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Dark Orbit

Dark Orbit

by Carolyn Ives Gilman

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From Nebula and Hugo Award–nominated Carol Ive Gilman comes Dark Orbit, a compelling novel featuring alien contact, mystery, and murder.

Reports of a strange, new habitable planet have reached the Twenty Planets of human civilization. When a team of scientists is assembled to investigate this world, exoethnologist Sara Callicot is recruited to keep


From Nebula and Hugo Award–nominated Carol Ive Gilman comes Dark Orbit, a compelling novel featuring alien contact, mystery, and murder.

Reports of a strange, new habitable planet have reached the Twenty Planets of human civilization. When a team of scientists is assembled to investigate this world, exoethnologist Sara Callicot is recruited to keep an eye on an unstable crewmate. Thora was once a member of the interplanetary elite, but since her prophetic delusions helped mobilize a revolt on Orem, she's been banished to the farthest reaches of space, because of the risk that her very presence could revive unrest.

Upon arrival, the team finds an extraordinary crystalline planet, laden with dark matter. Then a crew member is murdered and Thora mysteriously disappears. Thought to be uninhabited, the planet is in fact home to a blind, sentient species whose members navigate their world with a bizarre vocabulary and extrasensory perceptions.

Lost in the deep crevasses of the planet among these people, Thora must battle her demons and learn to comprehend the native inhabitants in order to find her crewmates and warn them of an impending danger. But her most difficult task may lie in persuading the crew that some powers lie beyond the boundaries of science.

Editorial Reviews

From the Publisher

iO9 Very Best Science Fiction and Fantasy Books of 2015
Kirkus Reviews essential speculative fiction reads for July 2015
Best New Sci-Fi/Fantasy Books of 2015 for July—Nerd Underground

“Wonderfully rich” –Portland Book Review

“Gilman intriguingly weaves together two plotlines: The scientific, theological, and political point of view on the Escher, as well as the sense of community under the surface of Iris. Thora’s metaphysical point of view is narrated through her audio diary as we learn about her past, the stress of adapting to total darkness, and the valuable skills she learns from the natives. Both plots are thought-provoking and play well off of each other. The satisfying, yet open-ended conclusion left me wanting more.” —The Nameless Zine

“DARK ORBIT is old school in ways that fans of classic sci-fi will find delightful: new planets! Weird spaceships! Strange societies! Alien flora and fauna! Reality-warping space! But it also feels modern—uncalcified and unfussy, bold and unexpected.” —The Portland Mercury

“Regardless of what type of science fiction enthusiast you are, you will find something wonderful in Dark Orbit … Add into that incredibly unique and wonderfully realized challenges that really push the boundaries of where-no-one-has-gone-before, and you have a book that’s well worth the read, even if you aren’t a hardened science fiction fan.” —LitStack

“She delves into thought-provoking speculative science one expects alongside philosophy as ancient as Plato's cave. Dark Orbit is a stimulating and absorbing story.” –Shelf Awareness

“The story jumps from espionage to murder to first contact to philosophy at dizzying speeds” —Publishers Weekly

“Dark Orbit is a peculiar novel, by turns sharp and gentle, cynical and idealistic, empiricist and mystical. But its characters are strongly drawn, its universe is richly sketched, and its prose is sheer delight. It is deeply compelling in its peculiarities, and probably one of the best novels of science fiction that I’ve read in the last few years. And it’s fascinating.” —Tor.com

Dark Orbit is set in the same Twenty Planets universe as Gilman’s 2010 novel Halfway Human. Comparisons to Ursula K. LeGuin are inevitable (and not unwarranted), but Dark Orbit has a strong thread of thriller-like suspense that keeps one turning the pages. I think a more apt comparison is to the work of James Tiptree, Jr.” —Analog

Dark Orbit is a well-paced and engaging story that doesn't disappoint. The mystery and intrigue builds to a climactic ending with several surprises along the way.” –Science Fiction Book Club

Dark Orbit is a fast-paced and grippingly written sci-fi thriller, full of interesting ideas.” –Open Letters Monthly

“Not only did I find it highly original in some of its concepts, it also left me feeling a bit nostalgic for the science fiction heyday of authors like Harry Harrison and James E. Gunn.” —SF Revu

“thought-provoking science-fiction” –Bibliosanctum

“Blending mystery, philosophy, and science gracefully in a twisty plot, Gilman has written a challenging but ultimately satisfying space adventure that explores how the most basic preconceptions can distort our outlook. It's a winner for any sf fan …” —Library Journal

