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Darwin's Children (Darwin Series #2)

Darwin's Children (Darwin Series #2)

3.7 20
by Greg Bear

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Greg Bear’s Nebula Award–winning novel, Darwin’s Radio, painted a chilling portrait of humankind on the threshold of a radical leap in evolution—one that would alter our species forever. Now Bear continues his provocative tale of the human race confronted by an uncertain future, where “survival of the fittest” takes on


Greg Bear’s Nebula Award–winning novel, Darwin’s Radio, painted a chilling portrait of humankind on the threshold of a radical leap in evolution—one that would alter our species forever. Now Bear continues his provocative tale of the human race confronted by an uncertain future, where “survival of the fittest” takes on astonishing and controversial new dimensions.


Eleven years have passed since SHEVA, an ancient retrovirus, was discovered in human DNA—a retrovirus that caused mutations in the human genome and heralded the arrival of a new wave of genetically enhanced humans. Now these changed children have reached adolescence . . . and face a world that is outraged about their very existence. For these special youths, possessed of remarkable, advanced traits that mark a major turning point in human development, are also ticking time bombs harboring hosts of viruses that could exterminate the “old” human race.

Fear and hatred of the virus children have made them a persecuted underclass, quarantined by the government in special “schools,” targeted by federally sanctioned bounty hunters, and demonized by hysterical segments of the population. But pockets of resistance have sprung up among those opposed to treating the children like dangerous diseases—and who fear the worst if the government’s draconian measures are carried to their extreme.

Scientists Kaye Lang and Mitch Rafelson are part of this small but determined minority. Once at the forefront of the discovery and study of the SHEVA outbreak, they now live as virtual exiles in the Virginia suburbs with their daughter, Stella—a bright, inquisitive virus child who is quickly maturing, straining to break free of the protective world her parents have built around her, and eager to seek out others of her kind.

But for all their precautions, Kaye, Mitch, and Stella have not slipped below the government’s radar. The agencies fanatically devoted to segregating and controlling the new-breed children monitor their every move—watching and waiting for the opportunity to strike the next blow in their escalating war to preserve “humankind” at any cost.

