Curse of the Spellmans (Spellman Files Series #2)

Curse of the Spellmans (Spellman Files Series #2)

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by Lisa Lutz
     
 

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In this sidesplittingly funny follow-up to the New York Times bestselling The Spellman Files, San Francisco’s own highly functioning yet supremely dysfunctional family of private investigators are back on the case in another mystery full of suspicion, surveillance, humor, and surprise from award-winning author Lisa Lutz. Curse of the

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Overview

In this sidesplittingly funny follow-up to the New York Times bestselling The Spellman Files, San Francisco’s own highly functioning yet supremely dysfunctional family of private investigators are back on the case in another mystery full of suspicion, surveillance, humor, and surprise from award-winning author Lisa Lutz. Curse of the Spellmans was nominated for both the Edgar Award and the Macavity Award, and the Izzy Spellman Mysteries have earned comparisons to everything from Carl Hiaasen and Janet Evanovich to Veronica Mars and Bridget Jones.

When Izzy Spellman, PI, is arrested for the fourth time in three months, she writes it off as a job hazard. She’s been (obsessively) keeping surveillance on a suspicious next door neighbor (suspect’s name: John Brown), convinced he’s up to no good—even if her parents (the management at Spellman Investigations) are not.

When the (displeased) management refuses to bail Izzy out, it is Morty, Izzy’s octogenarian lawyer, who comes to her rescue. But before he can build a defense, he has to know the facts. Over weak coffee and diner sandwiches, Izzy unveils the whole truth and nothing but the truth—as only she, a thirty-year-old licensed professional, can.

When not compiling Suspicious Behavior Reports on all her family members, staking out her neighbor, or trying to keep her sister, Rae, from stalking her “best friend,” Inspector Henry Stone, Izzy has been busy attempting to apprehend the copycat vandal whose attacks on Mrs. Chandler’s holiday lawn tableaux perfectly and eerily match a series of crimes from 1991–92, when Izzy and her best friend, Petra, happened to be at their most rebellious and delinquent. As Curse of the Spellmans unfolds, it’s clear that Morty may be on retainer, but Izzy is still very much on the case...er, cases—her own and that of every other Spellman family member.

Lisa Lutz brings her trademark wit and humor back in what Publishers Weekly calls a “sparkling sequel.” (Re)meet the Spellmans, a family in which eavesdropping is a mandatory skill, locks are meant to be picked, past missteps are never forgotten, and blackmail is the preferred form of negotiation—all in the name of unconditional love.

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Editorial Reviews

Marilyn Stasio
Izzy returns in Curse of the Spellmans with another breathless tale of comic woe…It's nice to hear such an original voice.
—The New York Times
Publishers Weekly

This lighthearted romp, focusing on the antics of Isabel Spellman and her family of private detectives, is delightful. There's not much vocal variation by Ari Graynor for the mystery's female characters: 30-year-old Isabel sounds exactly like her teen sister and her mother. But Graynor shines portraying some of the male characters, like Morty, the Spellmans' elderly lawyer, or Isabel's slurring, cigar-smoking roommate. Isabel digitally records conversations, and Graynor recites them back in a hilarious deadpan rendition. Lutz's first outing (The Spellman Files) was fresh, funny and unwieldy; her plotting skills take a leap forward here, masterfully juggling several compelling mystery threads at a time. The quirky Spellman family is still fun, and Graynor's sardonic and sly delivery doesn't attempt to upstage the writing. One disappointment is that S&S didn't release an unabridged version. Simultaneous release with the S&S hardcover (Reviews, Jan. 14). (Apr.)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
School Library Journal

In this sequel to Lutz's side-splittingly funny debut novel, The Spellman Files, licensed P.I. Isabel "Izzy" Spellman has been arrested for the fourth time in two months, and no one from her oddball family of fellow investigators will bail her out. Her sister, Rae, has run over Izzy's "fiancé," Inspector Henry Stone, during a driving lesson. The senior Spellmans have staged a "disappearance," their term for a vacation where no one can reach them. To complicate Izzy's life further, a man with the suspiciously ordinary name of John Brown has moved next door, and she's absolutely positive he's up to no good. In other words, it's life as usual for the zany Spellmans, and who knows what will happen next. Once again, Lutz treats readers to a madcap roller-coaster ride. Fans of such hilarious sleuths as Janet Evanovich's Stephanie Plum, Meg Cabot's Heather Wells, and Sarah Strohmeyer's Bubbles Yablonsky will find that Izzy Spellman can make them laugh their socks off, too. Sure to be popular in fiction collections of all sizes. [See Prepub Alert, LJ11/15/07.]
—Shelley Mosley Copyright 2007 Reed Business Information

