BN.com Gift Guide

Daughters of the Revolution

( 10 )

Overview

In 1968, a clerical mistake threatens the prestigious but cash-strapped Goode School in the small New England town of Cape Wilde. After a century of all-male, old-boy education, the school accidentally admits its first female student:  Carole Faust, a brilliant, outspoken, fifteen-year-old black girl whose arrival will have both an immediate and long-term effect on the prep school and everyone in its orbit.
 
There’s the ...

See more details below
Hardcover
$22.01
BN.com price
(Save 11%)$24.95 List Price

Pick Up In Store

Reserve and pick up in 60 minutes at your local store

Other sellers (Hardcover)
  • All (59) from $1.99   
  • New (13) from $1.99   
  • Used (46) from $1.99   
Daughters of the Revolution

Available on NOOK devices and apps  
  • NOOK Devices
  • Samsung Galaxy Tab 4 NOOK 7.0
  • Samsung Galaxy Tab 4 NOOK 10.1
  • NOOK HD Tablet
  • NOOK HD+ Tablet
  • NOOK eReaders
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook)
$11.99
BN.com price

Overview

In 1968, a clerical mistake threatens the prestigious but cash-strapped Goode School in the small New England town of Cape Wilde. After a century of all-male, old-boy education, the school accidentally admits its first female student:  Carole Faust, a brilliant, outspoken, fifteen-year-old black girl whose arrival will have both an immediate and long-term effect on the prep school and everyone in its orbit.
 
There’s the school’s philandering headmaster, Goddard “God” Byrd, who had promised co-education “over his dead body” and who finds his syllabi full of dead white males and patriarchal tradition constantly challenged; there’s EV, the daughter of God’s widowed mistress who watches Carole’s actions as she grows older with wide eyes and admiration; and, finally, there’s Carole herself, who bears the singular challenge of being the First Girl in a world that’s not quite ready to embrace her. 

Read More Show Less

Editorial Reviews

Library Journal
For lack of a life jacket, the trajectory of several lives is altered in this smart, sexy, sarcastic, sophisticated novel from Cooke (The Bostons, a New York Times Notable Book). The Goode School, a prestigious New England bastion of male-only education, designed to prepare its wealthy students to become masters of the universe, represents a microcosm of the social and political upheaval of the past four decades, all overseen by self-important, entitled headmaster Goddard Byrd. In 1968, a typing error results in a scholarship offer to the first Negro female in the school's history, negating Byrd's promise to admit "girls" over his dead body. Encouraged by the put-upon female faculty and protected by the moneyed Rebozos family, gloriously rebellious Carole Faust upends life at the school. Meanwhile, the drowning of Goode alumnus and doctoral candidate Heck Hellman means that his wife and daughter must struggle through menial jobs and public school education, working their way up to middle-class status until, years later, they cross paths with Carole at a Goode school function. VERDICT Cooke's unique novel defies genre comparisons but has particular relevance as our country's financial woes exacerbate the gap between the power brokers and the rest of us. This cautionary tale deserves wide readership. [See Prepub Alert, 11/29/10.]—Sally Bissell, Lee Cty. Lib. Syst., Ft. Myers, FL
Danzy Senna
Cooke’s characters are a diverse lot: an aging white headmaster named Goddard (or “God,” in case we missed the symbolism), who is intent on keeping girls out of the Goode School; a self-possessed black girl named Carole, who is accidentally admitted; Heck’s young widow, who becomes God’s typist and lover; and her daughter, EV. Through their interactions, Cooke shows how social transformation can be less a forward march than a messy, halting dance, with sometimes awkward partners.
—The New York Times Book Review
From the Publisher

 
“Lifts the bell jar off the rarified world of traditional male prep schools. . . . Wickedly funny.” —Ms. 
  
