Dark Places [NOOK Book]

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Overview

I have a meanness inside me, real as an organ.


Libby Day was seven when her mother and two sisters were murdered in “The Satan Sacrifice of Kinnakee, Kansas.” As her family lay dying, little Libby fled their tiny farmhouse into the freezing January snow. She lost some fingers and toes, but she survived–and famously testified that her fifteen-year-old brother, Ben, was the killer. Twenty-five years later, Ben sits in prison, and troubled Libby lives off the dregs of a trust created by well-wishers who’ve long forgotten her.

The Kill Club is a ...
See more details below

Overview

I have a meanness inside me, real as an organ.


Libby Day was seven when her mother and two sisters were murdered in “The Satan Sacrifice of Kinnakee, Kansas.” As her family lay dying, little Libby fled their tiny farmhouse into the freezing January snow. She lost some fingers and toes, but she survived–and famously testified that her fifteen-year-old brother, Ben, was the killer. Twenty-five years later, Ben sits in prison, and troubled Libby lives off the dregs of a trust created by well-wishers who’ve long forgotten her.

The Kill Club is a macabre secret society obsessed with notorious crimes. When they locate Libby and pump her for details–proof they hope may free Ben–Libby hatches a plan to profit off her tragic history. For a fee, she’ll reconnect with the players from that night and report her findings to the club . . . and maybe she’ll admit her testimony wasn’t so solid after all.

As Libby’s search takes her from shabby Missouri strip clubs to abandoned Oklahoma tourist towns, the narrative flashes back to January 2, 1985. The events of that day are relayed through the eyes of Libby’s doomed family members–including Ben, a loner whose rage over his shiftless father and their failing farm have driven him into a disturbing friendship with the new girl in town. Piece by piece, the unimaginable truth emerges, and Libby finds herself right back where she started–on the run from a killer.


From the Hardcover edition.

Editorial Reviews

Marilyn Stasio
Love her or loathe her, Libby Day won't be forgotten without a fight.
—The New York Times
From The Critics

Edgar-finalist Flynn's second crime thriller tops her impressive debut, Sharp Objects. When Libby Day's mother and two older sisters were slaughtered in the family's Kansas farmhouse, it was seven-year-old Libby's testimony that sent her 15-year-old brother, Ben, to prison for life. Desperate for cash 24 years later, Libby reluctantly agrees to meet members of the Kill Club, true crime enthusiasts who bicker over famous cases. She's shocked to learn most of them believe Ben is innocent and the real killer is still on the loose. Though initially interested only in making a quick buck hocking family memorabilia, Libby is soon drawn into the club's pseudo-investigation, and begins to question what exactly she saw-or didn't see-the night of the tragedy. Flynn fluidly moves between cynical present-day Libby and the hours leading up to the murders through the eyes of her family members. When the truth emerges, it's so twisted that even the most astute readers won't have predicted it. (May)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Product Details

  • ISBN-13: 9780307459923
  • Publisher: Crown Publishing Group
  • Publication date: 5/5/2009
  • Sold by: Random House
  • Format: eBook
  • Sales rank: 22,735
  • File size: 2 MB
  • Items ship to U.S, APO/FPO and U.S. Protectorate addresses.

Meet the Author

Gillian Flynn
Gillian Flynn

GILLIAN FLYNN’s debut novel, Sharp Objects, was an Edgar Award finalist and the winner of two of Britain’s Dagger Awards. She lives in Chicago with her husband, Brett Nolan, and a rather giant cat named Roy.

Read an Excerpt

Libby Day

Now

I have a meanness inside me, real as an organ. Slit me at my belly and it might slide out, meaty and dark, drop on the floor so you could stomp on it. It’s the Day blood. Something’s wrong with it. I was never a good little girl, and I got worse after the murders. Little Orphan Libby grew up sullen and boneless, shuffled around a group of lesser relatives—second cousins and great-aunts and friends of friends—stuck in a series of mobile homes or rotting ranch houses all across Kansas. Me going to school in my dead sisters’ hand-me-downs: Shirts with mustardy armpits. Pants with baggy bottoms, comically loose, held on with a raggedy belt cinched to the farthest hole. In class photos my hair was always crooked—barrettes hanging loosely from strands, as if they were airborne objects caught in the tangles—and I always had bulging pockets under my eyes, drunk-landlady eyes. Maybe a grudging curve of the lips where a smile should be. Maybe.

