Dark Shadows: The Salem Branchby Lara Parker
In Dark Shadows: The Salem Branch Barnabas Collins, the vampire hero of the series, has recently become a human again through the efforts of his devoted descendent Dr. Julia Hoffman and is living in current day Collinsport, Maine trying to adjust to normal life. Although engaged to marry Dr. Hoffman, he falls in love with a mysterious woman named Antoinette/i>
In Dark Shadows: The Salem Branch Barnabas Collins, the vampire hero of the series, has recently become a human again through the efforts of his devoted descendent Dr. Julia Hoffman and is living in current day Collinsport, Maine trying to adjust to normal life. Although engaged to marry Dr. Hoffman, he falls in love with a mysterious woman named Antoinette who has bought the ruins of "the old house" on the Collins estate and is restoring it while living with a band of hippies in the woods. Antoinette settled in the area because her daughter is being treated in a nearby mental hospital. Her daughter suffers from flashbacks to her previous incarnation as Miranda du Val who was burned as a witch in the Salem witch trials. One of the judges who condemned her to death was a Collins—Barnabas's ancestor. Barnabas is desperate to win Antoinette's love and to protect her and her daughter from the new vampire that he suspects is attacking the inhabitants of Collinsport.
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“Inspired by the 1970s television show Dark Shadows, Parker writes a layered story that catalogues not only Collins' marital misgivings after falling for mysterious flower child Antoinette but also a large subplot dealing with one of Collins' ancestors during the infamous Salem witch trials.” Cinescape.com
“Fans of Dark Shadows have long awaited this second book by Parker. Parker has done her research. She takes us effortlessly from Collinsport in 1971 to Salem Village in 1692 and does a wonderful job of capturing the history of both periods. Her spellbinding plot and descriptive prose will please those who love a supernatural romance. She has captured the characters, the dialogue and the spirit of the show perfectly.” RT Book Reviews
Read an Excerpt
The Salem Branch
By Lara Parker, David G. Hartwell
Tom Doherty AssociatesCopyright © 2006 Dan Curtis Productions, Inc.
All rights reserved.
Collinsport — 1971
THE BENTLEY THROBBED down the dark road through a long corridor of overhanging trees. Wet with a late evening rain, the pavement mirrored the headlights and sucked the speeding vehicle into a whirlwind of new-fallen leaves. Barnabas Collins loved the feel of this car, the muscle of it, the singing hum of the engine. It was one of the few things in his life that gave him pleasure. Since he had learned to drive, he had found solace in the hardened shine of black enamel folded like wings about him, enclosing him like a carapace — or a coffin.
"You ain't gonna believe it, Barnabas. It don't make sense. I mean when you think about it." Willie sat in the passenger seat, leaning back against the leather, staring out the window. His hay fever had returned with the goldenrod, and his breathing was a shallow wheeze. Barnabas glanced over at Willie's hands clutching the corners of his jacket, nails bitten to the quick.
"I can only assume she found an original set of plans."
"No, that's not it. It's not just the same rooms and the same stairway. It's really old; it's hundreds of years old. Where are the plans for that?"
"That's the purpose of a restoration, Willie. To produce as authentic a replica as possible."
"Yeah, well, you ain't seen it." Willie extracted a filthy handkerchief from the pocket of his jacket and blew his nose.
"What were you doing wandering around the Old House anyway?"
"Roger sent me to check on them hippies living in the woods back behind the cemetery. He wants them out."
"Down ... down by the stream, living in tents. She lets them live there. She even sleeps out there with them."
"It's her property."
"Roger thinks they're smoking, you know, heroin or something."
"I advised him against selling her the wreckage."
"Yeah, I can see why you don't like her, Barnabas." Willie blurted a noisy sneeze into his handkerchief.
"I did not say that. I never said I didn't like her."
"She looks an awful lot like that painting of Angelique."
"Really? I hadn't noticed."
