. This quince party could be some sort of trap. “What if I don’t want to—ass-cept more responsibilities?” I asked, mindlessly mimicking Abuela’s pronunciation.

Mark slipped away, leaving his empty cereal bowl and milk glass on the table.

Abuela sat down with a tiny cup of sweet, black coffee. “Responsabilidades—how do you say? These come with the territory, chiquitica.” She downed her coffee in one shot.

I pointed to Mark’s dirty bowl. “How about his responsibilities?”

She shrugged and motioned for me to clear his place.

“Now that’s sexist,” I grumbled, stomping off to the sink with Mark’s dishes and my own.

Abuela said something that rhymed in Spanish, then translated: “The bull cannot make the milk, and the cow alone cannot make the bull.”

I kissed her, shaking my head, and left for school. There’s no sense arguing with the fundamentals.

Leda Lundquist stood waiting for me outside Spanish class. My friend Leda is as slim as a sunflower and admirably as tall, though not quite as seedy. She has long, straight, pale-pale blond hair and white-white skin with just the faintest glow to indicate that blood does run through her veins.

“Yo, Paz,” she said to me at the door, with her usual lack of finesse. “Come away with me this weekend.”

“Don’t you have a boyfriend for that, Leed?” I asked, sweeping past her and into the last row of seats.

Leda set down her gym duffel and books and sat beside me, braiding her hair into an orderly rope. She wore a giant turquoise tie-dyed T-shirt as a dress, belted with a rolled-up bandana. Rubber flip-flops and a pink plastic Slinky on one arm for a bracelet completed her back-to-school look. “I have got the perfect fund-raiser for you—for us—to go to Saturday afternoon.”

I groaned. “No way,” I said, before she had a chance to state her case.

“C-U-B-A” was all she said, and she waited for my reaction.

I raised my eyebrows in a let-me-have-it look.

“The Cuba Caravan’s coming through town. Isn’t your dad going? There’s gonna be a dance, and a send-off, and—”

I shook my head no, and harder for no way. I didn’t want to stir up that kettle of Caribbean fish. The subject of Cuba was best left unmentioned around Dad. “Forget it, Leda,” I said, wondering how many times I’d been caught up in this constant refusal of invitations since we’d first met. With the Lundquists’ raft of causes, most weekends offered at least one political demonstration for the family to enjoy.

“—and even a raffle, Paz, what could be better than that? Besides . . .”

She paused.

“Besides what?”

“Well . . . if we stand around long enough, you might meet some hunky Cuban guys at the salsa dance . . . and I could top a thousand bucks in the walkabout fund.”

Aha. The true motive. Leda was speaking of the European adventure fund that her parents pay into every time she goes to some activist thing with them—double if she brings a friend. By the time she turns eighteen, Leda plans to have enough money to traipse across Europe and several other continents, solo.

Which was why we, lofty sophomore creatures that we were, presently found ourselves in the back row of Se-ora Wong’s freshman Spanish class, trying not to be noticed. It had been Leda’s idea to take the first year of each language offered at Tri-District High so she’d be able to speak a little of the native tongue no matter where she roamed. Last year, merci beaucoup, it had been French. I didn’t care which language I learned, so I tagged along for the fun of it.

Se-ora Wong, diminutive but not fragile, ruled with an ironic fist. “Leona, Violeta, could you find it in your hearts to join the rest of us?” she asked, calling us by our Spanish-class names, hitting just the right note of sarcasm. She went on to show the class the same list of easy nouns that Leda and I learned last year at this time: casa, sombrero, estudiante—only last year it was in French.

First Chapter

1

What can be funny about having to stand up in front of everyone you know, in a ruffly dress the color of Pepto-Bismol, and proclaim your womanhood? Nothing. Nada. Zip. Not when you're fifteen—too young to drive, win the lottery, or vote for a president who might lower the driving and gambling ages. Nothing funny at all. At least that's what I thought in September.

My—womanhoods—hadn't even begun to grow; I wore a bra size so small they'd named it with lowercase letters: aaa. Guys avoided me like the feminine hygiene aisle at the grocery store. And I never wore dresses. Not since I'd left school uniforms behind. Not ever, no exceptions. You'd think my own grandmother would remember that.

She didn't.

"Eh, Violet, m'ija. I want buy you a gown and make you a 'keen-say' party," my grandmother said early that September morning in her customized English, shrewdly springing her idea on me at breakfast.

"Sounds good, Abuela," I said as I buttered my muffin. "Except for the dress."

Just Abuela, my little brother, Mark, and I were up; Abuelo, tired from traveling, was sleeping in, and Mom never got up until after Mark and I had left for school. Thrift store worker's hours. Mom ran the Rise & Walk Thrift Sanctuary, a used-clothing shop in the church basement that operates on donations. Their motto is "The Threads Shall Walk Again." Dad was on the early shift at the twenty-four-hour pharmacy inside the Lincolnville Food Depot, a combination grocery store/bank/hairdresser/veterinary hospital/pharmacy/service station. All they needed now was a tattoo parlor.