I was not a lovable child, and I’d grown into a deeply unlovable adult. Draw a picture of my soul, and it’d be a scribble with fangs.

It was miserable, wet-bone March and I was lying in bed thinking about killing myself, a hobby of mine. Indulgent afternoon daydreaming: A shotgun, my mouth, a bang and my head jerking once, twice, blood on the wall. Spatter, splatter. “Did she want to be buried or cremated?” people would ask. “Who should come to the funeral?” And no one would know. The people, whoever they were, would just look at each other’s shoes or shoulders until the silence settled in and then someone would put on a pot of coffee, briskly and with a fair amount of clatter. Coffee goes great with sudden death.

I pushed a foot out from under my sheets, but couldn’t bring myself to connect it to the floor. I am, I guess, depressed. I guess I’ve been depressed for about twenty-four years. I can feel a better version of me somewhere in there—hidden behind a liver or attached to a bit of spleen within my stunted, childish body—a Libby that’s telling me to get up, do something, grow up, move on. But the meanness usually wins out. My brother slaughtered my family when I was seven. My mom, two sisters, gone: bang bang, chop chop, choke choke. I didn’t really have to do anything after that, nothing was expected.

I inherited $321,374 when I turned eighteen, the result of all those well-wishers who’d read about my sad story, do-gooders whose hearts had gone out to me. Whenever I hear that phrase, and I hear it a lot, I picture juicy doodle-hearts, complete with bird-wings, flapping toward one of my many crap-ass childhood homes, my little-girl self at the window, waving and grabbing each bright heart, green cash sprinkling down on me, thanks, thanks a ton! When I was still a kid, the donations were placed in a conservatively managed bank account, which, back in the day, saw a jump about every three–four years, when some magazine or news station ran an update on me. Little Libby’s Brand New Day: The Lone Survivor of the Prairie Massacre Turns a Bittersweet 10. (Me in scruffy pigtails on the possum-pissed lawn outside my Aunt Diane’s trailer. Diane’s thick tree-calves, exposed by a rare skirt, planted on the trailer steps behind me.) Brave Baby Day’s Sweet 16! (Me, still miniature, my face aglow with birthday candles, my shirt too tight over breasts that had gone D-cup that year, comic-book sized on my tiny frame, ridiculous, porny.)

I’d lived off that cash for more than thirteen years, but it was almost gone. I had a meeting that afternoon to determine exactly how gone. Once a year the man who managed the money, an unblinking, pink-cheeked banker named Jim Jeffreys, insisted on taking me to lunch, a “checkup,” he called it. We’d eat something in the twenty-dollar range and talk about my life—he’d known me since I was this-high, after all, heheh. As for me, I knew almost nothing about Jim Jeffreys, and never asked, viewing the appointments always from the same kid’s-eye view: Be polite, but barely, and get it over with. Single-word answers, tired sighs. (The one thing I suspected about Jim Jeffreys was that he must be Christian, churchy—he had the patience and optimism of someone who thought Jesus was watching.) I wasn’t due for a “checkup” for another eight or nine months, but Jim Jeffreys had nagged, leaving phone messages in a serious, hushed voice, saying he’d done all he could to extend the “life of the fund,” but it was time to think about “next steps.”

And here again came the meanness: I immediately thought about that other little tabloid girl, Jamie Something, who’d lost her family the same year—1985. She’d had part of her face burned off in a fire her dad set that killed everyone else in her family. Any time I hit the ATM, I think of that Jamie girl, and how if she hadn’t stolen my thunder, I’d have twice as much money. That Jamie Whatever was out at some mall with my cash, buying fancy handbags and jewelry and buttery department-store makeup to smooth onto her shiny, scarred face. Which was a horrible thing to think, of course. I at least knew that.

Finally, finally, finally I pulled myself out of bed with a stage- effect groan and wandered to the front of my house. I rent a small brick bungalow within a loop of other small brick bungalows, all of which squat on a massive bluff overlooking the former stockyards of Kansas City. Kansas City, Missouri, not Kansas City, Kansas. There’s a difference.

