Dark Eden: A Novelby Chris Beckett
The Oldest among the Family recount legends of a world where light came from the
On the alien, sunless planet they call Eden, the 532 members of the Family take shelter beneath the light and warmth of the Forest’s lantern trees. Beyond the Forest lie the mountains of the Snowy Dark and a cold so bitter and a night so profound that no man has ever crossed it.
The Oldest among the Family recount legends of a world where light came from the sky, where men and women made boats that could cross the stars. These ships brought us here, the Oldest say—and the Family must only wait for the travelers to return.
But young John Redlantern will break the laws of Eden, shatter the Family and change history. He will abandon the old ways, venture into the Dark...and discover the truth about their world.
Already remarkably acclaimed in the United Kingdom, Dark Eden is science fiction as literature: part parable, part powerful coming-of-age story, set in a truly original alien world of dark, sinister beauty and rendered in prose that is at once strikingly simple and stunningly inventive.
On an alien world, the inbred descendants of a cop and a criminal grapple with their future, but predictability mars a solid concept. Teenager John Redlantern sees a future beyond waiting for voyagers from Earth to rescue the Family, but his battles against tradition and the elements lead to only minor losses, while technology is recreated too easily to be credible. Beckett (The Peacock Cloak) hews too closely to historical patterns, such as the change from communal matriarchy to aggressive territorial patriarchy. The use of multiple narrators is clever, as are creatures like singing leopards and the changes to English over generations, but it’s not enough. The ending just confirms what readers will have suspected from early on—the last in a long series of missed opportunities. Agent: Michael Carlisle, Inkwell Management. (Apr.)
“Poetic…Beckett renders the terror of the darkness beyond the forests with a riveting deftness that evokes all primordial fears of the unknown…There’s plenty here to intrigue and entrance.” –New York Times Book Review
“A linguistic and imaginative tour de force.” —The Guardian (UK)
“Captivating and haunting…human plight and alien planet are both superbly evoked.” —Daily Mail(UK)
“A stunning novel and a beautiful evocation of a truly alien world.” —Sunday Times
“Pure astonishment and pleasure, a storytelling ride full of brio and wonder.” —Locus
“Dazzlingly inventive… superbly well paced and well written… packed with ideas.” —Reader’s Digest
“Brilliantly imaginative…a superb entertainment, a happy combination of speculative and literary fiction. Not to be missed.” –Booklist (starred)
“A fantastic novel…Beckett has created a bizarre world of astounding imaginative vision, grounded by fundamental human conflicts.” –Shelf Awareness
“Riveting…a keenly imagined vision of the interaction between human nature and a truly alien world.” –BookPage
Like Daniel F. Galouye's Dark Universe or Jack Vance's The Blue World, Beckett's (The Peacock Cloak, 2013, etc.) newest is a story of survivors in an alien environment who have more or less forgotten their origins. Planet Eden has no sun. In its place are huge trees pumping hot water up from subterranean volcanic rivers, which power the ecology. Both flora and fauna make their own tiny lights (but why wouldn't they adapt to the perpetual dark by evolving different senses or capabilities?). Two humans, Tommy and Angela, were stranded here, and now, six generations later, have incestuously bred a large family plagued by genetic disorders, held together by a deteriorating law and oral culture, which remembers without understanding such terms as lecky-trickity and Rayed Yo. Family members long for the bright sun of Earth (but how would they know? All lights on Eden are dim and feeble) and, since they believe Tommy and Angela's three companions returned to Earth to bring help, cling to the spot where the Landing Veekle will touch down, even though the valley they inhabit is too small to accommodate the growing population and starvation looms. Young John Redlantern wonders what lies beyond the ice-covered mountains that confine the valley and attempts to persuade the family's female rulers that they must migrate or die. In a bold yet calculated act, he destroys the circle of stones that mark the landing spot and is exiled for his trouble. John, though, has his supporters, including love interest Tina Spiketree, Gerry (who follows John like a dog), and club-footed, highly intelligent Jeff. Thus the stage is set for a parting of ways, exploration, conflict, murder and the erasure of accepted truths. The narrative unfolds via several first-person accounts, which allows Beckett to develop a perspective on his archetypal main characters. Absorbing if often familiar, inventive and linguistically adept but less than fully satisfying—there's no climax, and a sequel seems assured. Despite all this, the book was extravagantly praised in Beckett's native U.K. Enjoyable but no blockbuster.
