Dark Lady

Dark Lady

3.8 38
by Richard North Patterson
     
 

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In Dark Lady, Richard North Patterson displays the mastery of setting, psychology, and story that makes him unique among writers of suspense, and one of today's most original and enthralling novelists.

In Steelton, a struggling Midwestern city on the cusp of an economic turnaround, two prominent men are found dead within days of each other. One is Tommy

Overview

In Dark Lady, Richard North Patterson displays the mastery of setting, psychology, and story that makes him unique among writers of suspense, and one of today's most original and enthralling novelists.

In Steelton, a struggling Midwestern city on the cusp of an economic turnaround, two prominent men are found dead within days of each other. One is Tommy Fielding, a senior officer of the company building a new baseball stadium, the city's hope for the future. The other is Jack Novak, the local drug dealers' attorney of choice. Fielding's death with a prostitute, from an overdose of heroin, seems accidental; Novak is apparently the victim of a ritual murder. But in each case the character of the dead man seems contradicted by the particulars of his death. Coincidence or connection?

The question falls to Assistant County Prosecutor Stella Marz. Despite a traumatic breach with her alcoholic and embittered father, she has risen from a working-class background to become head of the prosecutor's homicide unit. A driven woman, she is called the Dark Lady by defense lawyers for her relentless, sometimes ruthless, style: in seven years only one case has gotten away from her, and only because the defendant took his own life. She has earned every inch of both her official and her off-the-record titles, and recently she's decided to go after another: to become the first woman elected Prosecutor of Erie County. But that was before the brutal murder of her ex-lover--Jack Novak.

Novak's death leads her into a labyrinth where her personal and professional lives become dangerously intertwined. There is the possibility that Novak fixed drug cases for the city's crime lord, Vincent Moro, with the help of law enforcement personnel, and perhaps with someone in Stella's own office . . . the bitter mayoral race which threatens to undermine her own ambitions . . . her attraction to a colleague who may not be what he seems . . . the lingering, complicated effects of her painful affair with Novak . . . the growing certainty that she is being watched and followed. Making her way through a maze of corruption, deceit, and greed, trusting no one, Stella comes to believe that the search for the truth involves the bleak history of Steelton itself--a history that now endangers her future, and perhaps her life.

For his uncanny dialogue, subtle delineation of character, and hypnotic narrative, critics have compared Richard North Patterson to John O'Hara and Dashiell Hammett. Now, in the character of the Dark Lady, he has created a woman as fascinating as her world is haunting. Dark Lady is his signature work.

Editorial Reviews

The Barnes & Noble Review
Two very different figures dominate the landscape of Richard North Patterson's latest — and grimmest — political/legal thriller, Dark Lady. One is Stella Marz, an ambitious, driven deputy prosecutor with a troubled past, an unsatisfactory personal life, and nascent political aspirations. The other — itself virtually a character in the novel — is the fictional city of Steelton, an emblematic American community with a full complement of contemporary social ills: crime, drug abuse, racial tensions, economic difficulties, and deep-seated, endemic corruption.

As the novel opens, Steelton is in the midst of an election year. Stella, the Dark Lady of the title, is hoping to use her pristine professional record — she has not lost a case in more than six years — to transform herself into a viable candidate for chief prosecutor of Erie County. To succeed — to become the first female prosecutor in the county's history — she must secure the support of current Chief Prosecutor Arthur Bright, who is himself hoping to become the first black mayor in the city's history, and who is waging an uphill campaign against a solidly entrenched incumbent, Thomas Krajek.

The central issue of the mayoral campaign — the issue around which virtually everything that happens in this novel ultimately revolves — concerns the construction of a $275 million baseball stadium, a project that is universally referred to as "Steelton 2000." The issue that divides the candidates is fundamental. Is Steelton 2000, as Krajek claims, the tangible symbol of a new erainSteelton history, a source of jobs, taxes, and economic opportunities? Or does it represent another kind of symbol: of greed, profiteering, and political and corporate malfeasance? Stella herself wants very much to believe that the new stadium will provide the key to the revitalization of Steelton. Unfortunately, her investigation into a pair of seemingly unrelated murders — murders that stand at the heart of Dark Lady's convoluted plot — leads her to an inescapable conclusion: that the entire project has been compromised by the corrupt ambitions of its own central supporters.