Barnabas gripped the wheel, and his arms tingled with a peculiar pain as if they had fallen asleep. Although he had not spoken with the woman who had bought the Old House, had intentionally avoided her since that morning when Roger had introduced them in the study, she had nevertheless become as close to him as the rhythm of his breathing, the ebb and flow of her presence fixed deep in his brain.
She did not only resemble Angelique; he was convinced his old tormentor had returned.
"They got a camp," Willie was saying. "The whole thing's set up. Hammocks between the trees, a fire ring, a big pickle barrel for water."
"You mean these people are actually living ... in the woods?"
"Swimming in the river. Naked. I saw them."
"I came back along the bluff and saw the Old House. All the scaffolding was down and there wasn't nobody around so I —"
"So you decided to have a look."
"Even before I opened the door I was feeling funny. And when I saw the inside ... it was like something was crawling around on my scalp."
Barnabas stepped on the gas and the car exploded into the gloom. Hulks of trees flew past and heavy branches reached down with leafy fingers, as torrents of leaves lifted by the force of the moving vehicle tumbled in its wake.
"The thing is ... I got no idea how she did it so fast."
He braked as they came over the bridge. Off to the right, in the headlights, the columns of the Old House glowed a sickly yellow. Barnabas pulled the car into the circular drive, cut the engine, and sat listening to Willie's panting, aware now of his odor — what was it? — oil, wood smoke, damp unwashed corduroys. After a long moment, during which he tried to calm his nerves, he forced himself to turn and look up at the mansion where he had lived out his sentence. It had been six months since it burned to the ground. Yet, here it was: the enormous columns, the parapets, the thick moldings. Catching sight of the chained globe hanging above the door, he felt a chill. Where had she found such a perfect replacement?
He turned to Willie. "Now what?"
"Just come on. You got to see this."
The night was still and completely black; clouds obscured even the stars, and, feeling the October cold, Barnabas pulled up the collar of his cape. Willie had brought a large club-shaped flashlight, and its beam splayed and jerked across the lawn and up to the knoll where the house sat waiting. The ground was carpeted in spongy leaves and drifts had blown up on the long porch. Once again he had the sense of being weightless, of flying, as he had in the Bentley, as though the earth were far beneath him. And yet he heard the sound of his own footsteps like old newspaper crumpled in a box. He smiled at the foolishness of his fancy. Remembrance of flight was not enough to spirit his mortal body away from this despised place.
The light flickered over the three rounded steps, a layer of leaves obscured all but a glimmer of the crumbling brick. Moss crawled across the chipped masonry like spilt blood. Barnabas hesitated, reluctant to go further, not because he believed Willie's warnings, but because he thought he heard a human cry, deep within the house.
"Does it occur to you that we are trespassing?"
"Nah, nobody's around this time of night."
It was the squeak of a baby owl perhaps, or the mouse its mother had found for food. Barnabas rested a hand upon one of the thirty-two massive pillars which surrounded the exterior. These had remained standing after the fire. She could never have found trees with trunks so broad and tall, the supports of a mansion that had been over two hundred years old when it burned. Willie's light revealed the peeling paint, the cracks in the round footings; then he cast the beam up to the pediment, which was new and now intact. The wedding cake cornice was perfectly restored, held aloft by the Doric columns and crowned with the intricate filigree of the parapets framing the roof. Barnabas was suddenly wary of what lay within.
As it is with ancient doors whose wood has swelled with age and which now sag on rusting hinges, the heavy portal was difficult to open. It dug into the hardwood floor, and the light illuminated a curved scar in the oak, which Barnabas remembered had always been there. Pinpricks of muscle spasms began in the back of his neck and spread across his shoulders.
The shadowed vestibule opened to the staircase, and the flashlight flickered across the wallpaper and moved on. Barnabas seized Willie's arm and returned the light to the wall in front of them. The green hand-blocked pattern, with its stylized irises and running band of leaves, was identical to the one he had admired hundreds of times in the past.
"I told you," Willie whispered.
