The Day of the Triffids

( 9 )

Overview

In 1951 John Wyndham published his novel The Day of the Triffids to moderate acclaim. Fifty-two years later, this horrifying story is a science fiction classic, touted by The Times (London) as having “all the reality of a vividly realized nightmare.”

Bill Masen, bandages over his wounded eyes, misses the most spectacular meteorite shower England has ever seen. Removing his bandages the next morning, he finds masses of sightless people wandering the city. He soon meets Josella, ...

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Overview

In 1951 John Wyndham published his novel The Day of the Triffids to moderate acclaim. Fifty-two years later, this horrifying story is a science fiction classic, touted by The Times (London) as having “all the reality of a vividly realized nightmare.”

Bill Masen, bandages over his wounded eyes, misses the most spectacular meteorite shower England has ever seen. Removing his bandages the next morning, he finds masses of sightless people wandering the city. He soon meets Josella, another lucky person who has retained her sight, and together they leave the city, aware that the safe, familiar world they knew a mere twenty-four hours before is gone forever.

But to survive in this post-apocalyptic world, one must survive the Triffids, strange plants that years before began appearing all over the world. The Triffids can grow to over seven feet tall, pull their roots from the ground to walk, and kill a man with one quick lash of their poisonous stingers. With society in shambles, they are now poised to prey on humankind. Wyndham chillingly anticipates bio-warfare and mass destruction, fifty years before their realization, in this prescient account of Cold War paranoia.

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Editorial Reviews

Gale Research
John Wyndham Parkes Lucas Beynon Harris is probably best known for Day of the Triffids, his novel in which the human race, blinded during a meteor shower, is threatened by carnivorous plants. A reviewer for the Times Literary Supplement wrote, "The language is excellent, and the description of London filled with the groping blind . . . has all the qualities of a vividly-realized nightmare."
Publishers Weekly
Short and sweet and to the point, the seven stories in this promising debut collection exuberantly explore the relationships that make life bearable. In a rueful examination of brother/sister love, "The Language Event," set at the Indy 500, manages to be rowdy and exquisitely wistful at the same time. Moore strikes another significant chord in "Big Pink and Little Minkie," conjuring magic by exploring the tenuous but often poignant truths to be gleaned from the mundane commuter experience. She hits the ball out of the park with the near novella-length "A History of Pandas," a flawless exercise in characterization. This sharp portrayal of sisterhood sings, as the narrator, called Sweet Pea, examines the root of her boundless adoration of her sibling Lydia, a preschool teacher whose early widowhood has forged a bond between the two that time can not diminish. In "Rembrandt's Bones," a professor of art history deals with two simultaneous deaths a student's suicide and the natural death of sugar-loving Opal, a childhood mentor who taught her to love words and always to appreciate the unexpected. Revealing a spiritual kinship with Lewis Nordan, Moore writes matter-of-fact yet outlandish sentences that read like tiny novels "Opal's Cousin Alma was married to my second cousin J.W. and when J.W. died, Alma showed up at the funeral with a lady-pink pistol and shot him five times in his open coffin before they could get the gun away from her. They couldn't figure out what to charge her with." Although all of the female narrators speak with nearly the same wry and self-aware voice, readers will enjoy this buoyant collection. Agent, Noah Lukeman. (Sept.) Copyright 2002 Cahners Business Information.
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Product Details

  • ISBN-13: 9780812967128
  • Publisher: Random House Publishing Group
  • Publication date: 7/1/2003
  • Series: 20th Century Rediscoveries
  • Edition description: Reprint
  • Edition number: 2003
  • Pages: 228
  • Sales rank: 114,454
  • Product dimensions: 5.16 (w) x 8.00 (h) x 0.55 (d)

Meet the Author

John Wyndham (1903–1969) was a successful English author who wrote novels and short stories from the 1950s to the ’70s, focusing on science fiction and creating many classics still popular today, including Out of the Deep.

Edmund Morris won a Pulitzer Prize for The Rise of Theodore Roosevelt, the first in a trilogy, and the Los Angeles Times Book Prize for the sequel, Theodore Rex, both available as Modern Library Paperbacks. He lives in New York.

