Dark Sacred Night (Harry Bosch Series #21 and Renée Ballard Series #2)

by Michael Connelly

Overview

Harry Bosch teams up with LAPD Detective Renée Ballard to face the unsolved murder of a runaway, and the fight to bring a killer to justice.

Detective Renée Ballard is working the night beat — known in LAPD slang as "the late show" — and returns to Hollywood Station in the early hours to find a stranger rifling through old file cabinets. The intruder is retired detective Harry Bosch, working a cold case that has gotten under his skin.


Ballard can't let him go through department records, but when he leaves, she looks into the case herself and feels a deep tug of empathy and anger. She has never been the kind of cop who leaves the job behind at the end of her shift — and she wants in.


The murder, unsolved, was of fifteen-year-old Daisy Clayton, a runaway on the streets of Hollywood who was brutally killed, her body left in a dumpster like so much trash. Now Ballard joins forces with Bosch to find out what happened to Daisy, and to finally bring her killer to justice. Along the way, the two detectives forge a fragile trust, but this new partnership is put to the test when the case takes an unexpected and dangerous turn.


Dark Sacred Night for the first time brings together these two powerhouse detectives in a riveting story that unfolds with furious momentum. And it shows once more why "there's no doubt Connelly is a master of crime fiction" (Associated Press).

Product Details

ISBN-13:	9781538731758
Publisher:	Grand Central Publishing
Publication date:	04/30/2019
Series:	Harry Bosch Series
Pages:	480
Sales rank:	30,169
Product dimensions:	5.10(w) x 7.80(h) x 1.30(d)

About the Author

Michael Connelly is the author of thirty-one previous novels, including #1 New York Times bestsellers Two Kinds of Truth, The Late Show, and The Wrong Side of Goodbye. His books, which include the Harry Bosch series and the Lincoln Lawyer series, have sold more than seventy-four million copies worldwide. Connelly is a former newspaper reporter who has won numerous awards for his journalism and his novels and is the executive producer of Bosch, starring Titus Welliver. He spends his time in California and Florida.

Hometown:

Sarasota, Florida

Date of Birth:

July 21, 1956

Place of Birth:

Philadelphia, Pennsylvania

Education:

B.A. in Journalism, University of Florida, 1980

Website:

http://www.michaelconnelly.com

What People are Saying About This

Tom Nolan

“Dark Sacred Night [is] one of the best and most affecting Bosch novels since Mr. Connelly began the saga in 1992, underscore[ing] the growing and unsettling ambiguity surrounding its central character.”

Washington Post

“Darkly brilliant…ingenious, frantically suspenseful.”

Editorial Reviews

★ 08/27/2018
LAPD Det. Renée Ballard, first seen in 2017’s The Late Show, makes a welcome return in this outstanding, complex police procedural. Relegated to the night shift at the Hollywood Station following a sexual harassment suit against her former lieutenant, Ballard works her cases with a quiet focus and intensity. Late one night, Ballard surprises a man looking through some old case files. It turns out to be retired LAPD detective Harry Bosch, now working cold cases for the San Fernando PD. After Bosch leaves, Ballard takes a look at the file, detailing the unsolved 2009 murder of Daisy Clayton, a 15-year-old runaway. The slain girl was the daughter of a recovering addict, who has been taken in by Bosch. Ballard is hooked, and begins working the case with Bosch. Meanwhile, Bosch’s investigation into another cold case, the execution-style killing of a 52-year-old gang leader, has put the detective squarely in the sights of Varrio San Fer 13, one of the valley’s most violent gangs. Bosch and Ballard, both outsiders with complicated pasts, form a perfect partnership in this high spot of Edgar-winner Connelly’s long and distinguished career. Agent: Philip Spitzer, Philip G. Spitzer Literary. (Oct.)