The first of the two murder victims is Tommy Fielding, project manager for Steelton 2000. Fielding, together with a prostitute and long-term drug addict named Tina Welsh, is found dead of a massive heroin overdose. The circumstances of his death are so radically out of character that no one who knew him can accept them at face value. The second murder victim is Jack Novak, a lawyer who built a lucrative career defending the interests of Steelton's leading drug dealers. Novak — who, many years before, had been Stella Marz's lover — is found castrated and hanging from a clothes hook in his own bedroom, in a grotesque parody of the rituals of autoerotic asphyxiation.

Stella's investigation reveals unexpected connections between these two deaths. As she unearths the details of Jack Novak's corrupt, increasingly decadent career — a process that revives some painful personal memories of her own — she follows a convoluted paper trail that leads, in time, from Jack Novak to Steelton 2000, and from Steelton 2000 to the shadowy domain of Vincent Moro, who has dominated the criminal underworld of Steelton for more than a generation. Along the way, she uncovers another series of unexpected connections that implicate a number of the city's leading citizens, all of whom are caught up, willingly or not, in an elaborate, long-term scheme that centers around a single enormous question: Who will control the economic future of Steelton?

Patterson, it must be said, is not an elegant stylist. He writes what might be termed a lawyer's prose: brisk, efficient, frequently lacking in subtlety or nuance. But there is a cumulative, Dreiser-like power in this novel that is difficult to ignore, a power that has its basis in Patterson's thorough, practical understanding of the machinery of urban politics; in his detailed, highly convincing sense of place; and in his clear-eyed view of the various temptations — sexual, financial, political — that complicate the lives of so many of his characters. The result is a novel that gradually, inexorably asserts its hold on us and leaves a bitter but unmistakable aftertaste behind.

—Bill Sheehan

Deirdre Donahue
Stella makes Dark Lady shine.
USA Today
Publishers Weekly - Publisher's Weekly
Patterson's signature style of crime suspense depends heavily on the terse descriptive passages he uses to render settings and characters. This makes his work adapt especially well to audio, since the listener is constantly being told exactly what's going on--in adjective-laden language that has modern-day colorings of film noir and Raymond Chandler. (Accordingly, all eight of Patterson's previous novels are also available from Random House AudioBooks). Stella Marz is a politically ambitious Assistant County Prosecutor in Steelton, an American rust-belt city plagued by unemployment, racial division and rampant local corruption. Young, beautiful and forthright, Stella has earned the nickname "Dark Lady" as a ruthless law-woman. But she meets her match when she's assigned to investigate the grisly murder of her own ex-lover, an attorney for the town's drug dealers. Along the way, plenty of sordid sexual and violent acts are detailed, making for a sustained mood of grimy titillation. Kalember's (of TV's Sisters and thirtysomething) reading is crisply enunciated and tactfully understated. Simultaneous release with the Knopf hardcover. Also available unabridged and on CD. (Sept.) Copyright 1999 Cahners Business Information.
Library Journal
Patterson (No Safe Place) deftly combines his knack for spellbinding legal drama and his recent interest in the world of politics. Stella Marz is the assistant county prosecutor in a struggling Midwestern city. Her boss is running for mayor, and Stella hopes to be elected to his job. First, however, she must investigate the deaths of two prominent men--the project manager for the construction of a new baseball stadium and the city's leading defender of drug cases. Neither is clearly murder, but the circumstances are horrific and unusual, involving heroin and kinky sex. Stella's investigation quickly becomes a factor in the mayoral race, and the candidates, their backers, and other ambitious county employees all play roles in Stella's progress. The deeper she goes, the more signs of corruption she finds, and the less she can trust her friends, her co-workers, and even herself. As in all of Patterson's books, the plot's twists and turns build to an unexpected conclusion. Patterson has peopled this very believable novel with fascinating characters, and his understanding of political subtleties is superb. Highly recommended. [Literary Guild main selection.]--Katherine E.A. Sorci, IIT Research Inst., Annapolis, MD Copyright 1999 Cahners Business Information.
Entertainment Weekly
Kinky sex, multiple murders, soap opera, city politics—a sturdy frame, as good and as potentially dramatic as anything Patterson has given us before. Yet once the premise and all of the players are in position, things turn clunky, then fall apart. Bad enough that the prose is cliched and the dialogue flavorless, but you quickly get a sinking feeling that the author is just going through the motions, narrating without any passion for his material, or even much interest. And heck, if he doesn't believe what he's saying, why should we?...