Eden is a planet far from Earth where 500 or so humans, all descended from two stranded astronauts, live together in a community they call Family. They tell tales of their family's founding 163 years ago and try to keep traditions alive so that they will one day be rescued and returned to Earth. But a lot can happen in six generations, even among those who all share the same ancestors, and teenager John Redlantern thinks it is time for Family to change. VERDICT The worldbuilding is what sets this sf novel by award-winning British author Beckett (The Holy Machine; Marcher) apart. The linguistic drift of the isolated community, the unique environment of sunless Eden, and the social arrangements of Family are all fascinating. The main character is skillfully drawn, but the addition of other point-of-view chapters help round out the picture of a society in the midst of upheaval.
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Read an Excerpt
Thud, thud, thud. Old Roger was banging a stick on our group log to get us up and out of our shelters.
“Wake up, you lazy newhairs. If you don’t hurry up, the dip will be over before we even get there, and all the bucks will have gone back up Dark!”
Hmmph, hmmph, hmmph, went the trees all around us, pumping and pumping hot sap from under ground. Hmmmmmmm, went forest. And from over Peckhamway came the sound of axes from Batwing group. They were starting their wakings a couple of hours ahead of us, and they were already busy cutting down a tree.
“What?” grumbled my cousin Gerry, who slept in the same shelter as me. “I’ve only just got to sleep!”
His little brother Jeff propped himself up on one elbow. He didn’t say anything, but watched with his big interested eyes as Gerry and I threw off our sleep skins, tied on our waistwraps, and grabbed our shoulder wraps and our spears.
“Get your arses out here, you lazy lot!” came David’s angry spluttery voice. “Get your arses out fast fast before I come in and get you.”
Gerry and me crawled out of our shelter. Sky was glass-black, Starry Swirl was above us, clear as a whitelantern in front of your face, and the air was cool cool as it is in a dip when there’s no cloud between us and stars. Most of the grownups in the hunting party were gathered together already with spears and arrows and bows: David, Met, Old Roger, Lucy Lu . . . A bitter smell was wafting all around our clearing, and the smoke was lit up by the fire and the shining lanterntrees. Our group leader Bella and Gerry’s mum, my kind ugly aunt Sue, were roasting bats for breakfast. They weren’t coming with us, but they’d got up early to make sure we had everything we needed.
“Here you are, my dears,” said Sue, giving me and Gerry half a bat each: one wing, one leg, one tiny little wizened hand.
Ugh! Bat! Gerry and me pulled faces as we chewed the gristly meat. It was bitter bitter, even though Sue had sweetened it with toasted stumpcandy. But that was what the hunting party was all about. We were having bat for breakfast because our group hadn’t managed to find better meat in forest round Family, so now we were going to try our luck further away, over in Peckham Hills, where woollybucks came down during dips from up on Snowy Dark.
“We won’t walk up Cold Path to meet them,” said Roger, “we’ll go up round the side of it, up Monkey Path, and then meet Cold Path at the top of the trees.”
Whack! David hit me across the bum with the butt of his big heavy spear and laughed.
“Wakey, wakey, Johnny boy!”
I looked into his ugly batface—it was one of the worst batfaces in Family: it looked like he had a whole extra jagged mouth where his nose should be—but I couldn’t think of anything to say. There was no fun in the man. He’d hit you hard for no reason, and then laugh like he’d made a joke.
But just then a bunch of Spiketree newhairs arrived in our clearing with their spears and bows, walking along the trampled path that linked our group to theirs on its way to Greatpool.
“Hey there, Redlanterns!” they called out. “Aren’t you ready yet?”