Publishers Weekly

"Dark Sacred Night is one of the best and most affecting Bosch novels since Mr. Connelly began the saga in 1992, underscoring the growing and unsettling ambiguity surrounding its central character."—Tom Nolan, Wall Street Journal

"Spectacular...Dark Sacred Night is ingenious, frantically suspenseful, and very, very, bleak."—Maureen Corrigan, Washington Post

"Michael Connelly is superhuman...His hallmark has been his precise, faultless plotting...Connelly has always been especially good when it comes to truly creepy killers-he was once a crime reporter-and his denouement here is thrilling."—Charles Finch, USA Today

"It was only last year that Connelly introduced Ballard, a fierce and fascinating new protagonist who instantly emerged as a reader favorite. Bosch, meanwhile, is a grizzled veteran by now; Dark Sacred Night marks the 21st novel to center on him. But fans always finish eager to come back for more."—David Canfield, Entertainment Weekly

"LAPD Det. Renée Ballard, first seen in 2017's The Late Show, makes a welcome return in this outstanding, complex police procedural...Bosch and Ballard, both outsiders with complicated pasts, form a perfect partnership in this high spot of Edgar-winner Connelly's long and distinguished career."—Publishers Weekly (starred review)

"Det. Renée Ballard is a formidable character, an insightful and tenacious investigator with an unusual background and a sturdy personality to carry a series...Connelly has achieved success as one of the top mystery writers by continuing to keep his storytelling fresh. In The Late Show, he delivers an exciting police procedural with a unique character."—Oline Cogdill, South Florida Sun-Sentinel

"Michael Connelly has earned his place in the pantheon of great crime fiction writers by creating characters people care about and are eager to come back to. In Dark Sacred Night, he brings together two of his best...Here's hoping we don't have to wait long for another Ballard and Bosch novel."—Paul Saltzman, Chicago Sun-Times

"This one needs no introduction...Expect all the dark, brooding LA neo-noir you've come to appreciate from Connelly's superlative procedurals."—CrimeReads

"Superb...Once again, Connelly delivers an exciting police procedural, only this time with two unique characters."—Oline Cogdill, South Florida Sun-Sentinel

"Harry Bosch has had plenty of partners, but he might have met his match...Both face complicated challenges to their personal ethics, challenges born not out of greed or fear but of their burning desire to make things right. Through it all, they challenge each other. Ballard brings a fresh perspective, and Bosch brings all the things so many readers love about him."—Colette Bancroft, Tampa Bay Times

"Of the myriad things Connelly does superbly as a crime writer, perhaps one of the least heralded is his ability to bring characters together from different series...A guaranteed chart-topper."—Bill Ott, Booklist (starred review)

PRAISE FOR THE LATE SHOW:


"The Late Show introduces a terrific female character: Detective Renée Ballard... The pacing of Ballard's debut story is breathless... Ballard is complicated and driven enough to sustain the series Connelly doubtless has in mind for her."—Janet Maslin, New York Times

"Few writers can capture the gritty streets of L.A.--and the inner workings of the LAPD--like Connelly."—Entertainment Weekly

"The most intriguing mystery in The Late Show is Ballard herself. Connelly is too skillful to hand us her resume in one document dump; instead, he fills out her portrait with a subtle hand over the course of the novel, a little background here, a glimpse of her temperament there, the revelation of her unusual living conditions sketched in between."—Colette Bancroft, Tampa Bay Times

From the Publisher

Connelly hits his stride. He’s always been especially good when it comes to truly creepy killers—he was once a crime reporter—and his denouement here is thrilling.”

USA Today

Harry Bosch has had plenty of partners, but he might have met his match...Both face complicated challenges to their personal ethics, challenges born not out of greed or fear but of their burning desire to make things right. Through it all, they challenge each other. Ballard brings a fresh perspective, and Bosch brings all the things so many readers love about him.

Tampa Bay Times Colette Bancroft

Michael Connelly is superhuman...His hallmark has been his precise, faultless plotting...Connelly has always been especially good when it comes to truly creepy killers-he was once a crime reporter-and his denouement here is thrilling.

USA Today Charles Finch

This one needs no introduction...Expect all the dark, brooding LA neo-noir you've come to appreciate from Connelly's superlative procedurals.

CrimeReads

The author’s gift to the genre is his experience as a police reporter in both Florida and LA; his intricate plots are grounded in grit, humanity and telling detail.”

praise for the Harry Bosch series Los Angeles Times

Christine Lakin skillfully performs the chapters written from Ballard’s point of view, and Titus Welliver returns to confidently narrate Bosch’s chapters…In the epilogue, Ballard and Bosch have an actual dialogue—a moment that suggests listeners will be hearing more from the pair as a team. Winner of AudioFile Earphones Award.”

AudioFile

Dark Sacred Night is one of the best and most affecting Bosch novels since Mr. Connelly began the saga in 1992, underscoring the growing and unsettling ambiguity surrounding its central character.

