Dave Brubeck: Chromatic Fantasy Sonata; Rising Sun; The Salmon Strikes

Editorial Reviews

All Music Guide - Richard S. Ginell
Dave Brubeck's stature as a composer of so-called classical music got another boost with the release of this recital by his piano virtuoso friend and disciple John Salmon -- who clearly gets the composer's endorsement in Brubeck's liner notes. The major work on the disc is Brubeck's half-hour-long "Chromatic Fantasy Sonata," which in itself amounts to a major addition to the sparse American classical sonata inventory. Taking off from the spectacular opening of J.S. Bach's "Chromatic Fantasy" and "Fugue in D minor," Brubeck soon goes his own way, gradually putting his own brand of polytonality into the "Chorale," and his melodic stamp onto an inversion of Bach's ...
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Editorial Reviews

All Music Guide - Richard S. Ginell
Dave Brubeck's stature as a composer of so-called classical music got another boost with the release of this recital by his piano virtuoso friend and disciple John Salmon -- who clearly gets the composer's endorsement in Brubeck's liner notes. The major work on the disc is Brubeck's half-hour-long "Chromatic Fantasy Sonata," which in itself amounts to a major addition to the sparse American classical sonata inventory. Taking off from the spectacular opening of J.S. Bach's "Chromatic Fantasy" and "Fugue in D minor," Brubeck soon goes his own way, gradually putting his own brand of polytonality into the "Chorale," and his melodic stamp onto an inversion of Bach's "B-A-C-H" signature in the "Fugue" movement. The lengthy, riffing "Chaconne" bears the closest resemblance to Brubeck's jazz improvisations (including a brief passage that seems to refer to "Take Five"), though without a jazz pulse per se. Throughout, Brubeck is in absolute control of the classical processes he adopts, and he has something individual to say -- two signs of a potentially long life for this work. "Chromatic Fantasy Sonata" takes up more than half the space on the disc, giving way to some brief chips off the workbench, "Five Pieces from Two-Part Adventures" -- again, the basic idea comes from Bach, but the treatments of these five miniatures (three of which originate from other Brubeck pieces, including some for his jazz quartet) bear the Brubeck melodic touch. "Tritonis" also exists in multiple versions (the best-known one being for jazz quartet); this piano version takes off from an eight-note figure split into two keys, turning into a brilliant toccata-like concert piece. Finally come two encores -- an often savagely aggressive thing called "The Salmon Strikes" written by Brubeck expressly for his interpreter, and a grand solo piano version of "Rising Sun" from Brubeck's Jazz Impressions of Japan album. Aficionados of contemporary piano music will find much to savor and learn from this disc, and even jazz people can establish connections to Brubeck's other musical life.
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Product Details

  • Release Date: 3/16/2004
  • Label: Naxos American
  • UPC: 636943921227
  • Catalog Number: 8559212
  • Sales rank: 350,522

Tracks

Disc 1
  1. 1 Allegro molto (5:36)
  2. 2 Chorale (6:25)
  3. 3 Fugue (4:40)
  4. 4 Chaconne (12:25)
  5. 5 Bach Again (0:58)
  6. 6 Brotherly Love (1:26)
  7. 7 Winter Ballad (0:50)
  8. 8 The Eleven Disciples (1:39)
  9. 9 Chasin' Yourself (0:55)
  10. 10 Tritonis, for guitar & flute (13:03)
  11. 11 The Salmon Strikes, for piano (3:05)
  12. 12 The Rising Sun (3:36)
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Album Credits

Performance Credits
John Salmon Primary Artist, Piano
John Foy Piano
Technical Credits
Dave Brubeck Composer, Liner Notes
Bobby Gage Producer, Engineer
Derek Crow Cover Image
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