Dancing on Common Ground: Tribal Cultures and Alliances on the Southern Plains

Overview

Dance, a vital expression of community and spirituality for Native Americans, has been the traditional metaphor for resolving conflict among Southern Plains tribes.

War, on the other hand, has been the metaphor for Anglo-Americans. Attacking conflicts in terms of dichotomies—us vs. them, friend vs. foe, civilized vs. savage—the European-influenced U.S. government has created battles out of almost every military, political, and social situation,...

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Overview

Dance, a vital expression of community and spirituality for Native Americans, has been the traditional metaphor for resolving conflict among Southern Plains tribes.

War, on the other hand, has been the metaphor for Anglo-Americans. Attacking conflicts in terms of dichotomies—us vs. them, friend vs. foe, civilized vs. savage—the European-influenced U.S. government has created battles out of almost every military, political, and social situation, from the Revolutionary War to the War on Drugs.

Here lies a fundamental cultural difference, says Howard Meredith, that has led to mistrust, poor communication, frustration, and polarization. The Anglo-American assumption that analysis and argument are universal and permanent traits, he contends, is not only erroneous, but has proven detrimental, even devastating, for Native Americans who have not customarily shared those values.

Historically, the U.S. government has tried to disintegrate tribes, alienate, assimilate, divide and conquer. And in the process, it has ignored the positive relationships the tribes had established among themselves and with their physical environment.

Although conflicts have arisen among tribes, Meredith asserts, the Southern Plains peoples have spent the vast majority of their time in mutual support of one another rather than at war. The Wichita, Caddo, Comanche, Cheyenne, Kiowa, Apache, Arapaho, Delaware, and others brought together by choice or adversity achieved harmonious coexistence through imagination, mythology, art, dance, commerce, and conservation.

In Dancing on Common Ground, Meredith uses tribal oral histories to describe alliances before the European infiltration and extensive archives, federal documents, and personal interviews to examine the evolution and attempted annihilation of native traditions through the past three centuries. Looking toward the future by assessing the past, he argues that the Southern Plains Indians need to re-establish self-determination, traditional practices and values, and their native languages to overcome the adverse effects of federal paternalism, strengthen tribal relations, and improve economic and social conditions for all people in the Southern Plains.

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Editorial Reviews

Booknews
Meredith (American Indian studies, U. of Science and Arts of Oklahoma) describes the fundamental cultural differences which have created mistrust, poor communication, and polarization between Anglo- and Native-Americans and explains the way conflicts have been resolved among the Southern Plains people through mythology, art, dance, commerce, and conservation. Annotation c. Book News, Inc., Portland, OR (booknews.com)
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Product Details

  • ISBN-13: 9780700606948
  • Publisher: University Press of Kansas
  • Publication date: 4/1/1995
  • Pages: 228
  • Product dimensions: 6.73 (w) x 8.77 (h) x 1.23 (d)

Table of Contents

List of Maps

Acknowledgments

1. Introduction

2. Southern Plains Environments

3. Origins

4. Commerce

5. Horse Culture

6. Religion

7. Traditional Alliances

8. External Demands

9. Peacemaking

10. Reservation System

11. Prisoners of War

12. Contemporary Alliances

13. Self-determination

14. Self-sufficiency

15. Policy Reform

16. Conclusion

Notes

Bibliography

Index

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