Dark Orbit is a striking work of science fiction, and knowledge—self-knowledge, and how the knowledge ofother people can shape a person—is at its heart. It is sharp and glittering and rather more interested in the philosophy of its physics than it is in the science. It’s also a novel about First Contact and the limits of science’s ability to classify data that cannot be seen. And damn, is it one hell of a novel.” —Tor.com

A novel that will make you think about perception, human nature—even the nature of reality—while remaining consistently gripping and moving. Gilman manages to both dig deep into some pretty abstract and philosophically compelling ideas while writing a hell of a ‘first contact’ narrative and also touching on issues that are very much alive in our lives today. The ending may leave you wanting more, but even on its own, Dark Orbit remains thought-provoking days later.” —RT Book Reviews Top Pick, 4 ½ stars

“Gilman has created a breathtakingly strange new world, and she's populated it with vivid, compelling characters. A thoroughly engrossing story with a fast-paced plot, memorable characters, and big ideas, this book is science fiction at its very best.” —Kirkus (starred review)

Publishers Weekly
When a new planet is discovered, 58 light years away from the Twenty Planets, exoethnologist Sara Callicot is one of the scientists sent to explore it. She’s also secretly assigned to protect Thora Lassiter, a mystic who was involved in unrest on the planet Orem. When their ship reaches the planet Iris, they find it surrounded by dark matter. Soon a member of the crew dies, Thora disappears, and the scientists find a civilization in the heart of the planet that challenges their preconceptions. Gilman (The Ice Owl) incorporates intriguing ideas about interplanetary travel, gender roles, mental health, and the senses, but the overall effect is a jumble that doesn’t know what it is trying to say. The story jumps from espionage to murder to first contact to philosophy at dizzying speeds, without resting anywhere long enough to come to any conclusions. The one exception is the charming portrayal of a civilization of the blind, which showcases Gilman’s talent for description and character. Agent: Gary Heidt, Signature Literary. (July)
Library Journal
Exoethnologist Sara Callicot is a waster, a traveler by light beam to distant space, unable to maintain normal relationships with other humans because she ages decades during each of her missions. When a questship reports discovery of a planet that may support life, Sara is recruited to go, not just as a scientist but to watch secretly Thora Lassiter, a mission member with a history of instability and the daughter of a powerful man. Arriving on questship Escher, Sara finds a welter of problems: philosophically opposed crewmates, hints of espionage, a maze-like habitat, and the beautiful but hostile surface on planet Torobe. Complications thicken with a shipboard murder, Thora's disappearance, and the unexpected discovery of alien residents. VERDICT Blending mystery, philosophy, and science gracefully in a twisty plot, Gilman (Ison of the Isles) has written a challenging but ultimately satisfying space adventure that explores how the most basic preconceptions can distort our outlook. It's a winner for any sf fan, of special appeal to those with interests in epistemology, ethics, or physics.—Neil Hollands, Williamsburg Regional Lib., VA
Kirkus Reviews
★ 2015-04-30
A gripping story in which travelers to a distant world grapple with new people, new ideas, and ancient obsessions. Saraswati Callicot is a Waster—a scientist who spends her life traveling light-years from home to explore new worlds, leaping across decades in an instant, stepping in and out of the flow of ordinary human time. Her latest mission is her farthest, and strangest, trip yet: she's traveled 58 light-years to explore a new planet surrounded by dark matter and secretly observe her crewmate Thora Lassiter, a member of the interplanetary elite who was embroiled in a religious uprising on the planet Orem. But when Sara, Thora, and their colleagues arrive in orbit around the planet known as Iris, nothing is as it seems—not the uninhabited, light-filled plane, not the bizarre, bewildering phenomenon they come to call a forest, not even the brutal murder of one of the crew. Like the best science fiction, this book raises cosmic questions about how the human mind grapples with something totally new and how we can be sure we know anything—even, or especially, ourselves. But those questions are woven into a tight, mystery-driven narrative whose pace never flags. Gilman (Ison of the Isles, 2012, etc.) has created a breathtakingly strange new world, and she's populated it with vivid, compelling characters. A thoroughly engrossing story with a fast-paced plot, memorable characters, and big ideas, this book is science fiction at its very best.

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Tom Doherty Associates
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Read an Excerpt

Dark Orbit

By Carolyn Ives Gilman

Tom Doherty Associates

Copyright © 2015 Carolyn Ives Gilman
All rights reserved.
ISBN: 978-1-4668-2769-1


In the course of Saraswati Callicot's vagabond career, she had been disassembled and brought back to life so many times, the idea of self-knowledge had become a bit of a joke. The question was, which self should she aspire to know? The one she had left behind on the planet of Andaman nine years (and one subjective second) ago? Or the ones whose molecules she had left elsewhere, strewn across the Twenty Planets in a zigzag as detoured as her life? Since she was now comprised of an entirely different set of atoms than she had been a breath ago, could she really claim to be the same person?