"What's 'keent-sy'?" Mark asked, adding, "I want one too!"

"Thequince," said Abuela, "this is short for quinceanero, the fifteenth birthday in Cuba." She pronounced it

"Coo-ba," the Spanish way. "Is a ceremony only for the girls," she added, shaking a finger at Mark, who tipped his cereal bowl toward his mouth to get the last of the sugary milk at the bottom.

He swallowed. "That's sexist, Abuela. Only for girls." He tried another pass at his cereal bowl, but it was empty. "I know, because last year in my school on Take Your Daughters to Work Day, Father Leone said sons got to go to work too. So I got out of school!"

Abuela, looking starched somehow in one of Mom's old terry cloth robes, her silver hair in a bun, raised an eyebrow and gave a wry smile. "This is equality, yes?"

She often says yes when she means no, and vice versa.

"The quinceanero, m'ijo, this is the time when the girl becomes the woman."

Mark, who was eleven then, shied away from any discussion that even hinted at having to do with body parts or workings. He turned corpuscle red, a nice counterpoint to his royal blue Cubs baseball cap, which he wore all day every day during the pro season, except in school and church, until the end of the last game of the World Series. The fringe of his dark hair stuck out in a ragged halo around his face. He immediately lost interest in the quince party. "Nevermind, countmeout," he mumbled.

Abuela didn't notice. "The quince is the time when all the resto del mundo ass-cepts your dear sister as an adult in the eyes of God and family. And she, in turn, promises to ass-cept responsabilidad for all the wonders in the world of adults."

Responsabilidad. This sank in as deeply as the Country Crock into the nooks and crannies of my half-eaten English muffin, and raised a red flag. This quince party could be some sort of trap. "What if I don't want to—ass-cept more responsibilities?" I asked, mindlessly mimicking Abuela's pronunciation.

Mark slipped away, leaving his empty cereal bowl and milk glass on the table.

Abuela sat down with a tiny cup of sweet, black coffee. "Responsabilidades—how do you say? These come with the territory, chiquitica." She downed her coffee in one shot.

I pointed to Mark's dirty bowl. "How about his responsibilities?"

She shrugged and motioned for me to clear his place.

"Now that's sexist," I grumbled, stomping off to the sink with Mark's dishes and my own.

Abuela said something that rhymed in Spanish, then translated: "The bull cannot make the milk, and the cow alone cannot make the bull."

I kissed her, shaking my head, and left for school. There's no sense arguing with the fundamentals.

Leda Lundquist stood waiting for me outside Spanish class. My friend Leda is as slim as a sunflower and admirably as tall, though not quite as seedy. She has long, straight, pale-pale blond hair and white-white skin with just the faintest glow to indicate that blood does run through her veins.

"Yo, Paz," she said to me at the door, with her usual lack of finesse. "Come away with me this weekend."

"Don't you have a boyfriend for that, Leed?" I asked, sweeping past her and into the last row of seats.

Leda set down her gym duffel and books and sat beside me, braiding her hair into an orderly rope. She wore a giant turquoise tie-dyed T-shirt as a dress, belted with a rolled-up bandana. Rubber flip-flops and a pink plastic Slinky on one arm for a bracelet completed her back-to-school look. "I have got the perfect fund-raiser for you—for us—to go to Saturday afternoon."

I groaned. "No way," I said, before she had a chance to state her case.

"C-U-B-A" was all she said, and she waited for my reaction.

I raised my eyebrows in a let-me-have-it look.

"The Cuba Caravan's coming through town. Isn't your dad going? There's gonna be a dance, and a send-off, and—"

I shook my head no, and harder for no way. I didn't want to stir up that kettle of Caribbean fish. The subject of Cuba was best left unmentioned around Dad. "Forget it, Leda," I said, wondering how many times I'd been caught up in this constant refusal of invitations since we'd first met. With the Lundquists' raft of causes, most weekends offered at least one political demonstration for the family to enjoy.

"—and even a raffle, Paz, what could be better than that? Besides . . ."

She paused.

"Besides what?"

"Well . . . if we stand around long enough, you might meet some hunky Cuban guys at the salsa dance . . . and I could top a thousand bucks in the walkabout fund."

Aha. The true motive. Leda was speaking of the European adventure fund that her parents pay into every time she goes to some activist thing with them—double if she brings a friend. By the time she turns eighteen, Leda plans to have enough money to traipse across Europe and several other continents, solo.

