The Cut (Spero Lucas Series #1)

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Overview

Spero Lucas has a new line of work. Since he returned home after serving in Iraq, he has been doing special investigations for a defense attorney. He's good at it, and he has carved out a niche: recovering stolen property, no questions asked. His cut is forty percent.

A high-profile crime boss who has heard of Lucas's specialty hires him to find out who has been stealing from his operation. It's the biggest job Lucas has ever been offered, and he quickly gets a sense of what's ...

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Overview

Spero Lucas has a new line of work. Since he returned home after serving in Iraq, he has been doing special investigations for a defense attorney. He's good at it, and he has carved out a niche: recovering stolen property, no questions asked. His cut is forty percent.

A high-profile crime boss who has heard of Lucas's specialty hires him to find out who has been stealing from his operation. It's the biggest job Lucas has ever been offered, and he quickly gets a sense of what's going on. But before he can close in on what's been taken, he tangles with a world of men whose amorality and violence leave him reeling. Is any cut worth your family, your lover, your life?

Spero Lucas is George Pelecanos's greatest creation, a young man making his place in the world one battle and one mission at a time. The first in a new series of thrillers featuring Spero Lucas, The Cut is the latest confirmation of why George Pelecanos is "perhaps America's greatest living crime writer." (Stephen King)

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Editorial Reviews

From Barnes & Noble

Returning from combat duty in Iraq, Spero Lucas was looking quite understandably for a job that wouldn't tie him to a desk. In its first weeks, his new assignment as a special investigator for a defense attorney seemed like a perfect fit. Then things seem to get even better when he receives an offer to practice his new specialty with an outside client. However, what begins as a promising opportunity develops in something that challenges his ethical systems and endangers his life. Fresh confirmation of Stephen King's assertion that George Pelecanos is "perhaps America's greatest living crime writer."

Publishers Weekly
Pelecanos's excellent first in a new crime series introduces Spero Lucas, a 29-year-old Iraq War vet who does investigative work for a Washington, D.C., defense attorney. Anwan Hawkins, an imprisoned marijuana dealer who has taken notice of Lucas's cool, efficient work, offers him a cut of the proceeds if he can recover several large stolen marijuana shipments. Though Lucas is in some ways an idealistic young man, he's no innocent. He accepts Hawkins's deal, a choice that nearly destroys him. As the body count mounts, Pelecanos (The Night Gardener) provides glimpses of Lucas's multiracial family, from his adoptive parents to his three siblings, two of whom are African-American. In the end, the group of hardened criminals responsible for the theft, including a former D.C. cop, set their sights on Lucas and those close to him. Both vital and timely, this remarkable novel also connects D.C.'s past and present as only Pelecanos does. Readers will want to see a lot more of Lucas. (Aug.)
Library Journal
Home from Iraq, Spero Lucas has been handling investigations for a defense attorney, specializing in stolen property. When a big-time crime boss asks him to find out who's been pilfering from his operation, Spero accepts—and gets in over his head. Pelecanos introduces a new hero in a new series of interest to all thriller fans.
Kirkus Reviews

Pelecanos' newest hero walks the mean streets of the Nation's Capital with all the piercing hopes and fears and personal baggage of the others (The Way Home,2009, etc.).

Jailed drug dealer Anwan Hawkins, pleased with the way Spero Lucas' brisk investigative work for attorney Tom Petersen gets his teenaged son David sprung on charges of car theft and worse, asks him to take on a private recovery job. The item in question is three shoeboxes of marijuana pinched from three D.C. doorsteps where Hawkins had asked FedEx to deliver them on the assumption that his couriers would beat the absent homeowners to the pickup. The finder's fee is 40 percent. The gig smells rotten, but no more rotten than most of what Lucas has done since his stint with the Marines in Iraq. The couriers, Tavon Lynch and Edwin Davis, have nothing to tell Lucas. Nor do most of the neighbors who might have seen who swiped the merchandise. His only hope is Ernest Lindsay, a potential witness who's a student in Lucas' brother Leo's English class at Cardozo High. But Lucas is reluctant to involve Ernest in a case that promises the involvement of bent police officers and hired killers, especially after somebody pops the two couriers. It's obvious to the reader, if not to Lucas, who pulled the trigger, but not why. And before Lucas learns that, he'll have to confront the exceptional difficulty of acting the white knight in a world in which, as a deeply compromised cop reminds him, "we all got dirt on us."

Another tough, heart-rending odyssey through a war zone in which every denizen has the potential to be both hero and villain.

Jonathan Yardley
All in all [Spero Lucas] is very good company, especially for readers who know Washington and are beguiled by its many complexities…Pelecanos clearly knows that he is in the business of entertainment, and he goes about it in a thoroughly professional way. But entertainment needn't be an end in itself. A book that entertains can also enrich, instruct and even enlighten. George Pelecanos's books do all of that, which is plenty good enough for me.
—The Washington Post
Marilyn Stasio
Lucas is a terrific character…Although Pelecanos writes in the third person, he seems to be inside Lucas's head, looking out at the world with the omnivorous vision of someone savoring and recording every precious detail…What emerges is a magnificent collage of a city loved with a passion by someone ravenous for life.
—The New York Times Book Review
Janet Maslin
The Cut…does a fine job of establishing Spero as a durable and highly appealing hero. And it sets up a back story and modus operandi that will work well for him in the future.
—The New York Times
The Barnes & Noble Review

Washington, D.C., is a politically volatile place, but there are a few things about the city you can count on. Cherry blossoms will bloom in the spring. The Washington Nationals will be out of contention in the fall. And local crime writer George Pelecanos will take a moment in one of his novels to chastise the hometown paper for its coverage of murders in the District. "The Post continued to routinely bury the violent deaths of D.C.'s young black citizens inside the paper, telling its readership implicitly that black life was worth less than whites," he writes in his tight and propulsive novel The Cut, reiterating a complaint he's made with slight variations across his two-decade career. But Pelecanos also knows the city has changed since his 1992 debut, A Firing Offense. The PIs in his earlier books, like Nick Stefanos and Derek Strange, navigated a District that was emerging from the crack years and nursed long memories about the riots of 1968. Now he notes that homicides are at a 45-year low in the District, and in the city's bustling U Street corridor he sees "all sorts of faces and types, the D.C. most folks had wanted for a long time." So, time for a fresh start: In The Cut, Pelecanos introduces a new hero, Spero Lucas, who's engineered to embody an evolving city and the new concerns that come with it. A twentysomething investigator for a criminal defense attorney, Spero is an ex-Marine with a no-nonsense attitude about practically everything: family, race, books (he's big on Donald Westlake novels), and especially getting the job done. The first thing we learn about him is that he's wearing Carhartt—built-to-last workingman clothes.