My neighborhood doesn’t even have a name, it’s so forgotten. It’s called Over There That Way. A weird, subprime area, full of dead ends and dog crap. The other bungalows are packed with old people who’ve lived in them since they were built. The old people sit, gray and pudding-like, behind screen windows, peering out at all hours. Sometimes they walk to their cars on careful elderly tiptoes that make me feel guilty, like I should go help. But they wouldn’t like that. They are not friendly old people—they are tight-lipped, pissed-off old people who do not appreciate me being their neighbor, this new person. The whole area hums with their disapproval. So there’s the noise of their disdain and there’s the skinny red dog two doors down who barks all day and howls all night, the constant background noise you don’t realize is driving you crazy until it stops, just a few blessed moments, and then starts up again. The neighborhood’s only cheerful sound I usually sleep through: the morning coos of toddlers. A troop of them, round-faced and multilayered, walk to some daycare hidden even farther in the rat’s nest of streets behind me, each clutching a section of a long piece of rope trailed by a grown-up. They march, penguin-style, past my house every morning, but I have not once seen them return. For all I know, they troddle around the entire world and return in time to pass my window again in the morning. Whatever the story, I am attached to them. There are three girls and a boy, all with a fondness for bright red jackets—and when I don’t seen them, when I oversleep, I actually feel blue. Bluer. That’d be the word my mom would use, not something as dramatic as depressed. I’ve had the blues for twenty-four years.

I put on a skirt and blouse for the meeting, feeling dwarfy, my grown-up, big-girl clothes never quite fitting. I’m barely five foot—four foot, ten inches in truth, but I round up. Sue me. I’m thirty-one, but people tend to talk to me in singsong, like they want to give me fingerpaints.

I headed down my weedy front slope, the neighbor’s red dog launching into its busybody barking. On the pavement near my car are the smashed skeletons of two baby birds, their flattened beaks and wings making them look reptilian. They’ve been there for a year. I can’t resist looking at them each time I get in my car. We need a good flood, wash them away.

Two elderly women were talking on the front steps of a house across the street, and I could feel them refusing to see me. I don’t know anyone’s name. If one of those women died, I couldn’t even say, “Poor old Mrs. Zalinsky died.” I’d have to say, “That mean old bitch across the street bit it.”

Feeling like a child ghost, I climbed into my anonymous midsized car, which seems to be made mostly of plastic. I keep waiting for someone from the dealership to show up and tell me the obvious: “It’s a joke. You can’t actually drive this. We were kidding.” I trance-drove my toy car ten minutes downtown to meet Jim Jeffreys, rolling into the steakhouse parking lot twenty minutes late, knowing he’d smile all kindly and say nothing about my tardiness.

I was supposed to call him from my cell phone when I arrived so he could trot out and escort me in. The restaurant—a great, old-school KC steakhouse—is surrounded by hollowed-out buildings that concern him, as if a troop of rapists were permanently crouched in their empty husks awaiting my arrival. Jim Jeffreys is not going to be The Guy Who Let Something Bad Happen to Libby Day. Nothing bad can happen to BRAVE BABY DAY, LITTLE GIRL LOST, the pathetic, red-headed seven-year-old with big blue eyes, the only one who survived the PRAIRIE MASSACRE, the KANSAS CRAZE-KILLINGS, the FARMHOUSE SATAN SACRIFICE. My mom, two older sisters, all butchered by Ben. The only one left, I’d fingered him as the murderer. I was the cutie-pie who brought my Devil- worshiping brother to justice. I was big news. The Enquirer put my tearful photo on the front page with the headline ANGEL FACE.

I peered into the rearview mirror and could see my baby face even now. My freckles were faded, and my teeth straightened, but my nose was still pug and my eyes kitten-round. I dyed my hair now, a white-blonde, but the red roots had grown in. It looked like my scalp was bleeding, especially in the late-day sunlight. It looked gory. I lit a cigarette. I’d go for months without smoking, and then remember: I need a cigarette. I’m like that, nothing sticks.

“Let’s go, Baby Day,” I said aloud. It’s what I call myself when I’m feeling hateful.

