The Custom of the Country

The Custom of the Country

3.9 15
by Edith Wharton, Lorna Raver
     
 

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A novel of manners by Edith Wharton, The Custom of the Country is the story of Undine Spragg, a young woman with social aspirations who convinces her nouveau riche parents to leave the Midwest and settle in New York.

American author Edith Wharton is distinguished for her stories and ironic novels about early-twentieth-century, upper-class Americans and

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Overview

A novel of manners by Edith Wharton, The Custom of the Country is the story of Undine Spragg, a young woman with social aspirations who convinces her nouveau riche parents to leave the Midwest and settle in New York.

American author Edith Wharton is distinguished for her stories and ironic novels about early-twentieth-century, upper-class Americans and Europeans. Although Ethan Frome, a stark New England tragedy, is probably her best-known work, she earned recognition and popularity for her "society novels," in which she analyzed the changing scene of fashionable American life in contrast to that of Old Europe.Wharton's literary talent was epitomized in her novel The Age of Innocence, for which she won a Pulitzer Prize, and which was made into a film in 1993. Other major works of hers include The House of Mirth, The Reef, and The Custom of the Country. She published more than forty volumes, including novels, short stories, poems, essays, travel books, and memoirs.Born Edith Newbold Jones into a wealthy and socially prominent New York family in 1862, she was educated privately by European governesses both in the United States and abroad. In 1885, Edith reluctantly married Edward Wharton, a Boston banker, who was twelve years her senior. The marriage ended in divorce twenty-eight years later.Wharton spent long periods of time in Europe and settled in France from 1910 until her death. Her familiarity with continental languages and European settings influenced many of her works. She became a literary hostess to young writers, including Henry James, at her Paris apartment and her garden home in the south of France. During World War I, she was a war correspondent, ran a workroom for unemployed but skilled woman workers, and took charge of 600 Belgian child refugees who had to leave their orphanage at the time of the German advance.Wharton was also active in fund-raising activities and participated in the production of an illustrated anthology of war writings by prominent authors and artists of the period. The French government awarded her the Cross of the Legion of Honor in 1915. Wharton died in 1937. Lorna Raver has been named a Best Voice of the Year by AudioFile magazine and has been nominated for Audie Awards for her readings of Washington Square by Henry James, Nothing with Strings by Bailey White, and Marion Zimmer Bradley's Ravens of Avalon by Diana L. Paxson. She has also received numerous AudioFile Earphones Awards for her narrations. An accomplished stage actress, Lorna has also guest-starred in many top television series, and she stars in director Sam Raimi's film Drag Me to Hell.

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Editorial Reviews

Elizabeth Hardwick
Edith Wharton's finest achievement.
From the Publisher
"Edith Wharton's finest achievement."
—Elizabeth Hardwick
Robin Peel University of Plymouth
This is an excellent edition of what I consider to be Wharton's best novel, and it is supported by very valuable supporting material. Arguing that the novel is a satire of consumerism, Sarah Emsley offers a particularly good analysis of Raymond de Chelles as one of the few positive forces, and a husband who acts as a counter to the rampant material ambitions which dominate other parts of the novel. Emsley's introduction also provides a succinct and successful summary of Wharton's life and a good survey of the relevant criticism. The edition ends with a series of extremely useful appendices, including Wharton's outline for the novel, examples of contemporary reviews, extracts from Darwin, Veblen and Santayana and sections on Aestheticism and Women and Marriage."
Donna Campbell Washington State University
"The Custom of the Country satirizes much that Wharton thought was wrong with the US at the turn of the century: serial divorce, rampant consumerism and materialism, indifference to art and literature, and a proudly provincial attitude toward the traditions of Old New York and European culture. Combined with Sarah Emsley's incisive and well-researched introduction and notes, this excellent new edition of the novel includes well-chosen readings ranging from selections by Charles Darwin and Thorstein Veblen to excerpts from novels by Harold Frederic and Anita Loos that shed light on Wharton's audacious protagonist, Undine Spragg. The result is a volume that not only restores the social and economic contexts for the novel but sharpens the reader's appreciation for Wharton's satire in this book, the most savage–and the most humorous–novel of her long career."

Product Details

ISBN-13:
9781452631189
Publisher:
Tantor Media, Inc.
Publication date:
03/07/2011
Edition description:
Library - Unabridged CD
Product dimensions:
7.00(w) x 7.00(h) x 1.80(d)

Read an Excerpt

Book One

1

"Undine Spragg!-how can you?" her mother wailed, raising a prematurely wrinkled hand heavy with rings to defend the note which a languid "bell-boy" had just brought in.

But her defense was as feeble as her protest, and she continued to smile on her visitor while Miss Spragg, with a turn of her quick young fingers, possessed herself of the missive and withdrew to the window to read it.

"I guess it's meant for me," she merely threw over her shoulder at her mother.

"Did you ever, Mrs. Heeny?" Mrs. Spragg murmured with deprecating pride.

Mrs. Heeny, a stout professional-looking person in a waterproof, her rusty veil thrown back, and a shabby alligator bag at her feet, followed the mother's glance with good-humored approval.

"I never met with a lovelier form," she agreed, answering the spirit rather than the letter of her hostess's inquiry.

Mrs. Spragg and her visitor were enthroned in two heavy gilt armchairs in one of the private drawing rooms of the Hotel Stentorian. The Spragg rooms were known as one of the Looey suites,and the drawing room walls, above their wainscoting of highly varnished mahogany, were hung with salmon-pink damask and adorned with oval portraits of Marie Antoinette and the Princess de Lamballe. In the center of the florid carpet a gilt table with a top of Mexican onyx sustained a palm in a gilt basket tied with a pink bow. But for this ornament, and a copy of The Hound of the Baskervilles which lay beside it, the room showed no traces of human use, and Mrs. Spragg herself wore as complete an air of detachment as if she had been a waxfigure in a show-window. Her attire was fashionable enough to justify such a post, and her pale soft-cheeked face, with puffy eye-lids and drooping mouth, suggested a partially melted wax figure which had run to double-chin.

Mrs. Heeny, in comparison, had a reassuring look of solidity and reality. The planting of her firm black bulk in its chair, and the grasp of her broad red hands on the gilt arms, bespoke an organized and self-reliant activity, accounted for by the fact that Mrs. Heeny was a "society" manicure and masseuse. Toward Mrs. Spragg and her daughter she filled the double role of manipulator and friend; and it was in the latter capacity that, her day's task ended, she had dropped in for a moment to "cheer up" the lonely ladies of the Stentorian.

The young girl whose "form" had won Mrs. Heeny's professional commendation suddenly shifted its lovely lines as she turned back from the window.

"Here-you can have it after all," she said, crumpling the note and tossing it with a contemptuous gesture into her mother's lap.

"Why-isn't it from Mr. Popple?" Mrs. Spragg exclaimed unguardedly.

"No-it isn't. What made you think I thought it was?" snapped her daughter; but the next instant she added, with an outbreak of childish disappointment: "It's only from Mr. Marvell's sister-at least she says she's his sister."

Mrs. Spragg, with a puzzled frown, groped for her eye-glass among the jet fringes of her tightly girded front.

Mrs. Heeny's small blue eyes shot out sparks of curiosity. "Marvell-what Marvell is that?"


From the Paperback edition.

Copyright 2001 by Edith Wharton

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What People are saying about this

Anita Brookner
As long as men and women seek to use each other -- and to use each other badly -- Edith Wharton can be counted upon to provide the ideal commentary.

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