Bella had agreed with their group leader Liz that some of them could come along with us and take a share of the kill. They were the group next to us Redlanterns in Family and, for the present, they were keeping the same wakings and sleepings as us, which made it easy for us to do things together with them (easier than with, say, London group, who were having their dinner when we were just waking up).
I noticed Tina was among them: Tina Spiketree, who cut her hair with an oyster shell to make it stick up in little spikes.
“Everyone ready then?” Bella called. “Everyone got spears? Everyone got a warm shoulder wrap? Good. Off you go then. Go and get us some bucks, and leave us in peace to get on with things back here.”
We went out by a path that led through a big clump of flickering starflowers and then into Batwing. A whole bunch of Batwing grownups and newhairs were in their clearing banging away at a giant redlantern tree with their blackglass axes, working in the pink light of its flowers. We walked round the edge of their clearing to Family Fence, dragged away the branches at the opening, and went out into open forest. No more shelters and campfires ahead of us now: nothing but shining trees.
Hmmmph, hmmmph, hmmmph, went the trees. Hmmmmmm, went forest.
We walked for a waking under the light of the treelanterns, slashing down whatever birds and bats and fruit we could get as we went along, and finally stopped to rest at the big lump of rock called Lava Blob. Old Roger handed us out a gritty little seedcake each, made of ground-up starflower seeds, so we could have something in our bellies, and then we settled down with our backs against the rock, so we didn’t have to worry about leopards sneaking up behind us. There were lots of yellowlantern trees round there, which we didn’t get so much back in Family, and also yellow animals called hoppers that came bouncing out of forest on their back legs and wrung their four hands together while they looked at us with their big flat eyes and went Peep peep peep. But hoppers were no good to eat and their skins were no use either, so we just chucked stones at them to make them go away and let us sleep in peace.
When we woke up, Starry Swirl was still bright bright in sky. We ate a bit of dry cake and off we went again, under redlanterns and whitelanterns and spiketrees, with flutterbyes darting and glittering all round us and bats chasing the flutterbyes and trees going hmmph, hmmph, hmmph like always, until it all blurred together into that hmmmmmmmmm that was the background of our lives.
After a few miles we came to a small pool full of shiny wavyweed and all us newhairs took off our wraps and dived into the warm water for crabfish and oysters to eat. All the boys watched Tina Spiketree diving in, and they all thought how graceful she was with her long legs, and how smooth her skin was, and how much they wanted to slip with her. But when she came up she swam straight to me, and gave me a dying oyster with the bright pink light still shining out of it.
“You know what they say about oysters, don’t you, John?” she said.
Tom’s neck, she was pretty pretty, the prettiest in whole of Family. And she knew it well well.
In another couple of hours we reached the place where Peckham Hills began to rise up out of forest of Circle Valley, and started to climb up through them by Monkey Path, which isn’t really a path, but just a way we know through the trees. The trees carried on up the slopes—redlanterns and whitelanterns and scalding hot spiketrees—and there were flickering starflowers growing beneath them, just like in the rest of forest. Streams ran through them down from darkness and ice, heading toward Greatpool, still cold cold but already bright and glittering with life. And small creatures called monkeys jumped from tree to tree. They had little thin bodies, and six long arms with a hand on the end of each. Handsome Fox shot one with an arrow, and was pleased pleased with himself, even though they were all bones and sinews and only give a mouthful of meat, because they move fast and are hard to aim at with those big blotches on their skin that flash on and off as they swing among the lanternflowers.
As we climbed up it got colder. The starflowers disappeared, the trees became smaller, and there weren’t any monkeys any more, only the occasional smallbuck darting away through the trees. And then the trees stopped and we came out from the top edge of forest onto bare ground. Pretty soon, when we’d climbed above the height of those last few little trees, we could see whole of Circle Valley spread out below us—whole of Eden that we knew, with thousands and thousands of lanterns shining all the way from where we stood on Peckham Hills to Dark shadow of Blue Mountains away in the distance, and from Rockies over the left, with the red glow of Mount Snellins smouldering in middle, to the deep darkness over to our right that was Alps. And above all of it the huge spiral of Starry Swirl was still shining down.