I got out of the car and smoked my way toward the restaurant, holding the cigarette in my right hand so I didn’t have to look at the left hand, the mangled one. It was almost evening: Migrant clouds floated in packs across the sky like buffalo, and the sun was just low enough to spray everything pink. Toward the river, between the looping highway ramps, obsolete grain elevators sat vacant, dusk-black and pointless.

I walked across the parking lot all by myself, atop a constellation of crushed glass. I was not attacked. It was, after all, just past 5 p.m. Jim Jeffreys was an early-bird eater, proud of it.

He was sitting at the bar when I walked in, sipping a pop, and the first thing he did, as I knew he would, was grab his cell phone from his jacket pocket and stare at it as if it had betrayed him.

“Did you call?” he frowned.

“No, I forgot,” I lied.

He smiled then. “Well, anyway. Anyway, I’m glad you’re here, sweetheart. Ready to talk turkey?”

He slapped two bucks on the bartop, and maneuvered us over to a red leather booth sprouting yellow stuffing from its cracks. The broken slits scraped the backs of my legs as I slid in. A whoof of cigarette stink burped out of the cushions.

Jim Jeffreys never drank liquor in front of me, and never asked me if I wanted a drink, but when the waiter came I ordered a glass of red wine and watched him try not to look surprised, or disappointed, or anything but Jim Jeffreys–like. What kind of red? the waiter asked, and I had no idea, really—I never could remember the names of reds or whites, or which part of the name you were supposed to say out loud, so I just said, House. He ordered a steak, I ordered a double-stuffed baked potato, and then the waiter left and Jim Jeffreys let out a long dentist-y sigh and said, “Well, Libby, we are entering a very new and different stage here together.”

“So how much is left?” I asked, thinking saytenthousandsayten thousand.

“Do you read those reports I send you?”

“I sometimes do,” I lied again. I liked getting mail but not reading it; the reports were probably in a pile somewhere in my house.

“Have you listened to my messages?”

“I think your cell phone is messed up. It cuts out a lot.” I’d listened just long enough to know I was in trouble. I usually tuned out after Jim Jeffreys’ first sentence, which always began: Your friend Jim Jeffreys here, Libby . . .

Jim Jeffreys steepled his fingers and stuck his bottom lip out. “There is 982 dollars and 12 cents left in the fund. As I’ve mentioned before, had you been able to replenish it with any kind of regular work, we’d have been able to keep it afloat, but . . .” he tossed out his hands and grimaced, “things didn’t work out that way.”


From the Hardcover edition.
Customer Reviews
Average Rating 4
( 169 )

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  • Posted June 18, 2009

    Dark Places SHINES!!

    This is one of the better authors that I've read in quite some time. Often the assumption with dark material is that it's made out to shock and to create a sense of morbid interactions among the main characters, but this is anything but. The story swallows you and leaves you gasping for air. The characters are fully developed and allow for you to care for their outcomes. Finally, I felt for the characters!! I found myself stopping at the end of each chapter, thinking, and then continuing on to see what the next one would unravel; digging deeper and deeper into the reasons behind the violent murders that took place almost 25 years prior. It's an intense read, but very captivating. I would recommend this book and the author to my demographic (23 years old) in a heartbeat. So, stop reading this review and buy the thing already. It's that good.

    7 out of 7 people found this review helpful.

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  • Posted February 21, 2010

    CHARACTER DRIVEN PSYCHO THRILLER

    Libby Day is one of the best drawn sociopathic, near-pathetic, well-voiced characters I have read in a long while. The plot holds your attention while the Day family unravels in dysfunction. The first sentence in the book says it all. Highly recommended.

    3 out of 3 people found this review helpful.

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  • Posted September 13, 2009

    I Also Recommend:

    Dark Places

    Tom Wolfe asserted that "you can't go home again" and it is true that you won't be able to recapture your youth, or many friendships and relationships that only exist back in your memories, but Gillian Flynn teaches us that you can go home again, but that's not always a good thing.
    This is an excellent character study of a young girl who finds how easily the bad things in your youth can still haunt you in an instant. No matter how secure in an adult, professional, confident world, when confronted when the dark things from one's past, you find yourself instantly back "home" again. Think of the many episodes of talk shows where someone confronts a school bully 15 years later and finds themselves in tears. Or the reunion reality shows where the nerds instantly feel put down and unworthy in relation to the popular crowd.
    The mystery was good enough to keep my interest, but it wasn't the star here. Camille is the star. And she finds herself slowly unable to resist the gravity of the monsters of her youth.
    Ms. Flynn teases us with cliches and then pulls them out from under us, masterfully in Camille's relationships.
    Looking forward to the next book on my shelf by this author, Dark Places.