When he entered the drawing room and saw the huge fireplace of chocolate marble — Rosso Francia marble from Italy — and the swell of the Empire mantel, a sense of the familiar came flooding forth. He remembered kneeling on the hearth less than a year ago and, with trembling fingers, lighting the first match of the conflagration that was to follow, Angelique's laughter echoing in his brain.
Placing one hand on the graceful swirl of the stone to steady himself, he studied the carpet on the floor, the louvered doorway into the study, the crimson damask at the window. His thoughts reeled, and he had a sudden sense of deceitful remembrances invented by his unconscious. As he gazed around the drawing room in amazement, he recognized the same leaded windows, the parquet floors bronzed with aging varnish, the tall arched hallway door, and the stairs rising from the foyer up to the landing. He had a feeling of overwhelming bewilderment. What trick was this? Had the house never burned? Had it all been a vision of desperate rancor, the phantom flames against the sky a mirage? It stood as it always had: heavy, maimed, thick with ghosts.
"What did I tell you, Barnabas? Spooky, ain't it?"
He reached for Willie's torch and cast it over the sconces on the wall — already laden with dripping candles, up to the heavy chandelier, along the crown molding. His mind was playing tricks with him now, teasing him to seek further examples of a stunning replication that seemed to border on the macabre. The only item out of place could be the carpet. He remembered the old Tabriz well, an antique treasure the color of blood. Focusing the flashlight on the ruby nap and the creamy fringe at his feet, he was reassured to see that it was actually a new rug. So, he thought with grim satisfaction, Antoinette has not achieved perfection.
Now he was intrigued, eager to discover other variations. A portrait in a gilded frame hung in the gloom above the mantel. In a faithful restoration of the Old House, the portrait would be that of his beloved Josette. Where would the new owner have found a duplicate? And if she had, would she have made the decision, obviously one that would inflame her pride, to hang it there? He hesitated before shining the light behind the delicate French clock — which, he had to admit, was a faultless rendition of the one that had ticked away his time — and he anticipated the joy he would feel at the sight of Josette's gentle eyes. But, just as he had suspected, it was not Josette. It was instead, a portrait of Antoinette in a scarlet gown; or, to be more precise, it was Angelique, smiling down at him with those same knowing eyes.
A nagging suspicion had been hovering just below his level of awareness, but resisting its import, he had pushed it back into the depths of uncertainty. He turned to Willie.
"Have you been downstairs?"
"No, Barnabas. I got as far as the stairway and I couldn't take any more. That's when I came to find you, to tell you about all this."
"Well, let's have a look."
"You sure you want to do that?"
"We must see, at the very least, what lies in the basement."
If it were there, then it would be proof undeniable. In the basement, in the room where he had slept, if his casket was there, then he would know that not only had she come for him, she had made preparations. All this she had done to rip away any shred of sanity he had gleaned from ten months of normalcy. Why else would she have recreated this pageant of their life together? How, in fact, could she have known how to do it at all?
At that he felt light-headed, as if sleepwalking. After all, he had been lying to himself since he had first seen her, denying suspicions huddled in the corners of his mind. Of course she had come back. All this time, when he could have been finding a way to challenge her, to resist her, instead, like a fool, he had left her to her plans, and she had almost completed them.
Opening the basement door, he whipped the light across the fire-blackened stone of the foundation and the old brick that supported the chimney. As his foot fell upon the stair, Barnabas heard the familiar clink of a loose brick, the same that had betrayed his step hundreds of times when he had returned, each daybreak, satiated from his nightly forays. He thrust the beam into the blackness, and it washed across the masonry arches. Cobwebs clung to the heavy joists that supported the floor above. They hung in tattered remnants, as if time itself had shriveled into a sticky tangle of gauze. Yes. There it lay, covered in dust, as though undisturbed for months. His coffin.
He handed the flashlight back to Willie, who held it nervously, the light playing across the carved mahogany.
"Let's see if I am here."
"Jeeze, Barnabas. It's gotta be empty. That ain't your coffin anymore."
His fingers left glossy smears in the dust as he lifted the lid. How many times had he performed this weary gesture when the moment had come to escape the dawn? The squeak of the hinges was the music he remembered, inviting him to sleep. He pushed back, and Willie cast the light into the interior.
