Cultural Erotics in Cuban America

Cultural Erotics in Cuban America

by Ricardo L. Ortiz
     
 

ISBN-10: 0816647968

ISBN-13: 9780816647965

Pub. Date: 01/03/2007

Publisher: University of Minnesota Press

Miami is widely considered the center of Cuban-American culture. However vital to the diasporic communities’ identity, Miami is not the only—or necessarily the most profound—site of cultural production. Looking beyond South Florida, Ricardo L. Ortíz addresses the question of Cuban-American diaspora and cultural identity by exploring the

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Overview

Miami is widely considered the center of Cuban-American culture. However vital to the diasporic communities’ identity, Miami is not the only—or necessarily the most profound—site of cultural production. Looking beyond South Florida, Ricardo L. Ortíz addresses the question of Cuban-American diaspora and cultural identity by exploring the histories and self-sustaining practices of smaller communities in such U.S. cities as Los Angeles, Chicago, and New York.

In this wide-ranging work Ortíz argues for the authentically diasporic quality of postrevolutionary, off-island Cuban experience. Highlighting various forms of cultural expression, Cultural Erotics in Cuban America traces underrepresented communities’ responses to the threat of cultural disappearance in an overwhelming and hegemonic U.S. culture. Ortíz shows how the work of Cuban-American writers and artists challenges the heteronormativity of both home and host culture. Focusing on artists who have had an ambivalent, indirect, or nonexistent connection to Miami, he presents close readings of such novelists as Reinaldo Arenas, Roberto G. Fernández, Achy Obejas, and Cristina García, the playwright Eduardo Machado, the poet Rafael Campo, and musical performers Albita Rodríguez and Celia Cruz.

Ortíz charts the legacies of sexism and homophobia in patriarchal Cuban culture, as well as their influence on Cuban-revolutionary and Cuban-exile ideologies. Moving beyond the outdated cultural terms of the Cold War, he looks forward to envision queer futures for Cuban-American culture free from the ties to restrictive—indeed, oppressive—constructions of nation, place, language, and desire.

Ricardo L. Ortíz is associate professor of English at Georgetown University.

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Product Details

ISBN-13:
9780816647965
Publisher:
University of Minnesota Press
Publication date:
01/03/2007
Edition description:
New Edition
Pages:
360
Product dimensions:
6.00(w) x 9.00(h) x 0.80(d)

Table of Contents


Preface: Cuban America in Cuban English     vii
Introduction: Diaspora and Disappearance     1
Bodies of, Bodies in Evidence
Pleasure's Exile: Reinaldo Arenas's Last Writing     43
Docile Bodies, Volatile Texts: Cuban-Exile Prison Writing     62
Revolution's Other Histories: Legacies of Roberto Fernandez Retamar's "Caliban"     91
From Exile to Diaspora
Hemispheric Vertigo: Cuba, Quebec, and Our (New) America     121
Cafe, Culpa, and Capital: Nostalgic Addictions of Cuban Exile     134
Beyond All Cuban Counterpoints: Eduardo Machado's floating Island Plays     156
Some Cuban/American Futures
Careers of Surplus Value in the Novels of Cristina Garcia     193
Sounding the Body Politic: Sono-Grammatics in Rafael Campo's Sonnet Corpus     229
Conclusion: On Our American Ground     270
Notes     277
Bibliography     321
Index     331

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