"Welcome to Capella Two," said the technician. It was her cue to clear out of the translation chamber so he could assemble another migrant waiting in the queue. Too weary to think of a cheeky retort, she slid off the metal slab where she had been reconstituted and followed a sign into a waiting room of truly stunning banality. A medtech gave her a drink that tasted vaguely of mango, to restore her fluid balance, then left her to wait until they could be certain she was not about to have some actionable medical complication. The upholstery on the chairs was worn and splitting, the tile floor was so scuffed it had lost any color, the shuffle of travelers in and out was constant.

Traveling by lightbeam was not hard; arriving was the problem. She still had to steel herself against that feeling of having dropped into a bewildering future, jerked out of the continuity of time, out of step with everyone else. Even with endless experience, she still felt like an anachronism until she accounted for the years everyone else had lived, and that she had spent as a beam of clarified light.

It had been five years in her subjective time since she had left Capella Two. She struggled to calculate how many years in elapsed time. Twenty-three, she decided. Not a terribly long absence. But Capella Two was so addicted to change, so avid for every novelty and innovation, that twenty-three years here could be like a hundred on another planet. She supposed this was home, as much as any place was, since she was a graduate of UIC, and that would always give her an automatic entry card. But Capella did not arouse any patriotic loyalties or emotional attachments in her. Being Capellan was not so much an ethnicity as an attitude. You could carry it anywhere.

A technician who looked far too young to trust came by with a handheld monitor to measure Sara's heartbeat, brain function, and immune status, then gave her a vaccination update and waved her on. Down the hall she joined a line of new arrivals being processed through immigration. In line ahead of her, a teenage girl with skin dyed crimson and silver stared at her a few moments, then turned to whisper to her indigo companion. Sara recognized the evidence that she was a walking fashion antique. She would have to buy new clothes. Again.

When she reached the head of the line, the immigration agent gestured her to look in an eyepiece, where she was treated to a startling view of her own retina. "Magister Callicot?" the young agent said politely, studying the display on his terminal. Sara admitted it, though she never used the title. "UIC," he went on in a friendly tone. "Class of — Wow." His eyes widened at the date. He looked like he had barely been born when she had last left Capella Two.

"You'll need to pick up an identity chit at the security kiosk in the concourse," he told her.

"Identity chit?"

"Your security clearance," he explained. "It's got your arrest record, outstanding warrants, restraining orders, that sort of thing. Don't worry, all of yours are old as the hills."

She didn't know whether to feel reassured or insulted. After picking up her backpack, which had come through the low-resolution receiver, she stopped in a bathroom just to make sure that the lightbeam translator had put her back together right. She looked reassuringly similar to the old Saraswati — rangy, big-jointed body that had seen its share of misadventures; black hair in a braid down her back; long, lean face with deep parentheses on either side of her mouth and river deltas of wrinkles fanning out from her eyes. She had always considered her face a kind of practical joke on her. It was a reckless, generous, kind, unlucky face.

Sara had grown up in a Balavati family, which meant she had been taught to reject all articles of faith except disrespect for authority, the lodestone of her life. But it was hard to survive serial resurrection without entertaining thoughts of the perpetual cycle of birth, suffering, death, and rebirth. Nothing is constant but change, her Buddhist ancestors might have said. She understood it in her reduplicated bones.

The concourse was new — a bright mall bristling with surveillance cameras. The security kiosk was open but Sara ignored it on principle, since it seemed to represent authority. She stopped to withdraw some cash from an old account, but passed up the information vendors, relying on her old knowledge of how to get around Paratuic. As she neared the glass doors, the way was lined with protection franchises renting out weapons and electronic alarm devices, each claiming to answer calls faster and cheaper than the next booth.

Outside, the daylight had the familiar orange tone lent by the presence of the gas giant Gomb in the sky, but otherwise the landscape was strange. Sara stood staring at the distant gray mountains — the rim wall of an ancient crater, she realized. She was not in Paratuic.

"Looking for a security convoy?" a man in a uniform asked.

"What city is this?" Sara said.

The man's face took on that uniquely Capellan smile that meant I'll help you for a price. Nothing was free on Capella Two, least of all information. Sara paid the man, and he said, "You're in Onowac. They moved the waystation here twelve years ago. Been gone a while?"

"Yeah." With a sinking feeling, Sara realized she would have to buy some hotel information. "Listen, is there a Waster enclave nearby?"

The man looked silently helpful. More money changed hands. At least it was preferable to paying a corporation. "Sure. Join convoy three. They'll get you there safe."

