Cultural Identities and the Aesthetics of Britishness

Overview

The need for a single public culture - or the creation of an authentic identity - is fundamental to our understanding of nationalism and nationhood. But how are these cultural identities expressed? This book examines British imperial, colonial and postcolonial national identities within their political and social contexts. By considering the export, adoption and creation of such cultural identities, these essays show how nationhood and nationalism are self-consciously defined tools designed to focus and inspire ...
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Overview

The need for a single public culture - or the creation of an authentic identity - is fundamental to our understanding of nationalism and nationhood. But how are these cultural identities expressed? This book examines British imperial, colonial and postcolonial national identities within their political and social contexts. By considering the export, adoption and creation of such cultural identities, these essays show how nationhood and nationalism are self-consciously defined tools designed to focus and inspire loyalty. As such, they are integral to the larger process of constructing a public culture.

The contributors to this fascinating and timely collection present these ideas with particular reference to English cultural identity and its interaction with the 'Empire'. They examine the national, imperial and colonial aesthetic - how architecture, landscape, painting, sculpture and literature were used, appropriated and re-appropriated in the furtherance of social and political agendas, and how this impacted on the making of 'Britishness' in all its complexities. It is demonstrated that not only did the dominant aesthetic culture reinforce the dominant political and social ideology, it also re-presented and re-constructed the notion of British national identity.

It will be of interest to those studying the effect of the Empire on Britain, and to those researching wider issues of British identity.

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Product Details

  • ISBN-13: 9780719067693
  • Publisher: Manchester University Press
  • Publication date: 4/17/2004
  • Series: Studies in Imperialism
  • Pages: 224
  • Product dimensions: 6.14 (w) x 9.21 (h) x 0.46 (d)

Meet the Author

Dana Arnold is Professor of Architectural History, University of Southampton and Director of the Centre for Studies in Architecture and Urbanism.

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Table of Contents

Introduction—Dana Arnold
• Robert Bowyer's Historic Gallery and the Feminization of the 'Nation'—Cynthia E. Roman
• Re-visioning Landscape in Wales and New South Wales c.1760-1840—Jocelyn Hackforth-Jones
• The Country House Is Just Like a Flag—Sophia Cross
• Trans-planting National Cultures: The Phoenix Park, Dublin (1832-49), an Urban Heterotopia—Dana Arnold
• Two Nations, Twice: National Identity in the Wild Irish Girl and Sybil—Andrew Ballantyne
• Monumental Nationalism: Layard's Assyrian Discoveries and the Formations of British National Identity—Frederick N. Bohrer
• Union and Display in Nineteenth-Century Ireland—Fintan Cullen
• Gentlemen Connoisseurs and Capitalists: Modern British Imperial Identity in the 1903 Delhi Durbar's Exhibition of Indian Art—Julie F. Codell
• Albion's Legacy: Myth, History and the Hatter of Britain—Sam Smiles
• Architecture and 'National Projection' between the Wars—Mark Crinson

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