The plot of The Cut involves a side job Spero takes to investigate the theft of a package of marijuana belonging to Anwan, a convicted drug dealer. As in Pelecanos's best work, Spero's travels are as much about D.C.'s ecosystem of class and race as they are about gunplay and justice. Anwan's two lieutenants are young black men in over their head, facing a poverty of options and vulnerable to the appeal of quick money. A white, middle-aged copyright lawyer who assists Spero is oblivious to the dealing around her. Corrupt cops abound. And caught in the middle is Ernest, an at-risk high school student who dreams of being a filmmaker if he can escape the drama swallowing up Spero.

As those archetypes suggest, Pelecanos's novels have firm moral underpinnings, and he's not always subtle about it. (Ernest?) There are codes of honest labor and proper action he believes in, and The Cut isn't the first time he's voiced his disdain for absent dads, dropouts, and hipster disengagement. "I'm not gonna sit around and have drinks with people who are, you know, ironic," Spero tells a date. What absolves The Cut from didacticism is Spero himself, who for all his nose-to- the-grindstone verities is no moralist—-he's colluding with a drug dealer, after all. "I need the work. I like the money, I like the action. This is what I do," he puts it. That statement, in all its sawed-off simplicity, reveals how he's blinkered to his own failings: an inability to commit to a relationship, to deal with the death of his father, to recognize how his behavior affects others.

Since 2008's The Turnaround, Pelecanos has been streamlining his sentences, making them as simple as possible without losing their ability to carry moral freight. The Cut is the most effective result of that effort—-the story moves fast, but never with the sense that it's being sped through, or that Pelecanos hasn't considered his words carefully. Spero's adopted brother, a high school teacher, quotes from Westlake and Elmore Leonard, lest you wonder who the book's influences are. But Pelecanos's own prose is cleaner still. As Spero preps for his final confrontation, his sentences turn into a kind of two-fisted haiku: "The room had darkened by degree. The day was bleeding off."

Pelecanos seems committed to Spero for a while, and at times in the The Cut you can see furniture being arranged for future novels: Spero has two other siblings we've yet to meet, and an ex- fling seems poised to return. But Spero's status as an ex-Marine who's toured Iraq is the most promising aspect of his character. In breaks from the action, when Spero confides with fellow soldiers, the reader gets a chance to spy on a life that veterans can't make wholly public. Pelecanos has long been determined to spotlight the District's unsung citizens. In the ever-growing number of warriors returning from Iraq and Afghanistan, he's found a neglected community that can sustain him as a novelist for years to come.

Mark Athitakis is a writer, editor, critic, and blogger who?s spent more than a dozen years in journalism. His work has appeared in The New York Times Book Review, Washington Post Book World, Chicago Sun-Times, Minneapolis Star-Tribune, Washington City Paper, and many other publications. He is currently a member of the Board of Directors of the National Book Critics Circle.

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Product Details

  • ISBN-13: 9780316078429
  • Publisher: Little, Brown and Company
  • Publication date: 8/29/2011
  • Series: Spero Lucas Series , #1
  • Pages: 304
  • Product dimensions: 5.90 (w) x 9.30 (h) x 1.20 (d)

Meet the Author

George Pelecanos is an independent film producer, an essayist, the recipient of numerous international writing awards, a producer and an Emmy-nominated writer on the HBO hit series The Wire, and the author of a bestselling series of novels set in and around Washington, D.C. He currently writes for the acclaimed HBO series Treme.

Biography

Few writers have employed the mean streets of Washington, D.C. as effectively as George Pelecanos, the award-winning author of two acclaimed detective series and several standalone noirs of exceptional quality.

Pelecanos debuted in 1992, with A Firing Offense, a fast-paced crime novel that introduced Nick Stefanos, a Greek-American advertising executive for an electronics chain who is reluctantly drawn into investigative work when a stock boy at his company goes missing. By book's end, Nick has lost his job and applied for his P.I. license, paving the way for further (mis)adventures. Neverthless, the series has proved anything but predictable. Some books move forward in time to reveal Nick's sad descent into alcoholism; others flash back to investigate his family's past—with Nick relegated to cameo appearances in stories that span several generations and feature a cast of interrelated characters. Beloved by readers and critics alike, the Stefanos books cast unsparing light on a city tragically mired in crime, poverty, and racism.

In his Derek Strange and Terry Quinn series, Pelecanos delves further into the racial and cultural divide between white and black. Beginning with 2001's Right as Rain, these novels feature a "salt and pepper" team of ex-cops turned detectives who forge an uneasy friendship as they investigate cases in the blighted heart of D.C. The very model of noir, the stories are steeped in the violence, brutality, and despair of urban life, but the dynamic between the tough but sensitive Strange and his younger, more volatile partner offers a hopeful and humanizing counterbalance.

A distinguishing characteristic of Pelecanos's writing is an inclusion of musical references to create atmosphere, anchor period settings, and develop his characters' personalities. (His 2004 novel Hard Revolution, a prequel to the Strange/Quinn books, was packaged in limited quantity with a CD of '70s soul music.) Pelecanos has also published mysteries and thrillers, short fiction, reviews and essays, and screenplays for film and television—most notably HBO's superb urban procedural The Wire.

Good To Know

In our interview, Pelecanos shared some interesting anecdotes about past gigs:

"I began to work at my father's lunch counter in downtown D. C. when I was 11 years old, the summer after the riots of April 1968. It was the single most influential experience of my life. Everything I've written about since has seeds in that summer."

"Another good job I had was selling women's shoes, for obvious reasons. Writing for a living isn't bad, either. It beats digging ditches or washing dishes. I know, because I've done those things, too."

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Read an Excerpt

The Cut


By Pelecanos, George

Reagan Arthur Books

Copyright © 2011 Pelecanos, George
All right reserved.

ISBN: 9780316078429

ONE

THEY WERE in a second-story office with a bank of windows overlooking D Street at 5th, in a corner row house close to the federal courts. Tom Petersen, big and blond, sat behind his desk, wearing an untucked paisley shirt, jeans, and boots. Spero Lucas, in Carhartt, was in a hard chair set before the desk. Petersen was a criminal defense attorney, private practice. Lucas, one of his investigators.

A black Moleskine notebook the size of a pocket Bible was open in Lucas’s hand. He was scribbling something in the book.

“It’s all in the documents I’m going to give you,” said Petersen with growing impatience. “You don’t need to take notes.”

“I’d rather,” said Lucas.

“I can’t tell if you’re listening.”

“I’m listening. Where’d they boost the Denali?”

“They took it up in Manor Park, on Peabody Street. Near the community garden, across from the radio towers.”

“Behind the police station?”

“Right in back of Four-D.”

“Pretty bold,” said Lucas. “How many boys?”

“Two. Unfortunately, my client, David Hawkins, was the one behind the wheel.”

“You just have him?”

“The other one, Duron Gaskins, he’s been assigned a PD.”

“Duron,” said Lucas.

Petersen shrugged. “Like the paint.”

“How’d David get so lucky to score a stud like you?”