Which was why we, lofty sophomore creatures that we were, presently found ourselves in the back row of Senora Wong's freshman Spanish class, trying not to be noticed. It had been Leda's idea to take the first year of each language offered at Tri-District High so she'd be able to speak a little of the native tongue no matter where she roamed. Last year, merci beaucoup, it had been French. I didn't care which language I learned, so I tagged along for the fun of it.

Se-ora Wong, diminutive but not fragile, ruled with an ironic fist. "Leona, Violeta, could you find it in your hearts to join the rest of us?" she asked, calling us by our Spanish-class names, hitting just the right note of sarcasm. She went on to show the class the same list of easy nouns that Leda and I learned last year at this time: casa, sombrero, estudiante—only last year it was in French.

Reading Group Guide

Violet Paz has just turned 15, a pivotal birthday in the eyes of her Cuban grandmother. Fifteen is the age when a girl enters womanhood, traditionally celebrating the occasion with a quinceañero. But while Violet is half Cuban, she’s also half Polish, and more importantly, she feels 100% American. Except for her zany family’s passion for playing dominoes, smoking cigars, and dancing to Latin music, Violet knows little about Cuban culture, nada about quinces, and only tidbits about the history of Cuba. So when Violet begrudgingly accepts Abuela’s plans for a quinceañero–and as she begins to ask questions about her Cuban roots–cultures and feelings collide. The mere mention of Cuba and Fidel Castro elicits her grandparents’sadness and her father’s anger. Only Violet’s aunt Luz remains open-minded. With so many divergent views, it’s not easy to know what to believe. All Violet knows is that she’s got to form her own opinions, even if this jolts her family into unwanted confrontations. After all, a quince girl is supposed to embrace responsibility–and to Violet that includes understanding the Cuban heritage that binds her to a homeland she’s never seen. This is Nancy Osa’s first novel.


From the Hardcover edition.|

1. 1. Violet says that in her family “Spanish was currency. Currency I didn’t have” (p. 44). What does she mean by this? What else is “currency” in the Paz family? What is currency in your family?

2. 2. Señora Flora asks Violet, “How do you see yourself?” (p. 119). How does Violet reply? In what ways do you think Violet’s definition of herself changes between the beginning and the end of the book?

3. 3. Violet describes herself as having “a lot of half talents” (p. 119) that she’d like to make full talents. What are your half talents? How would you choose some to focus on and develop? Do you see yourself as having one great passion or endeavor in life, or a lot of little ones?

4. 4. The quinceañero marks the transition from childhood to adulthood. How do you see Violet making that transition in the course of the book? Is there any event or experience (it doesn’t have to be a fancy ceremony) in your life that marks this transition as the quinceañero does?

5. 5. In your eyes, what does it mean to become an adult? Consider the roles of your parents and friends; your education, religion, government, and culture; and your feelings in determining when you are an adult. Do you ever get mixed messages from these sources about what it takes to be considered an independent adult?

6. 6. Some of Violet’s adult relatives have their own reasons for wanting her to have the quinceañero. Why is Abuela, for example, so insistent? Have you ever felt that adults in your life wanted to experience something they’d never encountered in their youth–or relive an experience they had had–through you?

7. Why do you think Violet’s father resists telling her about Cuba? Have you ever had to go around your parents or other authority figures to learn about something and form your own opinion? Are there issues about which you’ve taken your parents’ opinion as your own without really thinking about it?

8. Abuela asserts that it is the woman, not the man, “who carries the tradition forward” (p. 246). What does she mean? Can you think of an example–from your own family or culture or a different one–that supports her claim, and an example that refutes it? What are the traditions in your life, and who makes sure they are carried forward?

9. What would be the theme of your quinceañero? What would you include in the ceremony to make it reflect your personality (or just for fun)?

Customer Reviews

Average Rating 4
( 44 )

Rating Distribution

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(14)

4 Star

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2 Star

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See All Sort by: Showing 1 – 20 of 44 Customer Reviews
  • Anonymous

    Posted March 26, 2012

    Isabella

    Its okay cassidy

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  • Anonymous

    Posted March 25, 2012

    Catherine

    Lays there un moving on the ground.

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  • Anonymous

    Posted January 10, 2012

    Lalaa

    I havent even read the sample of it yet so i dont know why im reviewing it. I just likr doung this: lalallaalalslalallhaaabhshtheeteeheeteeheeteeheteeheteeheeteelalaaaaaalhahaaaaaeeheetehet

    0 out of 2 people found this review helpful.

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  • Posted October 9, 2011

    Great book anytime, espically ifyou do Battle of the Books

    I think this is a great book so far and it makes great questions for battle of the books for stundents who are interested.

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  • Posted September 15, 2011

    Cuba 15

    This book was great

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  • Posted July 31, 2011

    Relatable

    I loved this book. I am a 14 year-old cuban girl and this was a interesting and relatable book for me. I loved it!

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  • Anonymous

    Posted May 18, 2011

    A must read!

