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* "The suspense builds inexorably, and the philosophical as well as physical battles will hold action-oriented readers. The unfolding of character, place, and plot is smoothly intricate, and the conclusion is a beckoning door to the next volume."—School Library Journal, starred review
* "National Book Award finalist Taylor (Lips Touch: Three Times) again weaves a masterful mix of reality and fantasy with cross-genre appeal. Exquisitely written and beautifully paced, the tale is set in ghostly, romantic Prague, where 17-year-old Karou is an art student--except when she is called "home" to do errands for the family of loving, albeit inhuman, creatures who raised her. Mysterious as Karou seems to her friends, her life is equally mysterious to her: How did she come to live with chimaera? Why does paternal Brimstone eternally require teeth--especially human ones? And why is she "plagued by the notion that she wasn't whole....a sensation akin to having forgotten something?" Taylor interlaces cleverly droll depictions of contemporary teenage life with equally believable portrayals of terrifying otherworldly beings. When black handprints begin appearing on doorways throughout the world, Karou is swept into the ancient deadly rivalry between devils and angels and gradually, painfully, acquires her longed-for self-knowledge. The book's final pages seemingly establish the triumph of true love--until a horrifying revelation sets the stage for a second book."—Publishers Weekly, starred review
* "[A]long with writing in such heightened language that even casual banter often comes off as wildly funny, the author crafts a fierce heroine with bright-blue hair, tattoos, martial skills, a growing attachment to a preternaturally hunky but not entirely sane warrior and, in episodes to come, an army of killer angels to confront. Rarely--perhaps not since the author's own Faeries of Dreamdark: Blackbringer (2007)--does a series kick off so deliciously."—Kirkus, starred review
* "Taylor crafts both her world and her romance with meticulous care, building the first on a wealth of thought-provoking details and making the second equal parts tender and antagonistic...Fans of torturously star-crossed lovers a la those in Marr's Wicked Lovely and Black's Tithe will find much to enjoy here, but those who flock to innovative, character-driven fantasy with thematic depth will be equally enthralled."—The Bulletin of the Center for Children's Books, starred review
"Thrillingly fresh and new"—Entertainment Weekly
"[A] breath-catching romantic fantasy about destiny, hope and the search for one's true self"—The New York Times Book Review
"An adventurous story of self-identity, "Daughter of Smoke and Bone" is written with high-stakes flair and a touch of humor...[It is] well-told and well-paced, raising intriguing questions about notions of identity, expectation, trust, betrayal and belonging."—The Los Angeles Times
"Author Taylor has created a variety of worlds, time frames, and creatures with such detail and craft that all are believable...Readers will look forward to the suggested sequel to this complex, exciting tale."—Booklist
"Wow. I wish I had written this book."—Patrick Rothfuss, author of The Wise Man's Fear"Daughter of Smoke and Bone is that rare beast: a novel that takes the familiar and makes it appear startling and new. Taylor has embraced the mythology of angels and reworked it in an extraordinary form, so that by the end of this lyrical, haunting book, I wanted to believe in the existence of these violent, tormented beings. I can hardly wait for the next installment."—John Connolly, author of The Book of Lost Things
"Daughter of Smoke and Bone is a lush, sweeping, romantic marvel of a book. Taylor's writing is a revelation, masterfully blending an intricate fantasy world into our own, with an artist's flair for exquisite details. Funny, devastating, delightful, unforgettable. Pure storytelling perfection."—Kiersten White, author of the Paranormalcy series
Once upon a time, an angel and a devil fell in love.
It did not end well.
Walking to school over the snow-muffled cobbles, Karou had no sinister premonitions about the day. It seemed like just another Monday, innocent but for its essential Mondayness, not to mention its Januaryness. It was cold, and it was dark—in the dead of winter the sun didn’t rise until eight—but it was also lovely. The falling snow and the early hour conspired to paint Prague ghostly, like a tintype photograph, all silver and haze.
On the riverfront thoroughfare, trams and buses roared past, grounding the day in the twenty-first century, but on the quieter lanes, the wintry peace might have hailed from another time. Snow and stone and ghostlight, Karou’s own footsteps and the feather of steam from her coffee mug, and she was alone and adrift in mundane thoughts: school, errands. The occasional cheek-chew of bitterness when a pang of heartache intruded, as pangs of heartache will, but she pushed them aside, resolute, ready to be done with all that.
She held her coffee mug in one hand and clutched her coat closed with the other. An artist’s portfolio was slung over her shoulder, and her hair—loose, long, and peacock blue—was gathering a lace of snowflakes.
Just another day.
A snarl, rushing footfall, and she was seized from behind, pulled hard against a man’s broad chest as hands yanked her scarf askew and she felt teeth—teeth—against her neck.
Her attacker was nibbling her.
Annoyed, she tried to shake him off without spilling her coffee, but some sloshed out of her cup anyway, into the dirty snow.
“Jesus, Kaz, get off,” she snapped, spinning to face her ex-boyfriend. The lamplight was soft on his beautiful face. Stupid beauty, she thought, shoving him away. Stupid face.
“How did you know it was me?” he asked.
“It’s always you. And it never works.”
Kazimir made his living jumping out from behind things, and it frustrated him that he could never get even the slightest rise out of Karou. “You’re impossible to scare,” he complained, giving her the pout he thought was irresistible. Until recently, she wouldn’t have resisted it. She would have risen on tiptoe and licked his pout-puckered lower lip, licked it languorously and then taken it between her teeth and teased it before losing herself in a kiss that made her melt against him like sun-warmed honey.
Those days were so over.
“Maybe you’re just not scary,” she said, and walked on.
Kaz caught up and strolled at her side, hands in pockets. “I am scary, though. The snarl? The bite? Anyone normal would have a heart attack. Just not you, ice water for blood.”
When she ignored him, he added, “Josef and I are starting a new tour. Old Town vampire tour. The tourists will eat it up.”
They would, thought Karou. They paid good money for Kaz’s “ghost tours,” which consisted of being herded through the tangled lanes of Prague in the dark, pausing at sites of supposed murders so “ghosts” could leap out of doorways and make them shriek. She’d played a ghost herself on several occasions, had held aloft a bloody head and moaned while the tourists’ screams gave way to laughter. It had been fun.
Kaz had been fun. Not anymore. “Good luck with that,” she said, staring ahead, her voice colorless.
“We could use you,” Kaz said.
“You could play a sexy vampire vixen—”
“Lure in the men—”
“You could wear your cape….”
Softly, Kaz coaxed, “You still have it, don’t you, baby? Most beautiful thing I’ve ever seen, you with that black silk against your white skin—”
“Shut up,” she hissed, coming to a halt in the middle of Maltese Square. God, she thought. How stupid had she been to fall for this petty, pretty street actor, dress up for him and give him memories like that? Exquisitely stupid.
Kaz lifted his hand to brush a snowflake from her eyelashes. She said, “Touch me and you’ll get this coffee in your face.”
He lowered his hand. “Roo, Roo, my fierce Karou. When will you stop fighting me? I said I was sorry.”
“Be sorry, then. Just be sorry somewhere else.” They spoke in Czech, and her acquired accent matched his native one perfectly.
He sighed, irritated that Karou was still resisting his apologies. This wasn’t in his script. “Come on,” he coaxed. His voice was rough and soft at the same time, like a blues singer’s mix of gravel and silk. “We’re meant to be together, you and me.”
Meant. Karou sincerely hoped that if she were “meant” for anyone, it wasn’t Kaz. She looked at him, beautiful Kazimir whose smile used to work on her like a summons, compelling her to his side. And that had seemed a glorious place to be, as if colors were brighter there, sensations more profound. It had also, she’d discovered, been a popular place, other girls occupying it when she did not.
“Get Svetla to be your vampire vixen,” she said. “She’s got the vixen part down.”
He looked pained. “I don’t want Svetla. I want you.”
“Alas. I am not an option.”
“Don’t say that,” he said, reaching for her hand.
She pulled back, a pang of heartache surging in spite of all her efforts at aloofness. Not worth it, she told herself. Not even close. “This is the definition of stalking, you realize.”
“Puh. I’m not stalking you. I happen to be going this way.”
“Right,” said Karou. They were just a few doors from her school now. The Art Lyceum of Bohemia was a private high school housed in a pink Baroque palace where famously, during the Nazi occupation, two young Czech nationalists had slit the throat of a Gestapo commander and scrawled liberty with his blood. A brief, brave rebellion before they were captured and impaled upon the finials of the courtyard gate. Now students were milling around that very gate, smoking, waiting for friends. But Kaz wasn’t a student—at twenty, he was several years older than Karou—and she had never known him to be out of bed before noon. “Why are you even awake?”