It was empty. The blue satin of his inner sanctum bore not even a faint silhouette of his slumbering form.
"What's that?" Willie whipped the beam around. "You hear that?"
At first Barnabas thought it must be the sound of the sea, just beyond the cliff where the wide lawn tumbled to the rocks. He had often heard the rushing of the waves and the churning of the surf echoing through the chambers beneath the house, lulling him in his daylight dreams. But there it was again, nearer, within the room, a gasp and then a gurgling moan. Barnabas breathed in. There was the smell of newly sanded wood, paint and lacquer, but beneath it two familiar odors intermingled: the reek of a predator and the stench of prey.
"Barnabas ..." Willie sounded panicked. "Someone's coming...."
"No. He is already here."
"Just ... under those tarps."
A pile of painters' cloths, stiff and dried, gave evidence that construction had taken place in the house. Barnabas approached the cans of paint and paint thinner, rolls of wallpaper, and hardened brushes cluttering the floor. Reaching down, he pulled back the canvas.
The man was still alive. He stared up with the helpless gaze of a dog struck by a car in the street, crushed inside but still breathing. From his heavy work boots he looked to be one of the laborers, left to clean up perhaps, after the others had gone home. He was jowly and unshaven and wore overalls and a flannel shirt which was soaked with blood. He sighed, and soft, sweet bubbles formed on his lips. It was a messy kill, careless and cruel. Wasted blood pooled on the floor beneath the man's head.
The ripped flesh laid bone and sinew bare, exposing the faint flutter of an artery, and Barnabas resisted an old urge as he lifted the man's head, and gazed into his terrified eyes. He leaned closer, breathing in the scent of blood and saliva.
"Who did this to you?"
The man tried to speak but could only manage a wheezing, "Sh-h-h ..."
Was the man warning him to be silent? Was the attacker still close by? A chill crept between his shoulder blades as he looked around slowly. But he heard only his own breathing, and Willie's asthmatic pant, and the rasp of the dying man who shuddered now as his eyes glazed over.
Willie tugged at his sleeve. "Barnabas ..."
"Help me lift him ... roll this tarp around him." He pushed the body on its side.
"You crazy? What for?"
"He must be moved. The last thing we want is for the authorities to come snooping around here and suspect something."
"But we got nothing to do with it."
Barnabas suppressed the impulse to strike Willie. Always his dim-witted servant opposed the simplest instruction, the most obvious choice of action. He was ruled by cowardice. But Barnabas had no one else he could trust, no one who knew of his past and still remained loyal. He strove for patience. "As you have shown me, Willie, the house is now perfectly restored, and this basement room was —"
"Okay, Barnabas, okay, we'll take him to the cliff and —"
"No, Willie, better the woods. We'll bury him in the woods."
The corpse was light, like a sack of paper rubbish. Willie wrapped the body in the drop cloth and tied it with a length of rope. Then he and Barnabas carried it out to the Bentley.
The clouds had passed and faint starlight shone down. A new wind lifted the branches of the great oaks, and flurries floated to the ground, swirling around the two men. Leaves brushed by their heads and scraped their faces, and Barnabas tasted dust and debris.
It was first necessary to empty the trunk of the two carpets Barnabas had recently purchased to add to his collection. They had arrived that morning and he had not yet taken them to the shop. Rolled and tied with taut string, they were bundled like the dead man, but heavier, bulkier, and Barnabas dragged them across the gravel and struggled with their weight as he shoved them into the back seat. The corpse fell easily into the boot, and one arm tumbled out of the wrapping and over the bumper. Barnabas picked it up gently and placed it against the body. The bones of the wrist were still pliable, and he felt for the faintest pulse, but there was none; it was death, final and forever. Another unfortunate had perished that a beast might live to hunt again.