Give Patterson this: Despite all the tired hookum this time, and a finale that lumbers along for nearly a hundred pages, he doesn't fudge when it comes to his novel's undergirding facts. Dark Lady is at its best during its frequent, if long-winded, tutorials on the poli-sci of stadium building. But that's not enough to keep those of us outside the construction industry glued to the page.
—September 3, 1999

Kirkus Reviews
Patterson, always on the lookout for real-life issues to hang his big-ticket thrillers on, has found another one•almost•in the hotly contested new baseball stadium to be built in Pittsburgh with public financing. It's clear from the beginning that the new stadium defines the mayoral race in Steelton, Patterson's fictionalized Pittsburgh. Incumbent mayor Tom Krajek flourishes figures about minority contractors and visions of civic revitalization to rally support for Steelton 2000; his opponent, Erie County prosecutor Arthur Bright, ridicules Steelton 2000 as welfare for the rich•especially for Peter Hall, the dynastic principal owner of the Blues. And it's almost equally clear that the stadium is connected in some way to the unsavory deaths of Tommy Fielding, project supervisor for Steelton 2000, and nonpareil drug attorney Jack Novak. What's not clear is just what the connection is. Enter Stella Marz, the Dark Lady of Arthur Bright's homicide unit, who hopes to run for prosecutor herself if Arthur's mayoral bid succeeds•and if her unit can find the people responsible for these latest high-profile murders. But Stella's two goals are hopelessly at odds. Her ability to gather information linking Tommy, well-protected by City Hall and that other Hall, and Jack, her ex-boss and ex-lover, to legendary crime overlord Vincent Moro is constantly undermined by her former ties to Jack, whom she left when she realized how nasty his sexual proclivities were, and her current ties to Arthur. Meantime, she can't trust any of her likeliest allies, from Arthur to doughty Chief of Detectives Nathaniel Dance to Michael Del Corso, the whiz-kid county attorney who knows too much about Steelton 2000 forcomfort•or perhaps for romance. Dense, knotty, and earnest, though the monstrous stadium isn't quite the high-concept hook Patterson (No Safe Place, 1998, etc.) would need to pull it all together. What he offers instead is a familiar brew of kinky sex, political fixes, and twenty channels of nonstop Vincent Moro. (Literary Guild main selection)

From the Publisher
"ENGROSSING . . . TRUE SUSPENSE."
—San Francisco Chronicle

"[A] COMPLEX TALE OF PERSONAL, POLITICAL, AND CRIMINAL BETRAYALS . . . Dark Lady not only keeps you in suspense; it gives you plenty of social and moral questions to ponder."
—The Wall Street Journal

"EXCELLENT . . . ONCE AGAIN PATTERSON REVEALS HIMSELF TO BE A MASTER OF CRAFTING MEMORABLE CHARACTERS. AND THE LONELY, LOVELY STELLA MARZ . . . IS ONE OF HIS BEST."
—USA Today

Product Details

ISBN-13:
9780307833891
Publisher:
Random House Publishing Group
Publication date:
01/16/2013
Sold by:
Random House
Format:
NOOK Book
Pages:
448
Sales rank:
96,151
File size:
3 MB

Read an Excerpt

Chapter One

In the moments before the brutal murder of Jack Novak ended what she later thought of as her time of innocence, Assistant County Prosecutor Stella Marz gazed down at the waterfront of her native city, Steelton.

At thirty-eight, Stella would not have called herself an innocent. Nor was the view from her corner office one that lightened her heart. The afternoon sky was a close, sunless cobalt, typical of Steelton in winter. The sludge-gray Onandaga River divided the city as it met Lake Erie beneath a steel bridge: the valley carved by the river was a treeless expanse of railroad tracks, boxcars, refineries, cranes, chemical plants, and, looming over all of this, the smokestacks of the steel mills--squat, black, and enormous--on which Steelton's existence had once depended. From early childhood, Stella could remember the stench of mill smoke, the stain left on the white blouse of her school uniform drying on her mother's clothesline; from her time in night law school, she recalled the evening that the river had exploded in a stunning instant of spontaneous combustion caused by chemical waste and petroleum derivatives, the flames which climbed five stories high against the darkness. Between these two moments--the apogee of the mills and the explosion of the river--lay the story of a city and its decline.

By heritage, Stella herself was part of this story. The mills had boomed after the Civil War, manned by the earliest wave of immigrants--Germans and British, Welsh and Irish--who, in the early 1870s, had worked fourteen hours a day, six days a week. Their weekly pay was $11.50; in 1874, years of seething resentment ignited a strike, with angry workers demanding twenty-five cents more a week. The leading owner, Amasa Hall, shut down his mills, informing the strikers that, upon reopening, he would give jobs only to those who agreed to a fifty-cent cut. When the strikers refused, Hall boarded his yacht and embarked on a cruise around the world.