Editorial Reviews

The Washington Post
Readers who prefer their fiction dark and strong might like Greg Bear's Darwin's Children. Bear is best known for high-concept hard sf novels such as The Forge of God. But in this sequel to Darwin's Radio, he has combined sf and the medical thriller. — Martin Morse Wooster
Publishers Weekly
In this masterful sequel to his Nebula Award-winning Darwin's Radio, Bear takes us into a near future forever changed by the birth of millions of genetically enhanced babies to mothers infected with the SHEVA virus. These children may represent the next great evolutionary leap, but some fear their appearance rings a death knell for traditional humanity. Geneticist Kaye Lang, archeologist Mitch Rafelson and their daughter, Stella Nova, have been hiding from an increasingly repressive U.S. government that wants to put the so-called "virus children" in what are essentially concentration camps. Eventually, the family is captured, and when Mitch resists he's arrested on a trumped-up charge of assaulting a federal officer. In later years, Kaye returns to genetics and Mitch, once he's out of jail, to archeology, but neither gives up hope of finding and freeing their daughter. Meanwhile, Stella, imprisoned but surrounded by her own kind, begins to explore the full significance of what it means to be post-human. Though cast in a thriller mode, like much of Bear's recent work, this novel may contain too much complex discussion of evolutionary genetics to appeal to Michael Crichton or Robin Cook fans. Nonetheless, Bear's sure sense of character, his fluid prose style and the fascinating culture his "Shevite" children begin to develop all make for serious SF of the highest order. (Apr. 1) Forecast: An eight-city author tour, plus national print advertising in both mainstream and SF/fantasy publications, should launch this into bestseller territory. Look for further award nominations for Bear, as well as the forthcoming Warner Bros. movie based on his novel The Forge of God. Copyright 2003 Reed Business Information.
Library Journal
Ten years after the birth of the first generation of biologically mutated humans known as the SHEVA children (named for the virus connected with their conception), many "old-style" humans wage a campaign of covert genocide in a desperate attempt to prevent the "new humans" from achieving adulthood. Following the story of SHEVA-born Stella Nova and her parents, Kaye and Mitch Rafelson, as they struggle to protect their child and fight for the rights of the new children, Bear's sequel to Darwin's Radio combines the hard science of evolution with tough moral issues about the survival of species. Believable characters and riveting storytelling make this a priority purchase for sf collections. [Previewed in Prepub Alert, LJ 12/02.] Copyright 2003 Reed Business Information.
School Library Journal
Adult/High School-In Darwin's Radio (Ballantine, 1999), a long-dormant retrovirus triggered an evolutionary leap. One of the resultant "virus children" was Stella Nova, the daughter of Mitch, an anthropologist, and Kaye, a molecular biologist. As this sequel begins 12 years later, the three are hiding out to escape an increasingly powerful "emergency" government agency set up to "protect" the public from the strange new children. With the complicity of politicians and the news media, EMAC has incited and exploited public fear, violating traditional American rights and isolating the youngsters in inhumane "schools." Stella is caught and placed in one of these institutions while her parents and several other characters studying the new evolutionary development endure their own privations in a country gone terribly wrong. As the adults struggle to carry on their work, Stella and the other virus children grow to maturity, covertly exploring their talents and inventing a new culture that transcends human limitations in several significant ways. Grounded in the cutting-edge science of genetics, this compelling story also explores the seemingly paradoxical question of spirituality. Bear's chilling portrait of America under the heel of EMAC is a cautionary tale worthy of George Orwell or Sinclair Lewis, yet his protagonists shine with humanity, courage, and, in the end, the hope that different species can share the world in peace. This outstanding novel can be read independently, but would best be enjoyed by those who read the first book.-Christine C. Menefee, Fairfax County Public Library, VA Copyright 2003 Reed Business Information.
Kirkus Reviews
Not so much a sequel as a continuation of Bear’s near-future biological thriller, Darwin’s Radio (1999). SHEVA, a human endogenous retrovirus—it’s attached to our chromosomes—became active, causing the birth of millions of genetically altered children. But these, according to an increasingly paranoid and repressive Administration, represented a deadly threat to public health and safety. So the mutated children were taken from their parents and placed in soulless concentration camps. There’s a powerful unstated motive too: fear of the children’s remarkable abilities. In the camps, such education that they receive is designed to limit the children’s posthuman development: they communicate using complex verbal tricks, enhanced facial expressions, and psychoactive chemical scents manufactured by their own bodies, and form naturally stable social groups that minimize conflict and maximize cooperation. Former archaeologist Mitch Rafelson and his microbiologist wife Kaye Lang have a SHEVA daughter, Stella Nova, whom they attempt to shield from the government’s EMAC (Emergency Action) forces, but eventually she is captured and sent to a camp. Mitch and Kaye split up, and the future looks increasingly grim for all such children and their grieving parents. However, government virus researcher Christopher Dicken gradually makes significant discoveries, as does Kaye after returning to her former profession. EMAC boss Mark Augustine, once stifled and sidelined, slowly makes a comeback. And Mitch makes an archaeological breakthrough that will permanently change everyone’s perceptions of human evolution. Scary and technically plausible though demanding work, even if the good guys’ resurgencedepends more on coincidence than logic. Author tour

Product Details

Random House Publishing Group
Publication date:
Darwin Series , #2
Edition description:
Sales rank:
Product dimensions:
6.82(w) x 10.94(h) x 1.08(d)
Age Range:
14 Years

Read an Excerpt

Spotsylvania County, Virginia Morning lay dark and quiet around the house. Mitch Rafelson stood with coffee cup in hand on the back porch, dopey from just three hours of sleep. Stars still pierced the sky. A few persistent moths and bugs buzzed around the porch light. Raccoons had been at the garbage can in back, but had left, whickering and scuffling, hours ago, discouraged by lengths of chain.

The world felt empty and new.

Mitch put his cup in the kitchen sink and returned to the bedroom. Kaye lay in bed, still asleep. He adjusted his tie in the mirror above the dresser. Ties never looked right on him. He grimaced at the way his suit hung on his wide shoulders, the gap around the collar of his white shirt, the length of sleeve visible beyond the cuff of his coat.

There had been a row the night before. Mitch and Kaye and Stella, their daughter, had sat up until two in the morning in the small bedroom trying to talk it through. Stella was feeling isolated. She wanted, needed to be with young people like her. It was a reasonable position, but they had no choice.