“I have a new job,” he said. “It starts early.”
“What, you’re doing morning vampire tours?”
“Not that. Something else. An… unveiling of sorts.” He was grinning now. Gloating. He wanted her to ask what his new job was.
She wouldn’t ask. With perfect disinterest she said, “Well, have fun with that,” and walked away.
Kaz called after her, “Don’t you want to know what it is?” The grin was still there. She could hear it in his voice.
“Don’t care,” she called back, and went through the gate.
She really should have asked.
Monday, Wednesday, and Friday, Karou’s first class was life drawing. When she walked into the studio, her friend Zuzana was already there and had staked out easels for them in front of the model’s platform. Karou shrugged off her portfolio and coat, unwound her scarf, and announced, “I’m being stalked.”
Zuzana arched an eyebrow. She was a master of the eyebrow arch, and Karou envied her for it. Her own eyebrows did not function independently of each other, which handicapped her expressions of suspicion and disdain.
Zuzana could do both perfectly, but this was milder eyebrow action, mere cool curiosity. “Don’t tell me Jackass tried to scare you again.”
“He’s going through a vampire phase. He bit my neck.”
“Actors,” muttered Zuzana. “I’m telling you, you need to tase the loser. Teach him to go jumping out at people.”
“I don’t have a Taser.” Karou didn’t add that she didn’t need a Taser; she was more than capable of defending herself without electricity. She’d had an unusual education.
“Well, get one. Seriously. Bad behavior should be punished. Plus, it would be fun. Don’t you think? I’ve always wanted to tase someone. Zap!” Zuzana mimicked convulsions.
Karou shook her head. “No, tiny violent one, I don’t think it would be fun. You’re terrible.”
“I am not terrible. Kaz is terrible. Tell me I don’t have to remind you.” She gave Karou a sharp look. “Tell me you’re not even considering forgiving him.”
“No,” declared Karou. “But try getting him to believe that.” Kaz just couldn’t fathom any girl willfully depriving herself of his charms. And what had she done but strengthen his vanity those months they’d been together, gazing at him starry-eyed, giving him… everything? His wooing her now, she thought, was a point of pride, to prove to himself that he could have who he wanted. That it was up to him.
Maybe Zuzana was right. Maybe she should tase him.
“Sketchbook,” commanded Zuzana, holding out her hand like a surgeon for a scalpel.
Karou’s best friend was bossy in obverse proportion to her size. She only passed five feet in her platform boots, whereas Karou was five foot six but seemed taller in the same way that ballerinas do, with their long necks and willowy limbs. She wasn’t a ballerina, but she had the look, in figure if not in fashion. Not many ballerinas have bright blue hair or a constellation of tattoos on their limbs, and Karou had both.
The only tattoos visible as she dug out her sketchbook and handed it over were the ones on her wrists like bracelets—a single word on each: true and story.
As Zuzana took the book, a couple of other students, Pavel and Dina, crowded in to look over her shoulder. Karou’s sketchbooks had a cult following around school and were handed around and marveled at on a daily basis. This one—number ninety-two in a lifelong series—was bound with rubber bands, and as soon as Zuzana took them off it burst open, each page so coated in gesso and paint that the binding could scarcely contain them. As it fanned open, Karou’s trademark characters wavered on the pages, gorgeously rendered and deeply strange.
There was Issa, serpent from the waist down and woman from the waist up, with the bare, globe breasts of Kama Sutra carvings, the hood and fangs of a cobra, and the face of an angel.
Giraffe-necked Twiga, hunched over with his jeweler’s glass stuck in one squinting eye.
Yasri, parrot-beaked and human-eyed, a frill of orange curls escaping her kerchief. She was carrying a platter of fruit and a pitcher of wine.
And Brimstone, of course—he was the star of the sketchbooks. Here he was shown with Kishmish perched on the curl of one of his great ram’s horns. In the fantastical stories Karou told in her sketchbooks, Brimstone dealt in wishes. Sometimes she called him the Wishmonger; other times, simply “the grump.”
She’d been drawing these creatures since she was a little girl, and her friends tended to talk about them as if they were real. “What was Brimstone up to this weekend?” asked Zuzana.
“The usual,” said Karou. “Buying teeth from murderers. He got some Nile crocodile teeth yesterday from this awful Somali poacher, but the idiot tried to steal from him and got half strangled by his snake collar. He’s lucky to be alive.”
Zuzana found the story illustrated on the book’s last drawn pages: the Somali, his eyes rolling back in his head as the whip-thin snake around his neck cinched itself as tight as a garrote. Humans, Karou had explained before, had to submit to wearing one of Issa’s serpents around their necks before they could enter Brimstone’s shop. That way if they tried anything fishy they were easy to subdue—by strangulation, which wasn’t always fatal, or, if necessary, by a bite to the throat, which was.
“How do you make this stuff up, maniac?” Zuzana asked, all jealous wonderment.
“Who says I do? I keep telling you, it’s all real.”
“Uh-huh. And your hair grows out of your head that color, too.”
“What? It totally does,” said Karou, passing a long blue strand through her fingers.
Karou shrugged and gathered her hair back in a messy coil, stabbing a paintbrush through it to secure it at the nape of her neck. In fact, her hair did grow out of her head that color, pure as ultramarine straight from the paint tube, but that was a truth she told with a certain wry smile, as if she were being absurd. Over the years she’d found that that was all it took, that lazy smile, and she could tell the truth without risk of being believed. It was easier than keeping track of lies, and so it became part of who she was: Karou with her wry smile and crazy imagination.
In fact, it was not her imagination that was crazy. It was her life—blue hair and Brimstone and all.
Zuzana handed the book to Pavel and started flipping pages in her own oversize drawing pad, searching for a fresh page. “I wonder who’s posing today.”
“Probably Wiktor,” said Karou. “We haven’t had him in a while.”
“I know. I’m hoping he’s dead.”
“What? He’s eight million years old. We might as well draw the anatomical skeleton as that creepy bonesack.”
There were some dozen models, male and female, all shapes and ages, who rotated through the class. They ranged from enormous Madame Svobodnik, whose flesh was more landscape than figure, to pixie Eliska with her wasp waist, the favorite of the male students. Ancient Wiktor was Zuzana’s least favorite. She claimed to have nightmares whenever she had to draw him.
“He looks like an unwrapped mummy.” She shuddered. “I ask you, is staring at a naked old man any way to start the day?”
“Better than getting attacked by a vampire,” said Karou.
In fact, she didn’t mind drawing Wiktor. For one thing, he was so nearsighted he never made eye contact with the students, which was a bonus. No matter that she had been drawing nudes for years; she still found it unsettling, sketching one of the younger male models, to look up from a study of his penis—a necessary study; you couldn’t exactly leave the area blank—and find him staring back at her. Karou had felt her cheeks flame on plenty of occasions and ducked behind her easel.
Those occasions, as it turned out, were about to fade into insignificance next to the mortification of today.
She was sharpening a pencil with a razor blade when Zuzana blurted in a weird, choked voice, “Oh my god, Karou!”
And before she even looked up, she knew.
An unveiling, he had said. Oh, how clever. She lifted her gaze from her pencil and took in the sight of Kaz standing beside Profesorka Fiala. He was barefoot and wearing a robe, and his shoulder-length golden hair, which had minutes before been wind-teased and sparkling with snowflakes, was pulled back in a ponytail. His face was a perfect blend of Slavic angles and soft sensuality: cheekbones that might have been turned on a diamond cutter’s lathe, lips you wanted to touch with your fingertips to see if they felt like velvet. Which, Karou knew, they did. Stupid lips.
Murmurs went around the room. A new model, oh my god, gorgeous…
One murmur cut through the others: “Isn’t that Karou’s boyfriend?”
Ex, she wanted to snap. So very, very ex.
“I think it is. Look at him….”
Karou was looking at him, her face frozen in what she hoped was a mask of impervious calm. Don’t blush, she commanded herself. Do not blush. Kaz looked right back at her, a smile dimpling one cheek, eyes lazy and amused. And when he was sure he held her gaze, he had the nerve to wink.
A flurry of giggles erupted around Karou.
“Oh, the evil bastard…” Zuzana breathed.
Kaz stepped up onto the model’s platform. He looked straight at Karou as he untied his sash; he looked at her as he shrugged off the robe. And then Karou’s ex-boyfriend was standing before her entire class, beautiful as heartbreak, naked as the David. And on his chest, right over his heart, was a new tattoo.
It was an elaborate cursive K.
