Dada: Zurich, Berlin, Hannover, Cologne, New York, Paris

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Now available in paperback, this lavishly illustrated and astonishingly comprehensive volume stands as the definitive study of the influential but deliberately elusive international Dada movement of the early twentieth century. Organized according to the primary city centers where this shifting, quintessentially avant garde movement emerged, Dada: Zurich, Berlin, Hannover, Cologne, New York, Paris features the work of 40 key artists, both infamous and lesser-known, including Louis Aragon, Hans Arp, Hugo Ball, ...
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Washington, DC 2008 Trade paperback Good. Trade paperback (US). Sewn binding. 519 p. Contains: Illustrations, black & white, Illustrations, color.

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Photo Cover 2005 Soft cover First Edition Near Fine Book -----------large (quarto) softcover, a Near Fine copy, 519 pages, packed with colour photos, ---"Along with Russian ... constructivism and surrealism, Dada stands as one of the three most significant movements of the historical avant-garde. Born in the heart of Europe in the midst of World War I, Dada displayed a raucous skepticism about accepted values. Its embrace of new materials, of collage and assemblage techniques, of the designation of manufactured objects as art objects as well as its interest in performance, sound poetry, and manifestos fundamentally shaped the terms of modern art practice and created an abiding legacy for postwar art. Yet, while the word Dada has common currency, few know much about Dada art itself. In contrast to other key avant-garde movements, there has never been a major American exhibition that explores Dada specifically in broad view. Dada--the catalogue to the exhibition on view in 2006 at the National Gallery of Art in W Read more Show Less

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xv, 519 pp., illus. (some col.); 31 cm. Tight, clean copy. First paperback edition. OVERSIZE! No priority/international, except by special arrangement. "Dada includes many of the ... key figures in the history of modernism, such as Hans Arp, Marcel Duchamp, Max Ernst, Hannah Hoch, John Heartfield, Francis Picabla, Kurt Schwitters, and Sophie Taeuber, and introduces artists who are less well known. This book explores the variety of art-making practices that emerged between 1916 and 1924 in the movement's primary centers: Zurich, Berlin, Hannover, Cologne, New York, and Paris. Six city essays by scholars of the movement; an illustrated chronology; more than forty artists' biographies; period photographs; and extensive plate sections document a provocative and influential artistic era. This illustrated book accompanies Dada, the most comprehensive museum exhibition of Dada art ever mounted in the United States, on view in 2006 at the National Gallery of Art, Washington, and The Museum of Modern Art, New York. The exhibition was on view at the Musee national d'art moderne-Centre Pompidou in Paris in 2005." - Publisher. CONTENTS: Zurich, by Leah Dickerman; Berlin, by Brigid Doherty; Hannover, by Dorothea Dietrich; Cologne, by Sabine T. Kriebel; New York, by Michael R. Taylor; Paris, by Janine Mileaf & Matthew S. Witkovsky; Dada films, by Emmanuelle de L'Ecotais & Mark Levitch. Read more Show Less

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Overview

Now available in paperback, this lavishly illustrated and astonishingly comprehensive volume stands as the definitive study of the influential but deliberately elusive international Dada movement of the early twentieth century. Organized according to the primary city centers where this shifting, quintessentially avant garde movement emerged, Dada: Zurich, Berlin, Hannover, Cologne, New York, Paris features the work of 40 key artists, both infamous and lesser-known, including Louis Aragon, Hans Arp, Hugo Ball, Andre Breton, Otto Dix, Marcel Duchamp, Hannah Hoch, Man Ray, Tristan Tzara and Kurt Schwitters, to name just a few, in media spanning painting, sculpture, photography, collage, photomontage, prints and graphic work. Dynamically designed with an uncommon intelligence suited to the complexity of the movement itself, it contains hundreds of reproductions of works which, until the major traveling exhibition of 2005 and 2006 for which this book was originally produced, had for the most part never been seen in one place together. Documentary images, topical essays and an invaluable illustrated chronology of the movement make this volume uniquely essential, along with witty chronicles of events in each city center, a selected bibliography and biographies of each artist, accompanied by Dada-era photographs.
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Product Details

  • ISBN-13: 9780894683138
  • Publisher: National Gallery of Art, Washington/D.A.P.
  • Publication date: 3/28/2008
  • Pages: 536
  • Product dimensions: 8.60 (w) x 12.00 (h) x 1.40 (d)

Meet the Author

Kurt Schwitters was born in Hanover, Germany, in 1887. He studied at the Hanover School for Applied Arts and the Art Academy in Dresden. In 1911 he participated in his first exhibition. In 1919 the first pictures of his Merz were published, as was his poem An Anna Blume. Throughout the 20s, he devoted most of his energy to working on the Merzbau and Merz magazine, and also founded a successful advertising agency in 1924. Upon the Nazi defamation of his work in 1937, he emigrated to Norway, later continuing on to England, where he died in 1948. Five years earlier, an air raid over his home in Hanover had destroyed the original Merzbau.

Born in Philadelphia in 1890, Man Ray began his professional life as a painter before taking up photography in 1915. In Paris during the 1920s his career as a fashion photographer and portraitist took off, and it was there that he discovered the possibilities of cameraless photography. He continued to paint and take photographs both in the United States and Paris until his death in 1976. He has been the subject of major exhibitions at museums throughout the world, and is one of the best-known photographers of the twentieth century.

Leah Dickerman is Associate Curator of Modern and Contemporary Art, National Gallery of Art.

Leah Dickerman is Associate Curator of Modern and Contemporary Art, National Gallery of Art.

Dorothea Dietrich is Chair of Academic Studies and Associate Professor of Art History at the Corcoran College of Art + Design, Washington.

Brigid Doherty is Associate Professor of German and Art and Archaeology at Princeton University.

Sabine T. Kriebel is a Lecturer of Modern and Contemporary Art at theUniversity College, Cork, Ireland.

Janine Mileaf is an Assistant Professor of Art History at Swarthmore College, Swarthmore, PA.

Michael R. Taylor is the Muriel and Philip Berman Curator of Modern Art, Philadelphia Museum of Art.

Matthew S. Witkovsky is Assistant Curator of Photographs, National Gallery of Art, Washington.

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