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Dancer of Gor

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Overview

Doreen Williamson is a quiet, shy librarian on Earth. Like many other young women, she is distrustful of her attractions, frightened of men, introverted in manner and sexually inhibited. She lives within a quiet, lonely, dissatisfying, sheltered, frustrated desperation, distant from her true self, her nature denied, her only friends books and her secret thoughts. In the realization and enactment of a profound fantasy, after acute self-conflict, she dares to study a form of dance in which she is at last free to ...

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Dancer of Gor

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Overview

Doreen Williamson is a quiet, shy librarian on Earth. Like many other young women, she is distrustful of her attractions, frightened of men, introverted in manner and sexually inhibited. She lives within a quiet, lonely, dissatisfying, sheltered, frustrated desperation, distant from her true self, her nature denied, her only friends books and her secret thoughts. In the realization and enactment of a profound fantasy, after acute self-conflict, she dares to study a form of dance in which she is at last free to move her body as a female, a form of dance in which she may revel in her beauty and womanhood, a form of dance historically commanded by masters of selected, suitable slaves: belly dance. She must then dance, for the first time, before men. In doing so, she discovers her own desirability and that she may be well bid upon.
 
Rediscover this brilliantly imagined world where men are masters and women live to serve their every desire. 

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Product Details

  • ISBN-13: 9781497643604
  • Publisher: Open Road Integrated Media LLC
  • Publication date: 5/6/2014
  • Series: Gorean Saga Series , #22
  • Pages: 556
  • Sales rank: 856,642
  • Product dimensions: 5.50 (w) x 8.40 (h) x 1.50 (d)

Meet the Author

John Norman, born in Chicago, Illinois, in 1931, is the creator of the Gorean Saga, the longest-running series of adventure novels in science fiction history. Starting in December 1966 with Tarnsman of Gor, the series was put on hold after its twenty-fifth installment, Magicians of Gor, in 1988, when DAW refused to publish its successor, Witness of Gor. After several unsuccessful attempts to find a trade publishing outlet, the series was brought back into print in 2001. Norman has also produced a separate science fiction series, the Telnarian Histories, plus two other fiction works (Ghost Dance and Time Slave), a nonfiction paperback (Imaginative Sex), and a collection of thirty short stories, entitled Norman InvasionsThe Totems of Abydos was published in spring 2012. 

All of Norman’s work is available both in print and as ebooks. The Internet has proven to be a fertile ground for the imagination of Norman’s ever-growing fan base, and at Gor Chronicles (www.gorchronicles.com), a website specially created for his tremendous fan following, one may read everything there is to know about this unique fictional culture. 

Norman is married and has three children.