Wall Street Journal Tom Nolan

Welliver’s Harry Bosch, speaking in deep, rich tones, contrasts nicely with Lakin’s softer, restrained voicing of Reneé Ballard, as the two investigators team up to work a cold case in this stunning recording.”

Booklist (starred audio review)

Bosch…is a grizzled veteran by now…but fans always finish eager to come back for more.”

Entertainment Weekly

"Dark Sacred Night is one of the best and most affecting Bosch novels…underscoring the growing and unsettling ambiguity surrounding its central character.”

Wall Street Journal

Of the myriad things Connelly does superbly as a crime writer, perhaps one of the least heralded is his ability to bring characters together from different series...A guaranteed chart-topper.

Booklist (starred review) Bill Ott

Spectacular...Dark Sacred Night is ingenious, frantically suspenseful, and very, very, bleak.

Washington Post Maureen Corrigan

Michael Connelly has earned his place in the pantheon of great crime fiction writers by creating characters people care about and are eager to come back to. In Dark Sacred Night, he brings together two of his best...Here's hoping we don't have to wait long for another Ballard and Bosch novel.

Chicago Sun-Times Paul Saltzman

Det. Renée Ballard is a formidable character, an insightful and tenacious investigator with an unusual background and a sturdy personality to carry a series...Connelly has achieved success as one of the top mystery writers by continuing to keep his storytelling fresh. In The Late Show, he delivers an exciting police procedural with a unique character.

South Florida Sun-Sentinel Oline Cogdill

It was only last year that Connelly introduced Ballard, a fierce and fascinating new protagonist who instantly emerged as a reader favorite. Bosch, meanwhile, is a grizzled veteran by now; Dark Sacred Night marks the 21st novel to center on him. But fans always finish eager to come back for more.

Entertainment Weekly David Canfield

Michael Connelly brings together young, fierce police detective Renée Ballard, whom he introduced in THE LATE SHOW, and Harry Bosch, the tough-minded, justice-seeking, semiretired detective he’s featured in many of his novels. Christine Lakin skillfully performs the chapters written from Ballard’s point of view, and Titus Welliver returns to confidently narrate Bosch’s chapters. Connelly has masterfully woven together a main storyline in which Ballard volunteers to assist Bosch on a cold case with other investigations Bosch and Ballard are dealing with separately. In a timely way, Connelly addresses the #MeToo movement from different angles. In the epilogue, Ballard and Bosch have an actual dialogue—a moment that suggests listeners will be hearing more from the pair as a team. E.Q. Winner of AudioFile Earphones Award, 2018 Best Audiobook © AudioFile 2018, Portland, Maine

OCTOBER 2018 - AudioFile

2018-08-21

Harry Bosch, who just can't stay retired, unwillingly teams up with a Hollywood detective who has reasons of her own for wanting in on his latest cold case.

It may be nine years since 15-year-old runaway Daisy Clayton was grabbed from the streets of Los Angeles and killed, but the daily presence of her mother, Elizabeth, in Harry's life—she's staying at his place while he helps her stay clean—makes it a foregone conclusion that he'll reopen the case. On the night Bosch drops into Hollywood Division to sneak a look at some of the old files, he's caught by Detective Renée Ballard, who was bounced from LAPD Robbery/Homicide to "the late show," Hollywood's third shift, after her complaint about aggressive harassment by a superior went nowhere. Bosch needs to find out who was responsible for what happened to Daisy; Ballard needs to work a case with teeth, even if she's partnering with a reserve investigator in the San Fernando Police Department (Two Kinds of Truth, 2017, etc.) who'd rather work alone. Before they get what they need, they'll have to wade through a double caseload as grueling and sometimes as maddeningly routine as you can imagine, from an apparent murder that turns out to be a slip-and-fall to an ancient gang killing whose repercussions flare to sudden life to the theft of some valuable Andy Warhol prints to a missing man who's not just missing—not to mention Elizabeth's sudden disappearance and Ballard's continuing lack of support, and sometimes even backup, from her department. Not even the canniest readers are likely to see which of these byways will end up leading to the long-overdue solution to the riddle of Daisy Clayton's death.

Fans who don't think the supporting cases run away with the story will marvel at Connelly's remarkable ability to keep them all not only suitably mystifying, but deeply humane, as if he were the Ross Macdonald of the police procedural.

Kirkus Reviews