Kirkus Reviews
The dysfunctional Spellman family private-investigation firm is back in action with another heavily annotated adventure. Isabel "Izzy" Spellman has a problem. Through no fault of her own, she keeps getting arrested. Yes, she is arrested for investigating-some would say stalking-her parents' next-door neighbor, whom she briefly dated. And, yes, she has broken into his house, used a GPS tracker on his car and rifled through his garbage, despite, at one point, a temporary restraining order. But to a Spellman, raised to be a PI, this is normal behavior when suspicion lingers that something is "off." The fact that the neighbor is neither a client nor suspected of any known crime makes Izzy's obsession only slightly odder than usual. But Izzy's younger sister, Rae, is also acting bizarrely, as is Izzy's older brother, David, who has abandoned his straight-shooter lawyer lifestyle to drink all day. Izzy's best buddy Petra has disappeared. Izzy's father has a secret of his own: He certainly couldn't be going to a gym and eating broccoli voluntarily. In this second, longer Spellman adventure from former screenwriter Lutz (The Spellman Files, 2006), some of the debut's sparkle is gone: The idiosyncrasies of this mismatched family are now known, including Izzy's tendency to footnote anything that might approximate a fact. And the central story-Izzy's fixation on the neighbor-isn't founded on much. (He claims to be a landscaper and yet shreds a lot of paper.) But the snappy, honest narration by Get Smart-obsessed Izzy keeps things popping, with its mix of trade talk and brutal honesty: " . . . tonight would be the last time I could investigate (a.k.a. break into) Subject's residence without thewatchful eye of the parental unit." Most of the side stories, such as one involving Rae's teacher's dirty tissues, keep the laughs coming. The Spellmans return with more personality than plot. Agent: Stephanie Kip Rostan/Levine Greenberg Literary Agency
From the Publisher
“ONE OF THE BEST COMIC NOVELS I’VE EVER READ, AND THAT INCLUDES CARL HIAASEN AND JANET EVANOVICH.”

—THE GLOBE AND MAIL

“WEIRDLY LOVABLE SNOOPS.”—USA TODAY

“A madcap roller coaster ride.” —Library Journal

“Whip-smart sass.” —People

“She’s part Bridget Jones, part Columbo. Lisa Lutz’s resilient PI Isabel Spellman emerges as a thoroughly unusual heroine.”

—USA Today

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Product Details

ISBN-13:
9781410405982
Publisher:
Gale Group
Publication date:
03/11/2008
Series:
Spellman Files Series, #2
Edition description:
Large Print Edition
Pages:
592
Product dimensions:
5.60(w) x 8.60(h) x 1.20(d)

Meet the Author

Lisa Lutz is the author of the New York Times bestselling, Edgar Award- and Macavity Award-nominated, and Alex Award-winning Spellman series. She is the coauthor of Heads You Lose, written with David Hayward. She lives and works in upstate New York.

Read an Excerpt

Curse of the Spellmans

  • Sunday, January 8
    1100 hrs

    I have trouble with beginnings. For one thing, I don’t find stories all that interesting when you start at the beginning. If you ask me, you only know there is a story when you get to the middle. And besides, beginnings are hard to determine. One could argue that the true beginning to all stories is the beginning of time. But Morty is already eighty-two years old, so given our time constraints, I’ll begin this story on the date I met, or, more specifically, first laid eyes on “John Brown” (hereafter referred to as “Subject” or by some variation of his alias, “John Brown”).

    I remember the day that Subject moved in next door to my parents like it was yesterday. He was taking over the second-story apartment of a triplex, previously occupied by Mr. Rafter, whose tenancy lasted close to thirty years. David knew Mr. Rafter better than I since his bedroom was six feet from Rafter’s den and their windows were level enough to provide each a fishbowl view of the other. Since Rafter spent most of his time watching television in his den and David spent most of his time studying in his bedroom, the two men got to know each other in their respective comfortable silences (minus the sounds of the television, that is).

    But I digress. As I said, I remember the day Subject moved in next door like it was yesterday. And I suppose the reason I remember it so vividly is because of the events that transpired earlier that day, the events that caused me to be at my family’s home at the precise moment Subject’s moving truck double-parked out front. So, I’m thinking I should probably start earlier that day and mention the aforementioned events.