Not the first time, and likely not the last. Kaye always approached these events with studied calm, in contrast to Mitch’s evasion and excuses. Of course they were excuses. He had no answers to Stella’s questions, no real response to her arguments. They both knew she ultimately needed to be with her own kind, to find her own way.

Finally, too much, Stella had stomped off and slammed the door to her room. Kaye had started crying. Mitch had held her in bed and she had gradually slipped into twitching sleep, leaving him staring at the darkened ceiling, tracking the play of lights from a truck grumbling down the country road outside, wondering, as always, if the truck would come up their drive, come for their daughter, come to claim bounty or worse.

He hated the way he looked in what Kaye called his Mr. Smith duds—as in Mr. Smith Goes to Washington. He lifted one hand and rotated it, studying the palm, the long, strong fingers, wedding ring—though he and Kaye had never gotten a license. It was the hand of a hick.

He hated to drive into the capital, through all the checkpoints, using his congressional appointment pass. Slowly moving past all the army trucks full of soldiers, deployed to stop yet another desperate parent from setting off another suicide bomb. There had been three such blasts since spring.

And now, Riverside, California.

Mitch walked to the left side of the bed. “Good morning, love,” he whispered. He stood for a moment, watching his woman, his wife. His eyes moved along the sleeve of her pajama top, absorbing every wrinkle in the rayon, every silken play of pre-dawn light, down to slim hands, curled fingers, nails bitten to the quick.

He bent to kiss her cheek and pulled the covers over her arm. Her eyes fluttered open. She brushed the back of his head with her fingers. “G’luck,” she said.

“Back by four,” he said.

“Love you.” Kaye pushed into the pillow with a sigh.

Next stop was Stella’s room. He never left the house without making the rounds, filling his eyes and memory with pictures of wife and daughter and house, as if, should they all be taken away, should this be the last time, he could replay the moment. Fat good it would do.

Stella’s room was a neat jumble of preoccupations and busyness in lieu of having friends. She had pinned a farewell photo of their disreputable orange tabby on the wall over her bed. Tiny stuffed animals spilled from her cedar chest, beady eyes mysterious in the shadows. Old paperback books filled a small case made of pine boards that Mitch and Stella had hammered together last winter. Stella enjoyed working with her father, but Mitch had noticed the distance growing between them for a couple of years now.

Stella lay on her back in a bed that had been too short for over a year. At eleven, she was almost as tall as Kaye and beautiful in her slender, round-faced way, skin pale copper and tawny gold in the glow of the night-light, hair dark brown with reddish tints, same texture as Kaye’s and not much longer.

Their family had become a triangle, still strong, but with the three sides stretching each month. Neither Mitch nor Kaye could give Stella what she really needed.

And each other?

He looked up to see the orange line of sunrise through the filmy white curtains of Stella’s window. Last night, cheeks freckling with anger, Stella had demanded to know when they would let her out of the house on her own, without makeup, to be with kids her own age. Her kind of kids. It had been two years since her last “play date.”

Kaye had done wonders with home teaching, but as Stella had pointed out last night, over and over again, with rising emotion, “I am not like you!” For the first time, Stella had formally proclaimed: “I am not human!”

But of course she was. Only fools thought otherwise. Fools, and monsters, and their daughter.

Mitch kissed Stella on the forehead. Her skin was warm. She did not wake up. Stella as she slept smelled like her dreams, and now she smelled the way tears taste, tang of salt and sadness.

“Got to go,” he murmured. Stella’s cheeks produced waves of golden freckles. Mitch smiled.

Even asleep, his daughter could say good-bye.


Center for Ancient Viral Studies, United States Army Research Medical Institute of Infectious Diseases: USARMIID

fort detrick, maryland

“People died, Christopher,” Marian Freedman said. “Isn’t that enough to make us cautious, even a little crazy?”

Christopher Dicken walked beside her, tilting on his game leg, staring down the concrete corridor to the steel door at the end. His National Cancer Institute ID badge still poked from his jacket pocket. He clutched a large bouquet of roses and lilies. The two had been engaged in debate from the front desk through four security checkpoints.

“Nobody’s diagnosed a case of Shiver for a decade,” he said. “And nobody ever got sick from the children. Isolating them is politics, not biology.”