At a price, no doubt. Sara waved away the offer to carry her backpack, and set out toward the convoy lines.

Convoy three turned out to be an overworked and sagging armored bus. The driver demanded Sara's identity chit, but was content with a few bills instead. Sara stared out the grimy window as the bus passed the razor-wire perimeter of the waystation into the city. The architecture of mercantilism had changed. Gone were the plate-glass windows showing off wares for sale, replaced by brick-faced stores with large-screen video displays to attract shoppers. As the bus waited at an intersection, Sara watched the larger-than-life image of a model undulate through a magically changing set of clothes and skin colors.

Sara got off the bus at an intersection where the driver claimed four hotels were located, though it took her several minutes to realize that their only street-level manifestations were registration machines behind sliding security doors. As she approached one of them, the slot on the wall lit up helpfully, INSERT IDENTITY CHIT. There seemed to be no way of speaking with a human being. It probably cost extra anyway.

The jostle of passersby had paused, leaving a conspicuous space around her. She looked up to see two alarmingly large men in nondescript business suits approaching her purposefully. She faced them, backpack to the wall. Their pockets had embroidered logos for WAC, one of the giant infocompanies.

"Saraswati Callicot?" the larger of the two said.

"Who wants to know?" Old Capellan habits came back fast.

"We're here to escort you to WAC headquarters," the man said.


"Delegate Gossup's orders."

Delegate Gossup. The title meant that Sara's old faculty advisor was on his way to becoming one of the most powerful men on Capella Two. "How did you know where to find me?" she asked.

The big man gave her a pitying look. "We work for WAC, ma'am."

That was the other side of an information economy: absolutely anything about you was for sale, at the right price.

The silent security man took her backpack, and the talkative one gave her a WAC logo badge with an embedded tracer chip. "Wear this. In case we get separated."

"What's all this security paranoia about?" Sara asked.

"Crime. Terrorism. They've been pretty bad."

"Have they thought about restricting weapons?" she asked mischievously. "It works on other planets."

The man didn't find it funny. "That would drive the security industry out of business," he said coldly. "Follow me."

Sara followed, dropping the WAC badge into an inside pocket. She was damned if she was going to walk around looking like a product.

They headed for the nearest public wayport. She had expected them to try to impress her by leading her in through the opulent WAC headquarters lobby, but what they did was even more impressive. While one security man stood by to discourage ordinary travelers from approaching, the other fitted a chip into the wayport controls, overriding its destination programming. There was a brief frisson of transubstantiation, and Sara stepped out into the private administration floor of WAC. It was a world of wood paneling and silence, all footsteps swallowed by the deep wine-colored carpet that seemed to silently reproach her Andaman mudboots. The security man led her down a discreet back hall to a door with inlaid malachite designs, and knocked. Then, without so much as a moment in a waiting room, Sara stepped in.

The office was restrained and elegant, decorated in geometric black and gray, with bonsai in recessed niches under grow-lights. One wall held the best window simulation Sara had ever seen, tuned to a picture of Capella Two itself, as if from high in a tower, looking out on a pinkish sunset cityscape. The man who rose from behind the black enamel desk matched the room: tall, impeccably cultured, serenely Vind. The carnelian caste-stone in his forehead was the only decoration he wore, if it was a decoration. His close-cropped hair had gone entirely silver, a sight that gave Sara a shock of surprise. He had always seemed immortal, unchanging, one of the few stable points in a flowing universe.

Banter — that was what she needed to counter the subtle intimidation of this setting. "Are you sure I should be here, Magister?" she said. "This place oozes oligarchy."

Delegate Gossup did not smile — that would have disturbed the surface of his calm detachment. But he said, "Sara, welcome. It is refreshing as always to see you. And your timing is impeccable."

"Well, I'm glad something's impeccable about me," she said. The room was trying its best to make her feel scruffy.

"You are genuine as always," Gossup said, searching her face with a gaze like deep, still water. "That is a rare commodity here. Rare and valuable."

"I ought to open a franchise," Sara said.

Gossup gestured her to a seat on the settee. "Can I offer you a drink?"

Knowing who was paying, Sara tried to think of the most rarefied luxury she could imagine. "Single-malt whiskey," she said. "Neat."

The Vind's eyebrow went up a millimeter, but he activated the terminal in the coffee table and placed the order. A glass instantly substantiated in a niche next to her. Sara sank into the cushion facing the window. She saw now that little silvery fish were swimming in among the buildings of the city, and a giant jellyfish was rising into the sky. It looked perfectly natural.