    Cuba 15 is a book by Nancy Osa, published by Delacorte Press about a girl named Violet Paz, who considers herself an "all American girl", but in an effort to make her Cuban grandmother happy, she decides to throw a traditional quinceañero, or a "becoming of age" party. Violet is half Polish, and half Cuban, but she feels 100% American at heart. Violet knows that not going through with the quinceañero is not an option, so she decides it's best to embrace her Cuban heritage and go along with it. Even though the thought of her standing up in front of everyone in a pink frilly dress makes her sick. She decided that if she is being forced to throw this party, she might as well make it something that she can enjoy. So Violet tries her best to take party planning into her own hands. "'You may choose to embrace all of the elements of the quinceañero, or you may choose to flush traditions in the toilet and rewrite the ceremony for [it] to fit your personality.' It was good to see this in writing, and it turned out, the church service was optional." (Osa 50) Cuba 15 does start off a little slow, but you get sucked in by her family's crazy antics. This story is funny and amusing the whole way through, and it will definitely keep you entertained. The stories of her crazy family are really what keep you reading more. Violet uses her family as inspiration to write an original comedy skit for her speech team. A normal family cookout at the Paz's house can turn very interesting in just a matter of minutes. "A siren down the street mingled with blazing conga drums from the stereo as we returned to the backyard, to the sight of-flames on the grill. The roast was on fire." (Osa 99) I would recommend this book to anyone who is looking for an entertaining book. Not only does this book keep a person interested, but it helps you understand the relationship between Cuba and the United States, "Was a place sin problemas. Was our place. Pero, this Coo-ba is gone. Muerta." (Osa 31) Cuba 15 is a really good book, and I highly recommend it to anyone.

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  • Posted May 18, 2011

    Cuba 15 - Spanish Booke Review

    I read Cuba 15 by Nancy Osa. The book was published in 2005 in March of 2005.
    The book revolves around the idea of an age turning sophomore, Violet Paz is celebrating her 15th birthday, a big deal in the Spanish world. Due to her grandmother's wishes she will be having the traditional quinceañera that any Cuban girl dreams of, but not in Violet's case!
    Due to her ethnicity being half Cuban and half Polish, and her have growing up in the United States makes it difficult for her to understand the tradition and culture behind it, bringing out a very upsetting time in her house to have to talk about the past in Cuba.
    I wasn't the biggest fan of this book, but I didn't hate it. I liked Violet's friends, I felt they added a humorous touch to a more serious book. I don't really like serious or funny books, I'm more into mysterious books.
    While reading this book, I learned that you need to form your own opinions and beliefs and not go along with other peoples thoughts because they are them and you are yourself, with your own mind.
    I wouldn't recommend this book to anyone, I didn't enjoy it enough to tell other people to read it because that would be torturous.

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  • Posted May 18, 2011

    Review.

    Cuba 15 by Nancy Osa, Published by Delacorte Press in New York March 2005. This book is about a Hispanic girl that just turned 15 so everybody is arranging for her quincenera. But she really doesn't want one, and doesn't want to follow any of the traditions they have for it, because she is also half polish and thinks of her self as 100% American. So her Hispanic grandparents and also her mother are making her have one. The main character is a 15-year-old girl named Violet, and she isn't excited for her quincenera at all, because she doesn't want to wear a big pink dress and be the center of attention. This book is about a 15 year old girl named Violet, and her whole family and friends want to throw her a quincenera but she doesn't want to follow any of the traditions because she thinks their stupid. So they have to come up with some sort of an agreement on it. I didn't like the book because it was about a girl that didn't really want to have a quincenera, if it were me I would love to have one, but I'm not Spanish. She doesn't want to follow any of the traditions of it, so what's the point of having a quincenera if your not going to follow any of the rules for it, I mean you don't have to do the traditions but that's what makes it fun and more real. "The book says you don't have to follow traditions to the letter. You can go with whatever's right for you..so we don't have to do anything we don't want to."(pg.53) I learned more about a girls quincenera and what some of the traditions were, like you have to wear a big fluffy dress and you basically have the spot light all night and there are activities and dances you do at them also and it seems really fun. I wish I could have one, but I'm not Hispanic so I can't have one and if I did it wouldn't be right anyways. I would and I wouldn't recommend this book, it depends on what you're looking for. I mean if you want to learn a little bit about a girls quincenera and her opinions on it, then I would 100 percent recommend this too you. But if you're a boy then I doubt you would want to read this, but most girls would probably like it. If your Hispanic and is turning 15 soon, then you should definitely read this and see what her experience was like during this.

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  • Anonymous

    Posted December 14, 2010

    I Loved Cuba 15-Great Book for Women at Any Age!!!