“I’m representing his father on another matter,” said Petersen.

“So this is like a favor.”

“A four-hundred-dollar-an-hour favor.”

Lucas’s back had begun to stiffen. He shifted his weight in his chair. “Give me some details.”

Petersen pushed a manila file across the desk. “Here.”

Talk to me.”

“What do you want to know?”

“How’d they do it, for starters?”

“Steal the vehicle? That was easy. The boys were walking down the street, supposed to be in school, but hey. It’s early in the morning, cold as hell. You remember that snap we had back in February? This woman comes out of her apartment, starts her SUV up, and then leaves it running and goes back into the apartment.”

“She forget somethin?”

“She was heating up the Denali before she went to work.”

“Insurance companies don’t like that.”

“She left the driver’s door unlocked, too. So naturally, being teenage boys, they got in and took the SUV for a spin.”

I would have,” said Lucas.

“You did, I recall.”

“What happened next?”

“From Peabody, David went south on Ninth to Missouri, then drove east. He caught North Capitol along Rock Creek Cemetery and took that cutoff street west, the stretch that goes by the Soldiers’ Home.”

“That would be Allison,” said Lucas, starting to see it, like he was looking down at a detail map. He had a cop’s knowledge of D.C. because he was out in it, street level, most of his waking hours. When he didn’t have to drive his Cherokee, Lucas rode his bicycle around town. At night he often walked.

“Here’s where they got in trouble. David, keep in mind he’s fifteen, no significant driving experience far as I know, he loses control of the SUV. Sideswipes a lady in a Buick, which knocks her out of her lane and into a couple of parked cars.”

“By now they’d be on Rock Creek Church Road.”

“Yeah, there,” said Petersen. “The woman in the Buick? Claims she’s got neck injuries.”

“That’s not good.”

“I’m gonna work something out with her attorney.”

“This kid’s father must be flush.”

“He is.”

“This where the police come in?”

“Happens to be a patrol car, coupla uniforms idling nose out at Second and Varnum see this collision.”

“And the chase is on.”

“Took the police officer a half minute to put his coffee down and flip on the siren and light bar. By that time, David knew he’d been burned, and he jumps the sidewalk and cuts right onto Upshur Street.”

“Driving on the Sidewalk, that’s a good one.”

“Fleeing and Eluding, Leaving the Scene of an Accident, Auto Theft…”

“Kid’s got a rack of problems.”

“He fishtails when he hits Upshur. Comes out of that and pins it. You know Upshur going west there—”

“It’s long and straight. Downhill.”

Petersen leaned forward, getting into it. “This boy is screaming down Upshur, Spero. Blowing four-ways, Wale or whatever coming loud out the windows.”

“Nah,” said Lucas, chuckling.

“What?”

“Now you’re making shit up. You don’t know what they were listening to.”

“True. They’re coming down Upshur, the patrol car, pretty far back but gaining ground, in pursuit. Eventually our boys hit that commercial strip getting down toward Georgia Avenue, at Ninth.”

“I know the spot,” said Lucas. He was drawing a rough map, very quickly, in his notebook.

“And there’s another cop car,” said Petersen, “parked right there on the street. The driver is waiting on his partner, who’s getting a pack of smokes in a little market they got in that strip.”

“What market?” said Lucas.

“I don’t know the name of it. Spanish joint, eight hundred block, north side of Upshur. Beer and wine, pork rinds, like that. It’s in the file, along with the address. What happens next is, David sees this police car, and I guess he panics, and here’s where he makes the last mistake. He cuts a sharp right into an alley, right before Ninth.”

“And?”

“A car is parked in the alley, blocking their way. The boys get out of the vehicle and run; David Hawkins is apprehended on the street. The other boy, Duron, is caught a little while later, attempting to hide in the bathroom of an El Salvadoran restaurant around the corner.”

“Who arrested David?”

“The officer waiting in the patrol car. A Clarence Jackson. By then the car in pursuit had arrived on the scene.”

“How’d Officer Jackson know that David was one of the boys in the car?”

“In his report, Jackson stated that he observed two boys exit an SUV that they had driven into the alley. Jackson got to David first. The arriving officers arrested Duron in the restaurant.”

“Where was Officer Jackson parked when he saw this?”

“It’s in the file.”

Lucas sat still for a long minute, looking at nothing. He closed his notebook and got up out of his seat. He stood five-foot-eleven, went one eighty-five, had a flat stomach and a good chest and shoulders. His hair was black and he wore it short. His eyes were green, flecked with gold, and frequently unreadable. He was twenty-nine years old.

Petersen watched Lucas stretch. “Sorry. That seat’s unforgiving.”

“It’s these wood floors. The chair sits funny on ’em cause the planks are warped.”

“This house goes back to the nineteenth century.”

“Your point is what?”

“Ghosts of greatness walk these rooms. I start messing with the floors, I might make them angry.”

A young GW law student entered Petersen’s office and dropped a large block of papers on his desk. She was dark haired, fully curved, and effortlessly attractive. Tom Petersen’s interns looked more or less like younger versions of his knockout wife.

“The Parker briefs,” said the woman, whose name was Constance Kelly.

“Thank you,” said Petersen. He watched Lucas admire her as she walked away.

Petersen stood and went to the eastern window of his office. Below, on the street, lawyers pulled wheeled briefcases toward the courthouse, uniformed and plainclothes police bullshitted with one another, mothers spoke patiently and angrily with their sons, civil servants took cigarette breaks, and folks of all shapes and colors went in and out of the Potbelly shop on the first floor.

“Life’s rich pageant,” said Petersen.

“That’s a rock record from back in your day, right?”

“Inspector Clouseau, originally.”

“You got me on that one.”

“I have twenty years on you. At times the perspective is obvious. Other times, no.” Petersen looked him over with the respect that men who have not served give to those who have. “You’ve seen a lot, haven’t you?”

“It’s been interesting, so far.” Lucas slipped his notebook into his jacket and picked up the David Hawkins file off Petersen’s desk.

“Bring me something back I can use,” said Petersen.

Lucas nodded. “I’ll get out there.”

THE NEXT morning he stopped by the Glenwood Cemetery in Northeast to see his baba. Glenwood was an old but well-kept graveyard, acres of rolling, high-ground land holding plots with headstones memorializing lives going back to the 1800s. His father was buried here, beside his own parents, on the west side of the facility, which bordered dead-end residential streets stemming off North Capitol in a neighborhood called Stronghold. Past this last section of graves the land dropped off and there went Bryant Street, its short block of row homes in a neat descending line. Lucas looked down at his father’s marker and placed a dozen roses on his plot. He said a silent prayer of thanks for the granting of life, did his stavro, and got back in his four-wheel.

He drove a 2001 Jeep Cherokee, the old boxy model with the legendary in-line 6. The model had been discontinued years ago, but because it was sturdy and reliable there were many of them still on the streets. In that respect it was the aughts version of the old Dodge Dart. With his black Jeep, empty of bumper stickers or decals, and his utilitarian clothing, Lucas was unmemorable by design, a tradesman, maybe, or a meter reader, just another workingman quietly going about his business in the city.