More giggles burst forth. Students didn’t know who to look at, Karou or Kazimir, and glanced from one to the other, waiting for a drama to unfold. “Quiet!” commanded Profesorka Fiala, appalled, clapping her hands together until the laughter was stifled. Karou’s blush came on then. She couldn’t stop it. First her chest and neck went hot, then her face. Kaz’s eyes were on her the whole time, and his dimple deepened with satisfaction when he saw her flustered.
“One-minute poses, please, Kazimir,” said Fiala.
Kaz stepped into his first pose. It was dynamic, as the one-minute poses were meant to be—twisted torso, taut muscles, limbs stretched in simulation of action. These warm-up sketches were all about movement and loose line, and Kaz was taking the opportunity to flaunt himself. Karou thought she didn’t hear a lot of pencils scratching. Were the other girls in the class just staring stupidly, as she was?
She dipped her head, took up her sharp pencil—thinking of other uses she would happily put it to—and started to sketch. Quick, fluid lines, and all the sketches on one page; she overlapped them so they looked like an illustration of dance.
Kaz was graceful. He spent enough time looking in the mirror that he knew how to use his body for effect. It was his instrument, he’d have said. Along with the voice, the body was an actor’s tool. Well, Kaz was a lousy actor—which was why he got by on ghost tours and the occasional low-budget production of Faust—but he made a fine artist’s model, as Karou knew, having drawn him many times before.
His body had reminded Karou, from the first time she saw it… unveiled… of a Michelangelo. Unlike some Renaissance artists, who’d favored slim, effete models, Michelangelo had gone for power, drawing broad-shouldered quarry workers and somehow managing to render them both carnal and elegant at the same time. That was Kaz: carnal and elegant.
And deceitful. And narcissistic. And, honestly, kind of dumb.
“Karou!” The British girl Helen was whispering harshly, trying to get her attention. “Is that him?”
Karou didn’t acknowledge her. She drew, pretending everything was normal. Just another day in class. And if the model had an insolent dimple and wouldn’t take his eyes off her? She ignored it as best she could.
When the timer rang, Kaz calmly gathered up his robe and put it on. Karou hoped it wouldn’t occur to him that he was free to walk around the studio. Stay where you are, she willed him. But he didn’t. He sauntered toward her.
“Hi, Jackass,” said Zuzana. “Modest much?”
Ignoring her, he asked Karou, “Like my new tattoo?”
Students were standing up to stretch, but rather than dispersing for smoke or bathroom breaks, they hovered casually within earshot.
“Sure,” Karou said, keeping her voice light. “K for Kazimir, right?”
“Funny girl. You know what it’s for.”
“Well,” she mused in Thinker pose, “I know there’s only one person you really love, and his name does start with a K. But I can think of a better place for it than your heart.” She took up her pencil and, on her last drawing of Kaz, inscribed a K right over his classically sculpted buttock.
Zuzana laughed, and Kaz’s jaw tightened. Like most vain people, he hated to be mocked. “I’m not the only one with a tattoo, am I, Karou?” he asked. He looked to Zuzana. “Has she shown it to you?”
Zuzana gave Karou the suspicious rendition of the eyebrow arch.
“I don’t know which you mean,” Karou lied calmly. “I have lots of tattoos.” To demonstrate, she didn’t flash true or story, or the serpent coiled around her ankle, or any of her other concealed works of art. Rather, she held up her hands in front of her face, palms out. In the center of each was an eye inked in deepest indigo, in effect turning her hands into hamsas, those ancient symbols of warding against the evil eye. Palm tattoos are notorious for fading, but Karou’s never did. She’d had these eyes as long as she could remember; for all she knew of their origin, she could have been born with them.
“Not those,” said Kaz. “I mean the one that says Kazimir, right over your heart.”
“I don’t have a tattoo like that.” She made herself sound puzzled and unfastened the top few buttons of her sweater. Beneath was a camisole, and she lowered it by a few revealing inches to demonstrate that indeed there was no tattoo above her breast. The skin there was white as milk.
Kaz blinked. “What? How did you—?”
“Come with me.” Zuzana grabbed Karou’s hand and pulled her away. As they wove among the easels, all eyes were on Karou, lit with curiosity.
“Karou, did you break up?” Helen whispered in English, but Zuzana put up her hand in an imperious gesture that silenced her, and she dragged Karou out of the studio and into the girls’ bathroom. There, eyebrow still arched, she asked, “What the hell was that?”
“What? You practically flashed the boy.”
“Please. I did not flash him.”
“Whatever. What’s this about a tattoo over your heart?”
“I just showed you. There’s nothing there.” She saw no reason to add that there had been something; she preferred to pretend she had never been so stupid. Plus, explaining how she’d gotten rid of it was not exactly an option.
“Well, good. The last thing you need is that idiot’s name on your body. Can you believe him? Does he think if he just dangles his boy bits at you like a cat toy you’ll go scampering after him?”
“Of course he thinks that,” said Karou. “This is his idea of a romantic gesture.”
“All you have to do is tell Fiala he’s a stalker, and she’ll throw his ass out.”
Karou had thought of that, but she shook her head. Surely she could come up with a better way to get Kaz out of her class and out of her life. She had means at her disposal that most people didn’t. She’d think of something.
“The boy is not terrible to draw, though.” Zuzana went to the mirror and flipped wisps of dark hair across her forehead. “Got to give him that.”
“Yeah. Too bad he’s such a gargantuan asshole.”
“A giant, stupid orifice,” Zuzana agreed.
“A walking, talking cranny.”
“Cranny.” Zuzana laughed. “I like.”
An idea came to Karou, and a faintly villainous smirk crossed her face.
“What?” asked Zuzana, seeing it.
“Nothing. We’d better get back in there.”
“You’re sure? You don’t have to.”
Karou nodded. “Nothing to it.”
Kaz had gotten all the satisfaction he was going to get from this cute little ploy of his. It was her turn now. Walking back into the studio, she reached up and touched the necklace she was wearing, a multistrand loop of African trade beads in every color. At least they looked like African trade beads. They were more than that. Not much more, but enough for what Karou had planned.
Profesorka Fiala asked Kaz for a reclining pose for the rest of the period, and he draped himself back across the daybed in a way that, if not quite lewd, was certainly suggestive, knees just a bit too skewed, smile bordering on bedroom. There were no titters this time, but Karou imagined a surge of heat in the atmosphere, as if the girls in the class—and at least one of the boys—needed to fan themselves. She herself was not affected. This time when Kaz peered at her from under lazy eyelids, she met his gaze straight on.
She started sketching and did her best, thinking it fitting that, since their relationship had begun with a drawing, it should end with one, too.
He’d been sitting two tables away at Mustache Bar the first time she saw him. He wore a villain’s twirled mustache, which seemed like foreshadowing now, but it was Mustache Bar after all. Everyone was wearing mustaches—Karou was sporting a Fu Manchu she’d gotten from the vending machine. She’d pasted both mustaches into her sketchbook later that night—sketchbook number ninety—and the resulting lump made it easy to locate the exact page where her story with Kaz began.
He’d been drinking beer with friends, and Karou, unable to take her eyes off him, had drawn him. She was always drawing, not just Brimstone and the other creatures from her secret life, but scenes and people from the common world. Falconers and street musicians, Orthodox priests with beards to their bellies, the occasional beautiful boy.
Usually she got away with it, her subjects none the wiser, but this time the beautiful boy caught her looking, and the next thing she knew he was smiling under his fake mustache and coming over. How flattered he’d been by her sketch! He’d shown it to his friends, taken her hand to urge her to join them, and kept hold of it, fingers laced with hers, even after she’d settled at his table. That was the beginning: her worshipping his beauty, him reveling in it. And that was more or less how it had continued.
Of course, he’d told her she was beautiful, too, all the time. If she hadn’t been, surely he’d never have come over to talk to her in the first place. Kaz wasn’t exactly one to look for inner beauty. Karou was, simply, lovely. Creamy and leggy, with long azure hair and the eyes of a silent-movie star, she moved like a poem and smiled like a sphinx. Beyond merely pretty, her face was vibrantly alive, her gaze always sparking and luminous, and she had a birdlike way of cocking her head, her lips pressed together while her dark eyes danced, that hinted at secrets and mysteries.
Karou was mysterious. She had no apparent family, she never talked about herself, and she was expert at evading questions—for all that her friends knew of her background, she might have sprung whole from the head of Zeus. And she was endlessly surprising. Her pockets were always spilling out curious things: ancient bronze coins, teeth, tiny jade tigers no bigger than her thumbnail. She might reveal, while haggling for sunglasses with an African street vendor, that she spoke fluent Yoruba. Once, Kaz had undressed her to discover a knife hidden in her boot. There was the matter of her being impossible to scare and, of course, there were the scars on her abdomen: three shiny divots that could only have been made by bullets.