    Cuba 15 is by far one of the best books i've ever read! Written by Nancy Osa, this coming of age novel had fun, clever character that every girl can relate to. The main character, Violet Paz, was so humorous, with her quirky remarks and non-stop personality. The book follws Violet in her journey of planning her quinceanero, or fifteenth birthday; a very important day in Cuban culture. Throughtout the novel, she faces problems with friends, her love life, and most importantly the never ending mystery behind her Cuban heritage. There is one particular part of the book that really stuck with me. In Chapter 24, there is one part about a Halloween party that Violet and all her classmates from her high school attend. On page 176 it says, "Leda had climbed onto the lap of one of the Bullsmen and slung an arm around his shoulders...When the Bull finally tugged his mask off, I stared grimly. It was Clarence." Clarence is Violet's love interst in the story, and Leda is her best friend. The reason this part struck me was because I felt that every girl at some point can relate to this type of situation. Violet thought that Leda was flirting with Clarence so of course she freaked out. I think that everyone, male or female, at one time thinks that the person they like, likes someone else and at the time it seems like a huge deal. That's why that partiuclar part made me laugh because I could truly relate to it. Overall, I really enjoyed Cuba 15. It was a quick, fun read and it was the hardest i've laughed over a book in a long time. This book reminded me how lucky I am to have such a big family, and how fortunate I am that my family is so close. I would reccomned this book very highly to women of any age!

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  • Posted July 26, 2010

    Cuba 15

    I LOVED THIS BOOK!!! I'm actually surprised by how i fast i read this! I think it has to do with the fact that i really liked it :)


    Violet Paz is a sophomore in High School who has just turned 15 years old. Her family is half Polish and half Cuban, yet she feels in between because she doesn't know much about her family roots, especially her Cuban side. When her Abuela (Grandmother) brings up the subject of a Quinceañero, Violet immediately objects to this nonsense. Who in there right mind would want to wear a puffy dress the color of petmol bistmol? Let alone, get in front of a crowd of people and proclaim your womanhood?


    These are the types of questions and thoughts that linger through Violet's head as her family insist that she have a Quince Fiesta. In case you don't know, a Quinceañero is a traditional coming of age party for Latina girls when they turn 15. A bit similar to a Sweet 16 party. While reading this book i remembered when i turned 15, it really was a special moment for me! I didn't have a Quince fiesta though- i didn't want one. Nancy Osa did such a great job capturing that feeling of when a girl is in that part of her life where she comes to terms with becoming a Señorita (Young Lady)


    There is also a Sub-Plot in this story that ties in PERFECTLY with the plot of Violet, planning her Quince with her family and two best friends. In school, Violet is invited to join the Speech Team with her two best friends by one of their teacher's. Violet is placed in the Original Comedy section of the team and to her surprise, she finds inspiration for her original piece from her family.Through this assignment, Violet finds herself seeking answers about her Cuban heritage. She even reaches the point where boundaries end up being crossed which results in a heartfelt climax with her family.


    I believe that a lot of girls would find this book to be an interesting read! It's funny, life like, and touching! Girls who are planning on having a Quince Fiesta will definitely enjoy this story! Grab this book Señoritas! :)

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  • Posted April 28, 2010

    Cuba 15 by Nancy Osa review.

    Cuba 15 is a novel by Nancy Osa it is about a girl named Violet with two best friends named Leda and Janell, and a crazy family! In the story Violet will deal with her abuela, abuelo, father, mother, and her younger brother. Violet's mother is polish and her father, abuelo and abuela are cuban. Violet's Abuela or grandmother will convince violet to have a quinceanero(quince) or a special fifteenth birthday party which is a big deal in Spanish culture it symbolizes becoming a woman but Violet doesn't know if she is ready for such "responsabilidad" as her family says. Her abuela. While planning her quince Violet is also looking for love, and she just might find it when she joins her school speech team with her two best friends. Although this is all going on, Violet is not to busy to become interested in her Cuban culture, by researching Cuba and learning a little more than her very stubborn father wishes for her.
    I did not like the the book Cuba 15 because of little details that confused me where i did not need to be confused at all, and had no real contribution to the story, such as when Violet says,"Vera Campbell, a junior who sometimes sold the school newspaper(Osa 110)." To me that does not paint a picture, it just makes me wonder, who sells the newspaper the other times? Or why does Vera only "sometimes" sell the newspaper? I much would have rather just kept reading and not have to stop and wonder.
    I did not like how the author Nancy Osa never left me ending a chapter wondering what's going to happen next because for me that's half the fun! For example she ends a chapter with,"My cast of quince characters, both on and off the stage , was seemingly under control, and i had a headless date for Halloween. Wonders would never cease(Osa 162)." The first thing that i don't like about this quote is I do not understand what she means by having a headless date for Halloween and even after reading the whole book i don't understand. The second thing I don't like about this is that it does not want to make me read on to chapter 23 at all. Maybe if Osa had ended her chapters with more edgy or intense statements or questions i would have been more enthused about this book.
    Something I did like about this book is that it helped me review my spanish. Her family would talk back in forth in some simple spanish sentences and words. It made me feel proud when I could understand what they were saying. For example,"En esta casa, no hablamos de estas cosas(Osa 213)." When i read this I understood that it ment in this house we do not talk of these things. There are many, many pages with spanish to help review.
    I learned a lot from this book, I learned all about how important a quince is to the Cuban culture and all Spanish cultures at that. I also learned knew words in Spanish when i saw a conversation in Spanish that i didn't know how to translate, i looked it up and now i have a larger vocabulary. I also ever knew that there was a such thing s a speech team and i think it sounds very interesting, maybe my school should have one.
    I know the questions running through your mind! Will Violet finding to much about Cuba ruin her now beloved quince? Will Violet perform well enough at the speech competition to move on to the next tourney? Will the boy violet thought was the one actually like her best friend? And most importantly will Violet's relationships with her famil