Lucas went up to Peabody and began to drive the route of David Hawkins and his friend Duron. Missouri, North Capitol, Allison, and then Rock Creek Church, where it had begun to go wrong. He recalled the adrenaline rush he had experienced the day he and a couple of buddies from the wrestling team had stolen a car, back in high school. It didn’t matter who suggested it; they had all participated with enthusiasm, and all had been caught, arrested, and charged. They pled down, and, because they were white and came from stable families, they had pulled community service and loose supervision. There were no further problems; Lucas’s mistake was a one-shot deal, and he did not want to shame his parents in that way ever again. By the time he entered the Marine Corps, his conviction had been expunged.

He understood why David and Duron had stolen the SUV. Teenage boys did stupid things; their brains were wired for impulse and fun. Wasn’t but a little more than ten years back that he had been one of those reckless boys, too, before September 11 and his tour of Iraq. A sobering decade, a decade that stole his youth.

Lucas drove west on Upshur. He gunned the Jeep going down the hill and pulled over when he reached the commercial strip, near Georgia Avenue. He saw the alley, cut along a salmon-colored building, currently unoccupied, where the boys had been trapped. He looked at the south and north sides of the strip and he studied the businesses and the layout of the street. In his notebook he drew a map showing the locations of the establishments. On the south side: a funeral parlor, a dry cleaner’s, a carryout featuring Chinese/steak-and-cheese, a nail salon, and a hair salon; on the north side: a storefront church, a market selling wine and beer, a furnishings store that seemed too upscale for the neighborhood, a hair salon, a Caribbean café, the alley, the salmon-colored building, another Chinese/American hybrid, a seafood carryout, a beverage shop, and on the corner a shuttered barbershop. Many of the stores had English and Spanish signage in their windows; there were blacks, Hispanics, and a few whites out on the street.

He got out of the car and, using his iPhone, took photographs of these businesses and their spots on the block. No one questioned him or got in his way. He went around the corner and noted the commercial layout of Ninth: the Petworth station of the U.S. Post Office, a private-detective agency, another funeral home, the Salvadoran restaurant where Duron had tried to hide, an embroidery shop, and a corner Spanish grocery store that did not have any English signage and was padlocked shut. Above the detective agency door was a lightbox that read “Strange Investigations,” with several letters enlarged by the magnifying-glass logo placed over them. He had heard tell of the man, Derek Strange, and his latest partner, a middle-aged Greek whose name he could not recall.

Lucas retraced his steps, crossed Upshur and stood by the Chinese eat-house, where in his report Officer Clarence Jackson stated that he had been parked, and saw that indeed it afforded a direct view of the alley. He took a photograph from that perspective. He looked across the street to the market where Jackson’s partner had bought his smokes, and he saw that there was a fire hydrant in front of it. That would explain why Jackson had parked across the street. It would have explained it perfectly, except for the fact that Jackson was police.

Lucas crossed Upshur once again and entered the beer and wine market. It was clean, well stocked with alcohol and food packaged in bags, its walls lined with steel shelving and reach-in coolers. Behind the register counter was a man in his forties, round brown face, white shirt open at the neck revealing a gold crucifix in a thicket of black chest hair. By his bearing and the gold-and-diamond ring on his finger, Lucas surmised that he was the owner. When questioned, the man confirmed this. Lucas gave him his name and identified himself simply as an “investigator.” He asked if the owner, who called himself Odin, recalled the day of the arrest, and Odin said that he did. He asked Odin where the officer had been parked when his partner had entered the market to buy his smokes, and Odin said, “He park out front.” When Lucas noted that there was a fire hydrant out front, Odin, who like many hardworking Hispanics was a law-and-order man, said rather defensively, “But he is police; he park where he want!”

Lucas got the man’s contact information, thanked him, and made a note in his book regarding the pronunciation of Odin’s name. He left the store and took multiple photographs of the alley from the point of view of the empty parking spot. He framed these so that the fire hydrant was in the foreground of the shots.

THE NEXT day, Lucas was sitting on the edge of Constance the intern’s desk, trying to talk her into something, when Petersen called out to him from his office.

“We should continue this conversation later on,” said Lucas.

“You think so?” said Constance, a strand of dark hair over one eye, light freckles across the bridge of her nose. She reminded Lucas of one of those J. Crew girls. There was no trace of a smile on her face, but there was a light in her eyes, and Lucas knew that if he wanted to be in, he was in.

Petersen was behind his desk, loud striped shirt untucked, his blond hair shaggy around his face, looking like an aged Brian Jones. He was checking out photos on his computer screen, displayed from a disk that Lucas had burned from his iPhone.

“These are interesting,” said Petersen, Lucas now standing beside him.

“The ones with the hydrant in the foreground? That would approximate the sight line of Officer Jackson. From where he was actually parked, as opposed to where he said he was parked.”

“He couldn’t have seen deep into the alley from there.”

“He could only have seen the head of it, and a small piece of it at that. The report says the Denali was found at the back edge of that salmon-colored building. So, from that perspective, there’s no way Jackson could have observed David and Duron get out of that SUV.”

“Can anyone testify that Jackson was parked in front of the market?”

From his back pocket Lucas produced his notebook and opened it. “The owner. His name is Odin Nolasco.” Lucas spelled it and Petersen wrote it down. Lucas said, “It’s pronounced Oh-deen. I don’t think he’d willingly discredit a police officer’s official report. You’re going to have to subpoena him. When you get him on the stand you might have to treat him as hostile.”

“Thank you for the legal advice, counselor.”

“I’m sayin.”

“The visual ID, the link of the boys to the SUV, that’s the prosecution’s case right there.”

“Weren’t the boys’ prints on the Denali?”

“Their prints were all over it. But that’s less significant than what we have here. I was weighing a plea, but now I want this to go to trial. You put it into a D.C. jury’s head that a police officer gave false testimony to make a case against a juvenile, nine times out of ten that jury’s going to acquit, even in the face of damning evidence.”

“Well, there’s your ammunition.” Lucas held up the notebook. “I’ve got street maps I drew, right in here, if you need them.”

“The Book of Luke.”

“Yes, sir.”

“Good work, man.”

“Thank you.”

Lucas began to walk from the office, and Petersen stopped him. “Spero?”

“Yeah.”

“Don’t bother Constance. She’s a nice girl.”

“I like nice girls,” said Lucas. He meant it, too.

IT WENT the way Petersen said it would. A month later, he phoned Lucas and got him on his cell.

“David Hawkins was acquitted,” said Petersen.

“Duron?” said Lucas.

“Duron will walk, too.”

“Do I get a bonus, somethin?”

“In a way. But not from me.”

“That would be out of character.”