    2 out of 3 people found this review helpful.

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  • Posted September 9, 2010

    Awesome Book!

    I got this book recently-and once I started reading it, I couldn't put it down! The story was original and very well written. The ending was a shock for me, which hardly ever happens! The characters were well written, and the plot had a lot of great twists and turns. I would definitely recommend this book to anyone looking for a great and suspenseful story.

    1 out of 1 people found this review helpful.

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  • Posted May 6, 2010

    more from this reviewer

    I Also Recommend:

    Darker than I could handle...

    Talk about dark. I understand dark places, though mine are nothing like Libby's, and I thought I could handle this because it doesn't usually bother me. It wasn't Libby's 'darkplace' that got to me. It was the overall darkness of the book. And it really is too vulgar and coarse for anyone with any kind of moral sensibility. So why did I keep reading?! For the worst reason of all - curiosity as to what really happened. I may have done myself harm because of curiosity! The who-dunnit aspect of the story is what kept me going, in spite of the language and sex and gruesome violence. Saying I 'liked' the book isn't quite right - more fascinated in that car wreck kind of way. None of the characters were likable - they were pitiable. I could understand why they were twisted and warped and lacking character. I suppose it is better - more realistic - that Flynn didn't try to redeem them, or make miraculous character-turn-arounds. Libby actually DOES turn around, as much as someone as damaged as she is probably could.

    The sad thing is to realize that there are children out in the world today who are in just as much need and trouble, who are falling through the cracks, just like the Day children in this story. Is it because of the poverty, or the ignorance? Those definitely play a role. How about a woman, a mother, stretched so far beyond her capabilities that she can't cope? Definitely. All are hard realities in this story and in real life.

    Wouldn't recommend this book to anyone for fear that I might be an accomplice in harming them. I think that the dark things that she talks about in this book isn't something that just anyone can handle. My self included.

    1 out of 3 people found this review helpful.

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  • Anonymous

    Posted July 20, 2009

    Sick and Twisted!

    I stumbled across "Dark Places" one day in the library. It immediately struck me how similar Gillian Flynn's style is to one of my favorite authors, Jennifer McMahon. There is one key difference, however. The reason you cannot stop reading a McMahon novel is because you just have to find out what happens. The reason you cannot stop reading a Flynn novel is quite the opposite. You actually DON'T want to find out what happens, but you are powerless to stop yourself. As the king of macabre, Stephen King, says in a blurb on the jacket of "Sharp Objects" (which I am currently reading and will review in a future post), "I found myself dreading the last thirty pages or so but was helpless to stop turning them."

    Let's start with the main character, Libby Day. When she was seven years old, most of her immediate family was murdered in front of her. She testified that her brother, Ben Day, was the killer. Fast forward twenty-five years later. Ben is in prison, and Libby lives off the money she makes from her trust funds. You know Libby is a not-so-nice girl when she regrets new murders that occur because they will take attention away from "her".

    The Kill Club, a group of people obsessed with famous crimes, contacts Libby when they become convinced that Ben did not commit the murders. Money-hungry Libby decides that this is her prime opportunity to make more money. She will tell the club what she knows and contact key players in exchange for hefty fees.

    Who is the killer? What is the motive? What happened twenty-five years ago? Libby is certainly not a Pollyanna, and she is not a character you will root for. However, you will desperately want to find out the answers to these questions.

    MY RATING - 4

    To see my rating scale and to read more reviews, please check out my blog:
    http://www.1776books.blogspot.com

    1 out of 1 people found this review helpful.

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  • Posted June 5, 2009

    more from this reviewer

    makes you wonder...

