Darker than Blue: On the Moral Economies of Black Atlantic Culture

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Overview

Paul Gilroy seeks to awaken a new understanding of W. E. B. Du Bois’ intellectual and political legacy. At a time of economic crisis, environmental degradation, ongoing warfare, and heated debate over human rights, how should we reassess the changing place of black culture?

Gilroy considers the ways that consumerism has diverted African Americans’ political and social aspirations. Luxury goods and branded items, especially the automobile—rich in symbolic value and the promise of individual freedom—have restratified society, weakened citizenship, and diminished the collective spirit. Jazz, blues, soul, reggae, and hip hop are now seen as generically American, yet artists like Jimi Hendrix, Chuck Berry, and Bob Marley, who questioned the allure of mobility and speed, are not understood by people who have drained their music of its moral power.

Gilroy explores the way in which objects and technologies can become dynamic social forces, ensuring black culture’s global reach while undermining the drive for equality and justice. Drawing on the work of a number of thinkers, including Michel Foucault, Hannah Arendt, Primo Levi, and Frantz Fanon, he examines the ethical dimensions of living in a society that celebrates the object. What are the implications for our notions of freedom?

With his brilliant, provocative analysis and astonishing range of reference, Gilroy revitalizes the study of African American culture. He traces the shifting character of black intellectual and social movements, and shows how we can construct an account of moral progress that reflects today’s complex realities.

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Editorial Reviews

Bookforum

Provocative...Insightful...Raise[s] profound questions about race, democracy, and citizenship in the age of Obama.
— Peniel E. Joseph

Times Literary Supplement

If the moral force of Baldwin's writing was fuelled by the solidarity of the Civil Rights movement, Gilroy's book is a warning of moral bankruptcy creeping into contemporary U.S. black culture. According to Gilroy, commodities have replaced community, and the spirit of the freedom marches has been overtaken by the roar of accessorized Hummers. This is not simply a curmudgeonly critique of contemporary culture, and Gilroy teases out the reasons why the moral energy that galvanized the Civil Rights movement has been diluted by corporate American life in three penetrating and exhilarating chapters.
— Douglas Field

Henry Louis Gates Jr.
Paul Gilroy's most important gift to cultural criticism is the deft manner in which he finds novel ways to explicate his great concern: the interweaving of ethics and aesthetics, through the example of the African American tradition. In Darker than Blue, Gilroy brilliantly examines some basic tensions within African American culture—in particular the changing relation, over the past half-century especially, between expressions of group consciousness and atomistic individualism. Gilroy is delightfully curious and rigorously analytical, making this book a pleasure to read and to argue with. It reaffirms his position as one of the leading cultural critics of our time.
W. T. Lhamon Jr.
No one writes about black music with more warmth and authority, urgency and conscience, than Paul Gilroy. With sentences jagged as bumpers, Darker than Blue focuses Gilroy's planetary attention on consumption and mobility in ways that open afresh the cases of Bob Marley and Jimi Hendrix, Robert Johnson and Charlie Christian. Suddenly they seem brand-new destination points on Gilroy's ethical compass.
Bookforum - Peniel E. Joseph
Provocative...Insightful...Raise[s] profound questions about race, democracy, and citizenship in the age of Obama.
Times Literary Supplement - Douglas Field
If the moral force of Baldwin's writing was fuelled by the solidarity of the Civil Rights movement, Gilroy's book is a warning of moral bankruptcy creeping into contemporary U.S. black culture. According to Gilroy, commodities have replaced community, and the spirit of the freedom marches has been overtaken by the roar of accessorized Hummers. This is not simply a curmudgeonly critique of contemporary culture, and Gilroy teases out the reasons why the moral energy that galvanized the Civil Rights movement has been diluted by corporate American life in three penetrating and exhilarating chapters.
Read More Show Less

Product Details

  • ISBN-13: 9780674060234
  • Publisher: Harvard University Press
  • Publication date: 5/31/2011
  • Series: The W. E. B. Du Bois Lectures Series , #7
  • Pages: 224
  • Product dimensions: 5.50 (w) x 8.25 (h) x 1.50 (d)

Meet the Author

Paul Gilroy holds the Anthony Giddens Professorship in Social Theory at the London School of Economics.
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Table of Contents

  • Introduction
  1. Get Free or Die Tryin’
  2. Declaration of Rights
  3. Troubadours, Warriors, and Diplomats

  • Notes
  • Acknowledgements
  • Index
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