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Read an Excerpt

The End Begins

When a day that you happen to know is Wednesday starts off by sounding like Sunday, there is something seriously wrong somewhere.

I felt that from the moment I woke. And yet, when I started functioning a little more smartly, I became doubtful. After all, the odds were that it was I who was wrong, and not everyone else—though I did not see how that could be. I went on waiting, tinged with doubt. But presently I had my first bit of objective evidence—a distant clock struck what sounded to me just like eight. I listened hard and suspiciously. Soon another clock began, on a hard, decisive note. In a leisurely fashion it gave an indisputable eight. Then I knew things were awry.

The way I came to miss the end of the world—well, the end of the world I had known for close on thirty years—was sheer accident: like a lot of survival, when you come to think of it. In the nature of things a good many somebodies are always in hospital, and the law of averages had picked on me to be one of them a week or so before. It might just as easily have been the week before that—in which case I’d not be writing now: I’d not be here at all. But chance played it not only that I should be in hospital at that particular time, but that my eyes, and indeed my whole head, should be wreathed in bandages—and that’s why I have to be grateful to whoever orders these averages. At the time, however, I was only peevish, wondering what in thunder went on, for I had been in the place long enough to know that, next to the matron, the clock is the most sacred thing in a hospital.

Without a clock the place simply couldn’t work. Each second there’s someone consulting it on births, deaths, doses, meals, lights, talking, working, sleeping, resting, visiting, dressing, washing—and hitherto it had decreed that someone should begin to wash and tidy me up at exactly three minutes after 7 a.m. That was one of the best reasons I had for appreciating a private room. In a public ward the messy proceeding would have taken place a whole unnecessary hour earlier. But here, today, clocks of varying reliability were continuing to strike eight in all directions—and still nobody had shown up.

Much as I disliked the sponging process, and useless as it had been to suggest that the help of a guiding hand as far as the bathroom could eliminate it, its failure to occur was highly disconcerting. Besides, it was normally a close forerunner of breakfast, and I was feeling hungry.

Probably I would have been aggrieved about it any morning, but today, this Wednesday, May 8, was an occasion of particular personal importance. I was doubly anxious to get all the fuss and routine over because this was the day they were going to take off my bandages.

I groped around a bit to find the bell push and let them have a full five seconds’ clatter, just to show what I was thinking of them.

While I was waiting for the pretty short-tempered response that such a peal ought to bring, I went on listening.

The day outside, I realized now, was sounding even more wrong than I had thought. The noises it made, or failed to make, were more like Sunday than Sunday itself—and I’d come round again to being absolutely assured that it was Wednesday, whatever else had happened to it.

Why the founders of St. Merryn’s Hospital chose to erect their institution at a main-road crossing upon a valuable office site, and thus expose their patients’ nerves to constant laceration, is a foible that I never properly understood. But for those fortunate enough to be suffering from complaints unaffected by the wear and tear of continuous traffic, it did have the advantage that one could lie abed and still not be out of touch, so to speak, with the flow of life. Customarily the west-bound busses thundered along trying to beat the lights at the corner; as often as not a pig-squeal of brakes and a salvo of shots from the silencer would tell that they hadn’t. Then the released cross traffic would rev and roar as it started up the incline. And every now and then there would be an interlude: a good grinding bump, followed by a general stoppage—exceedingly tantalizing to one in my condition, where the extent of the contretemps had to be judged entirely by the degree of profanity resulting. Certainly, neither by day nor during most of the night, was there any chance of a St. Merryn patient being under the impression that the common round had stopped just because he, personally, was on the shelf for the moment.

But this morning was different. Disturbingly, because mysteriously, different. No wheels rumbled, no busses roared, no sound of a car of any kind, in fact, was to be heard; no brakes, no horns, not even the clopping of the few rare horses that still occasionally passed; nor, as there should be at such an hour, the composite tramp of work-bound feet.

The more I listened, the queerer it seemed—and the less I cared for it. In what I reckoned to be ten minutes of careful listening I heard five sets of shuffling, hesitating footsteps, three voices bawling unintelligibly in the distance, and the hysterical sobs of a woman. There was not the cooing of a pigeon, not the chirp of a sparrow. Nothing but the humming of wires in the wind. . . .