“David’s father, Anwan Hawkins, would like to meet you. I think he has something like an extra envelope in mind.”

“Anwan Hawkins the dealer?”

“Yeah. Up on trafficking charges at the moment, unfortunately. He’s currently in the D.C. Jail.”

“He wants me to come there?”

“Uh-huh.”

“Visitation days are set by the first letter in the last names, right?”

“That’s for social visits; the prison makes audio recordings of those conversations. You should go in as one of my official investigators. Those conversations are confidential.”

“Got it.”

“I’ll put a letter in to the DOC. It takes twenty-four hours to clear.”

“You know what Hawkins wants?”

“I believe Anwan is going to make you some sort of a proposal. But I can’t have you taking on any side work for a week or so. You’ve got those interviews to do for me on that Southeast thing. I’m defending Reginald Brooks, the shooter. Remember?”

“I do.”

“So what should I tell Anwan?” Petersen got no comment from Lucas. “Spero?”

“I’ll meet with him,” said Lucas. “See what he has to say.”

Which is how Spero Lucas met Anwan Hawkins, and the truck began to roll downhill.

TWO

LUCAS HIT “end” on his iPhone and placed the device on the nightstand beside his bed. The stand held a digital alarm clock, a lamp with a pillowcase thrown over its shade, his Bible, and a couple of other books. Lucas kept two, a fiction and a nonfiction, going at a time. He rolled over and got up on one elbow. Constance Kelly was beside him, naked in the bed.

“That was your boss,” said Lucas.

“Yours, too.”

“I don’t have a boss.”

“Neither do I, technically. I’m an intern, remember? At least you get paid.”

“Fifteen an hour.”

“It’s folding money.”

“Don’t forget about the meal plan. Horace and Dickies, Litteri’s…”

“Tom does like to feed his troops.”

Lucas leaned into her. They kissed.

“Why’d he call you on a Monday night?” said Constance.

“He had something for me.”

“A case?”

Lucas shook his head. He ran his hand down her neckline, her breast, her ribcage. The inside of her thigh and between her legs.

“I’m not on the stand,” said Lucas.

“You do side work,” said Constance. “Isn’t that right?” In the low light of his bedroom lamp she looked very young.

“Something like that.”

“That’s how you have all this.” She meant his spacious apartment. His bicycle, his car, the kayak hung on hooks on the back porch. In terms of Washington, it really wasn’t much at all. But from her perspective, living on a tight budget, it looked like a lot.

“All this,” said Lucas, finding a spot she liked.

She gasped a little and arched her back. She sucked at his lip and he pulled away, looking down at her, admiring her.

“I guess you think you’re pretty smart,” said Lucas.

“Just observant.”

“And lovely.”

Her chest blushed pink and he laughed.

“Stop it,” she said.

“Stop what?”

“Talking.”

“What’s the rush?”

“I mean it,” she said, her eyes slightly gone.

She tugged at him and he fitted himself between her, lifting one of her legs. It was slow at first. They searched for it and then they found it and soon it became something else, and the bed moved across the floor. Constance’s hand twisted the sheets, her pupils dilated, her hair fanned out about her face. She was the quiet type, but he felt her tense beneath him, and when she made it, Lucas let go and shot a hot river.

They lay there quietly, the sex smell heavy in the room. She liked him to linger. When she was ready she pushed at him a little and she made a small sound when he pulled out. She rolled off the mattress and stood. He watched her cross the room slowly, deliberately, so he could take her in. She was proud of her body and rightly so. He listened to her in the bathroom, washing herself, and then the sound of water drumming in the sink. Thinking, This is what I dreamed of when I was overseas: a nice big comfortable bed in a place of my own, money in my pocket, good-looking young women to laugh with, sometimes just to fuck, sometimes to make love to. God, what more do you need?

Fifteen minutes later, she was dressed and by the front door. He was beside her, shirtless and shoeless, in his 501s.

“You could stay,” said Lucas.

“I want to wake up in my own place. I have class in the morning and then I’m doing some work for Tom.”

“I feel used.”

“No, you don’t. You’re happy and grateful.” She touched his chest, lifted his crucifix, and handled the pendant of blue glass and silver that hung beside it on his chain. “What is this?”

“A mati. It means ‘eye.’ ”

“Like an evil eye?”

“The opposite. It reflects evil back on the onlooker.”

“I’m evil.” She moved her hand to one of his nipples and pinched it.

Lucas smiled. “Don’t I know it.”

“I hope we didn’t wake up the woman downstairs,” said Constance.

“She lived here with her husband for over fifty years. I reckon they christened every room in this house, one time or another. Miss Lee understands that I’m a healthy young man.”

“I’ll say.”

He walked her down the stairs that led to the separate entrance to his place. He had the entire second floor of a four-square colonial on the corner of Emerson and Piney Branch Road, in 16th Street Heights. This wasn’t the Piney Branch that ran deep into Maryland, a street commuters knew well, but rather a short stretch of road running from Buchanan up to Colorado Avenue, in a country-style atmosphere of quiet lanes and alleys that felt bucolic and was only fifteen minutes north of the White House and deep downtown. A brief bike ride down Colorado to Blagden could take Lucas into Rock Creek Park. Nearby 13th Street was within pedaling distance of the places he needed to go. He had lucked into the spot when Miss Lee, a septuagenarian with a prunish face, a thin cap of cottony hair, and beautiful and wily black eyes, had advertised the apartment the old-fashioned way, with a handbill stapled to a telephone pole. He spotted it one day while cruising through the neighborhood on his Trek. When she interviewed him, she explained that the house was paid for, that she didn’t need a tenant for the rent money and was only looking to feel secure with someone in the house. He mentioned that he was a veteran and a marine, and that, coupled with the fact that he repeatedly addressed her as Miss Lee and not by her Christian name, Willie Mae, closed the deal. Given the size of the place, the low rent, and the location, he knew he’d scored.

“Come back,” said Lucas to Constance, outside the first-floor door to his apartment.

“I will.”

He kissed her and watched her go to her car, a ’99 Civic that might as well have had “student” imprinted on its plates. When she was safely in and her engine had turned over, he went back inside. He had things to do in the next couple of days before he went to visit Anwan Hawkins. For one, he needed to get to the library, check out the newspaper morgue material on the man, and gather any intel on him from Petersen. He also had plans to meet his brother for dinner, down around U. Visit some of the soldiers up at Walter Reed, drop off some books. And he needed to get by his mother’s house in Silver Spring to cut her grass. Matter of fact, he thought as he went up the stairs, I should call Mom soon as I get in my room.

Tell her I love her, tell her good night.

ON DETAIL maps it was identified as the D.C. Central Detention Facility, but locals—citizens, inmates, and law alike—called it the D.C. Jail. The holding facility sat at 19th and D, in the Southeast quadrant of the city, on acreage that included the old D.C. General Hospital and RFK Stadium. The jail complex was large, ugly, and bleak. Inmates liked to say that they lived on waterfront property, as several of the east-facing cells gave to a view of the Anacostia River.