Of course, with no trees to give off light with their lanternflowers or to warm the air with their trunks, it was dark dark up there—you could only just barely make things out in the starlight and the light from the edge of forest—and it was cold cold, specially on our feet. But us newhairs dared each other to run up as far as the snow. The ice felt like it was burning, it was so cold, and most kids took ten twenty steps, yelled and came running down again. But I took Gerry right up to the ridge of the hill and then, ignoring Old Roger yelling at us to come back, went far enough down the other side so that the others couldn’t see us.
“We’ve made our point now, haven’t we, John?” Gerry said, shivering. We only had waistwraps on, and buckskins round our shoulders, and our feet were hurting like they’d been skinned. “Shall we go back down to rest of them now?”
My cousin Gerry was about a wombtime younger than me—his dad was giving his mum a slip, in other words, about the time that I was born—and he was devoted to me, he thought I was wonderful, he’d do just about anything I asked.
“No, wait a minute. Wait a minute. Be quiet and listen.”
“Listen to what?”
“To the silence, you idiot.”
There was no hmmmmmmmm of forest, no hmmph, hmmph, hmmph of pumping trees, no starbirds going hoom, hoom, hoom in the distance, no flutterbyes flapping and flicking, no whoosh of diving bats. There was no sound at all except a quiet little tinkle of water all around us coming out from under the snow in hundreds of little streams. And it was dark dark. No tree-light up there. The only light came from Starry Swirl.
We could barely make out each other’s faces. It made me think about that place called Earth where Tommy and Angela first came from, way back in the beginning with the Three Companions, and where one waking we would all return, if only we stayed in the right place and were good good good. There were no lanterntrees back there on Earth, no glittery flutterbyes or shiny flowers, but they had a big big light that we don’t have at all. It came from a giant star. And it was so bright that it would burn out your eyes if you stared at it.
“When people talk about Earth,” I said to Gerry, “they always talk about that huge bright star, don’t they, and all the lovely light it must have given? But Earth turned round and round, didn’t it, and half the time it wasn’t facing the star at all but was dark dark, without lanterns or anything, only the light the Earth people made for themselves.”
“What are you talking about, John?” Gerry said, with his teeth chattering. “And why can’t we go back down again if you just want to talk?”
“I was thinking about that darkness. They called it Night, didn’t they? I’m just thinking that it must have been like this. What you get up here on Snowy Dark: it’s what they would have called Night.”
“Hey John!” Old Roger was calling from the far side of the ridge. “Hey Gerry!” He was scared we’d freeze to death or get lost or something up there.
“Better go back,” Gerry said.
“Let him stew a minute first.”
“But I’m freezing freezing, John.”
“Just one minute.”
“Okay, one minute,” said Gerry, “but that’s it.”
He actually counted it out on his pulse, one to sixty, the silly boy, and then he jumped up and we both climbed back over the ridge. Gerry went running straight down to the others, but I stood up there for a moment, partly to show I was my own man and didn’t go scurrying back for Old Roger or anyone, and partly to take in how things looked from up there on top of the ridge: the shining forest, with darkness all around it, and above everything the bright bright stars. That’s our home down there, I thought, that’s our whole world. It felt weird to be looking in on it from outside. And though in one way the bright forest stretching away down there seemed big big, in another way it seemed small small, that little shining place with the stars above it and darkness looking down on it from the mountains all around.
Back with the others, Gerry made a big thing about his freezing feet, asking some people to feel them and rub them, begging others to let him ride on their backs until he had warmed up, and generally hopping and skipping around like an idiot. That was how Gerry dealt with people. “I’m just a fool, I won’t hurt anyone,” that was his message. But I wasn’t like that. “I’m not a fool by any means,” was my message, “and don’t assume I won’t hurt you either.” I acted as if I didn’t feel the cold in my feet at all, and pretty soon they were so numb anyway that I really didn’t. I noticed Tina watching me and smiling, and I smiled back.