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Read an Excerpt

Dancer of Gor

The Gorean Saga: Book 22


By John Norman

OPEN ROAD INTEGRATED MEDIA

Copyright © 1985 John Norman
All rights reserved.
ISBN: 978-1-4976-0021-8


CHAPTER 1

A Bit of Silk


I knew that I did not conform to the cultural stereotypes prescribed to me. I had known this for a long time. The dark secrets which lay hidden within me I had been forced to conceal for several years. I do not know from whence the secrets arose. They were directly contrary to everything that had been taught to me. Their origins, it seemed, were deep within me, and, I feared, as I lay awake at night afraid, sweating and distraught, native to my very nature. But such a nature, I wept, could not be, and if it were, so subtle, so insistent, so persistent, so unrelenting, so tenacious, it must never be admitted, never, never! Yes, I fought them, these secrets, these covert knowledges, these anticipations, these dreams. Yes I struggled, in accord with the demands of my culture, my training and education, these things telling me how I must be, how I must be as I was told to be, to drive them from me. I repudiated them, again and again, but to no avail. They returned, ever again, mercilessly, horrifying me, taunting and mocking me, stripping me in the darkness of my bed of my pretenses and lies. I squirmed and thrashed in my bed, twisting and weeping, pounding it with my fists, crying out, "No! No!" Then I would put my head fearfully on my pillow, dampened with meaningless, rebellious tears. Could I be so weak and terrible? Could I be truly so different from others? Surely there could be no one in the world so degraded, so shameful and terrible as myself. Then one night I rose from bed and went to the vanity and lit the small candle there. I had bought this candle weeks before, probably because deep within me, within my deepest self, in my anguished mind, in my tortured breast and heart, I knew this night would come. I lit the small candle. I stood there in the flickering light, for some minutes, looking at myself. I wore a white nightgown, anklelength. I have dark hair and eyes. At that time my hair was cut at shoulder length. Then, not looking back to the mirror, I crept in the candlelight and shadows to the dresser and there, from beneath several layers of garments, where I had concealed it, I drew forth a small bit of scarlet cloth, tiny and silken, with shoulder straps, a garment I had myself sewn weeks ago, one in which, save for fittings, often done by feel, with my eyes closed, I never even dared to look upon myself. This, in a sense, was the third such garment I had attempted. The material for the first, not yet even touched by needle and thread, or scissors, I had suddenly discarded in terror, months ago. I had actually begun work on the second garment, some two months ago, but, in touching it to my body, for it was the sort of garment which touches the body directly, with no intervening investiture, I had suddenly, comprehending its meaning and nature, begun to shake with terror and, scarcely knowing what I was doing, I feverishly cut and tore it to pieces, and threw it away! But even as I had destroyed it I knew, weeping and distraught, terrified, I would make another. I took the third garment from the drawer. Suddenly I thrust it back in the drawer, again under the other garments, thrusting shut the drawer. Then, after a moment, breathing heavily, trembling, I opened the drawer again, and removed it, once more, from its place. I went back to the vanity not looking in the mirror. I dropped the bit of scarlet silk near my feet on the rug. I was trembling. It seemed I could scarcely get my breath. I lifted my eyes then again to the figure in the mirror. She was not large, but I thought she might be pretty. But it is hard to be objective about such things. I supposed there could be criteria, of one sort or another, in some place or another, of a somewhat ascertainable, quantitative sort, perhaps what men might be willing to pay for you, but even then they would probably be paying for a spectrum of desirabilities, of which prettiness, per se, might be only one, and perhaps not even the most important. I did not know. I suppose even more important would be what a woman looked like to a given man and what he thought he could do with her, or, seeing her, knew he could do with her. I looked at the figure in the mirror. Her nightgown, anklelength, was of white cotton. It seemed rather demure, or timid, I supposed, but there was little doubt that there was a female, and perhaps a rather attractive one, though, to be sure, that would be a judgment for men to more properly make, within it. There were the stains of tears on the cheeks of the girl facing me in the mirror, I noted. She trembled. Her lips moved. Why was she afraid? At what she saw in the mirror? It was herself, surely. Why should she fear that? I saw she wore a nightgown. I liked that. I did not like pajamas. To be sure, she was perhaps too feminine for a woman in these times, but then there are such women, in spite of all. They are real, and their needs are real. I looked at her. Yes, I thought, she was objectively pretty. There was no doubt about it. To be sure, she might not seem so to a crocodile or a tree but she should seem such to a male of her species, and that was what counted. Yes, that was what counted, objectively. To be sure, he would doubtless wish to see if the rest of her matched her face. Men were like that. They were like traders of horses and breeders of dogs, interested in the whole female. I again regarded the girl in the mirror. Yes, I thought, she was too feminine, at least for these times. This was not the sort of woman wanted in our times. She was like something beautiful