Cult Fiction: Art & Comics

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The comic book, the cartoon strip and the single-panel gag are recurring motifs in twentieth-century art, providing a platform for narrative, political critique, graphic clarity, and, of course, fun. Cult Fiction: Art & Comics examines the work of artists who produce comics and cartoons as part of their practice, as well as those who employ the language of the comic in their work, borrowing from stylistic sources across high and low culture. Accompanying a U.K. exhibition tour, and designed by Fantagraphics ...
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2007-07-01 Paperback New 1853322601 Ships Within 24 Hours. Tracking Number available for all USA orders. Excellent Customer Service. Upto 15 Days 100% Money Back Gurantee. Try ... Our Fast! ! ! ! Shipping With Tracking Number. Read more Show Less

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Trade Paperback New The comic book, the cartoon strip and the single-panel gag are recurring motifs in twentieth-century art, providing a platform for narrative, political ... critique, graphic clarity, and, of course, fun. Cult Fiction: Art & Comics examines the work of artists who produce comics and cartoons as part of their practice, as well as those who employ the language of the comic in their work, borrowing from stylistic sources across high and low culture. Accompanying a U.K. exhibition tour, and designed by Fantagraphics art director Jacob Covey, this catalogue's bold layout complements the artworks included in its pages. An essay by Paul Gravett, a writer and curator who has worked in comics publishing and promotion for over 20 years, illuminates the long-standing love affair between fine art and comics, emphasizing contemporary practitioners in Britain and the U.S., including Laylah Ali, Glen Baxter, Daniel Clowes, Liz Craft, R. Crumb, Adam Dant, Julie Doucet, Debbie Dreschler, Marcel Dzama, Mar Read more Show Less

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2007 Paperback New 9781853322600. Flawless copy, brand new, pristine, never opened--96 pp.; 114 ills. + 16 pages booklet with 14 illustrations.

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Overview

The comic book, the cartoon strip and the single-panel gag are recurring motifs in twentieth-century art, providing a platform for narrative, political critique, graphic clarity, and, of course, fun. Cult Fiction: Art & Comics examines the work of artists who produce comics and cartoons as part of their practice, as well as those who employ the language of the comic in their work, borrowing from stylistic sources across high and low culture. Accompanying a U.K. exhibition tour, and designed by Fantagraphics art director Jacob Covey, this catalogue's bold layout complements the artworks included in its pages. An essay by Paul Gravett, a writer and curator who has worked in comics publishing and promotion for over 20 years, illuminates the long-standing love affair between fine art and comics, emphasizing contemporary practitioners in Britain and the U.S., including Laylah Ali, Glen Baxter, Daniel Clowes, Liz Craft, R. Crumb, Adam Dant, Julie Doucet, Debbie Dreschler, Marcel Dzama, Mark Kalesniko, Kerstin Kartscher, Killoffer, Chad McCail, Paul McDevitt, Kerry James Marshall, Kim Pace, Raymond Pettibon, Olivia Plender, Jon Pylypchuk, James Pyman, Joe Sacco, David Shrigley, Posy Simmonds, Richard Slee, Carol Swain, St├ęphane Blanquet, Melinda Gebbie, Alan Moore and Travis Millard. Specially commissioned self-portraits and question-and-answer forms filled out by hand by all contributing artists make Cult Fiction one-of-a-kind.
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Product Details

  • ISBN-13: 9781853322600
  • Publisher: Hayward Gallery
  • Publication date: 7/1/2007
  • Pages: 96
  • Product dimensions: 9.40 (w) x 13.30 (h) x 0.50 (d)

Meet the Author

Laylah Ali was born in 1968 in Buffalo, New York. She has had solo exhibitions at inVA, London; 303 Gallery, New York; Gertrude Contemporary Art Space, Melbourne, Australia; Contemporary Art Museum, St. Louis, Missouri; Albright-Knox Art Gallery, Buffalo, New York; Museum of Modern Art, New York; Institute of Contemporary Art, Boston; and the Yerba Buena Center for the Arts, San Francisco, among others. She has been featured in group exhibitions such as The Body, The Ruin, Ian Potter Museum of Art, Melbourne, Australia; 2004 Whitney Biennial, New York; Splat Boom Pow!, Contemporary Art Museum, Houston, Texas; 2003 Venice Biennale; and Freestyle, Studio Museum in Harlem, New York. She received a B.A. from Williams College and an M.F.A. from Washington University, St. Louis. Ali lives and works in Williamstown, Massachusetts.

Marcel Dzama was born in Winnipeg, Canada in 1974, where he later founded the Royal Art Lodge, and where he still lives and works. Last year his work appeared in Paris, Stockholm, London, Dusseldorf, Toronto and New York. It has also been published by Simon & Schuster, Penguin Books, Soft Skull Press and McSweeneyis Books.

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