Marian took his day pass and ran it through the scanner. The steel door opened to a horizontal spread of sunglass-green access tubes, suspended like a hamster maze over a two-acre basin of raw gray concrete. She held out her hand, letting him go first. “You know about Shiver firsthand.”

“It went away in a couple of weeks,” Dicken said.

“It lasted five weeks, and it damned near killed you. Don’t bullshit me with your virus hunter bravado.”

Dicken stepped slowly onto the catwalk, having difficulty judging depth with just one eye, and that covered by a thick lens. “The man beat his wife, Marian. She was sick with a tough pregnancy. Stress and pain.”

“Right,” Marian said. “Well, that certainly wasn’t true with Mrs. Rhine, was it?”

“Different problem,” Dicken admitted.

Freedman smiled with little humor. She sometimes revealed biting wit, but did not seem to understand the concept of humor. Duty, hard work, discovery, and dignity filled the tight circle of her life. Marian Freedman was a devout feminist and had never married, and she was one of the best and most dedicated scientists Dicken had ever met.

Together, they marched north on the aluminum catwalk. She adjusted her pace to match his. Tall steel cylinders waited at the ends of the access tubes, shaft housings for elevators to the chambers beneath the seamless concrete slab. The cylinders wore big square “hats,” high-temperature gas-fired ovens that would sterilize any air escaping from the facilities below.

“Welcome to the house that Augustine built. How is Mark, anyway?”

“Not happy, last time I saw him,” Dicken said.

“Why am I not surprised? Of course, I should be charitable. Mark moved me up from studying chimps to studying Mrs. Rhine.”

Twelve years before, Freedman had headed a primate lab in Baltimore, during the early days when the Centers for Disease Control had launched the task force investigating Herod’s plague. Mark Augustine, then director of the CDC and Dicken’s boss, had hoped to secure extra funding from Congress during a fiscal dry spell. Herod’s, thought to have caused thousands of hideously malformed miscarriages, had seemed like a terrific goad.

Herod’s had quickly been traced to the transfer of one of thousands of Human Endogenous Retroviruses—HERV—carried by all people within their DNA. The ancient virus, newly liberated, mutated and infectious, had been promptly renamed SHEVA, for Scattered Human Endogenous Viral Activation.

In those days, viruses had been assumed to be nothing more than selfish agents of disease.

“She’s been looking forward to seeing you,” Freedman said. “How long since your last visit?”

“Six months,” Dicken said.

“My favorite pilgrim, paying his respects to our viral Lourdes,” Freedman said. “Well, she’s a wonder, all right. And something of a saint, poor dear.”

Freedman and Dicken passed junctions with tubes branching southwest, northeast, and northwest to other shafts. Outside, the summer morning was warming rapidly. The sun hung just above the horizon, a subdued greenish ball. Cool air pulsed around them with a breathy moan.

They came to the end of the main tube. An engraved Formica placard to the right of the elevator door read, “MRS. CARLA RHINE.” Freedman punched the single white button. Dicken’s ears popped as the door closed behind them.

SHEVA had turned out to be much more than a disease. Shed only by males in committed relationships, the activated retrovirus served as a genetic messenger, ferrying complicated instructions for a new kind of birth. SHEVA infected recently fertilized eggs—in a sense, hijacked them for a higher cause. The Herod’s miscarriages were first-stage embryos, called “interim daughters,” not much more than specialized ovaries devoted to producing a new set of precisely mutated eggs.

Without additional sexual activity, the second-stage ova implanted and covered themselves with a thin, protective coating. They survived the abortion of the first embryo and started a new pregnancy.

To some, this had looked like a kind of virgin birth.

Most of the second-stage embryos had gone to term. Worldwide, in two waves separated by four years, three million new children had been born. More than two and a half million of the infants had survived. There was still controversy over exactly who and what they were—a diseased mutation, a subspecies, or a completely new species.

Most simply called them virus children.

“Carla’s still cranking them out,” Freedman said as the elevator reached the bottom. “She’s shed seven hundred new viruses in the last four months. About a third are infectious, single-stranded RNA sense negative, potentially real bastards. Fifty-two of them kill pigs within hours. Ninety-one are almost certainly lethal to humans. Another ten can probably kill both pigs and humans.” Freedman glanced over her shoulder to see his reaction.