“Who are you?” Kaz had sometimes asked, enchanted, to which Karou would wistfully reply, “I really don’t know.”
Because she really didn’t.
She drew quickly now, and didn’t shy away from meeting Kaz’s eyes as she glanced up and down between model and drawing. She wanted to see his face.
She wanted to see the moment his expression changed.
Only when she had captured his pose did she lift her left hand—continuing to draw with her right—to the beads of her necklace. She took one between her thumb and forefinger and held it there.
And then she made a wish.
It was a very small wish. These beads were just scuppies, after all. Like money, wishes came in denominations, and scuppies were mere pennies. Weaker even than pennies, because unlike coins, wishes couldn’t be compounded. Pennies you could add up to make dollars, but scuppies were only ever just scuppies, and whole strands of them, like this necklace, would never add up to a more potent wish, just plenty of very small, nearly useless wishes.
Wishes, for example, for things like itches.
Karou wished Kaz an itch, and the bead vanished between her fingers. Spent and gone. She’d never wished an itch before, so, to make sure it would work, she started with a spot he wouldn’t be shy to scratch: his elbow. Sure enough, he nudged it casually against a cushion, scarcely shifting his pose. Karou smiled to herself and kept drawing.
A few seconds later, she took another bead between her fingers and wished another itch, this time to Kaz’s nose. Another bead disappeared, the necklace shortened imperceptibly, and his face twitched. For a few seconds he resisted moving, but then gave in and rubbed his nose quickly with the back of his hand before resuming his position. His bedroom expression was gone, Karou couldn’t help noticing. She had to bite her lip to keep her smile from broadening.
Oh, Kazimir, she thought, you shouldn’t have come here today. You really should have slept in.
The next itch she wished to the hidden place of her evil plan, and she met Kaz’s eyes at the moment it hit. His brow creased with sudden strain. She cocked her head slightly, as if to inquire, Something wrong, dear?
Here was an itch that could not be scratched in public. Kaz went pale. His hips shifted; he couldn’t quite manage to hold still. Karou gave him a short respite and kept drawing. As soon as he started to relax and… unclench… she struck again and had to stifle a laugh when his face went rigid.
Another bead vanished between her fingers.
This, she thought, isn’t just for today. It’s for everything. For the heartache that still felt like a punch in the gut each time it struck, fresh as new, at unpredictable moments; for the smiling lies and the mental images she couldn’t shake; for the shame of having been so naive.
For the way loneliness is worse when you return to it after a reprieve—like the soul’s version of putting on a wet bathing suit, clammy and miserable.
And this, Karou thought, no longer smiling, is for the irretrievable.
For her virginity.
That first time, the black cape and nothing under it, she’d felt so grown up—like the Czech girls Kaz and Josef hung out with, cool Slavic beauties with names like Svetla and Frantiska, who looked like nothing could ever shock them or make them laugh. Had she really wanted to be like them? She’d pretended to be, played the part of a girl—a woman—who didn’t care. She’d treated her virginity like a trapping of childhood, and then it was gone.
She hadn’t expected to be sorry, and at first she wasn’t. The act itself was neither disappointing nor magical; it was what it was: a new closeness. A shared secret.
Or so she’d thought.
“You look different, Karou,” Kaz’s friend Josef had said the next time she saw him. “Are you… glowing?”
Kaz had punched him on the shoulder to silence him, looking at once sheepish and smug, and Karou knew he’d told. The girls, even. Their ruby lips had curled knowingly. Svetla—the one she later caught him with—even made a straight-faced comment about capes coming back in fashion, and Kaz had colored slightly and looked away, the only indication that he knew he’d done wrong.
Karou had never even told Zuzana about it, at first because it belonged to her and Kaz alone, and later because she was ashamed. She hadn’t told anyone, but Brimstone, in the inscrutable way he had of knowing things, had guessed, and had taken the opportunity to give her a rare lecture.
That had been interesting.
The Wishmonger’s voice was so deep it seemed almost the shadow of sound: a dark sonance that lurked in the lowest register of hearing. “I don’t know many rules to live by,” he’d said. “But here’s one. It’s simple. Don’t put anything unnecessary into yourself. No poisons or chemicals, no fumes or smoke or alcohol, no sharp objects, no inessential needles—drug or tattoo—and… no inessential penises, either.”
“Inessential penises?” Karou had repeated, delighted with the phrase in spite of her grief. “Is there any such thing as an essential one?”
“When an essential one comes along, you’ll know,” he’d replied. “Stop squandering yourself, child. Wait for love.”
“Love.” Her delight evaporated. She’d thought that was love.
“It will come, and you will know it,” Brimstone had promised, and she so wanted to believe him. He’d been alive for hundreds of years, hadn’t he? Karou had never before thought about Brimstone and love—to look at him, he didn’t seem such a candidate for it—but she hoped that in his centuries of life he’d accrued some wisdom, and that he was right about her.
Because, of all things in the world, that was her orphan’s craving: love. And she certainly hadn’t gotten it from Kaz.
Her pencil point snapped, so hard was she bearing down on her drawing, and at the same moment a burst of anger converted itself to a rapid-fire volley of itches that shortened her necklace to a choker and sent Kaz scrambling off the model stand. Karou released her necklace and watched him. He was already to the door, robe in hand, and he opened it and darted out, still naked in his haste to get away and find a place where he could attend to his humiliating misery.
The door swung shut and the class was left blinking at the empty daybed. Profesorka Fiala was peering over the rim of her glasses at the door, and Karou was ashamed of herself.
Maybe that was too much.
“What’s with Jackass?” Zuzana asked.
“No idea,” said Karou, looking down at her drawing. There on the paper was Kaz in all his carnality and elegance, looking like he was waiting for a lover to come to him. It could have been a good drawing, but she’d ruined it. Her line work had darkened and lost all subtlety, finally ending in a chaotic scribble that blotted out his… inessential penis. She wondered what Brimstone would think of her now. He was always reprimanding her for injudicious use of wishes—most recently the one that had made Svetla’s eyebrows thicken overnight until they looked like caterpillars and grew right back the moment they were tweezed.
“Women have been burned at the stake for less, Karou,” he’d said.
Lucky for me, she thought, this isn’t the Middle Ages.
The rest of the school day was uneventful. A double period of chemistry and color lab, followed by master drawing and lunch, after which Zuzana went to puppetry and Karou to painting, both three-hour studio classes that released them into the same full winter dark by which they’d arrived that morning.
“Poison?” inquired Zuzana as they stepped out the door.
“You have to ask?” said Karou. “I’m starved.”
They bent their heads against the icy wind and headed toward the river.
The streets of Prague were a fantasia scarcely touched by the twenty-first century—or the twentieth or nineteenth, for that matter. It was a city of alchemists and dreamers, its medieval cobbles once trod by golems, mystics, invading armies. Tall houses glowed goldenrod and carmine and eggshell blue, embellished with Rococo plasterwork and capped in roofs of uniform red. Baroque cupolas were the soft green of antique copper, and Gothic steeples stood ready to impale fallen angels. The wind carried the memory of magic, revolution, violins, and the cobbled lanes meandered like creeks. Thugs wore Mozart wigs and pushed chamber music on street corners, and marionettes hung in windows, making the whole city seem like a theater with unseen puppeteers crouched behind velvet.
Above it all loomed the castle on the hill, its silhouette as sharp as thorns. By night it was floodlit, bathed in eerie light, and this evening the sky hung low, full-bellied with snow, making gauzy halos around the street lamps.
Down by the Devil’s Stream, Poison Kitchen was a place rarely stumbled upon by chance; you had to know it was there, and duck under an unmarked stone arch into a walled graveyard, beyond which glowed the lamp-lit windowpanes of the cafe.
Unfortunately, tourists no longer had to rely on chance to discover the place; the latest edition of the Lonely Planet guide had outed it to the world—
The church once attached to this medieval priory burned down some three hundred years ago, but the monks’ quarters remain, and have been converted to the strangest cafe you’ll find anywhere, crowded with classical statues all sporting the owner’s collection of WWI gas masks. Legend has it that back in the Middle Ages, the cook lost his mind and murdered the whole priory with a poisoned vat of goulash, hence the cafe’s ghoulish name and signature dish: goulash, of course. Sit on a velvet sofa and prop your feet up on a coffin. The skulls behind the bar may or may not belong to the murdered monks….