On we went, just below the snow and along the top edge of forest, where there was a bit of light from the trees, Old Roger grumbling and moaning about how newhairs had no respect any more and things were different from how they used to be.
“Old fool was scared he’d have to go back to Family and tell your mums he’d lost you,” said Tina. “He was thinking of the trouble he’d be in. No more slippy for Old Roger.”
“Like he gets it anyway,” said dark-eyed Fox, who my mum had told me once with a shrug was like as not my father. (But then another time she said it could have been Old Roger—he wasn’t quite such a fool once apparently—or maybe a pretty little newhair boy from London she once slipped with. I wished I knew, but lots of people didn’t know for sure who their dad was.)
Meet the Author
CHRIS BECKETT is a university lecturer living in Cambridge, England. His short stories have appeared in such publications as Interzone and Asimov’s Science Fiction and in numerous “year’s best” anthologies. In addition to the Arthur C. Clarke award for Dark Eden, he won the Edge Hill Prize, the UK’s premier award for short story collections, for his collection the Turing Test.
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Most Helpful Customer Reviews
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I don't read a lot of science fiction, but I quickly became intrigued from the opening pages of Chris Beckett's award winning novel - Dark Eden. (It was the 2013 winner of The Arthur C. Clarke prize). A runaway ship from Earth crashes on an unknown planet, along with the Orbit Police chasing them. Four men and one woman. Two of the five decide to stay on the planet they've named Eden, while the other three attempt to make it to Earth and send back help. That was 163 years ago - and they're still waiting. All 532 people. They've lived and waited at the same landing spot, telling tales of the mother and father of their Family, fondling the few relics they have, acting out the past as they know it, and simply surviving. Because they believe that they will be rescued and taken to Earth - they just have to wait. "We'll make a Circle of Stones here to show where Landing Veekle stood. That ways we'll always remember the place and know to stay here. And we'll tell our children and our children's children , they must always stay here, and wait, and be patient, and one waking Earth will come.' But young John Redlantern believes there is more to this planet they call Eden, more over the snowy passes, more on the dark side, more than the small same life the Family has been living for so many years, more than waiting....... Beckett's world building is imaginative. There is no sun on this planet, but the trees themselves provide the light. Alien creatures abound, but with some similarities to ones we know. His descriptions paint a vivid picture of an alien land. The language initially annoyed me - for emphasis, the inhabitants repeat a word - 'sad sad' or 'pretty pretty'. Some phrases took a bit of deciphering as they are evolved from original Earth words or phrases, such as Lecky-Trikity. But I quickly caught on and was caught up in Beckett's imaginings of a society started from two individuals. Two that really didn't like each other. What I really wanted to see was what was beyond and over the mountain and after The Dark. What would they find? Beckett tells his story from the viewpoint of more than just John. There are three young protagonists. John is the driving force behind the changes, but he wasn't my favourite. I found myself much more drawn to gentle Jeff, a young 'clubfoot', who is quiet, thoughtful and inventive. Many other characters, old and young, have a voice and a chapter as well, giving alternative views on the life and times of The Family. Beckett has created an imaginative tale of 'what if'. I enjoyed the exploration of Eden, the society of The Family and what might be. But I almost wanted to stop reading during the last bit of the book. Dark Eden is also a sad reminder of human nature and that history does indeed repeat itself. A different read for me - one I enjoyed.
Slow start but builds to an interesting tale of the risks and rewards of exploration -- the things we give up and the things we gain, how new ideas are upsetting but enabling, and what makes human society both good and evil. I will definitely read a sequel.
Really interesting on many levels. Main character John starts out like he will develop into a complex character, but ends up a little flat. You see development into modern human societal thinking with all its evils. Sort of a loss of innocence story.