“I know,” Dicken said dryly. He rubbed his hip. His leg bothered him when he stood for more than fifteen minutes. The same White House explosion that had taken his eye, twelve years ago, had left him partially disabled. Three rounds of surgery had allowed him to put aside the crutches but not the pain.

“Still in the loop, even at NCI?” Freedman asked.

“Trying to be,” he said.

“Thank God there are only four like her.”

“She’s our fault,” he said, and paused to reach down and massage his calf.

“Maybe, but Mother Nature’s still a bitch,” Freedman said, watching him with her hands on her hips.

A small airlock at the end of the concrete corridor cycled them through to the main floor. They were now fifty feet below ground. A guard in a crisp green uniform inspected their passes and permission papers and compared them with the duty and guest roster at her workstation.

“Please identify,” she told them. Both placed their eyes in front of scanners projecting from the counter and simultaneously pressed their thumbs onto sensitive plates. A female orderly in hospital greens escorted them to the cleanup area.

Mrs. Rhine was housed in one of ten underground residences, four of them currently occupied. The residences formed the center of what was reputed to be the most redundantly secure research facility on Earth. Though Dicken and Freedman would never come any closer than seeing her through a four-inch-thick acrylic window, they would have to go through a whole-body scrub before and after the interview. Before entering the viewing area and staging lab, called the inner station, they would put on special hooded undergarments impregnated with slow-release antivirals, zip up in plastic isolation suits, and attach themselves to positive pressure umbilical hoses.

Mrs. Rhine and her companions at the center never saw real human beings unless they were dressed to resemble Macy’s parade balloons.

On leaving, they would stand under a shower and soak their plastic suits with disinfectants, then strip down and shower again, scrubbing every orifice. The suits would be soaked overnight, and the undergarments would be incinerated.

The four women interned at the facility ate well and exercised regularly. Their quarters—each roughly the size of a two-bedroom apartment—were maintained by automated servants. They had their hobbies—Mrs. Rhine was a great one for hobbies—and access to a wide selection of books, magazines, TV shows, and movies.

Of course, the women were becoming more and more eccentric.

“Any tumors?” Dicken asked.

“Official question?” Freedman asked.

“Personal,” Dicken said.

Meet the Author

Greg Bear is the author of more than twenty-five books, which have been translated into seventeen languages. His most recent novel is Vitals. He has been awarded two Hugos and four Nebulas for his fiction. He is married to Astrid Anderson Bear, and they are the parents of two children, Erik and Alexandra. Visit the author’s Web site at www.gregbear.com.