"Mordantly funny and coolly streamlined, deeply humane and slyly wise." —St. Petersburg Times
  
“Ferocious, astonishing. . . . [Cooke’s] profound, honest compassion for all her characters, men and women, makes them so engrossing, you almost forget what they’re up against.” —San Francisco Chronicle
 
“[Daughters of the Revolution] shimmers with intimate and revealing detail.” —The New York Times Book Review

“Cooke writes with such delicacy and control, such luminous warmth, that the only disappointment comes when the book ends.” —The Boston Globe
 
“Carolyn Cooke writes with knives and feathers. She slices into her subjects so we see the insides of them and she dusts off the everyday covering to reveal the true contours beneath. Her Daughters of the Revolution is bristling with smarts. Read it slowly and savor the gift this author gives her readers: fierce intelligence, sly humor and not a moment of missing the folly in life.” —Susan Minot, author of Rapture
 
“Wise [and] exquisitely spare.” —Marie Claire
 
“Cooke's writing is so sensuous and alert that it would be easy to miss the novel's symbolic qualities.” —The New Yorker
 
“So smart, so visceral, so sexy. . . . Absolutely brilliant.” —Kate Walbert, author of A Short History of Women 
 
“[A] charming, provocative, intelligent novel” —Hudson Valley News
 
“Fiercely intelligent.” —O, The Oprah Magazine
 
“If you read just one book of fiction this year, this should be the one.” —The Portland Press Herald
 
“This smart, sexy, sarcastic, sophisticated novel from Cooke . . . defies genre comparisons but has particular relevance.” — Library Journal (starred review)
 
“Cooke’s writing flows and sparkles.” —The Washington Independent Review of Books 
  
“Exuberant bad behavior runs like a life force through this book, in which every sentence is chiseled exactly.” —Sarah Stone, author of The True Sources of the Nile

Read More Show Less

Product Details

  • ISBN-13: 9780307594730
  • Publisher: Knopf Doubleday Publishing Group
  • Publication date: 6/7/2011
  • Pages: 192
  • Sales rank: 1,376,678
  • Product dimensions: 5.80 (w) x 9.30 (h) x 0.90 (d)

Meet the Author

Carolyn Cooke
Carolyn Cooke’s short-story collection, The Bostons, was a winner of the 2002 PEN/Robert Bingham Fellowship for Writers and a runner-up for the PEN/Hemingway Foundation Award. Her fiction has appeared in AGNI, The Paris Review, Ploughshares and in two volumes each of The Best American Short Stories and The O. Henry Prize Stories. A recipient of fellowships from the National Endowment for the Arts and the California Arts Council, she teaches in the MFA writing program at the California Institute of Integral Studies in San Francisco.
Read More Show Less

Read an Excerpt

He begins with a bang at the center of his story. It’s spring of that revolutionary year, not too far in. Meringues of snow line the sidewalks, but a freshness cuts the air. Goddard Byrd—known to his friends and enemies as “God”—has just emerged from an afternoon at the Parker House Hotel, a virile, uncircumcised male of his class, upbringing and era. His prostate gland and his praeputium have not yet been removed, and he is unburdened, just now, of Puritanism’s load. He has drunk a glass of gin, then lain with Mrs. Viktor Rebozos—whom he must remember to call Aileen—and both of them are better for this exercise.

In bed, she tells him he is a bear, all paws and claws. She insults him, purrs, climbs on top. She wants to know if he could be any wild animal, which would he be?

An animal? He would be a tiger!

(She would be a gazelle.)

He likes himself better this way, his natural shyness tempered by adrenaline. She is more fl exible than he, more at ease, depending on the occasion—more pliable. Women are pliable, he thinks; they revel in the shifting relations required by husbands,
children, lovers, others. (How can this be a matter of opinion?) He can’t tell Mrs. Rebozos these things; she might eat him alive.

They lie together in the fading afternoon light, the March grisaille. “The most beautiful words in the English language are sex in the afternoon,” she tells him, and he can’t, in the moment, find reason to correct her. Mrs. Rebozos’s tongue darts suddenly across his left nipple, and God rises with an animal roar, his body fire and ice.

She smiles. “I read that in The Kama Sutra of Vatsyayana.”

“Do it again,” says God.

Her tongue and lips move excruciatingly over his body, describing ancient erotic techniques from the Orient. He rises obediently as a snake in a basket. God lifts his head to look at her, and feels an organ breach (liver? spleen?). She is so gamine, indeed! She looks like a boy. Almost. Short hair. Hoops in her ears. All of it signifying what? Maybe nothing. Eventually, he pins her to her back, which she seems to enjoy, and humps her in the familiar way, running breathlessly toward a goal, which he reaches.

