Darkness at Noon: A Novel

( 23 )

Overview

Originally published in 1941, Arthur Koestler's modern masterpiece, Darkness At Noon, is a powerful and haunting portrait of a Communist revolutionary caught in the vicious fray of the Moscow show trials of the late 1930s.

During Stalin's purges, Nicholas Rubashov, an aging revolutionary, is imprisoned and psychologically tortured by the party he has devoted his life to. Under mounting pressure to confess to crimes he did not commit, Rubashov relives a career that embodies the ...

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Darkness at Noon

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Overview

Originally published in 1941, Arthur Koestler's modern masterpiece, Darkness At Noon, is a powerful and haunting portrait of a Communist revolutionary caught in the vicious fray of the Moscow show trials of the late 1930s.

During Stalin's purges, Nicholas Rubashov, an aging revolutionary, is imprisoned and psychologically tortured by the party he has devoted his life to. Under mounting pressure to confess to crimes he did not commit, Rubashov relives a career that embodies the ironies and betrayals of a revolutionary dictatorship that believes it is an instrument of liberation.

A seminal work of twentieth-century literature, Darkness At Noon is a penetrating exploration of the moral danger inherent in a system that is willing to enforce its beliefs by any means necessary.

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Editorial Reviews

From the Publisher
"One of the few books written in this epoch which will survive it."

— New Statesman (UK)

"It is the sort of novel that transcends ordinary limitations. Written with such dramatic power, with such warmth of feeling, and with such persuasive simplicity that it is as absorbing as melodrama."

— The New York Times Book Review

"A rare and beautifully executed novel."

— New York Herald Tribune

"A remarkable book. A grimly fascinating interpretation of the logic of the Russian revolution, indeed of all revolutionary dictatorships, and at the same time a tense and subtly intellectualized drama."

— The Times Literary Supplement (London)

Times Literary Supplement
A remarkable book, a grimly fascinating interpretation of the logic of the Russian Revolution, indeed of all revolutionary dictatorships, and at the same time a tense and subtly intellectualized drama.
Harold Strauss
It is the sort of novel that transcends ordinary limitations, and that may be read as a primary discourse in political philosophy. It is a far cry from the bleak topical commmentaries that sometimes pass as novels. The magic effect of Darkness at Noon is its magnificant tragic irony.-- Books of the Century; New York Times review, May 1941
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Product Details

  • ISBN-13: 9781416540267
  • Publisher: Scribner
  • Publication date: 10/17/2006
  • Pages: 288
  • Product dimensions: 5.30 (w) x 7.90 (h) x 0.60 (d)

Meet the Author

Born in Budapest in 1905, educated in Vienna, Arthur Koestler immersed himself in the major ideological and social conflicts of his time. A communist during the 1930s, and visitor for a time in the Soviet Union, he became disillusioned with the Party and left it in 1938. Later that year in Spain, he was captured by the Fascist forces under Franco, and sentenced to death. Released through the last-minute intervention of the British government, he went to France where, the following year, he again was arrested for his political views. Released in 1940, he went to England, where he made his home. His novels, reportage, autobiographical works, and political and cultural writings established him as an important commentator on the dilemmas of the 20th century. He died in 1983.

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Read an Excerpt

The First Hearing
Nobody can rule guiltlessly. — Saint-Just
Chapter One

The cell door slammed behind Rubashov.

He remained leaning against the door for a few seconds, and lit a cigarette. On the bed to his right lay two fairly clean blankets, and the straw mattress looked newly filled. The wash-basin to his left had no plug, but the tap functioned. The can next to it had been freshly disinfected, it did not smell. The walls on both sides were of solid brick, which would stifle the sound of tapping, but where the heating and drain pipe penetrated it, it had been plastered and resounded quite well; besides, the heating pipe itself seemed to be noise-conducting. The window started at eye level; one could see down into the courtyard without having to pull oneself up by the bars. So far everything was in order.

He yawned, took off his coat, rolled it up and put it on the mattress as a pillow. He looked out into the yard. The snow shimmered yellow in the double light of the moon and the electric lanterns. All round the yard, along the walls, a narrow track had been cleared for the daily exercise. Dawn had not yet appeared; the stars still shone clear and frostily, in spite of the lanterns. On the rampart of the outside wall, which lay opposite Rubashov's cell, a soldier with slanted rifle was marching the hundred steps up and down; he stamped at every step as if on parade. From time to time the yellow light of the lanterns flashed on his bayonet.

Rubashov took his shoes off, still standing at the window. He put out his cigarette, laid the stump on the floor at the end of his bedstead, and remained sitting on the mattress for a few minutes. He went back to the window once more. The courtyard was still; the sentry was just turning; above the machine-gun tower he saw a streak of the Milky Way.

Rubashov stretched himself on the bunk and wrapped himself in the top blanket. It was five o'clock and it was unlikely that one had to get up here before seven in the winter. He was very sleepy and, thinking it over, decided that he would hardly be brought up for examination for another three or four days. He took his pince-nez off, laid it on the stone-paved floor next to the cigarette stump, smiled and shut his eyes. He was warmly wrapped up in the blanket, and felt protected; for the first time in months he was not afraid of his dreams.

When a few minutes later the warder tuned the light off from outside, and looked through the spy-hole into his cell, Rubashov, ex-Commissar of the People, slept, his back turned to the wall, with his head on his outstretched left arm, which stuck stiffly out of the bed; only the hand on the end of it hung loosely and twitched in his sleep.

Copyright © 1941 by The Macmillan Company

Copyright renewed © 1968 by Mrs. F. H. K. Henries (Daphne Hardy)

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Table of Contents

Contents

The First Hearing

The Second Hearing

The Third Hearing

The Grammatical Fiction

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Customer Reviews

Average Rating 4
( 23 )
Rating Distribution

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(8)

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See All Sort by: Showing 1 – 20 of 23 Customer Reviews
  • Anonymous

    Posted May 13, 2013

    the story makes the reader feel compelled to intellectually anal

    the story makes the reader feel compelled to intellectually analyze every word

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 12, 2011

    "Sensational!"

    I heard of this book through a magazine article written in W.Q. - In the Footsteps of Giants, an interview with Michael Scammell.

    In the interview, Scammell tells about the author of this book - Darkness at Noon. It was completely in-lighting, and tells much of the history behind his novel.
    For anyone who is interested in communism, anti-totalitarian, and German History, This is quite a good find.

    K.E.

    0 out of 1 people found this review helpful.

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  • Posted December 11, 2011

    Amazing

    I read this book for my Book Club (we're currently reading down the list of the Modern Library's Top 100 Best Novels - Board Picks). It was a bit tough to get into, but when Rubashov starts struggling with the emergence of his "grammatical fiction" (sense of individualism) I couldn't put the book down. What a great book about the big questions man has been struggling with for ages!

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  • Posted January 30, 2010

    Best Novel I have ever read

    Stunning in the way it captures the essence of the perversion of the Russian revolution and the horror of its after math. Well written remarkable book. I read it in college and consider it my all time favorite and yet listening to it on audio CD was even more insightful.

    If you really want insight read it fist followed by Child 44.

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