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  • Posted December 15, 2009

    Cuba 15 Review

    I read the book Cuba 15 by Nancy Osa. This book is published by Delacorte Press in New York. The copyright date is 2008. Cuba 15 is bout a 15 year old girl, named Violeta, with Cuban heritage. Throughout the whole novel Violeta tries to discover more and more about her family's past. But whenever she brings it up, she never gets the answer she wants. Violeta's family doesn't like to talk about their life back in Cuba.
    Since Violeta is 15, it is Cuban tradition to have a quinceanero. A quinceanero is when a 15 year old girl changes from a girl to a woman. Violeta doesn't like the idea of, "having to stand up in front of everyone you know, in a ruffly dress the color of Pepto Bismol, and proclaim your womanhood." (Osa 1). But as the book progresses she warms up to the subject. Throughout all of this chaos Violeta is also in the middle of a speech competition. Violeta goes with the flow when in comes to school. So when she was asked to join the speech team, she couldn't decline the offer. Violeta's life is pretty hectic. And between all of these events she has to listen to her family bicker about her quince.
    At the beginning of Osa's work it was a struggle to become hooked. But as the novel advanced I became more interested. In order to read this book, you have to enjoy reading for fun, because the book tends to get boring. So I guess you could say I liked the book, not a lot, but I did find interest in it. I sort of liked it, because I liked the descriptions Nancy Osa used to describe certain incidents. What I got from this book, was what a 15 year old girl goes through to have a quinceanero, and what a quince was. I would recommend this book to anyone who wants to learn about a quinceanero, or anyone who finds interest in Cuban heritage.

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  • Anonymous

    Posted January 3, 2009

    Cuba 15

    Violet Paz has just turned 15; the age when a girl enters womanhood and celebrates the occasion with a traditional quinceanera party. This is of great importance to Violets Cuban grandmother. She longs for Violet to have this experience, but Violet realizes she knows little about her half-Cuban, half-Polish heritage; and more importantly nothing about quinces. ¿Since my dear grandmother has offered to throw me a quince party, I have gratefully accepted the idea¿ (pg 48). As Violet helps her mom plan for the party she begins to understand its meaning, and how important this event is to her family. Meanwhile at school Violet decides to use her family¿s loud personality to write a comedy act for her speech teams Comedy Competition. As preparation for the party begins Violet becomes anxious to learn more about her roots. She goes to her father for help since he was born in Cuba and brought to the U.S. as a baby, but he refuses to discuss his culture. The mentioning of Cuba in her family brings her grandmother sadness, and her father anger. ¿How am I supposed to learn anything about Cuba if you won¿t even let me try?¿ Dad¿s face was full of fire. ¿This is precisely what I am trying to save you from, little girl¿ (pg 250)! Instead Violet contacts her Aunt Luz for support; she sends Violet books on quinces, and CD¿s of Cuban music to get started. She learns that a quince girl is supposed to have responsibility, and to Violet that means understanding her Cuban heritage and culture. Violet becomes more and more involved in her speech competition and decides to have the theme of the party be ¿All the World¿s a Stage¿, which makes her celebration unique and personal.


    I would recommend this book to anyone who would enjoy a humorous novel about learning more about your culture, and your family. Throughout the book Violet comes to understand that quinces are about traditions, family, and your own self discovery. This was a well written book about the journey of growing up. She discovers just how important her two best friends are to her as they help when Violet runs into trouble along the way. The book kept my attention; and was very interesting to learn about quince celebrations and Spanish traditions.

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  • Posted October 27, 2008

    more from this reviewer

    Reviewed by Mark Frye, author and reviewer for TeensReadToo.com

    Violet Paz gives little thought to her ethnicity. She's half-Cuban and half-Polish, but all American. She takes her father's roots for granted, even if her crazy relatives are always visiting for mega-Domino tournaments and zany cookouts. But when her grandmother and parents insist that she participate in her "quince," she is forced into a reluctant and embarrassed embrace with an "old world" tradition.