stranded on a foreign beach. Surely she belonged in another time or place. She seemed in her hormones and beauty, in her needs, like a stranger flung out of time. There she stood in a world alien to her deepest nature, not a man, and not wanting to be one, a victim of time and heredity, of her genetic depths, of biology and history. How lonely and unbefriended, how frustrated, unfulfilled and doleful she was. How tragic is she indeed, I thought, whom the lies of one's time fail to nourish. I looked again at the girl in the mirror. Surely she might better have cooked meat in the light of a cave fire, the thongs on her left wrist perhaps marking whose woman she was, or with sistrum and hymns, under the orders of priests, welcomed the grand, redemptive, sluggish flows of the Nile; better she had run barefoot on a lonely Aegean beach, her himation gathered to her knees, a fillet of white wool in her hair, watching for oared ships; better she had spun wool in Crete or cast nets, her robes tied to her waist, off the coast of Asia Minor; better she had broken her dolls and put them in the temple of Vesta; better she had been a silken girl breathless behind the wooden screens of the seraglio or a ragged slut on her knees desperately licking and kissing for coins in the sunlit, dusty streets below; better she had been bartered for a thousand horses in Scythia or led to Jerusalem tied by the hair to a Crusader's stirrup; better to have been a high-born Spanish lady forced to beg to be the bride of a pirate; better to have been an Irish prostitute, her face slashed by Puritans for following the troops of Charles; better to have been a delicate lady of the Regency carried into Turkish slavery; better to have been a Colonial dame spinning in Ohio, looking up to see her first red master. I put down my head, and shook it. Such thoughts must be put from my mind, I told myself. But the girl stood there, still stood there, in the mirror. She had not left, or fled. How bold she was, or how deep were her needs! I shuddered. How many times I had awakened from sleep, moving against the coarse, narrow cords which had held me down, above and below my breasts and crossed between them, leaving their cruel marks on my body! How many times had I awakened, seeming still to feel the tight bite of cruel shackles on my wrists and ankles. How many times had I, bound at their mercy, looked up at them? How many times had I recoiled from the blows of their whips, only to crawl then to their feet, piteous and contrite, begging to please them? I was a female. Not looking in the mirror I drew off the nightgown and held it clenched in my hand. I then crouched down and put it gently on the rug, beside the bit of silk. I hesitated. Then I picked up the bit of silk and, standing, not looking in the mirror, I drew it on. It was on me! I closed my eyes. I felt on my skin its silken presence, almost nothing, little more than a whisper or a mockery. I drew it at the hem down more against my body, perhaps defensively, that I might feel it on me the more, that I might assure myself, I told myself, the more of its presence, that I was truly garmented, but this, too, of course, merely confirmed upon me not uncertainly the insidious disturbing subtlety of its slightness, the so undeniable, so insistent, scandalous feel of it, its shameful, mocking silken caress, and, too, as I drew it down, it clung more closely about me; it seemed that it would then, almost as though scornfully, imperiously, in amusement, given its nature, respond to my efforts at modesty only by producing a further and yet greater revelation and betrayal of my beauty. I stood there, the garment on. I turned then to the mirror, and opened my eyes. Suddenly I gasped and was giddy. For a moment it seemed blackness swam about me, and I fought for breath. My knees almost buckled. I struggled to retain consciousness. I looked in the mirror. Never had I seen myself thusly. I was terrified. In the mirror there was a different woman than the world knew of me, one they had never seen, one they had never suspected. What was that thing she wore? What sort of garment could that be, so delicious and brief, so excruciatingly and uncompromisingly feminine? Surely no real woman, hostile, unloving, demanding, shrill and frustrated, zealous in her conformance to stereotypes, attempting desperately to find satisfaction in such things, would wear such a garment. It was too female, too feminine. How could she be identical to a male in such a garment? It would show her simply that she was not. How could she keep her dignity and respect in such a garment? She could not. It would show that she was beautifully, and utterly and profoundly different from a man. It was the sort of garment a man might throw to a woman to wear, amused to see her in it. What sort of woman, of her own free will, would put on such a garment? Surely no real woman. It was too feminine. Surely only a terrible woman, a low woman, a shameful, wicked, worthless woman, a reproach to her entire sex, one with depths and needs antedating her century, one with needs not indexed to political orthodoxies, one with needs older and deeper, and more real and profound, more ancient and marvelous than those dictated to her by intellectual aberrations antithetical to biology, truth, history and time. I put my hand before my mouth, frightened. I stood there, regarding myself, then, shamed, and humbled and thrilled. I knew then it was I in the mirror, and none other. Perhaps what I saw was not a real woman in some invented, artificial, contemptible, grotesque modern sense, but I thought she was a woman nonetheless and one in some even more profound sense, so small, so soft and curved, and desiring, and vulnerable, and helpless and needful, a sense not