Cuban Cinema / Edition 1

Cuban Cinema / Edition 1

by Michael Chanan
     
 

ISBN-10: 0816634246

ISBN-13: 9780816634248

Pub. Date: 12/08/2003

Publisher: University of Minnesota Press

The earliest films made in Cuba—newsreel footage of the Cuban-Spanish-American War—date from the end of the nineteenth century, but Cuba cannot be said to have had an indigenous film industry before the revolution of 1959. The melodramas, musicals, and comedies made until then reflected Hollywood’s—and the United

Overview

The earliest films made in Cuba—newsreel footage of the Cuban-Spanish-American War—date from the end of the nineteenth century, but Cuba cannot be said to have had an indigenous film industry before the revolution of 1959. The melodramas, musicals, and comedies made until then reflected Hollywood’s—and the United States’s—cultural domination of the island, but the revolution precipitated urgent debates about the role of cinema in a socialist country and the kinds of films best suited to the needs of the people and their rulers. Among the feature films, documentaries, and short subjects made in accordance with revolutionary principles are celebrated works by Tomás Gutiérrez Alea, Humberto Solás, and other filmmakers who have had a profound influence on both Latin American and world cinema.Michael Chanan provides a comprehensive, authoritative, and absorbing account of Cuban cinema both before and after the revolution, deftly setting individual films and filmmakers within the larger framework of Cuba’s social, political, and cultural history. First published as The Cuban Image in 1984 to wide acclaim, Cuban Cinema now appears in a new, expanded edition that updates Chanan’s discussion to the beginning of the twenty-first century. New chapters address ongoing concerns about freedom of expression; Havana’s restored importance within the Latin American film industry through the Havana Film Festival, before state support for filmmakers dwindled in the economic collapse that followed the fall of the Soviet Union; Cuban cinema’s place within the globalized cultural market; and the changing audience for Cuban films. The only book-length study of Cuban cinema written in English, this indispensable work on one of the world’s most vital national cinemas offers a unique perspective on the Cuban experience in the twentieth century.Michael Chanan is a documentary filmmaker and professor of cultural and media studies at the University of the West of England in Bristol.

Product Details

ISBN-13:
9780816634248
Publisher:
University of Minnesota Press
Publication date:
12/08/2003
Series:
Cultural Studies of the Americas
Edition description:
New Edition
Pages:
664
Product dimensions:
5.88(w) x 9.00(h) x 1.30(d)

Table of Contents

Prefaceix
Coppola on Cuban Filmxv
Introduction: Forty Years On1
Part IBefore the Revolution: Cinema at the Margins
1For the First Time25
2Back to the Beginning38
3The Nineteenth-Century Heritage56
4Melodrama and White Horses68
5Amateurs and Militants90
Part IIThe Revolution Takes Power: A Cinema of Euphoria
6The Coming of Socialism117
7The First Feature Films144
8Beyond Neorealism163
9The Documentary in the Revolution184
10The Revolution in the Documentary218
11The Current of Experimentalism247
12Four Films273
13Imperfect Cinema and the Seventies305
14One Way or Another332
Part IIINew Generations: A Cinema of Readjustment
15Reconnecting355
16Return of the Popular395
17Wonderland444
Notes497
Distribution Information519
Index of Film Titles521
Index of Names529

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