In the security area, Lucas signed the book, gave up his driver’s license in exchange for a pass, went through a metal detector, and was patted down and wanded. He was the only male visitor who wasn’t obviously an attorney or some kind of police. Mothers, grandmothers, aunts, girlfriends, and one nun waited in line. The younger women were led into a closed room where they were instructed to shake out their bras. One woman, wearing shorts and a scoop-necked shirt showing ample cleavage, a double violation of the dress code, was turned away. She exited loudly.

Now Lucas sat on a plastic chair in the visiting room, among women visiting men and several guards. Across from him, behind glass, sat Anwan Hawkins, wearing orange. Hawkins was very tall, lean, and freakishly broad shouldered. He was in his thirties. His long braids framed a chiseled face. One of his front teeth had been capped in gold. His facial hair was haphazardly arranged and ungroomed. It stayed where it grew.

They were speaking into telephones. Though they were spitting distance from each other, the telephone connection made them sound continents apart.

“Thank you for helping my son,” said Hawkins, his voice low and husky.

“I did my job.”

“Mr. Petersen said you do it well.”

“He must like my work. He keeps me around.”

Hawkins appraised him. “You look like you can handle yourself out there.”

“I just try to show people respect.”

“I feel the same way.” Hawkins dipped his head. “My man said you fought in the Middle East.”

“I was there.”

“You kill anyone?”

Lucas did not reply.

“Okay, then,” said Hawkins. “I understand.”

Lucas waited.

“My son David is no gangster,” said Hawkins. “Nothin like that. What he did, taking that vehicle, that was just a crime of opportunity right there.”

“It seemed that way to me.”

“Incarceration wouldn’t have taught David nothin he didn’t already know. He was raised right.”

“By you?”

“His mother did all the heavy lifting. I’m not proud of that. I never intended to have a baby and not be there in his life. I wanted my marriage to last. But sometimes a man and a woman just can’t make it.” Hawkins chucked his chin up in Lucas’s direction. “You married?”

“No.”

“His mother and I don’t stay together, but I always gave her support. I feel like, now, it’s extra important that I get out of here, so I can be there for him, to set the right example.”

“I can’t help you there, Mr. Hawkins.”

“I got the best criminal lawyer in town. I don’t need more legal help.”

“Well?”

“You wanna get to it.”

“We only have a half hour. We’ve burnt a piece of it already.”

“How you say your name, exactly?”

“Spero.”

Spee-row. We gonna speak freely, right?”

“Yes.”

“Mr. Petersen told you about my charges.”

“He didn’t have to. You were involved with one of the largest marijuana seizures in D.C. history. I read about it in the paper.”

“Damn right you gonna read about it. Over a million dollars, wholesale. You know they gonna try and put me away for a long time. Actin like I’m Rayful Edmond and shit. But I never sold cocaine or heroin. I wouldn’t.”

“In the eyes of the law it’s all illegal.”

“And it’s gonna stay illegal. ’Cause that’s how they fill up the facilities and generate the construction of more jails. Hire more guards. More administrators, guard unions. The aim is to keep this big prison industrial complex rolling. When I was a kid, the majority of people in lockup was in for violent crime. Now most of the people in prison are in for nonviolent drug offenses.”

“There’s violence attached to it.”

“Don’t I know. That stash you got up in your bedroom drawer, somewhere down in Juarez they be cutting someone’s head off behind it. If it was legal, that shit wouldn’t be happenin.” Hawkins leaned forward. “It’s a prop, man. Don’t matter what the thing is, exactly. You make, I don’t know, possession of milk against the law, you gonna give birth to an underground economy where people be sellin milk on the corner or behind closed doors. And some people gonna kill behind that carton of milk. But not me. I’m not about that.”

Lucas looked into his eyes. “Say why I’m here.”

“I lost something,” said Hawkins. “I understand you specialize in recovery.”

“Tell me about it.”

“Do you know how I used to bring in my product?”

“Mexicans out of California drove it into D.C. in tractor trailers. They’d stop on the side of the road and transfer it into your own trucks. Sometimes they’d even stop on the Beltway or the B-W Parkway.”

“You did your homework.”

“Again, I read about it. That’s a story you don’t forget.”

“Sounds bold or stupid, depending on how you look at it. But actually it worked out fine for a long time. Thing is, we didn’t get busted out on the highway. Someone weak got put under the hot lights and snitched me out. Doesn’t matter who. In my line of work you know that day is gonna come. Once I became a person of interest, it was just a matter of time. The police didn’t want my shipment, they wanted me. The law GPS’d one of my trucks, let it make its run, and followed it back to my storage facility. I had this spot off Kansas Avenue, up there by Lamond, where they got a whole rack of warehouses.”

“I know the area.”

“I was there the day the truck rolled in. And now I’m here.”

Hawkins folded his hands on the table, paused for effect. He was a showman.

“Go on.”

“Even though I got locked up, I couldn’t close my business. I mean, I got employees to take care of, not to mention my legal fees. My second, a young man name of Tavon, continues to bring in product, only now he’s doing it in a different way. You know about the FedEx method, right?”

“Yeah,” said Lucas. “And so do the police.”

“Even with that, it’s hard to stop it. The supplier FedExes a bunch of packages to residences that we identify as unoccupied during the day. We track the packages on the Internet so we know damn near when they’re about to arrive. We intercept the pickups and no one’s the wiser.”

“Except that it’s been in the news lately, in a big way.”

“Uh-huh. First you had that incident out in Maryland where the SWAT boys shot the dogs of those suspects who turned out to be innocent. And then that article they had in the Post, where those people took in that package and discovered it was multiple pounds of weed. Made it sound like it was some kind of new phenomenon and shit.”

“Kids were shipping weed back and forth like that when I was in high school.”

“It is tried and true.”

“Not exactly,” said Lucas. “Someone took you off, right?”

Hawkins nodded with embarrassment. “I lost one. More than one, actually.”

“When?”

“Three weeks ago, somethin like that. A thirty-pound package got stolen off the steps of a house in Brookland. And then a box holding another thirty pounds of my property got boosted off someone’s porch just last week.”

“That’s money.”

“Sure is.” Hawkins shook a ropy forest of braids away from his face. “Funniest part of that article was, po-lice said the dealers don’t bother with retaliation when that kind of thing goes down. Said the economics was such that the dealers could afford to be philosophical about that shit and absorb the loss. That’s some bullshit right there. Don’t get me wrong; I’m not lookin to do any kind of violence to no one. Like I told you, I’m not about that. But I can’t be philosophical behind it, either. Situation I’m in right now, I need the money. I paid for that product and it’s mine. I want it back.”

“You want me to recover your lost packages.”

“Or the cash, if they done offed it already. I’m not lookin for any muscle here, Spero. Just get me back what’s mine. No one I got has your skills. I seen what you did for my son. Got to say, I was impressed.”