“You’re beginning to get it, my earnest missionary,” she tells him afterward. “Let’s hope it’s not too late.”

They share a plate of cold roast beef, a famous roll. Naked, quivering a little, she wraps a blue knit scarf around her shoulders. “My dark secret,” she says. “All my life I’ve been drawn to misogynist coots like you. Like a taste for black coffee—incredible when you think about it.” Even God is surprised that a free-spirited woman such as Mrs. Rebozos would so defi antly stand beside an old man, in his shadow, eat meat with him and be his prize!

“I have to go,” he says into her ear. “You could stay all afternoon; you could have a bath.”

“Just a quick shower,” she says. “I have a women’s thing. Last week, we inspected our cervixes. Mine looked like an eye.
It blinked.

God tries to conceal his horror. At three, he descends, leaving Mrs. Rebozos to enjoy the rented room, whose extravagant price stabs him when he thinks of it. (In spite of the evidence, he imagines her as feminine, passive, mysterious and inert. Women in their beds, Rorschach blots on luminous sheets.)

He advances through the lobby and rolls into the street like a well-oiled man on wheels. The atmosphere of hostility and depravity beyond the doors of the Parker House stings him like a slap. The street is fi lthy; even the city fathers are off their game, lax or stoned. Girls in paper dresses—temporary dresses for temporary girls—giggle at him. He’s harmless, they think, the last of a dying breed.

God passes gently into a haze of mustard-purple-maroon and marijuana fumes. In spite of the expense of the hotel and the crudeness of the street, he feels deeply at home in this world. It is divided and antagonistic, fi lled with human hatreds bred by race, religion and economics; he loves it anyway.

From the Hardcover edition.

Read More Show Less

Reading Group Guide

1. Who is the main character in this novel? Why are the EV sections told in first person?

2. There are several unusual character names here: God, Heck, Mei-Mei, EV, Pilgrim. What is the metaphorical significance of the names?

3. For God, “loss was one theme: the headship of the school, the battle over girls, memory, prostate, lung, teeth, foreskin.” What are some other themes in the novel?

4. What does the title mean? Who are the daughters of the revolution?

5. Discuss the class issues raised throughout the book. What effect does money have in determining one’s place in society as opposed to gender or ethnicity?

6. Why isn’t the story told chronologically? Discuss how the author plays with time.

7. What do you imagine happens to Archer Rebozos in the years following the accident?

8. Goddard Byrd swears that the Goode School will admit girls “over my dead body.” Is God a misogynist?

9. God sees a phrase written in graffiti: “Are we not drawn onward we few drawn onward to new era?” What does it mean? Mrs. Rebozos points out that it’s a palindrome. Why is this significant?

10. Herman Melville’s novel Moby-Dick comes up again and again over the course of the novel. Carole Faust compares herself to the whale, calling herself a “fearful symbol.” What point is the author making with this connection? What is the role of literature in the novel?

11. In what ways does Carole represent the radical changes of the 1960s?

12. EV says, “Mei-Mei thought my father’s death was a story about accidents, threats, loss, abandonment, risk. ‘Be careful,’ she used to tell me . . . ‘Don’t die.’” It sounds like she thinks her father’s death was about none of those things. What did it mean to her?

13. Several times, we are told that Mrs. O’Greefe had her own nipple grafted onto her forehead. What is the significance of this act?

14. Discuss EV’s trip to the Caribbean island, which ends with the news of her roommate’s murder. What does the reader learn during this section of the book? Why is the reckless EV safe while the cautious Jess dies?

15. Mei-Mei points out the similarities between Pilgrim and God. Why does EV choose a man like Pilgrim?

16. After she has sex with Pilgrim, Mei-Mei wonders if she had ever been a good mother to EV. Do you think she was? Why does she sleep with Pilgrim?