Hall stopped at Danzig, then a Polish seaport on the Baltic. He advertised extensively for young workers, offering the kingly wage of $7.25 a week and free transport to America. The resulting wave of Polish strikebreakers--poor, hardworking, Roman Catholic, and largely illiterate--had included Stella's great-grandfather, Carol Marzewski. It was on their backs that Amasa Hall had, quite systematically, undercut and eventually wiped out the other steel producers in the area, acquiring their mills and near-total sway over the region's steel industry. And it was the slow, inexorable decline of those same mills into sputtering obsolescence which had left Stella's father, Armin Marz, unemployed and bitter.

Recalling the flames which had leaped from the Onandaga, a brilliant orange-blue against the night sky, had reminded Stella of another memory from childhood, the East Side riots. Just as the West Side of Steelton was home to European immigrants--the first wave had been joined by Italians, Russians, Poles, Slovaks, and Austro-Hungarians--so the city's industry had drawn a later influx of migrants from the American South, the descendants of former slaves, to the eastern side of the Onandaga. But these newcomers were less welcomed, by employers or the heretofore all-white labor force. Stella could not remember a time in her old neighborhood, Warszawa, when the black interlopers were not viewed with suspicion and contempt; the fiery explosion of the East Side into riots in the sixties--three days of arson and shootouts with police--had helped convert this into fear and hatred. A last trickle of nonwhites--Puerto Ricans, Cubans, Koreans, Haitians, Chinese, and Vietnamese--felt welcome, if at all, only on the impoverished East Side. And so the split symbolized by the Onandaga hardened, and racial politics became as natural to Steelton as breathing polluted air.

This divide, too, shadowed Stella's thoughts. In the last six years, she had won every case but one--a hung jury following the murder trial of a high school coach who had made one of his students pregnant and who, devastated by Stella's particularly ruthless cross-examination, had thereafter committed suicide. It was this which had led a courtroom deputy to give Stella a nickname which now enjoyed wide currency among the criminal defense bar: the Dark Lady. But only recently had they become aware of her ambition, long nurtured, to become the first woman elected Prosecutor of Erie County.

Though this was a daunting task, it was by no means impossible. Stella was a daughter of the West Side, a young woman her neighborhood was proud of--an honors student who had worked through college and law school; had remained an observant Catholic; had not turned her back on Steelton and its problems, as had so many of her generation; had already become head of her office's homicide unit. Stella was not a vain woman, and had always seen herself with objectivity: though she lacked the gifts for bonhomie and self-promotion natural to many politicians, she was articulate, truthful, and genuinely concerned with making her office, and her city, better. She was attractive enough without being threatening to other women, with a tangle of thick brown hair; pale skin; a broad face with a cleft chin and somewhat exotic brown eyes, a hint of Eurasia which Stella privately considered her best feature; a sturdy build which she managed to keep trim through relentless exercise and attention to diet, yet another facet of the self-discipline which had been hammered into her at home and school. And if there were no husband or children to soften the image of an all-business prosecutor or, Stella thought ruefully, her deepening sense of solitude, at least there was no one to object or to say, as Armin Marz might, had he not lost the gifts of memory and reason, that she was reaching above herself.

But her biggest problem, Stella knew, was not that she was a woman. It was as clear to her as the river which divided her city: she was a white ethnic with no base on the black East Side. And with that, her thoughts, and her gaze, moved to the most hopeful, most problematic, aspect of the cityscape before her--the steel skeleton of the baseball stadium Mayor Krajek had labeled Steelton 2000.

Meet the Author

Richard North Patterson studied fiction writing with Jesse Hill Ford at the University of Alabama at Birmingham. He has written ten novels, including the international bestsellers Degree of Guilt, Eyes of a Child, The Final Judgment, Silent Witness, and No Safe Place. Patterson lives with his wife, Laurie, and their family in San Francisco and on Martha's Vineyard.