“What’s the value of the product?”

“Wholesale?”

“Retail,” said Lucas.

“Roughly one hundred and thirty thousand a package.”

“I’d get forty.”

“Thousand?”

“Percent,” said Lucas.

“That’s fifty thousand and change.”

“Fifty-two. Per package.”

“How you come to that?”

“Forty percent’s my standard fee.”

“Your cut,” said Hawkins.

“That’s right.”

Anwan Hawkins sat back in his chair. He stared at Lucas, and a glint of gold showed as he nearly smiled.

“Where’d the second package get took?” said Lucas.

“Why the second?”

“Most likely the trail on the first theft is cold by now.”

Hawkins gave him an address. Lucas said, “Do you know how to get in touch with me?”

“Tell me your cell number. I’ll get it to Tavon.”

“Don’t communicate with Petersen about this again.”

“Understood,” said Hawkins. “Your cell?”

Lucas said it and repeated it. “You’re gonna remember that?”

“Sure.”

“I don’t do trades. I take my fee in cash.”

Hawkins looked him over. “You’re on the cocky side. You know that?”

“It serves me well in my line of work.”

“Don’t go spending that cash just yet,” said Hawkins. “That kinda money you chargin? I ain’t quite decided whether you and I are gonna do business.”

Lucas said, “Neither have I.”

THREE

SPERO LUCAS had two brothers and a sister, but only one sibling he was close to. This was the brother who was a year older than him. His name was Leonidas, but everyone, except for his mother when she was being stern with him, called him Leo. Leo’s birth name had been Nigel, but Van and Eleni Lucas had changed it, in the same way that they had changed Spero’s name from Sean. Spero and Leo had come into the world from entirely different places and had wound up brothers. Both felt blessed.

“What do you think?” said Spero, talking on his cell, sitting in his reading chair by the window that gave to a view of Emerson Street. “Should I take the job?”

I wouldn’t,” said Leo, speaking from his basement apartment in Logan. “But I wouldn’t do half the shit you do.”

“Because he’s a dealer?”

“Because someone with a defective personality probably stole that weed. Because someone like that might not like you looking into it, and they might go and blow your pretty head off.”

“Hawkins doesn’t seem to play in that kind of arena.”

“Oh. He deals marijuana as opposed to the hard stuff, so he’s cool.”

“I’m not claiming that. But he is smart and practical. Not practical, exactly. He looks at his situation from the practical tip based on the facts at hand.”

“He’s pragmatic,” said Leo.

“Thanks, teacher. My impression was that he isn’t the violent type. He seems like a straight-up businessman who lost an item out of his inventory.”

“And you seem like you already made up your mind.”

“Unless you talk me out of it.”

“What for? You’ve gone ahead and rationalized it, so there it is.”

“I’m not trying to judge my clients.”

“Not even a little bit.”

“It’s work,” said Spero.

“Someone’s got to do it,” said Leo. “Et cetera.”

Spero heard a female voice, deep in the background. She was saying Leo’s name in a singsong way.

“You’ve got company?” said Spero.

“No,” said Leo softly. “That’s only a kitty cat.”

“A talking kitty cat?”

“Like in the cartoons.”

“They say it purrs if you scratch it.”

“Now you goin somewhere you shouldn’t.”

“It better be a woman, dude. ’Cause if you’re sticking an actual cat, even one that can say your name, I’m gonna be very disappointed in you. And Mom is not gonna understand.”

“I gotta go,” said Leo, and hung up the phone.



Continues...

Excerpted from The Cut by Pelecanos, George Copyright © 2011 by Pelecanos, George. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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See All Sort by: Showing 1 – 20 of 39 Customer Reviews
  • Posted November 1, 2011

    more from this reviewer

    Pelecanos understands the genre like Monet understood paint.

    Pelecanos brings a certain poetry, a certain literary touch to the crime fiction genre. The Cut is no exception. Pelecanos understands the genre like Monet understood paint. He instinctively knows which clichés of the genre will work and which to avoid. First, the ones he uses and uses oh, so well; Spero Lucas is, like many protagonists of crime fiction, a war veteran. He served as a Marine in Iraq and was an obvious man of action choosing to be the first in the door at `clearing houses' in the streets of Fallujah. Secondly, like Sam Spade or Philip Marlow, Lawrence Block's Matthew Scudder or Michael Connelly's Harry Bosch, Spero is a loner. He also maintains that ambiguous place between the cops and the criminals and has his own set of values based in common sense and not laws. And probably most important, Pelecanos' subject matter is very socially aware and pertinent in making some social issues a part of the back story i.e. a feeling of detachment of returning vets, how disabled vets get lost in society, the complicated racial relations of our nations capital, which in and of itself is a microcosm of the nation as a whole. After returning from Iraq, Spero wasn't drawn to college not being able to see himself wearing a suit and tie or bound to a desk and office. He drifted into investigative work employing a keen sense of observation that allowed him to survive the war. He writes and diagrams everything he sees in a moleskin note book or takes endless photos with his iPhone - the new gun for the 21st century detective. He also does `side jobs' finding lost or stolen property that the official authorities wouldn't bother to look for or retrieve for the owners. Oft time the owners won't even report these things because they in themselves may be illegal - unreported income, or a drug stash for instance. He preforms this for the arbitrarily arrived at fee of 40% of the value. Hence the title, The Cut. The clichés he avoids are, endless, senseless violence that only show how tough the tough guy hero is. Spero comes off as more a thinking mans tough guy with his minute analysis of everything. Yet, there is this quiet sense of menace underneath the skin. And almost a recklessness in his approach at times. He is also a very good reader of character. The author avoids the obvious cliché of too cute dialog. Instead, the dialog not only drives the character development but the story and plot. And, if nailing all the other story elements isn't enough, Pelecanos' gives a sense of place, Washington DC, that is superb. He takes you through alleys, and down streets, observes buildings, architecture, row houses and school yards, history and the seasons in detail and makes it endlessly interesting. It's a side of the city you don't see often in fiction. It's not a DC of movers and shakers and thousand dollar suits and limos. It's a city diverse in it's racial make up, rich in it small bars, night clubs and restaurants. It's a city of the homeless living in the shadows of our greatest monuments to a promised land. In short, he gives the city to average ever average everyday people. The politicians just work there.

    What Pelecanos' has done is to fashion a first class crime story that stands head and shoulders above the genre and contains all the right elements to be considered literary fiction as well as popular fiction. Then he wraps it up as the opening of a series that should keep any reader ecstatic for years to come. It's a master

    2 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted September 30, 2011

    Nothing special

    Good plot but characters are too stereotypical

    2 out of 2 people found this review helpful.