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Darwin's Children (Darwin Series #2) 3.7 out of 5 based on 0 ratings. 20 reviews.
harstan More than 1 year ago
Eleven years ago the scattered human endogenous viral activation (SHEVA) retrovirus caused mutations leading to the birth of a different human species (see DARWIN¿S RADIO). Instead of welcoming the genetically enhanced humans, the old generation, many of which are the parents of these kids, fears and detests their offspring. Much of the phobia comes from the unknown, but also from the propaganda beat that these new humans will ravage the old race. The government established special laws and agencies to keep these children uneducated and targeted for death for almost anything. There remain small cells of non-enhanced humans who want to do the right thing with the preadolescents that are growing up in isolation. Amongst this minority, scientists Kaye Lang and Mitch Rafelson, live in exile under the watchful eye of Big Brother yet still quietly raise their daughter, Stella, a SHEVA child, who seeks her own kind. If EMAC finds her, the camps or death will occur and the current suburban Virginia exile of Kaye and Mitch will seem mainstream compared with what the Feds would do to them. Readers will better enjoy this seemingly stand-alone novel if they first peruse DARWIN¿S RADIO, where the evolution began. The theme of DARWIN¿S CHILDREN and the previous book is frightening especially with the counterinsurgency and negative reaction as if the children were devils. Though much of the latter half of the plot depends on luck and coincidence, fans of deep tales with strong scientific roots and powerful messages will relish this novel of the old humans trying to keep the new enhanced species from dominating the future. Harriet Klausner
RKBookman More than 1 year ago
Darwin’s Radio and Darwin’s children are two books I go back and read every couple of years. While the idea of our genes deciding we, as a species, need to change to survive is intriguing, the negative reaction of the government and the scientific community is riveting and exceptionally well-drawn. Though a few characters can see that the pregnancies and birth of the new children is an ongoing process that needs to be completed, the rest are determined not to allow the new children to survive or become part of society. The characters range from courageous and determined to self-interested, bigoted and even cruel, but they are all well drawn. Most grow over the course of the books. One review claimed the author did not show how the new children would save (or improve) the human species and that is true of the first book. However, by the end of Darwin’s Children it is clear how they could make the world a better place if everyone willing to allow them to participate in society.
Anonymous More than 1 year ago
But, in case you didn't know...evolution does not act in the way he decsribes. Oops.
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Guest More than 1 year ago
This novel deserves nothing less than five stars. Bear is a superb storyteller with a real gift for characterization and suspense. The story is disturbing, chilling, and clings to you long after you've finished it.
Guest More than 1 year ago
Darwin¿s Children by Greg Bear. To be released April 1, 2003. Review copy. In this sequel to his Nebula Award-winning Darwin's Radio, Earth seems to have changed forever with the birth of millions of naturally genetically altered babies to virus (SHEVA) infected mothers some 12 years previous in `Radio¿. Maybe these children are the next great human evolutionary leap, but normal or `old¿ humans fear, and hate them. Most of the `virus children¿ have been taken from their parents and homes to be kept in Government managed `schools¿, which are, for the most part, converted prison properties, in order to manage them and keep them isolated from the general public. Many of the central characters in `Children¿ are carried forward from `Radio¿, and as is Bear¿s strength, the development of character, sense of place, and the feel and smell of human the frailties of fear and hatred are completely engaging. Reading `Radio¿ first is NOT a requirement but doing so will give the reader a welcome leg up on many of the events opening in progress in `Children¿. As has been noted by other reviewers, this book may not be as hugely `pop¿ular as a Cook or a Crichton, but it is far better written as a thinking person¿s novel. Bear¿s background lends to credible science and his talent as a writer bring us a depth of story, and a steady building of tension and excitement as the story rolls, whips, and tears along until, just when you think you have a grip, he introduces a totally unexpected twist. So different from a Koontz pull-an-alien-out-of-a-hat style, or a Cook or Crichton mega-thriller, what-rampant-science-can-do, pulse-pounder backed up by science (who can resist the premise of bringing dinosaurs back to life!), Greg bear develops characters, global plots, empathy, sympathy, and thought provoking ideas with style and feeling. I have been a big Bear fan since way before his inauguration into the `Killer B¿s¿ club and this book is one of the many reasons. `Nuf said. Read the book. I smell another award! rdkedd@abnormalbooks.com
Guest More than 1 year ago
Dear Mr. Bear: I own almost all of your books. I have read and enjoyed them very much. Right up until 'Darwin's Children', that is. I quote, 'The Republicans are the country's pit bull, Mitch. Barking in the night, all night, every night, right or wrong, and savaging their enemies without mercy.' Really? Have you been paying ANY attention this year at all? Michael Moore, Mr. Soros, Whoopie Goldberg and the rest of the so-called tolerant (what an oxymoron THAT is when applied to these people), peace loving liberal Democrats...never in my not very short life have I seen such bald, naked hatred as these people, and their friends, have demonstrated. They have a lock on mean-spirited nastiness. Self-serving, narcissistic opportunists all. I am a Republican, and I know many other Republicans, and none of us resemble anything like the picture you paint. You, Sir, are part of the vicious, hate mongering, country dividing, maniacal left wing that has torn this country apart ever since Al Gore legitimately lost the 2000 election but did not have the balls, or apparently the brains, to admit it. At least John Kerry had the good sense, and decency, to do the right thing. I was pleasantly surprised at his actions, but I can admit it. Now, you continue your vitriolic behavior by incorporating your hatred into your stories. I have never read a novel where the author tired to paint the Democratic, as a whole, evil (even though I might think there are a few who would qualify for that title -- I am intelligent enough to know that there are evil people in both parties). These authors have wisely left their political opinions at home where they belong. Unfortunately, what seemed like promising fiction turns out to be nothing more than another hate filled vehicle, written by a blind to reality, intellectual elitist who thinks he knows what is best for everyone else and is just certain we all want to hear it. You should be ashamed of yourself. But my experience with people like you is that you are incapable of that emotion. Rather than pass this book on to someone else, someone not smart enough to know they are being brainwashed, I will just take it to the dump on Saturday, where it will join the rest of the garbage.