I'm not quite sure where to start with this one- which is fitting, because that it hows I felt in the beginning of the novel... I wasn't sure what I thought of the novel. It did draw me in quickly, but as I kept on reading, I couldn't pin my feelings down. Dark Eden is strange, but I like strange and I think Beckett did strange well in this novel. Set in another world called Eden, we meet a cast of characters who all quickly demonstrate their purpose- not only within the book, but their purpose for being written. Each character pulls at a part of the human psyche or at a part of our social consciousness. They all serve a purpose- and while Beckett made some a bit more obvious than others, it was still quite clear that each character was a part of the collective whole of a human consciousness. Does that make sense? It does in my head, but- like the book- it may take a bit to wrap your head around when seeing it put to paper. Dark Eden is a beautifully built world- I have to say that I was astounded at how well Beckett crafted an alien world. Creating the images that he described was thought provoking and used my full imagination. I really had to think about a few of the creatures and a few of the landscaping components while reading. As you read on, you start to connect that all the pieces of Eden are evolved from pieces of Earth and you can start to spot the likeness between certain things. Here is where I normally would connect a piece or two... but I don't even want to match up any small connections, because I want you to read it and do it- it really is quite fun to see your own light bulb go off and make those evolutionary connections between ours world and Eden. Aside from character and setting development, the themes that come out in this novel are plentiful. We see gender roles, disabilities, social norms, free thinking, sexuality, and faith (among others) all brought to the surface while still meshing into the novel. I could see some heavy debates coming if a book group took on this novel. Some are challenged while others are just there. All the issues that come to a head would be fabulous to discuss- especially when put firmly into the setting of Eden and then contrasted against the realities of Earth. Again, I would throw some examples out there, but I seriously enjoyed the thought that went into reading this, so I'm saving that for you readers to enjoy on your own. Overall, this novel was intriguing. It held my attention and it was well thought out. You can tell that every move and every twist was well planned by Beckett- like chess- an analogy he often uses in the book itself. There were some parts that tripped me up, which held me back from giving this 4 stars. The language was a bit much to get used to- the repetition of words and the puzzling names for things- and while I understand it is part of the setting being in Eden, I still think it went a bit overboard at times. It was a bit of a stretch and felt forced. In an interview (you can find the Amazon author review here) Beckett defends his use of double adjectives and changes in language. I agree with him- to a point. As a reader, it just seemed to go a bit beyond what I felt was necessary to highlight the changes. Another thing that I struggled with was the science- I know this is science fiction but some of it seemed a bit far-fetched and didn't have any basis or background. I crave that when reading sci-fi, even if it is just a smidgen of real science.. and if there isn't any hard science added, I at least want some fake science tossed in to make it seem a bit more plausible. I'd say I was annoyed with the ending, but a sequel will be released, so I am retracting my ending-hate on the basis of a sequel which will tie those loose ends together! Those things aside, I did enjoy the novel. I think science fiction fans will like this one, but it would be a stretch for those who aren't into that genre- it feels like it would be a bit too far out of the comfort zone for some.
This book is essentially a retelling of Adam and Eve with a prehistoric undertone. As a history major, just the very idea of this book really pulled at my heart strings. If you love sci-fi, anthropology, and/or prehistory I think you will really like this book. I would really like to give this book a 4.5/4,75 rating. I found the majority of the book to be a little slow paced, but later in the book I found myself completely sucked in. By the end of the book I was so upset that it had ended and I wanted to know more about their past and their future! Because of this I find that the second book, Mother of Eden, is my most anticipated book!!