—and for the past half year backpackers had been poking their heads through the arch, looking for some morbid Prague to write postcards about.
This evening, though, the girls found it quiet. In the corner a foreign couple was taking pictures of their children wearing gas masks, and a few men hunched at the bar, but most of the tables—coffins, flanked by low velvet settees—were unoccupied. Roman statues were everywhere, life-size gods and nymphs with missing arms and wings, and in the middle of the room stood a copy of the huge equestrian Marcus Aurelius from Capitoline Hill.
“Oh, good, Pestilence is free,” said Karou, heading toward the sculpture. Massive emperor and horse both wore gas masks, like every other statue in the place, and it had always put Karou in mind of the first horseman of the Apocalypse, Pestilence, sowing plague with one outstretched arm. The girls’ preferred table was in its shadow, having the benefit of both privacy and a view of the bar—through the horse’s legs—so they could see if anyone interesting came in.
They dropped their portfolios and hung their coats from Marcus Aurelius’s stone fingertips. The one-eyed owner raised his hand from behind the bar, and they waved back.
They’d been coming here for two and a half years, since they were fifteen and in their first year at the Lyceum. Karou had been new to Prague and had known no one. Her Czech was freshly acquired (by wish, not study; Karou collected languages, and that’s what Brimstone always gave her for her birthday) and it had still tasted strange on her tongue, like a new spice.
She’d been at a boarding school in England before that, and though she was capable of a flawless British accent, she had stuck with the American one she’d developed as a child, so that was what her classmates had thought she was. In truth, she had claim to no nationality. Her papers were all forgeries, and her accents—all except one, in her first language, which was not of human origin—were all fakes.
Zuzana was Czech, from a long line of marionette artisans in Český Krumlov, the little jewel box of a city in southern Bohemia. Her older brother had shocked the family by going into the army, but Zuzana had puppets in the blood and was carrying on the family tradition. Like Karou, she’d known no one else at school and, as fortune would have it, early in the first term they’d been paired up to paint a mural for a local primary school. That had entailed a week of evenings spent up ladders, and they’d taken to going to Poison Kitchen afterward. This was where their friendship had taken root, and when the mural was finished, the owner had hired them to paint a scene of skeletons on toilets in the cafe’s bathroom. He’d paid them a month of suppers for their labor, ensuring they would keep coming back, and a couple of years later, they still were.
They ordered bowls of goulash, which they ate while discussing Kaz’s stunt, their chemistry teacher’s nose hair—which Zuzana asserted was braidable—and ideas for their semester projects. Soon, talk shifted to the handsome new violinist in the orchestra of the Marionette Theatre of Prague.
“He has a girlfriend,” lamented Zuzana.
“What? How do you know?”
“He’s always texting on his breaks.”
“That’s your evidence? Flimsy. Maybe he secretly fights crime, and he’s texting infuriating riddles to his nemesis,” suggested Karou.
“Yes, I’m sure that’s it. Thank you.”
“I’m just saying, there could be other explanations than a girlfriend. Anyway, since when are you shy? Just talk to him already!”
“And say what? Nice fiddling, handsome man?”
Zuzana snorted. She worked as an assistant to the theater’s puppeteers on the weekends and had developed a crush on the violinist some weeks before Christmas. Though not usually bashful, she had yet to even speak to him. “He probably thinks I’m a kid,” she said. “You don’t know what it’s like, being child-size.”
“Marionette-size,” said Karou, who felt no pity whatsoever. She thought Zuzana’s tininess was perfect, like a fairy you found in the woods and wanted to put in your pocket. Though in Zuzana’s case the fairy was likely to be rabid, and bite.
“Yeah, Zuzana the marvelous human marionette. Watch her dance.” Zuzana did a jerky, puppetlike version of ballet arms.
Inspired, Karou said, “Hey! That’s what you should do for your project. Make a giant puppeteer, and you be the marionette. You know? You could make it so that when you move, it’s like, I don’t know, reverse puppetry. Has anyone done that before? You’re the puppet, dancing from strings, but really it’s your movements that are making the puppeteer’s hands move?”
Zuzana had been lifting a piece of bread to her mouth, and she paused. Karou knew by the way her friend’s eyes went dreamy that she was envisioning it. She said, “That would be a really big puppet.”
“I could do your makeup, like a little marionette ballerina.”
“Are you sure you want to give it to me? It’s your idea.”
“What, like I’m going to make a giant marionette? It’s all yours.”
“Well, thanks. Do you have any ideas for yours yet?”
Karou didn’t. Last semester when she’d taken costuming she had constructed angel wings that she could wear on a harness, rigged to operate by a pulley system so she could lift and lower them. Fully unfolded, they gave her a wingspan of twelve magnificent feet. She’d worn them to show Brimstone, but had never even made it in to see him. Issa had stopped her in the vestibule and—gentle Issa!—had actually hissed at her, cobra hood flaring open in a way Karou had seen only a couple of times in her whole life. “An angel, of all abominations! Get them off! Oh, sweet girl, I can’t stand the sight of you like that.” It was all very odd. The wings hung above the bed now in Karou’s tiny flat, taking up one entire wall.
This semester she needed to come up with a theme for a series of paintings, but so far nothing had set her mind on fire. As she was pondering ideas, she heard the tinkle of bells on the door. A few men came in, and a darting shadow behind them caught Karou’s eye. It was the size and shape of a crow, but it was nothing so mundane.
It was Kishmish.
She straightened up and cast a quick glance at her friend. Zuzana was sketching puppet ideas in her notebook and barely responded when Karou excused herself. She went into the bathroom and the shadow followed, low and unseen.
Brimstone’s messenger had the body and beak of a crow but the membranous wings of a bat, and his tongue, when it flicked out, was forked. He looked like an escapee from a Hieronymus Bosch painting, and he was clutching a note with his feet. When Karou took it, she saw that his little knifelike talons had pierced the paper through.
She unfolded it and read the message, which took all of two seconds, as it said only, Errand requiring immediate attention. Come.
“He never says please,” she remarked to Kishmish.
The creature cocked his head to one side, crow-style, as if to inquire, Are you coming?
“I’m coming, I’m coming,” said Karou. “Don’t I always?”
To Zuzana, a moment later, she said, “I have to go.”
“What?” Zuzana looked up from her sketchbook. “But, dessert.” It was there on the coffin: two plates of apple strudel, along with tea.
“Oh, damn,” said Karou. “I can’t. I have an errand.”
“You and your errands. What do you have to do, so all of a sudden?” She glanced at Karou’s phone, sitting on the coffin, and knew she had gotten no phone call.
“Just things,” said Karou, and Zuzana let it drop, knowing from experience that she’d get no specifics.
Karou had things to do. Sometimes they took a few hours; other times, she was gone for days and returned weary and disheveled, maybe pale, maybe sunburned, or with a limp, or possibly a bite mark, and once with an unshakable fever that had turned out to be malaria.
“Just where did you happen to pick up a tropical disease?” Zuzana had demanded, to which Karou had replied, “Oh, I don’t know. On the tram, maybe? This old woman did sneeze right in my face the other day.”
“That is not how you get malaria.”
“I know. It was gross, though. I’m thinking of getting a moped so I don’t have to take the tram anymore.”
And that was the end of that discussion. Part of being friends with Karou was resignation to never really knowing her. Now Zuzana sighed and said, “Fine. Two strudels for me. Any resulting fat is your fault,” and Karou left Poison Kitchen, the shadow of an almost-crow darting out the door before her.
Kishmish took to the sky and was gone in a flutter. Karou watched, wishing she could follow. What magnitude of wish, she wondered, would it take to endow her with flight?
One far more powerful than she’d ever have access to.
Brimstone wasn’t stingy with scuppies. He let her refresh her necklace as often as she liked from his chipped teacups full of beads, and he paid her in bronze shings for the errands she ran for him. A shing was the next denomination of wish, and it could do more than a scuppy—Svetla’s caterpillar eyebrows were a case in point, as were Karou’s tattoo removal and her blue hair—but she had never gotten her hands on a wish that could work any real magic. She never would, either, unless she earned it, and she knew too well how humans earned wishes. Chiefly: hunting, graverobbing, and murder.
Oh, and there was one other way: a particular form of self-mutilation involving pliers and a deep commitment.
It wasn’t like in the storybooks. No witches lurked at crossroads disguised as crones, waiting to reward travelers who shared their bread. Genies didn’t burst from lamps, and talking fish didn’t bargain for their lives. In all the world, there was only one place humans could get wishes: Brimstone’s shop. And there was only one currency he accepted. It wasn’t gold, or riddles, or kindness, or any other fairy-tale nonsense, and no, it wasn’t souls, either. It was weirder than any of that.
