Déjà Vu

Déjà Vu

4.0 1
by George Duke
     
 

Déjà Vu is 2010's bookend to 2008's Dukey Treats. That record explored George Duke's funk roots and channeled everything from Earth, Wind & Fire to P-Funk, artists who inspired his own successful run of funk outings. Déjà Vu revisits Duke's love of electricSee more details below

Overview

Déjà Vu is 2010's bookend to 2008's Dukey Treats. That record explored George Duke's funk roots and channeled everything from Earth, Wind & Fire to P-Funk, artists who inspired his own successful run of funk outings. Déjà Vu revisits Duke's love of electric funky jazz. Here he recalls some of the production and musical techniques he employed in the '70s. Along with playing a load of synths (mono and analog), Rhodes and Wurlitzer electric pianos, clavinet, acoustic piano, and even miniMoog bass are in abundance, too. The production is pure retro; compared to the contemporary jazz recordings of the 21st century, Déjà Vu sounds almost organic. Duke composed, produced, and arranged the set as well. "A Melody" recalls -- seamlessly -- the sounds and textures explored on 1979's A Brazilian Love Affair. A chorus of backing vocalists glides above a modern samba groove, driven by various synth strings and percussion and rhythms held steady by drummer Ronald Bruner, Jr. and bassist Michael Manson. The breezy melody gives way to some fine inside improvisation. "You Touch My Brain" is slippery laid-back funk à la Sly Stone's Fresh album, with a nice trumpet break by Nicholas Payton. "What Goes Around Comes Around" features some nice piano, an excellent vocal through a synth, and a gorgeous Everette Harp soprano solo. "Ripple in Time" is dedicated to Miles Davis. Duke is is clearly inspired by Davis' Tutu period. It's a lengthy but moody beginning, but cracks into a beautiful funky vamp at the two-minute mark. Duke's bass sound is big and meaty; Oscar Brashear provides excellent trumpet work next to Harp's tenor sax before a badass guitar by Jef Lee Johnson claims the vamp and works it to death. "Stupid Is as Stupid Does" might have come from his Feel or Faces in Reflection outings from the mid-'70s. Hubert Laws' signature flute appears, as does Bob Sheppard's tenor. The title track is the biggest surprise: closing out the album, it reflects the drama of John McLaughlin and Mahavishnu Orchestra, with Duke handling the guitar sounds on a Motif ES8! The violin playing by Sarah Thornblade is a dynamic foil. Déjà Vu is Duke's most consistently satisfying and eclectic recording since 1995's Illusions.

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Product Details

Release Date:
08/10/2010
Label:
Telarc
UPC:
0888072320314
catalogNumber:
32031
Rank:
7093

Tracks

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Album Credits

Performance Credits

George Duke   Primary Artist,Organ,Synthesizer,Bass,Guitar,Percussion,Piano,Strings,Vocals,Voices,Clavinet,Soloist,Mini Moog
Hubert Laws   Flute
Bob Sheppard   Tenor Saxophone
Oscar Brashear   Trumpet
Rashid Duke   Voices
Lynne Fiddmont   Vocals
Ray Fuller   Guitar
Everette Harp   Soprano Saxophone,Tenor Saxophone
Paul Jackson   Acoustic Guitar,Electric Guitar
Jef Lee Johnson   Guitar
Larry Kimpel   Bass
Michael Manson   Bass
Nicholas Payton   Trumpet
Lamont VanHook   Vocals
Terry Dexter   Vocals
Jubu Smith   Guitar
Sarah Thornblade   Violin
Shannon Pearson   Vocals
Teddy Campbell   Drums
Kamasi Washington   Alto Saxophone
Ronald Bruner   Drums

Technical Credits

George Duke   Composer,Producer,drum programming
Everette Harp   Composer
Erik Zobler   Engineer,Mastering
Randall Moses   Art Direction

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