indexed to criteria of economics and politics, not to the demands of platforms and parties, not to the likings of frustrates and freaks, but to something more profound, something deeper, to ancient, precious, biological womanhood, and its fundamental nature. If what faced me in the mirror was not a real woman in some contemporary, transient, idiosyncratic political sense, it was at least something biologically far deeper, and a thousand times more real, a true woman. And standing there I was suddenly very frightened, for I realized suddenly, the thought never before having struck me in just the same way, and with the same suddenly significant force, that there were two sexes, and that they were quite different. I regarded myself in the mirror, and trembled, wondering what this might mean, fully. I feared to consider the matter. What did it mean, that we were not the same as men, that we were so different? Was this really totally meaningless, a unique accident in the history of a world, a random paragraph written in the oceans, in the records of steaming swamps, in the journals of primeval forests, in the annals of the grasslands and deserts, of vacillating glaciers and damp, flowering valleys, of the basins of broad rivers and of the treks of nomads, wagons and armies, or were there biological proprieties, destinies and natures to be fulfilled? I did not know. But I knew how I felt. I lowered my hand and turned, slowly, before the mirror. I considered myself, and was, truly, not displeased. I was not a man, and did not want to be one. I was a female. I choked back a sob. I wondered what it might mean, that men, until we had managed to turn them against themselves, until we had managed to tie and cripple them, were so much stronger, so much more powerful, than we. There was no nether closure, by intent, in the tiny garment I had fashioned. It was open at the bottom. This had seemed to me necessary, somehow, when I had made it. That had seemed to me interesting at the time, but I thought that now I might more fully understand its meaning. It was the garment, particularly in its brevity, of a woman who, whether she willed it or not, was to be kept open to the touch of a man. It was, in its way, a convenience for the male, indeed, even an invitation to his predation; too, similarly, it was, to her, to the so-dressed female, a mnemonic device, and a symbol of her vulnerability, and nature, reminding her of what she was, and her meaning. I wondered if anywhere there might be true men, men capable of answering the scream of need in a woman, capable of taking us in hand and treating us, and handling us, as what we were, females. Alas, I did not think so. Before the mirror I sobbed. Then I thought that somewhere, surely, there must be such men. But where? Surely, somewhere in nature, there must be such men! Surely somewhere in nature there must be an explanation for my needs. I had not invented them. I was their captive! Surely somewhere in nature there must be an accounting for them, as there was an accounting for the dances of bees and the fragrance of flowers, for the fleetness of the antelope and the teeth of the lion, for the migrations of fish and birds, for the swarming of insects, for the turning of turtles to the sea. Somehow there must be a reason for the way I felt, something beyond all the denials, denunciations and rationalizations. Such needs bespoke something deep within me, but I dared not consider what it might be. I was lonely and miserable! I wondered if somewhere in nature there might lie not only an explanation for these needs, so seemingly mysterious and inexplicable, given my environment, my education, my training, my conditioning, so different from them, but also some dark complement to them, some response to them, or answer to them. Did they not belong in some organic whole, in some natural relationship, selected for throughout time and history? The bee's dances betokened an avenue to nectar; the fragrance of the flower, seemingly such a meaningless thing of beauty, called forth, luring the bee to its pollen; the swiftness of the antelope paid tribute to the ferocity and agility of the carnivore, the fangs of the carnivore to the elusiveness of his quarry; at the ends of migrations lay the spawning waters and nesting grounds of species; swarmings brought sexes into proximity; and meaning was given to the trek of the turtle, as it led at last to the sea. I considered what might be the answer, the response, in nature, to the needs I felt, if there was one, what might be the nature of the startling organic whole, if it existed, the natural relationship, if there should be such, in which they figured. I wondered what might possibly be the complement in nature to these overwhelming, undeniable, persistent things within me, which had so distressed and troubled me, which now so obsessed me, which caused me such anguish, these irresistible calls and cries within me, the agonizing needs I felt, and I shuddered. I looked in the mirror. How brazen she was to see herself in such a garment! I wondered how she might look, so clad, or perhaps in less, to a man. Suddenly she seemed small, and beautiful, and so vulnerable, and unutterably desirable. I sensed then what might be the nature of the complement in nature to my needs, what might be their flower, their sea, their carnivore, and I stood there terrified, sensing the imperiousness of that complement, its power, its uncompromising ferocity, what it might be to be its object, and knowing that if it existed it would have its way and be absolutely served.


(Continues...)

Excerpted from Dancer of Gor by John Norman. Copyright © 1985 John Norman. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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