    "Dark Places" by Gillian Flynn is a secret yearning to be told. This is the story of Libby Day, whose mother and two sisters were brutally murdered when she was seven years old, and her only brother convicted of the crime. Her testimony put him away. Twenty five years later, broke and desperate, she attends a convention of the Kill Club, a weird assortment of people interested in infamous murder cases. Since they are willing to pay her to find the people that may know something more, but aren't telling, she goes along with it. Finding answers to questions, she had no interest in; she slowly begins to think maybe her brother is innocent. Flynn alternates between Libby's present and that fateful night (seen through the eyes of various characters). We get to understand what happened as the truth slowly unravels. I couldn't put the book down, as each new chapter brought Libby closer to the truth. The ending was a little too fitting but still enjoyable, nevertheless.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 5, 2012

    Good first book

    Interesting main character

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  • Posted June 8, 2011

    Recommend

    I enjoyed this book. Stay with it, it's worth the read

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  • Posted June 5, 2011

    Thank you Gillian Flynn!

    What a joy to read - it ain't sweet or fluffy, no vampires, no figuring out the ending before you get there. The writing is edgy, tight. The characters are real, flawed human being - some capable of self-redemption. You get to draw your own conclusions for which I am grateful and delighted.

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  • Posted April 17, 2011

    more from this reviewer

    Gillian Flynn

    Libby Day was seven years old when her mother and two sisters were massacred in a blood-soaked home invasion dubbed by the press as "The Satan Sacrifice of Kinnakee, Kansas." It was Libby's testimony which put her then-fifteen-year old brother, Ben, into prison for the rest of his life for the heinous murders.

    I am now officially a fan of Gillian Flynn. I like my crime fiction dark and ugly, and Dark Places delivers. This novel won't appeal to everyone but if you appreciate flawed and unlikable characters, small touches of morbid humor and disturbingly gruesome violence this novel will appeal to you.

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  • Posted September 11, 2011

    Fantastic read!

    I loved how real this book was! How does a tramatized child end up? Damaged and broken. Told from the point of view of Libby Day the only survivor of her familys mass murder she has blown through the last of the trust money raised for her by a town in shock. Broke and alone she uses the only thing she has and it to is starting to loose its value... her story. On her reluctant adventure new evidance comes up that makes her question what she thought she knew. This story is dark and seedy and gritty and how one would expect a damaged person to end up. Also by the same author SHARP OBJECTS another tale told by a girl damaged.

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  • Posted February 7, 2011

    more from this reviewer

    Consuming

    This is one I could not put down. Try it out.

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  • Posted January 3, 2011

    wonderful

    loved the book but weird ending

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  • Posted December 26, 2010

    more from this reviewer

    Just as Dark as the Title Suggests

    This book was a fascinating and very dark read. It is definitely not for the squeamish, but none-the-less is a very compelling story. However, like her first novel, the "who-done-it" reveal is less a gotcha and more of a "that's what I saw coming because that is what makes sense." Regardless, the character development is well done and Flynn proves herself, yet again, as a master of writing about very broken and disturbed people. And as in her debut novel, regardless of the flaws, her characters find a way into your heart and you empathize for them from cover to cover. Read it and soon... I hear it's being made into a movie!

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  • Posted November 28, 2010

    good read

    was hard to keep my mind off of it while i was reading it. good characters, suspense and ending.

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  • Anonymous

    Posted September 18, 2010

    Well written...until the ending

    Dark Places is a well written novel. It is a strong story line that holds you to the end. For this reason, I do give it four stars. The characters have real disturbing issues. I was captivated by the story. I don't want to be a spoiler, so I will vaguely express the problem I had with the ending. There is a two part ending to this story. One part made sense, the other left me feeling disappointed that I invested so much time into a novel with such an incongrous conclusion!

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  • Anonymous

    Posted September 5, 2010

    Kept me going

    This was an amazing book. The plot twists were interesting and didn't seem contrived. The author did a fantastic job of pulling from things that were happening at the time (Satanic Panic) and tells an enjoyable tale.

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  • Posted July 28, 2010

    thumbs up

    Loved the writing style and it kept me guessing up til the end. Def. will read more by this author.

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  • Anonymous

    Posted July 19, 2010

    I Also Recommend:

    Unexpectedly Good

    Inspite of the ugliness in each of the characters, I found myself relating to and/or aching for each of them in one way or the other and wishing the best for these wretched people. I love the style of the author's writing, it's fast paced, a real page turner. We read this book in our book club and I was skeptical that I'd even like it but I liked it so much that I had to buy the author's first book Sharp Objects.

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