    0900 hrs

    I woke in my bed, or, more precisely, the bed in the home of Bernie Peterson, a retired SFPD lieutenant whom I sublet from. My illegal residence in the Richmond district is exactly 2.8 miles and one giant hill away from my parents’ home, but I’m always just a phone call away.

    The phone rang, like it always does, before I’d had enough coffee to face the day.

    “Hello.”

    “Isabel, it’s Mom.”

    “Who?”

    “I’m not in the mood for this today.”

    “Not ringing a bell. When did we meet?”

    “Listen to me very carefully; I don’t want to repeat myself. I need you to pick up Rae from the hospital.”

    “Is she all right?” I asked, concern altering the tone of my voice.1

    “She’s fine. But Henry2 isn’t.”

    “What happened?”

    “She ran him over.”

    “How?”

    “With a car, Isabel.”

    “I got that part, Mom.”

    “Izzy, I’m in the middle of a job. I have to go. Please get all the details of what went down. As usual, record everything. Call me when you get home.”

    San Francisco General Hospital
    1000 hrs

    The woman at the reception desk told me that only immediate family would be allowed in Henry’s room. I flashed my quarter-carat engagement ring and asked if fiancées qualified.

    A nurse directed me toward room 873 and explained that he was in serious, but stable, condition.

    “Can you tell me what happened?” I asked the nurse.

    “Your daughter is with him now. I’ll let her explain.”

    “My daughter?”

    I found my sister, Rae, sitting by Inspector Henry Stone’s bedside, staring at the electronic device monitoring his vitals.

    Henry’s nurse tried to smile over her annoyance at Rae’s hypervigilant announcements.

    “Seventy-two. His heart rate went up by five beats,” Rae said as I entered.

    My sister’s eyes were bloodshot and her flushed cheeks showed signs of recent crying. The nurse looked relieved when she saw me and said to Rae, “Oh, good. Your mother’s here.”

    “Eew,” I said, offended. “I’m not her mother. Do I look old enough to be the mother of a fifteen-year-old girl?”

    “I hadn’t thought about it,” she replied.

    “I’m his fiancée,” I clarified to the nurse, and then turned to the inspector.

    Henry Stone was lying in the hospital bed with an assortment of tubes and monitors attached to his body, wearing the standard-issue hospital gown. Minus the unfortunate outfit and the single gauze bandage stuck to his left temple, he looked pretty much the same as he always does: well groomed, slightly underweight, and handsome in a way that’s very easy to ignore. His usually short-cropped salt-and-pepper hair had grown out more in the past few weeks, which had the added benefit of making him appear younger than his forty-four years. Although at that moment the dark circles under his eyes and his patently agitated expression had offset that benefit.

    “How is he?” I asked the nurse, trying to emote the appropriate shade of concern.

    “There’s some bruising on the legs just below the knee, but nothing’s broken. The main concern is the concussion. He lost consciousness for five minutes and is experiencing nausea. We did a CT and everything looks fine, but we need to keep him under observation for forty-eight hours.”

    “Will he have permanent brain damage?” Rae asked.

    Henry grabbed my wrist. Hard. “I need to speak to you in private,” he said.

    I turned to Rae. “Leave the room.”

    “No,” she replied. I never thought a single syllable could possess such heartbreaking desperation.

    “Get out,” Henry demanded, unmoved by her wells of emotion.

    “Are you ever going to forgive me?” she said to him.

    “It’s only been two hours since you ran me over,” he replied.

    “Accidentally!” she shouted.

    Then Henry shot her a look that seemed to have more power than any lecture, punishment, or curfew my parents ever unleashed on Rae.

    “Two and a half hours,” Rae mumbled as she soberly exited the room.

    Henry gripped my arm even tighter after Rae was out of earshot. “That kind of hurts, Henry.”

    “Don’t talk to me about pain.”

    “Right. Sorry.”

    “I need you to do me a favor.”

    “Shoot.”

    “Keep her away from me.”

    “For how long?”

    “A couple weeks.”

    “Dream on.”

    “Isabel, please. I need a break.”

    “I’ll do what I can, but—”

    “Your sister almost killed me today—”

    “Accidentally!” shouted Rae from the other side of the door.

    “I need a Rae vacation.3 Please. Help me.”

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