    This debut novel masterfully and subtly details the modernization of the quinceanero, a coming-of-age party for a Latina's fifteenth birthday, through the eyes of a clever and humorous teen living near Chicago. The author, Nancy Osa, accurately captures the resentment of parental influence some teens experience in their quest for their own identity. As Violet struggles with being forced to participate in her own quince, she seeks advice from other adult figures who help her balance parental expectations with her own need for independence. Osa pulls off this high-wire act masterfully, not going "over the top" in teen rebellion fashion, nor making Violet an unbelievably acquiescent parent-pleaser.

    Osa weaves the subplot into the novel quite well, also. It makes Violet's self-discovery a double success story: not only does she make her quince relevant to her modern, American life, but she uses her zany family's exploits as fodder for her speech team event.

    CUBA 15 has received considerable attention and been nominated for numerous awards. This is a likeable story from a "new" author I hope we hear from again! Five stars.

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  • Anonymous

    Posted April 8, 2008

    Now and Then

    Violet Paz is half-Cuban,half-Polish heritage but feels much more american. Violet is an outgoing girl who loves theater and was soon to be 15. Her Cuban grandmother suggested that she should have a big traditional 'Quinceanera,' it would help with Violet learning more of the culture's tradition, family coming together, and finding who she was. but Violet was soon to have her big day with the theater theme and the mixture of her cultures. She knew this day was going to be special to her and her family. She studied hard and wrote about her family in trying to have a much more bigger understandment of them. knowing that her family loves the game of domino, she based that on a sketch, which she perfoms in. Overall she comes across her first boyfriend and stuggles again with friendship between her two best friends, who are very close and valuable to her. Cuba 15 is a great book, because it shows that some people with mixed heritage might feel different. People like Violet consider themsevles different then what they are. How Violet said that she was more american but then again she wants to be able to mix her taraditions, the old and the new.

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  • Anonymous

    Posted April 13, 2008

    Cuba 15

    The novel Cuba 15 was written by Nancy Osa and published by Delacorte Press. The main character is a soon to be 15 year old girl named Violet, who has a Cuban heritage. Violet likes to keep it low key, so she is not too thrilled when her abuela insists that she have a huge quince for her 15th birthday. A quince is a Cuban celebration that is given to a fifteen year old girl to celebrate her becoming a woman. The book is all about Violet learning more and more about her Cuban heritage and planning one of the biggest celebrations that she will ever have in her life. As the quince is getting closer and closer, Violet starts to get excited for it. She was apprehensive about it at first, but begins to really look forward to it. When Violet lies to her parents and goes against their strong political beliefs to support Fidel Castro, a man who took over Cuba causing many people, including Violets family to leave, Violet gets into some huge trouble. Violet, who has a different opinion and a more open mind than her father, was only trying to learn more about her heritage. Unfortunately her father does not understand and wants to cancel her party. Whether he is able to cancel the party or not, he knows one thing for sure: he is not attending it. Violet is extremely upset because of how much this party means to her, and with her father not being there it would never be the same (if she even still gets to have the party). The rest of the story is about how Violet solves this enormous conflict with her family. At the beginning of the novel, the story was kind of boring, because nothing was really going on and it took me a little while to get into it. Once it started getting closer to the end I started to really enjoy it. It becomes really interesting when the author starts writing about many different events leading up to the quince, and you just have to know how everything turns out. Nancy Osa writes, ¿¿What¿s this?¿ he asked, sliding a blue card out. It read, `No. 147599 THANK YOU ________ FOR YOUR 5/2 TAXDEDUCTABLE $5.OO DONATION, CLERGY FOR CUBA/PEACE WITH CUBA FOUNDATION.¿ My raffle ticket. And beneath it, the leaflets I¿d picked up at the rally. Dark clouds filled Dad¿s eyes as he scanned them¿ (p249). Although the beginning was boring, it was worth reading it to get to the end. I learned so much about quinces and Cuban customs. I also learned about the government in Cuba and about the political arguments and fighting that have been going on for quite some time now. Lastly, the characters in the book spoke Spanish, which actually helped me better understand the language and learn a few new words. I would recommend this book to anybody who would like to learn about a new culture. Not only is it filled with new information, but it is a fun way to learn, unlike those boring movies that put you to sleep. It is an exciting story that once you get into to it, you won¿t want to put it down.