It was teeth.
Karou crossed the Charles Bridge and took the tram north to the Jewish Quarter, a medieval ghetto that had given way to a dense concentration of Art Nouveau apartment buildings as pretty as cakes. Her destination was the service entrance in the rear of one of them. The plain metal door didn’t look like anything special, and in and of itself, it wasn’t. If you opened it from without, it revealed only a mildewed laundry room. But Karou didn’t open it. She knocked and waited, because when the door was opened from within, it had the potential to lead someplace quite different.
It swung open and there was Issa, looking just as she did in Karou’s sketchbooks, like a snake goddess in some ancient temple. Her serpent coils were withdrawn into the shadows of a small vestibule. “Blessings, darling.”
“Blessings,” Karou returned fondly, kissing her cheek. “Did Kishmish make it back?”
“He did,” said Issa, “and he felt like an icicle on my shoulder. Come in now. It’s freezing in your city.” She was guardian of the threshold, and she ushered Karou inside, closing the door behind her so the two of them were alone in a space no bigger than a closet. The outer door of the vestibule had to seal completely before the inner one could be opened, in the manner of safety doors at aviaries that prevent birds from escaping. Only, in this case, it wasn’t for birds.
“How was your day, sweet girl?” Issa had some half dozen snakes on her person—wound around her arms, roaming through her hair, and one encircling her slim waist like a belly dancer’s chain. Anyone seeking entry would have to submit to wearing one around the neck before the inner door would unseal—anyone but Karou, that is. She was the only human who entered the shop uncollared. She was trusted. After all, she’d grown up in this place.
“It’s been a day,” Karou sighed. “You won’t believe what Kaz did. He showed up to be the model in my drawing class.”
Issa had not met Kaz, of course, but she knew him the same way Kaz knew her: from Karou’s sketchbooks. The difference was that while Kaz thought Issa and her perfect breasts were an erotic figment of Karou’s imagination, Issa knew Kaz was real.
She and Twiga and Yasri were as hooked on Karou’s sketchbooks as her human friends were, but for the opposite reason. They liked to see the normal things: tourists huddled under umbrellas, chickens on balconies, children playing in the park. And Issa especially was fascinated by the nudes. To her, the human form—plain as it was, and not spliced together with other species—was a missed opportunity. She was always scrutinizing Karou and making such pronouncements as, “I think antlers would suit you, sweet girl,” or “You’d make a lovely serpent,” in just the way a human might suggest a new hairstyle or shade of lipstick.
Now, Issa’s eyes lit up with ferocity. “You mean he came to your school? The scandalous rodent-loaf! Did you draw him? Show me.” Outraged or not, she wouldn’t miss an opportunity to see Kaz naked.
Karou pulled out her pad and flipped it open.
“You scribbled out the best part,” Issa accused.
“Trust me, it’s not that great.”
Issa giggled into her hand as the shop door creaked open to admit them, and Karou stepped across the threshold. As always, she felt the slightest wave of nausea at the transition.
She was no longer in Prague.
Even though she had lived in Brimstone’s shop, she still didn’t understand where it was, only that you could enter through doorways all over the world and end up right here. As a child she used to ask Brimstone where exactly “here” was, only to be told brusquely, “Elsewhere.”
Brimstone was not a fan of questions.
Wherever it was, the shop was a windowless clutter of shelves that looked like some kind of tooth fairy’s dumping ground—if, that is, the tooth fairy trafficked in all species. Viper fangs, canines, grooved elephant molars, overgrown orange incisors from exotic jungle rodents—they were all collected in bins and apothecary chests, strung in garlands that draped from hooks, and sealed in hundreds of jars you could shake like maracas.
The ceiling was vaulted like a crypt’s, and small things scurried in the shadows, their tiny claws scritch-scritching on stone. Like Kishmish, these were creatures of disparate parts: scorpion-mice, gecko-crabs, beetle-rats. In the damp around the drains were snails with the heads of bullfrogs, and overhead, the ubiquitous moth-winged hummingbirds hurled themselves at lanterns, setting them swaying with the creak of copper chains.
In the corner, Twiga was bent over his work, his ungainly long neck bowed like a horseshoe as he cleaned teeth and banded them with gold to be strung onto catgut. A clatter came from the kitchen nook that was Yasri’s domain.
And off to the left, behind a huge oak desk, was Brimstone himself. Kishmish was perched in his usual place on his master’s right horn, and spread out on the desk were trays of teeth and small chests of gems. Brimstone was stringing them into a necklace and did not look up. “Karou,” he said. “I believe I wrote ‘errand requiring immediate attention.’ ”
“Which is exactly why I came immediately.”
“It’s been”—he consulted his pocket watch—“forty minutes.”
“I was across town. If you want me to travel faster, give me wings, and I’ll race Kishmish back. Or just give me a gavriel, and I’ll wish for flight myself.”
A gavriel was the second most powerful wish, certainly sufficient to grant the power of flight. Still bent over his work, Brimstone replied, “I think a flying girl would not go unnoticed in your city.”
“Easily solved,” said Karou. “Give me two gavriels, and I’ll wish for invisibility, too.”
Brimstone looked up. His eyes were those of a crocodile, luteous gold with vertical slit pupils, and they were not amused. He would not, Karou knew, give her any gavriels. She didn’t ask out of hope, but because his complaint was so unfair. Hadn’t she come running as soon as he’d called?
“I could trust you with gavriels, could I?” he asked.
“Of course you could. What kind of question is that?”
She felt his appraisal, as if he were mentally reviewing every wish she’d ever made.
Blue hair: frivolous.
Erasing pimples: vain.
Wishing off the light switch so she didn’t have to get out of bed: lazy.
He said, “Your necklace is looking quite short. Have you had a busy day?”
Her hand flew to cover it. Too late. “Why do you have to notice everything?” No doubt the old devil somehow knew exactly what she’d used these scuppies for and was adding it to his mental list:
Making ex-boyfriend’s cranny itch: vindictive.
“Such pettiness is beneath you, Karou.”
“He deserved it,” she replied, forgetting her earlier shame. Like Zuzana had said, bad behavior should be punished. She added, “Besides, it’s not like you ask your traders what they’re going to use their wishes for, and I’m sure they do a hell of a lot worse than make people itch.”
“I expect you to be better than them,” Brimstone said simply.
“Are you suggesting that I’m not?”
The tooth-traders who came to the shop were, with few exceptions, about the worst specimens humanity had to offer. Though Brimstone did have a small coterie of longtime associates who did not turn Karou’s stomach—such as the retired diamond dealer who had on a number of occasions posed as her grandmother to enroll her in schools—mostly they were a stinking, soul-dead lot with crescents of gore under their fingernails. They killed and maimed. They carried pliers in their pockets for extracting the teeth of the dead—and sometimes the living. Karou loathed them, and she was certainly better than them.
Brimstone said, “Prove that you are, by using wishes for good.”
Nettled, she asked, “Who are you to talk about good, anyway?” She gestured to the necklace clutched in his huge clawed hands. Crocodile teeth—those would be from the Somali. Also wolf fangs, horse molars, and hematite beads. “I wonder how many animals died in the world today because of you. Not to mention people.”
She heard Issa suck in a surprised breath, and she knew she should shut up, but her mouth kept moving. “No, really. You do business with killers, and you don’t even have to see the corpses they leave behind. You lurk in here like a troll—”
“Karou,” Brimstone said.
“But I’ve seen them, piles of dead creatures with bloody mouths. Those girls with their bloody mouths; I’ll never forget as long as I live. What’s it all for? What do you do with these teeth? If you would just tell me, maybe I could understand. There must be a reason—”
“Karou,” Brimstone said again. He did not say “shut up.” He didn’t have to. His voice conveyed it clearly enough, on top of which he rose suddenly from his chair.
Karou shut up.
Sometimes, maybe most of the time, she forgot to see Brimstone. He was so familiar that when she looked at him she saw not a beast but the creature who, for reasons unknown, had raised her from a baby, and not without tenderness. But he could still strike her speechless at times, such as when he used that tone of voice. It slithered like a hiss to the core of her consciousness and opened her eyes to the full, fearsome truth of him.
Brimstone was a monster.
If he and Issa, Twiga, and Yasri were to stray from the shop, that’s what humans would call them: monsters. Demons, maybe, or devils. They called themselves chimaera.