Excerpted from Dark Shadows by Lara Parker, David G. Hartwell. Copyright © 2006 Dan Curtis Productions, Inc.. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Meet the Author
LARA PARKER, who played the role of Angelique on Dark Shadows, lives in Topanga Canyon, California, with her husband and daughter.
LARA PARKER, whose real name is Lamar Rickey Hawkins, played the role of Angelique on Dark Shadows. She grew up in Memphis, Tennessee, attended Vassar College, majored in Drama at the University of Iowa, and received her MFA in Creative Writing from Antioch University at Los Angeles. Her books include the Dark Shadows Trilogy: Angelique's Descent, The Salem Branch, Wolf Moon Rising, and others. She lives in Topanga Canyon, California, with her husband and daughter.
Most Helpful Customer Reviews
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Lara Parker is a very good author, I was a Dark Shadows TV fan 40 yrs ago and this tale is very well written and is nothing like those TV vampire soaps, not in an Anne Rice league, but this will sit next to my, Rice, King, McCammon fang books, cann't wait to read more Lara Parker
Always loved Lara Parker as Angelique in the original Dark Shadows and she does an outstanding job!
I wish you would make the Dark Shadows series available for NOOK. I loved the show and would like to know what happened to them after the series ended I think there are a number of us out there who would prefer to read about it on our NOOKs..
can't get enuf of dark shadows
Meet me at shadowstar result one
This is a nice follow up to the two previous books by Parker. I think Dan Curtis would be happy to see Dark Shadows have a proper continuation. The series of books Lara Parker has written live up to what the old fans want and also opens the door for new readers of the genre. It will be interesting to see where she takes the characters next. The latest novel gives equal time to the major characters from the tv show including Quentin and Elizabeth who we see a new light. The prohibition era storyline segment of the book works very well and gives new details about the history Collins family. A very good read for fans or the uninitiated. My only complaint is that I have to wait for the next book from Ms. Parker. I hope the wait is not too long.
Get ready cats are going to invade!
Old friends and new, vile fiends. The living, the dead, the undead, and the immortal all existing together in the strange tapestry known as Collinwood. No one is as he or she seems, and secrets are as palpable and elusive as the shadows that lurk in every corner. Quentin’s portrait is missing, and with every passing hour, his chances for a normal existence grow slimmer and slimmer. He blames Antoinette, who in turn blames her daughter, Jackie, for the disappearance of this most important piece of artwork. David Collins, besotted by Jackie’s mysterious aura, has sworn to do everything in his power to help her find the picture and return it to its rightful owner. But the only clue is a vision that Jackie has of its location, and it is not very clear. Meanwhile, other denizens of the paranormal are seeping out of the foundation of the house. Barnabas, who has returned to the world of the undead, now has a companion: Dr. Julia Hoffman, the physician who had made him human again, and in the process turned the curse upon herself. Barnabas still yearns for Antoinette, and will do anything to have her. He despises Julia for her thoughtless decision to enter into his world of misery. His decisions almost costs him his existence. David and Jackie pursue their own ideas, about themselves, each other, and the portrait. When a short ride in a mysterious green Duisenberg causes them to travel back in time to the 1920s, David finds that many of his forebears had dark secrets of their own. He also finds–a second portrait. But will it do the magic that is needed to restore Quentin to a normal life? Who is hiding what? Can anyone be trusted? What is the relationship between Elizabeth, the matriarch of the family, and Quentin? What is the shameful secret intimated by Dr. Blair, who ramrods his way into Collinwood, seeking answers and fame? And always, like the faraway beat of a drum in the night: Angelique, Angelique, Angelique. David, with the stubborn, hard-headed attitude he’s always had, may be the only person who can get to the bottom of the mysteries surrounding his home, and be the sole savior of his family’s lives. Yep, I’m one of those kids who “raced home every day after school” to immerse myself in the series “Dark Shadows”. This past week I’ve been racing home from work to immerse myself in this book. Ms. Parker has done a beautiful job bringing these characters back to life. In this, her third book of the series, she has woven a spell-binding story that has captured the true spirit of “Dark Shadows”. The nuances and gestures are exactly what I remember–made more clear by watching the series recently–and even the placement of furniture and room appointments are spot-on. The story line follows what a “Dark Shadows” aficionado would expect, but where the thread goes is all new. Any child who was ever a victim of bullying would definitely be delighted by how Jackie solves the problem of the boys who follow her through the woods, their purposes far more sinister than mere taunting. And the nod to “Casablanca”–I was happily surprised. That was a lot of fun. There are the original characters, of course, but Ms. Parker has brought us new villains to boo and new heroes to cheer. Her descriptions of, well, everything–from the falling snow to the lolling tongues of coyotes in the woods–are so real and life-like, the reader would swear he/she was right in the middle of the story. Perhaps you are… And, just like the series, it ended all too soon. Ms. Parker, I hope you have another story on its way. I miss the world of Collinwood already.