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3.7 out of 5 based on 0 ratings. 30 reviews.
Anonymous More than 1 year ago
The young shecat watched the clan through the bushes, her eyes flickering nervously. She had just escaped from Bloodclan and was a bit too aware that their scent was still on her. She moved a bit to the left to see the leader, but instead a thorn jammed into her pelt. "Eep!" She blurted and fell face first in the clearing.
Anonymous More than 1 year ago
She stares, bewildered, at RainFall. She decided to make her announcement, then deal with her. "Yesterday, ThunderPaw joined us. She does not have a mentor, so Imperialecho will be her mentor." She bounds down and motions to RainFall. "C'mon. Camp is res 2."
Anonymous More than 1 year ago
Lookes at Rustkit and lets out a welcoming meow.
Anonymous More than 1 year ago
((There.))
Anonymous More than 1 year ago
She padded there.
Anonymous More than 1 year ago
The Silver and black cat asked
Anonymous More than 1 year ago
"Eaglepaw! Eaglepaw! Eaglepaw!"
Anonymous More than 1 year ago
(Ikr.) nods again.
Anonymous More than 1 year ago
sunshine33CA More than 1 year ago
really enjoyed all previous books by this author , this one ,Ijust could not get into.
Anonymous More than 1 year ago
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Guest More than 1 year ago
I thought the book was a little on the boring side. I was hoping after the first 20 some pages that it would become interesting this didn't happen. At times it held my attention, and I didn't want to put it down, but most of the time I didn't really want to pick it up to continue. It had a good story and plot, but the problem was it went on too long and became boring.
Guest More than 1 year ago
The book over all was ok, just through the middle parts tended to tire. Specific details got in the way of what was actually taking place. It also didn't have the best ending, very preditable
Guest More than 1 year ago
I loved this book! ¿ Transported me into my own private film noir! My having grown up near Cleveland made it all the more intriguing! Stella Marz could have been a number of people I grew up with - including me! Thankfully I will never have to go through what she did in this book- or see what she saw! The characterizations were so real ¿ gritty, shocking, heartbreaking. I literally could not stop reading it. Most pathetic ¿ the journey of Arthur Bright ¿ how sad. I think this would make a great movie.
Guest More than 1 year ago
Too complex,,,,dialogue drug on and on and on, characters lacked something.....couldn't care less by the time I got toward the end. Did not enjoy this book at all!!! It felt flat and boring!!!!!!!! sorry Mr. Patterson!
Guest More than 1 year ago
This book grabbed me and held my attention from the first 20 pages. It's a big, complex story that has fascinating insights on politics and urban finance; psychology; and crime investigations. The character of Stella is intriguing. The other cops were a little shallow. I liked Moro as he loomed over the book like a dark cloud. I usually don't like stories that jump back and forth from flashbacks to the present, but this one worked (I did get confused about Michael v. Jack Novak at times). Also Patterson works a great story almost exclusively through dialogue, which is difficult to do. Although we know the murderer, and the outcome, the noose keeps getting tighter until the very end. Absolutely loved it, my first RNP and I can't wait to read others by RNP.
Guest More than 1 year ago
I really hoped this book would get better towards the end. But the suprises were to predictable. They just didn't creep up on you. They all appealed to the sense of sight. And I don't think this would make a bad movie. I haven't read any other RNP and this book makes me not want to. The end also is dissappointing.
Guest More than 1 year ago
As usual, Patterson takes on a necessary but unconventional issue, leaving the reader exhausted but the better for it. Not for the weak-hearted or puritanical, Dark Lady is a must-read for the rest of us.
Guest More than 1 year ago
I've been an avid RNP fan and have excitedly awaited each new book - until now. I found this to be a cold, dark disappointment. Poor character development and an overall feeling of hopelessness, combined with annoying one-syllable character surnames and boring interjections of ethnic background-building were enough to make me skim through almost to the end, which I've never done with previous RNP books. Hopefully this isn't going to prove to be a trend with Patterson, after so many wonderful, thrilling successes under his belt!!
Guest More than 1 year ago
I've read all of RNP's books since the beginning and have thought they were all great novels, intriguing and able to keep me entranced until the last page was reached. DARK LADY took all my strength to try and finish after just the 1st chaper. The subplots got too thick and too lost in the action. It seemed like he was just flipping back and forth rather than focusing on his main character of Stella. This one's up to you - I personally wouldn't endorse it too highly.
Guest More than 1 year ago
I have enjoyed all other Richard North Patterson books but i really did not care about characters or subject of this book. Struggled to end but would not recommend it
Guest More than 1 year ago
Once again, Patterson has visited a character first developed as a secondary character in a previous novel (in this case Silent Witness). And once again, he delivers a compelling tale in which things are not what they seem. If you've enjoyed Patterson's previous endeveours, grab this one off the shelf.
Anonymous More than 1 year ago
May i join?
Anonymous More than 1 year ago
Cool but gtgtb ttyl~Heronsoul