17. Why does God get circumcised? How does it bring about his downward spiral?

18. Discuss the character of Mrs. Graves. Why is she so devoted to God? What does she get out of their relationship?

19. In her speech at the end of the novel, Carole says that God is “the secret of my success.” How so? Do you think he knew this?

20. When Mei-Mei tells Carole about Heck’s accident and the life jacket, EV is shocked, because it “changed our whole story into a story about power and economics, about our lesser equipment and poorer tools. I’d misunderstood everything.” How does this one detail make such a difference? Why hadn’t Mei-Mei told EV about it before?

Read More Show Less

Customer Reviews

Average Rating 2.5
( 10 )
Rating Distribution

5 Star

(2)

4 Star

(0)

3 Star

(2)

2 Star

(5)

1 Star

(1)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
Sort by: Showing all of 10 Customer Reviews
  • Posted April 9, 2011

    more from this reviewer

    A Literary Gem!

    Goddard (God) Byrd is the philandering headmaster of the all-male Goode School, a financially struggling prep school. Despite tradition and God's personal aversion to coeducation, Carole Faust, a brilliant, young and rebellious black woman has been admitted as a scholarship student through a clerical oversight.

    The lives of Lil Hellman, a young widow, and her small child EV are interwoven with God's and Carole's in this coming of age story that richly encompasses the changing times, from the Kennedy assassination through civil unrest and the sexual revolution.

    Surrounded by young people, especially young women, who are embracing newly forged freedoms, God's unwillingness or inability to accept the shifting dynamics of the world around him deftly mirrors the struggles of the era.

    While reading DAUGHTERS OF THE REVOLUTION, I was in awe of the author's ability to bring to such vivid life the political and social turbulence of the '60s through the early '80s. Ms. Cooke's achingly beautiful and intelligent prose makes DAUGHTERS OF THE REVOLUTION a delightful and powerful literary gem. Lynn Kimmerle

    7 out of 8 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted June 4, 2011

    more from this reviewer

    Daughters of the Revolution reflects that the social reform movements of a past remain very relevant today

    In 1968 in Cape Wilde, New England, The Goode School welcomes only male offspring of affluent families. As racial and gender barriers are under assault, headmaster Goddard "God" Byrd refuses to allow the other weaker sex entrance to his school.

    However, a double shocker occurs through a typo when fifteen years old Negro female Carole Faust receives a scholarship. The school faculty, alumni, family members and students are divided over the brilliant radical girl while God is in a 24/7 rage. At the same time, Goode alumnus Heck Hellman drowns leaving behind his wife Lil and their little girl Ev who no longer meet the school's economic criteria.

    This is a superb historical novel that focuses on the social unrest of the late 1960s with timely comparisons to the present. The cast is powerful as Carolyn Cooke insures the diverse opinions are handled with respect even that of God who may be an anachronism today but not then; as the author avoids caricatures. Satirically mocking the boomers whose good intentions reform has led to an outcome of the greatest economic division ever between the upper class and the rest in this country, Daughters of the Revolution reflects that the social reform movements of a past remain very relevant today.

    Harriet Klausner

    5 out of 7 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted August 15, 2011

    Superficial Journey

    Based on the cover and description, I thought it would be more about adapting to life in the 60's & 70's, which can be written very interestingly. The chapters are short and makes a quick read, but it just lacked a good story.

    Was this review helpful? Yes  No   Report this review
  • Posted July 4, 2011

    What a disappointment!

    I had high hopes for this book, since it was a "if you liked, you will also like..." recommendation. I was hooked by the sample. The beginning is a fabulous read. The author builds a connection to an interesting family with intriguing issues. Unfortunately, the book begins its decline with the introduction of Carole and never recovers. I was even more disappointed with its ending. Sorry.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted July 23, 2011

    No text was provided for this review.

  • Anonymous

    Posted January 1, 2012

    No text was provided for this review.

  • Anonymous

    Posted July 8, 2011

    No text was provided for this review.

  • Anonymous

    Posted July 6, 2011

    No text was provided for this review.

  • Anonymous

    Posted July 8, 2011

    No text was provided for this review.

  • Anonymous

    Posted June 16, 2011

    No text was provided for this review.

Sort by: Showing all of 10 Customer Reviews

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)