Brimstone’s arms and massive torso were the only human parts of him, though the tough flesh that covered them was more hide than skin. His square pectorals were riven with ancient scar tissue, one nipple entirely obliterated by it, and his shoulders and back were etched in more scars: a network of puckered white cross-hatchings. Below the waist he became elsething. His haunches, covered in faded, off-gold fur, rippled with leonine muscle, but instead of the padded paws of a lion, they tapered to wicked, clawed feet that could have been either raptor or lizard—or perhaps, Karou fancied, dragon.
And then there was his head. Roughly that of a ram, it wasn’t furred, but fleshed in the same tough brown hide as the rest of him. It gave way to scales around his flat ovine nose and reptilian eyes, and giant, yellowed ram horns spiraled on either side of his face.
He wore a set of jeweler’s lenses on a chain, and their dark gold rims were the only ornament on his person, if you didn’t count the other thing he wore around his neck, which had no sparkle to catch the eye. It was just an old wishbone, sitting in the hollow of his throat. Karou didn’t know why he wore it, only that she was forbidden to touch it, which, of course, had always made her long to do so. When she was a baby and he used to rock her on his knee, she would make little lightning grabs for it, but Brimstone was always faster. Karou had never succeeded in laying so much as a fingertip to it.
Now that she was grown she showed more decorum, but she still sometimes found herself itching to reach for the thing. Not now, though. Cowed by Brimstone’s abrupt rising, she felt her rebelliousness subside. Taking a step back, she asked in a small voice, “So, um, what about this urgent errand? Where do you need me to go?”
He tossed her a case filled with colorful banknotes that turned out to be euros. A lot of euros.
“Paris,” said Brimstone. “Have fun.”
“Oh, yes,” Karou muttered to herself later that night as she dragged three hundred pounds of illegal elephant ivory down the steps of the Paris Metro. “This is just so much fun.”
When she’d left Brimstone’s shop, Issa had let her out through the same door by which she’d entered, but when she stepped onto the street she was not back in Prague. She was in Paris, just like that.
No matter how many times she went through the portal, the thrill never wore off. It opened onto dozens of cities, and Karou had been to them all, on errands like this one and sometimes for pleasure. Brimstone let her go out and draw anywhere in the world where there wasn’t a war, and when she had a craving for mangoes he opened the door to India, on the condition that she bring some back for him, too. She had even wheedled her way into shopping expeditions to exotic bazaars, and right here, to the Paris flea markets, to furnish her flat.
Wherever she went, when the door closed behind her, its connection to the shop was severed. Whatever magic was at work, it existed in that other place—Elsewhere, as she thought of it—and could not be conjured from this side. No one would ever force his way into the shop. One would only succeed in breaking through an earthly door that didn’t lead where he hoped to go.
Excerpted from Daughter of Smoke and Bone by Taylor, Laini Copyright © 2011 by Taylor, Laini. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Posted October 3, 2011
This is a rich, imaginative tale of magic and monsters, war and heartbreak. The world-building in this novel is breathtaking, the backstory a tapestry woven with strands of legend and otherworldly secrets. Laini Taylor's style is beautiful and intelligent, bewitching in its elegant flair. The pacing is perfect with never a dull moment, whether the intensity comes from the heat of battle, the awe of discovery or the mystery of Taylor's monsters.
Taylor's imagination knows no bounds. This is the most creative, original story I have ever read. Daughter of Smoke and Bone is a book that cannot be easily defined. It is a long history of war and senseless hate, otherworldly races and ancient magic. It is a fantasy and a tragedy and a romance. It is all these things and more. The descriptions are lush and vivid, the characters terrifying and oddly compelling, the lines between good and evil hopelessly blurred. It is a tale of self-discovery and irrepressible love, a coming-of-age story like no other.
Karou is such a compelling heroine, the kind of girl that shouldn't be crossed. She is quirky and mysterious -- from her naturally blue hair to her bullet-scarred belly -- a complex character who is alive and engaging from page one. Her mental life runs deep as she struggles with a lifelong sense of emptiness, and the constant frustration of vague answers from the only family she's ever known. Karou is smart and skilled, and she knows there's more to the story than she's been told. She is fearless when she needs to be, but vulnerable at heart. It's impossible not to fall in love with this one-of-a-kind heroine.
Her relationship with the chimaera who comprise her family is a complicated one -- full of loyalty and love, but also the betrayal and pain that plagues every family. Yet their deep-rooted bond is one of the most heart-warming aspects of the book, and is crucial to the impossible decisions Karou must make. Though they are repeatedly called "monsters" or "devils", Taylor takes care to show that nothing is so black and white. Karou's unconventional family fiercely loves her, and even when it's not always clear, they're acting with her best interest at heart.
A major part of what makes this tale so engrossing is the setting. Prague is a beautiful, enchanted place with cobblestone streets and macabre pubs -- anyone who reads this book will want to hop on a plane immediately. Taylor brings the scene alive for readers, making them feel the majesty of the city's beauty and the sting of the wind's sharp bite. Prague is timeless, full of hidden nooks and dusty secrets, the perfect setting for a tale of star-crossed love and forbidden magic.
Taylor perfectly balances drama and action with wit and passion, the kind of read that tickles the imagination and seeps into the soul. Readers will delight in the mystery of the devil's teeth, the brutal war between worlds and the truth of Karou's identity, never knowing where this colorful saga will take them next. Taylor's storytelling is stark and exquisite and lyrical, but also haunting, dark and sometimes tragic. When the many strands come together to reveal a stunning and heartbreaking truth, readers will never know what hit them. This is a fast-paced and high-soaring adventure that spans continents and worlds, generations and families -- but ultimately it all comes down to one girl, one special, strange girl with a secret sadness and a forgotten past.
~Review from the
26 out of 30 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted September 11, 2011
I'm at a lost to describe this book. Is it a fairy tale? A twist to the old Romeo and Juliet story? A tale of war? A tale of prejudice? It's all of these things and more.
Karou is an artist whose imagination creates the wonderful hybrid creatures on the pages of her art-book - which is popular among the other art students at her school in Prague. The creatures are so realistic and Karou even has stories about them, telling it all with the wry smile that hides the fact that her imaginative creations and fantastic stories are real.
I was transported.
Laini's descriptive writing style printed such an impressive image of Prague in my head that I'm ready to call a travel agent and book my flight. If only Brimstone's shop could be reached via plane.
I was enthralled.
Karou, Zuzana, Issa, Twiga, Yasri, Brimstone and the rest, leaped out of the pages. Laini's characters are so well developed that I can picture them, right now, almost as if they are crowding my room, vying for my attention. The story was constantly moving, shifting, twisting; but never overwhelming or dull. I practically devoured it.
I was mystified.
One of the best parts of this story was the reveal in the end. In the back of my mind I knew what was happening, I knew where the story was going - because of the clues that were hidden along the way - but it wasn't until the reveal that everything became clear. I love when authors can achieve that balance, giving just enough for you to think you've got it, but leaving just enough out for you to be surprised in the end. This was the case with Daughter of Smoke and Bone. It was a perfect blend of romance, adventure, and suspense. I cannot wait to read more from Laini!
16 out of 18 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted September 29, 2011
This book was poetically written and had me hooked for about the first 75 pages, but then the story grew increasingly bestial and weird. A good read for anyone who is into hardcore fantasy, but anyone who prefers more realistic and humanized forms of paranormal (aka. Twilight fans) might find the characters difficult to connect with. Definitely more powerful than Hush Hush, Fallen, and Personal Demons, but too "other worldly" and "out there" to really be considered a portrait of the human soul.
11 out of 26 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted July 12, 2011
This book is honestly one of the best I've ever read. It leads you to be intrigued with Karou the minute you begin reading. A mysterious and beautiful blue haired girl who feels entirely empty and alone. And on the opposite spectrum, an angel whose soul is broken beyond repair. POSSIBLE SPOILER...sort of......although the story does end up mostly being a romance, it doesn't i any way take away from the amazing imagery and fantasy elements that drive the story. the main characters are both complex and realistic. I HIGHLY recommend this book to anyone really. From young adult to adult. I cried while reading it and also laughed. This book will take you on a journey through all emotions on the spectrum and leave you gasping for breathe at the end wanting more. An absolute must-read.
8 out of 12 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted September 18, 2012
This book was amazing! I've been kind of wary of the fantasy genre lately, because most stories are stereotypical and redundant. But the cover caught my eye, so I decided to check it out. And I was not disappointed. While the basic idea of an angel and demon falling in love is nothing new, Taylor wrote it in the way it always should have been: dark, intriguing, complex, and unique. The plot had plenty of twists and turns without being overly confusing. The setting was clear and distinctive.