When a group of four people have to land on an unknown planet to regroup and repair their ship, they decide to split into two groups - a man and woman who do not want to risk the flight back remain on "Eden" alone, and the two others set back off for Earth with promises to send a rescue ship as soon as possible. Generations later, the people of Eden are still waiting. Still hanging out in exactly the same crash-landing spot. Still following the matriarchal rules structured by the mother of all. But their small area is becoming too crowded. They have to forage farther and farther for food. John Redlantern is frustrated with "Family." With their stubbornness at remaining in one spot when they could clearly spread out over the vast planet and have enough food for all. He's tired of the extreme ritualistic nature of "Family." The artifacts from planet Earth are passed around to be "ooohed" and "ahhhed" at, but they are meaningless to a people who have never experienced technology. John is tempted to disrupt the circle of the past, and create a new path for the "Family." In doing so, he breaks down everything "Family" represents. Let me start with an important point: although John Redlantern and his friends are teenagers, this is not a teen book. It's "literary science fiction." The beginning of the book, which builds the world, the people, and the tension, is really long and slow. It was a bit of a slog to get to the turning point. Once that happens they story finally begins to move a little faster - but even the post-turning-point action is slow. The reason the narrative is so slow is because this is a story about Meaning with a capital M, and not about plot or action. Don't get me wrong. There's a plot. A plot with Meaning. There were several allegories to the story. The obvious one is the Biblical creation story. It's all about how innocence is lost when people begin to get bored. But boredom is in our nature. Without boredom, we never learn new things. And new experiences don't just change you, they change the world. Dark Eden also explores a destructive nature of men - as opposed to a more structured, peaceful and confining nature of women. (This seems to be what the book implies, it's not exactly what I think of the gender divide.) Dark Eden demonstrates the irony that change is needed to survive, but change is destructive to survival. It's not just a book about changing the world. It's also about how the world changes the individual. The main characters in the book, especially John Redlantern and his lover Tina Spiketree, develop into strikingly different people as they adapt to the changing world. Innocence is replaced with deviousness. Ivory towers collapse, covering all bystanders with dust and grime. This is a story of identity. In other ways, Dark Eden is a book about faith. How faith can lift you up and keep you strong during difficult times. But how it can be manipulated against you, as well. And how, as you realize everything you had faith in is mistaken, you are first paralyzed with numbness, but then are able to move on as a new person. I want to give a good review for this book with so much Meaning. I mean, it should have been good. It had Meaning. But a great book has both Meaning and an ability to fascinate even if you don't see the Meaning. Dark Eden did not. In Dark Eden, the story was lost in the darkness because you were blinded by the bright, shiny Meaning. It was too slow, the hero wasn't even likable
On a sunless planet, John Redlantern is the protagonist who breaks the laws of the more than 500 descendants of Angela and Tommy, shipwrecked astronauts. The planet is volcanically active, which generates heat, and life has thrived there. The air is breathable, and both the animal and plant life are edible. However, the population has out-grown the food supply, and John leads a small group who break apart from the main one. There is also a problem with in-breeding, and a large proportion of the children are born with birth defects. The plot is not all that original, but the planetary ecology and the societal development are. Another source of conflict is that this society is in transition from matriarchal to patriarchal. The writing style is quite interesting in that it is written in multiple first-person narratives by John and other characters. Consequently, all the reader knows about the world and the society is what the characters tell you and what you can deduce from what they say. Their vocabulary is limited, because they have no books and the only computer ran out of power over a century previously. The ending clarifies much of the back story, but is open-ended, allowing for at least one sequel.
The 532 inbred descendants of the original settlers of Eden huddle around the same spot where their predecessors landed generations ago. They must wait patiently, the stories say, so that Earth will come and take them home. Every day is the same – scavenge, hunt, and wait for their saviors to come. But John Redlantern, barely fifteen years old, is restless. He sees that food is running out in their small valley, and the residents are multiplying like rabbits. Soon there won’t be any food, or any space for anyone at all. Possessed with a drive to seek out a new, better home, John sets off events that change the face of Eden. He may not have meant to cause chaos, but he will not back down. Part sci-fi survival story, and part good old-fashioned pioneer story, Dark Eden will enthrall readers with it’s fascinating, sunless world and deeply flawed, but wholly human, characters.
Review Dark Eden By Christ Beckett I was given this free book from Blogging for books, and inclined to say thank you. But on that note, I didn’t finish this book because just 40 pages in it because wildly inappropriate. I was looking for a good, pleasant read and got a dirty sci-fi world instead. He had everything right except the true meaning of a book. To enjoy it. I was thoroughly disgusted and am wondering why blogging for books would advertise this book at all. I would not recommend this to anyone. And I don’t plan on finishing it. It was a great idea, a great fantasy world. But the author ruined it.