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  • Posted September 12, 2011

    more from this reviewer

    I Also Recommend:

    The Cut

    Many said that George Pelecanos' later stand-alone novels were not as good as his, Stefanos, D.C. Quartet, and Strange/Quinn novels (no, they were not as good, but the ones that I have read were fantastic). The Cut brings with it a new character, Spero Lucas, a vet-turned investigator for a D.C. defense attorney. And what a character he is. In the only negative review I read, the critic complained about not knowing Lucas enough. For me, I knew him pretty well, and yes, there was some left to know about him, but as Pelecanos writes more books about Lucas, which he plans to do, Lucas will be more developed. The Cut brings Pelecanos back to his roots, a straight up action book that is pure fun. However, behind the action, there is a lot of heart. Pelecanos writes some of the best action scenes, dialogue, and pop-culture references, period.

    2 out of 2 people found this review helpful.

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  • Posted June 7, 2012

    more from this reviewer

    Justice of a Sort

    In the first novel of a new series, we are introduced to Spero Lucas, a just-returned Iraq war veteran, working as an investigator for a Washington, D.C. defense attorney with a sideline of recovering “lost” property fort a 40 per cent cut of its value. In the caper he undertakes in this initial foray, he seems to bite off more than he can chew.

    The attorney is defending a top marijuana peddler, and the client asks for Spero to visit him in jail. He tells Spero that his deliveries are being stolen and he is out of money, and would appreciate recovery of either the merchandise or the cash. The assignment takes Spero off into all kinds of action, some of which is kind of far-fetched.

    Mr. Pelecanos is well-known for his characterizations and his use of the nation’s Capital as background, and this book is no exception. Somehow, however, using Spero as an example of a footloose vet just returned from the desert just didn’t quite ring true. Some of his friends who served with him there do exhibit the plight of wounded, disabled marines, or just plain still unemployed, somewhat more realistically. That said, the novel is written with the author’s accustomed flair, and the plot moves at a rapid pace. Certainly, the action is vivid, and the reader keeps turning pages.

    Recommended.

    1 out of 1 people found this review helpful.

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  • Posted March 24, 2012

    I had the opportunity to listen to this book and enjoyed it very

    I had the opportunity to listen to this book and enjoyed it very much. I enjoyed it so much that I wish I would have read it. I try to listen to books I otherwise would not read. Spero Lucas and his family make for great characters and there is great description of the surroundings and other characters. Just a great read. Looking forward to the next Spero Lucas novel. That one I will read.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 19, 2012

    Fast-paced and not overwritten

    I may be biased as I live in the DC area, but the book was great. It moved and left out the typical plotlines that bog down a story. Like the main character, this book is a bull.

    1 out of 1 people found this review helpful.

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  • Posted September 10, 2011

    slow and boring

    With all the hoopla that surrounded this book, I was sorely disappointed in it. Slow as molasses and very little action or plot for that matter.

    Lots of description of our hero's clothing, exericise routine and eating habits. Author has this obsession about Washington
    DC and its environs... if I want a tour of the city, give me a guide book.

    I hung in there hoping it would get better; it didn't.

    1 out of 2 people found this review helpful.

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  • Posted September 9, 2011

    Phoning It In

    George Pelecanos used to write wonderful crime fiction, but this book makes clear that he's become a victim of his own success. If his writing were only formulaic, it would just be sad. But here the attention to detail is so lacking that the very name of the shooter in a key early incident is confused with some nonexistent character, probably because the scene was lifted whole from some other book. Editing was clearly minimal, if any. Fortunately the short story "Chosen" in the E-book provides a glimpse of how well Pelecanos can write when he takes the time and care. *The Cut* also introduces an interesting new character in Spero Lucas and offers insights about the legacy of father-son relationships. But on the whole, I'd suggest that one thriller starring an IPhone is enough, George.

    1 out of 2 people found this review helpful.

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  • Posted September 4, 2011

    Riveting

    George pelicanos is in my mind the best writer publishing books today. Similar to two of my favorite authors pat conroy and john stienbeck the story is secondary to his study of humanbeings . After im done reading his books i allwys feel that i have gained incredible insight .the heroe of this book is a young gutsy arrogant man.but the man writing the book is very close to my age and thats the incredible benifit that ihave gained .mr pelicanos has made me think closer about my own life and ihave strived to become a bettet man

    1 out of 1 people found this review helpful.

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  • Posted July 18, 2014

    Highly recommended

    I enjoyed the character in this book, that Im reading the next one.

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  • Anonymous

    Posted February 21, 2014

    G

    G

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  • Posted June 27, 2013

    THE CUT begins a new series for Pelecanos.  Spero Lucas is just

    THE CUT begins a new series for Pelecanos.  Spero Lucas is just returning from serving in Iraq.  He's working with a defense attorney  to retrieve "things", no questions asked.  Spero's "cut" is a straight 40% of the the retrieved item's value.  He's part of a blended Greek family living in Washington, DC.  He's adopted and white, while his favorite sibling is his black high school teaching brother.  




    Leo's mission in this book is to retrieve a "stolen package" that turns out to be the sales money from a shipment of "weed". The "owner" is a retired cop turned crime boss--making money from drugs and killing anyone whom he feels may interfere in that process.  Soon Spero finds out that this job could cost more than he'd bargained for, as a couple of young boys are murdered, one of his brother's promising students is threatened, and any semblance of morals or ethics are going away with this deal. 




    Although the action and thrills are definitely great in this story, my personal favorite parts of this book involve the relationships, both great and terrible, that exist between fathers and sons, between good school teachers and their students, and between the police and the community.  Pelecanos has a real handle on capturing these relationships while telling a whopper of a story.  




    Personally, I could do without some of the foul language, and the drug usage and explicit sex.  but unfortunately, I also believe these parts were necessary to truly capture the parts of Washington, DC where this story takes place.  I've not really been a fan of Pelecanos before reading this book, but now I am definitely looking forward to reading the next book in this series!!

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  • Anonymous

    Posted April 5, 2013

    Do not buy this Nook book

    The e-book formatting on this book is messed up. All print is very tiny and no amount of adjusting the font will enlarge it. Customer support makes big promises but they cannot fix it. Do not buy the Nook version of this book. George Pellecanos is great and a hard copy would probably be great.

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  • Anonymous

    Posted December 13, 2011

    Fun Read

    Fast moving action. Pelecanos has a winning new character, I'm looking forward to the next book in this series.

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  • Posted September 22, 2011

    more from this reviewer

    Iraq D.C.

    Interesting turn with an Iraq vet returning to the streets of D.C., where his skills continue to be valuable. Good character development and a plot that kept me involved.

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  • Anonymous

    Posted September 6, 2011

    Loved the new character.

    Pelecanos captures the characters in a blended family and the variety of D.C. neighborhoods in this latest book. I love how he ties in music and food. Sometimes I forget this is a crime novel.

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  • Anonymous

    Posted November 21, 2011

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    Posted September 7, 2011

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  • Anonymous

    Posted October 13, 2011

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  • Anonymous

    Posted March 5, 2012

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