"So, you're on the Magisterium now?" she said, emboldened by the golden glowing liquid slipping down her throat.

"For the past fourteen years. I was recently elected to the steering committee." There was no joy in his voice. It was no wonder he looked tired and aged.

"But you're still working for WAC?"

"Not at the moment. Today, I am acting on behalf of a ... third party. WAC is providing some resources."

"And doing it very well," Sara said, stretching out her legs, savoring the comfort her well-used body felt. She had just noticed the almost subliminal sound effect of wind in pine needles. It made the room seem more spacious than it was. "Are you going to tell me who this mysterious third party is, or do you want me to guess?"

Gossup hesitated, caught off guard by such directness. In her place, another ethnic Vind would have probed subtly for half an hour, while he parried, without either of them coming to the point. "That depends," he said, "on whether you are going to accept the job I am going to offer you."

So that was what this was about. But the news only sharpened her curiosity: he could have offered her a job in a far less dramatic way.

With a show of weariness, she said, "What a trial to be so employable. I was actually hoping for some downtime."

"I take it you have not been in touch with the university yet."

There was something in his delicate manner that made her take notice. "No, why?"

"There was an unfortunate difficulty with the data you sent back from Andaman."

This time she did sit up. "What sort of difficulty?"

"Some of the ethnobotanical data you collected proved to have a high value for the pharmaceutical industry."

"No shit," she said, pleased. Visions of royalties danced in her head, perhaps lucrative ones.

"Unfortunately, there were certain interest groups on Andaman who claimed the information had been ... improperly appropriated. They brought a cultural patrimony suit in the Court of a Thousand Peoples."

"That's ridiculous!" Sara said, stung at this slur to her professionalism. "I followed every protocol."

"Unfortunately, the paperwork was ... not quite in order."

She had been meaning to take care of that as soon as she arrived home. It was not really out of order, just in a transitional state of creative chaos. But she had not expected the information to be truly valuable; that raised the bar on dotting i's and crossing t's. Sara downed the rest of her drink in a fiery gulp and set the glass down with deliberate care. "When does the case go to trial?"

"It was settled six years ago."

"Without my testimony?"

Gossup nodded. "It couldn't wait. WAC and the university lost a great deal of money. They had to return all the information you collected."

Five years of work, gone. Wasted. Even the time limit for appeals had expired. She wanted to protest, but knew it would be useless. It was the theme of her life: dreams snatched away just as they seemed attainable. She laid her head back against the cushiony leather and stared at the ceiling.

"Under the circumstances," Gossup said delicately, "WAC and the university are not eager to renew your contract."

"No, I guess not," Sara said dully.

"That is why I thought you might be receptive to another opportunity."

In fact, she could scarcely refuse, no matter how unsavory the job. She brought her gaze down from the ceiling to his face, and their eyes met for a long few seconds. Was he acting as her benefactor, or as an opportunist seizing advantage of the situation? She wanted to challenge him, to strike out at someone. But even so, she was the first to look away.

"Would you like another drink?" he asked politely.

"Yes," Sara said, against her better judgment. One always needed one's wits when dealing with Gossup, especially if negotiations were in order. But what the hell, she thought, I have nothing to negotiate with.

"Is it illegal, or just immoral?" she said.


"The job you want me to do." Why else would he turn to a down-at-luck Balavati?

"Neither," he said smoothly. "In fact, I believe you may find it stimulating."

Bending over the coffee table terminal, Gossup activated a security shield. The background sound suddenly cut off. Sara felt static electricity on her hands and neck, and a prickle of alertness inside, despite the whiskey.

The words he said next changed everything. "It is not widely known yet, but we have recently received a communication from one of the questships."

It was something that only happened once a generation, if that. Centuries ago, the ancestors of humankind had sent out a fleet of robot questships in search of habitable planets to receive the seeds of the human diaspora. The origins of the grand scheme had been lost in the demise of Capella One; no one knew how many ships there were, or where they had gone. They crossed the desert of space in mute hibernation, communicating only when they had found something. It had been over a hundred years since a questship had woken from its slumber and called home, and everyone had begun to accept that there were none left to hear from.

"A new planet?" Sara asked. "A habitable one?"

"Yes," Gossup said.


Excerpted from Dark Orbit by Carolyn Ives Gilman. Copyright © 2015 Carolyn Ives Gilman. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

CAROLYN IVES GILMAN is a Nebula and Hugo Award–nominated writer of science fiction and fantasy. Her novels include Halfway Human and the two-volume novel Isles of the Forsaken and Ison of the Isles. Her short fiction appears in many Best of the Year collections and has been translated into seven languages. She lives in Washington, D.C., and works for the National Museum of the American Indian.

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