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  • Anonymous

    Posted December 16, 2007

    A Party for Her People

    ¿What can be funny about having to stand up in front of everyone you know, in a ruffly dress the color of Pepto-Bismol, and proclaim your womanhood? Nothing. Nada.¿ The book Cuba 15 is a coming of age story about Violet Paz is a 15 year old 10th grader. This book is written in Violet Paz's 'the main character' point of view, and the setting is in Chicago in present day. Violet wants nothing to do with the quinceañero, although she goes along with the party for her grandmother. In this story of high school ups and downs, friends, romance, and the stress of planning a huge party for everyone she has ever known, will Violet crack under pressure or become the woman her grandmother wants her to be? Violet¿s family loves to play dominoes and have fun together. Violet¿s overbearing abuela 'grandmother' wants Violet to complete her transformation through womanhood with a party called a quinceañero, which in the Cuban culture is a huge deal. ¿The quinceañero, or quince, is a fifteenth-year coming-of-age ceremony traditionally held for girls in Latin American countries.¿ Violet¿s mother is Polish and this makes Violet feel even more confused about her heritage and if she should even go through with her quinceañero. Her baseball obsessed little brother Mark could care less about her quinceañero and wonders why her theme isn¿t baseball. Her aunt Luz is always there for her with her advice. Her two best friends Janell 'an artsy young women' and Leda 'an activist for many causes, and a strict vegetarian' or damas at her side can they help her realize that the party isn¿t such a bad idea? Violet doesn¿t even feel Cuban enough to pull of a party with a dreaded dress, traditionally pink. Cuba to her is a mysterious island that her father refuses to speak about and even mentioning the island makes her grandparents very sad. Along with the stress of a huge party Violet is also on a speech team. She must survive the ¿Ax¿ and hope her comedic story about her crazy Cuban family will impress judges at her tournaments. I thought this book was a decent read with a good story line that always kept you guessing. By reading this book I learned more about quinceañeros and it was enjoyable to read a book with a little Spanish in it. This book also taught me more about Cuba and how immigrants from Cuba were effected by Fidel Castro. The sadness and anger Violet¿s father and grandparents felt about Cuba made the book more interesting. I would recommend this book to someone who is planning a quinceañero or even to anyone who is in high school. This book made me wish I could have had a quinceañero.

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  • Anonymous

    Posted December 18, 2007

    Cuba 15

    The book Cuba 15 is about a girl named Violet Paz who lives with her crazy Cuban family in Chicago. Although Violet is both Cuban and Polish, she feels 100 percent American. When her Abuela suddenly announces that Violet will be having a 'quince', Violet will do anything to keep it from happening. A 'quince' is a party that is celebrated on a girls fifteenth birthday symbolizing her entering into womanhood. Even though Violet is against this at first eventually she begins to look forward to it, even making her wonder about her Cuban backgrounds. I thought this book was pretty good. I liked it because there were many real life problems that most teenage girls have. For example disagreeing with your family while dealing with school and boyfriends. The reason why I didn't like this book is because at the beginning the book seemed slow paced, but by the end, the book jumped from season to season quickly. I would recommend this book to someone who is either taking Spanish or thinking about taking Spanish. There is much Spanglish in this book making it fun yet cultural. Altogether I think the author, Nancy Osa, did a great job portraying Violet Paz throughout this book, seeing her problems and how she dealt with each of them.

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  • Anonymous

    Posted December 18, 2007

    Cuban Girl's Quinceañero

    Violet Paz, a 15 year old sophmore in high school is told by her dear abuela 'grandmother' that it is traditional to have a quinceañero for all Latin/Cuban girls at the age of 15 for it is known to be the point at which a girl is to become a woman. Violet wants nothing to do with the party whatsoever and does not have that much of a backround knowledge on her Cuban family history. In her family, the tradition for all the girls having their quinceañero is to wear a frilly pink dress, in which Violet does not like, and to speak in front of everyone at the party about her upcoming womanhood, and too she does not like this either. While going through the ups and downs of highschool drama, she has her two best friends Janell very sweet young woman and into art, and Leda who is said to be an activist and vegetarian. These two help her throughout the plans for her party. Violet's father does not wish to talk or even really think about Cuba at all, her mother is right beside Violet's grandmother helping create the whole party under Violet's theme, her grandfather, who is always having small barbeques and playing dominoes in the backyard, and her little brother, Mark, who thinks nothing but sports and does not really want anything to do with his big sister's party. To help Violet with her speech and fear of speaking to her family at her party, she joins a speach team with her friends, where she enrolls in a form of Comedy. Violet does her act portraying her 'crazy' family's life at home. At the tournaments that she goes through, she hopes to impress the judges and coaches with her act and hoping to be able to overcome her fear. Throughout the period of planning her quinceañero, Violet experiences a series of troubles and romance, but through it all, she learns more about her than she thought she knew and finally can't wait for her party. At 'All The World's A Stage', life changes before Violet Paz's eyes. Cuba 15 was a pretty decent book. I learned more about both Cuban and Latin traditions and how different they are from American or any other. It also helped me understand more about quinceañeros and how much work is needed to be put in time is very much needed.

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