But the best part were the characters. Karou is what every teenage girl wants to be: witty, mysterious, dangerous, and lovely, without being too perfect. Brimstone and the other demons so embody what you want them to be that you can practically see them, sitting in your living room and drinking coffee. While Akiva is described as beautiful, he's not even close to a sparkle fairy. Instead, he's got enough of the avenging angel aspect to be formidable.
I would definitely recommend this story for anyone who's fed up of the average fantasy/paranormal romance but isn't ready to give up hope on the genre.
7 out of 7 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted September 15, 2012
I LOVED this book. It is sheer perfection: from the gorgeous cover to the very last word. The characters, plot, world-building, mythology, and captivating prose.. all of it is superb! Karou immediately found her way onto my very elite "favorite heroines" list!
5 out of 5 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted September 23, 2012
I thought that this book was extraordinary! It has been one of the better books I have read in a long time.... The sense of romance waiting to be uncovered but is always put off just when they get to the good parts. I loved everything about this book.... That being said, there was one thing that I was very very upset with and that was the fact that it was to be continued and left me hanging at the end. PLEASE MAKE A SEQUEL!!! I would definetly read this book again
4 out of 4 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted August 20, 2012
I loved it because it was an original spin of some ancient ideas.....creepy,, compelling and engaging. There was a twist that i did nit expect about midway....anxiously awaiting the sequel....
4 out of 4 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted January 3, 2012
Because of all the hype this book is getting, I was expecting to be blown away!
Angels and demons falling in love? Nothing new about that. The settings were unique, I'll give the author that, but after a while the description started to really bog down the plot. And then there was the ending. The author built up the whole story around these two creatures and right when it was about to get REALLY good, she throws in this huge, 60+ page flashback that I felt completely unconnected to--and then the book was over. So, overall, Meh.
And one more thing!!! A male angel with flaming wings (totally cool) that wears guyliner??? I thought the eyeliner thing was totally dorky. Do they seriously make eyeliner in heaven? I don't think so.
4 out of 12 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted March 30, 2012
Daughter of Smoke and Bone is about Karou, a young Art student in Prague, with hair that grows out of her head an intense blue and a sketchbook full of monsters. Dealing with her sleazy ex-boyfriend was bad enough, but Karou is about to be caught up in a brutal war. A war that has something to do with what she collects for Brimstone, the strange being that raised her from a baby. A war that has something to do with teeth.
I don’t have adequate words to describe this book. It was funny and fascinating and just plain good. But most importantly, Daughter of Smoke and Bone delivers that special something - the spark that diehard readers are always searching for. If you’re disillusioned by the quality of work in the YA genre you will appreciate this novel for how lovingly crafted it is. The premise is magnificent, and Taylor’s talent as a writer has seen it beautifully realised. Several passages were some of the most beautiful and honest that I’ve ever read. Others were some of the funniest. It hits every nail on the head.
Daughter of Smoke and Bone also doesn’t fall into the trap of sacrificing reason in order to make a paranormal storyline work. Taylor follows the rules of the world she has created. I consider a failure to do this a serious writing sin, but many paranormal and urban fantasies get away with characters doing and saying things with no consistent reasoning at all. It is therefore a refreshing experience to read a book where the plot and characters are not only entertaining, but also stand up to basic scrutiny. It is the difference between ‘mediocre’ and ‘amazing’.
What I Loved:
Everything, but particularly the characters. They were unique and captivating, and I was actually able to invest in how their story unfolded. What I most enjoyed was the way that Taylor isn’t afraid to let her characters be a bit grotesque.
What Was Lacking:
Nothing, really. But I was surprised by the cliff-hanger ending – excruciating! I need to know now!
“I don’t know many rules to live by,’ he’d said. ‘But here’s one. It’s simple. Don’t put anything unnecessary into yourself. No poisons or chemicals, no fumes or smoke or alcohol, no sharp objects, no inessential needles—drug or tattoo—and…no inessential penises either.’
‘Inessential penises?’ Karou had repeated, delighted with the phrase in spite of her grief. ‘Is there any such thing as an essential one?’
‘When an essential one comes along, you’ll know,’ he’d replied.”
This book is a must-read. The YA market has been flooded with weak novels that ultimately blur together and fail to make a lasting impression, but Daughter of Smoke and Bone is vivid and engaging from the very first page.
3 out of 3 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
I was hooked from the get go on this one. It was a definite surprise,not what I was expecting. Its the kind of book that even after you have finished it, you can't stop thinking about it. I would recommend this to anyone who likes to think outside the box!
3 out of 4 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted January 6, 2012
I have to admit that I have never been much of a fan of fantasy stories. I prefer more realistic stories like those by Jodi Picoult etc. However,this book totally got me hooked! Laini Taylor is an author full of imagination and creativity who managed to bring out human qualities in the strange creatures in this story. The war between Angels and Demons is a popular topic in many books with a fantasy genre but Laini Taylor weaved a story around it and made her's so unique. Also certain ideas like having the Chimera possess the art of "reviving" the dead using teeth is very original and interesting. It did not matter that many things were unreal cause after all it is a fantasy fiction and the character of the characters were human-like enough and easy to relate with. The different point of views in this book gave it more perspective and allows the reader to explore each character. It is definitely one of the best books I have read in the year 2011. You have to read this book!
3 out of 3 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted August 21, 2012
I only have three series that I absolutely love! Now, I have FOUR! The
twilight series, the mortal instruments series, the infernal devices
series, and -NOW- Daughter of Smoke and Bone! I couldn't put it down!
It's written so well! I LOVE THIS BOOK, AND I CAN'T WAIT FOR THE SECOND!
I dread having to wait until 11/06/2012
2 out of 2 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted August 18, 2012
I love this book and I can't wait for the next book in this series.
Daughter of Smoke and Bone is a great and original story that I'm been
looking for to read for awhile. I love the characters and the mysterious
past of Karou. It almost like a angels vs. demons story, but with a
creative fantastic twist.
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Posted August 10, 2012
Interesting. Keeps you hooked, has it all: action, suspense, drama, romance, even some comedy. I would highly recommend this book to any fantasy lovers out there
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Posted February 28, 2012
Black hand-prints are appearing on doors all over the world, burned there as if by magic by strange soldiers with winged shadows.
In a dark shop that exists outside the realm of conventional doors, a Devil's supply of teeth is growing dangerously low.
And on the streets of Prague an art student named Karou is about to learn the real cost of a wish and all of the secrets of her murky past--more, perhaps, than she wants to know in Daughter of Smoke and Bone (2011) by Laini Taylor.
Daughter of Smoke and Bone is the first book in a trilogy (which is lucky since the book actually ends with "to be continued"). It also has a pretty website with information about the book, the characters and the world.
Broken into four parts, this book has an interesting structure. Each section begins with a short phrase that almost tells readers what to expect even if what follows is never exactly what was expected. For instance, the book begins with "Once upon a time, an angel and a devil fell in love, it did not end well." Yet the story still entices and much remains to be revealed before the novel is over.
The world Taylor creates in Daughter of Smoke and Bone is stunning in both its scope and its execution. In addition to evoking Karou's mystical life in Prague complete with a church that serves goulash on coffin tables, Taylor weaves an intricate story of angels and devils replete with history, myths and one very bloody war.
Taylor artfully tells at least three stories in this one book as the focus shifts between angels and devils, Karou's present, and the near past. Though names and details come very fast in the beginning the density of the story eventually lessens as events resolve themselves into one clear, related narrative. At least until the shocking conclusion that leaves things up in the air in a very literal sense until the next book is available.
Daughter of Smoke and Bone is a delightfully original addition to the ever-growing world of literature about angels (and devils) and a fine example of what the landscape of a fantasy should look like. A must read for fans of urban fantasy and high fantasy alike.
Possible Pairings: Unearthly by Cynthia Hand, Fire and Hemlock by Diana Wynne Jones, Dream Hunter by Elizabeth Knox, Wildwood Dancing by Juliet Marillier, The Scorpio Races by Maggie Stiefvater
2 out of 2 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted December 19, 2011
A strange race of creatures implored with a disjointed plot makes for a difficult read. I am a fan of YA but I simply could not get into this book. It was a struggle just to drudge through the plot in its entirety. Even reading up until the last sentence, this book was strange and very underwhelming.
2 out of 9 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted November 18, 2011
I thought the author went out of her way to make the plot line obvious. The story also reminded me too much of Lauren Kate's "Fallen" series just with new races and characters.
2 out of 10 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted November 18, 2013
I loved this book it was sexy, very well paced and not once did I want to put it down. It was just wonderful.
1 out of 1 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.