I liked the TV series better. Author's writing style was too "wordy"; I ended up on some pages skipping paragraphs because it was "uninteresting".
I'm a big Dark Shadows fan. I really enjoy reading this book. It was nice to read what happens to characters after the show went off the air.I also loved the Salem years. Even if you never watch Dark Shadows this is a great book. I hope Lara Parkers writes more books.
Dark Shadows the salem Branch was a great book. Lara Parker wrote this book well. I hope she write's more Dark Shadows books. If you like the tv series you'll love this book.
Ms. Parker releases a passion from her pen in a second spellbinding script. Her visual quality of style brings to life both familiar and unfamiliar characters in a perfect piece of prose. Readers will enjoy the new secrets, which surface from the DARK SHADOWS of THE SALEM BRANCH.
Okay. Thank you. She sat down and looked around.
This was a great book! Will definitely read the third book.
My mom got me into Dark Shadows because of Netfix. I was watch the season three opener, then I thought... What will a search of Dark Shadows bring me.. 1. A good book Or 2. Nothing So what I'm trying to sayis that I think this will be a very good book!
One thing you can say about Parker's (Angelique's) novels is that they are HOT! Rated R! I hope she will do an audio CD version of this book like she did her first volume, Angelique's Descent!
In 1971 Collinsport, the vampire Barnabas Collins has been changed into a mortal thanks to the medical elixir Dr. Julia Hoffman created. Although he asked Julia to marry him and she accepted his proposal, Barnabas is curiously reluctant to tell the family. He finds his newfound humanity a weakness and regrets losing the intensity he felt as a vampire. The Old House has been sold to flower child Antoinette, who bears a striking resemblance to Angelique, the woman who made him a vampire. --- Barnabas tries to woo Antoinette but she is more interested in his cousin Quentin then him. He follows her to a séance in Salem where they are thrust back in time to 1692, the time of the witch trials. Miranda Duval has been accused of witchcraft and will be judged by those who want her land and her farmhouse. Both Antoinette and Barnabas try in different ways to save Miranda who is Antoinette¿s troubled daughter in 1971. Barnabas also must track down the vampire that has entered Collinwood and who has already killed at least one person but he has no idea who that person is and his own humanity limits what he can do. --- Lara Parker, the actress who played Angelique on the first Dark Shadows television show, has written another chapter in the Collins saga. While one subplot takes place in 1971, much of the tale takes place in Salem at the height of the witch trials where another branch of the Collins family has settled and plays an important role in the fate of Miranda. Fans of the series will love reading about characters that they enjoyed watching three decades ago. She captures their essence so fans will appreciate getting reacquainted with interesting people that they haven¿t seen for years. --- Harriet Klausner
Yes, Mr. Ashwen, this is not a wolf role play page, this is a review page about a vampire book.
Harriet klausner why do you insist on revealing every detail of a book? You suck!
"My name is Ahwen," announces a young brown wolf,"and I am the new leader of Fear Pack! If you're here now, you're either joining, spying, or checking it out. Well, if you came to join, you made the right decision! Here at Fear Pack, you will learn to sneak through the shadows, run fast, fight strong, and basically become great! It all starts here! THIS! IS! FEAR PAAAACK!!"