A nasty, empty feeling began to crawl up inside me. It was the same sensation I used to have sometimes as a child when I got to fancying that horrors were lurking in the shadowy corners of the bedroom; when I daren’t put a foot out for fear that something should reach from under the bed and grab my ankle; daren’t even reach for the switch lest the movement should cause something to leap at me. I had to fight down the feeling, just as I had had to when I was a kid in the dark. And it was no easier. It’s surprising how much you don’t grow out of when it comes to the test. The elemental fears were still marching along with me, waiting their chance, and pretty nearly getting it—just because my eyes were bandaged and the traffic had stopped. . . .

When I had pulled myself together a bit, I tried the reasonable approach. Why does traffic stop? Well, usually because the road is closed for repairs. Perfectly simple. Any time now they’d be along with pneumatic drills as another touch of aural variety for the long-suffering patients. But the trouble with the reasonable line was that it went further. It pointed out that there was not even the distant hum of traffic, not the whistle of a train, not the hoot of a tugboat. Just nothing—until the clocks began chiming a quarter past eight.

The temptation to take a peep—not more than a peep, of course; just enough to get some idea of what on earth could be happening—was immense. But I restrained it. For one thing, a peep was a far less simple matter than it sounded. It wasn’t just a case of lifting a blindfold: there were a lot of pads and bandages. But, more important, I was scared to try. Over a week’s complete blindness can do a lot to frighten you out of taking chances with your sight. It was true that they intended to remove the bandages today, but that would be done in a special dim light, and they would allow them to stay off only if the inspection of my eyes were satisfactory. I did not know whether it would be. It might be that my sight was permanently impaired. Or that I would not be able to see at all. I did not know yet. . . .

I swore and laid hold of the bell push again. It helped to relieve my feelings a bit.

No one, it seemed, was interested in bells. I began to get as much sore as worried. It’s humiliating to be dependent, anyway, but it’s a still poorer pass to have no one to depend on. My patience was whittling down. Something, I decided, had got to be done about it.

If I were to bawl down the passage and generally raise hell, somebody ought to show up if only to tell me what they thought of me. I turned back the sheet and got out of bed. I’d never seen the room I was in, and though I had a fairly good idea by ear of the position of the door, it wasn’t all that easy to find. There seemed to be several puzzling and unnecessary obstacles, but I got across at the cost of a stubbed toe and minor damage to my shin. I shoved out into the passage.

“Hey!” I shouted. “I want some breakfast. Room forty-eight!”

For a moment nothing happened. Then came voices all shouting together. It sounded like hundreds of them, and not a word com- ing through clearly. It was as though I’d put on a record of crowd noises—and an ill-disposed crowd, at that. I had a nightmarish flash, wondering whether I had been transferred to a mental home while I was sleeping and that this was not St. Merryn’s Hospital at all. The sound of those voices simply didn’t sound normal to me. I closed the door hurriedly on the babel and groped my way back to bed. At that moment bed seemed to be the one safe, comforting thing in my whole baffling environment. As if to underline that, there came a sound which checked me in the act of pulling up the sheets. From the street below rose a scream, wildly distraught and contagiously terrifying. It came three times, and when it had died away it seemed still to tingle in the air.

I shuddered. I could feel the sweat prickle my forehead under the bandages. I knew now that something fearful and horrible was happening. I could not stand my isolation and helplessness any longer. I had to know what was going on around me. My hands went up to my bandages; then, with my fingers on the safety pins, I stopped. . . .

Suppose the treatment had not been successful? Suppose that when I took the bandages off I were to find that I still could not see? That would be worse still—a hundred times worse. . . .

I lacked the courage to be alone and find out that they had not saved my sight. And even if they had, would it be safe yet to keep my eyes uncovered?

I dropped my hands and lay back. I was mad at myself and the place, and I did some silly, weak cursing.

Some little while must have passed before I got a proper hold on things again, but after a bit I found myself churning round in my mind once more after a possible explanation. I did not find it. But I did become absolutely convinced that, come all the paradoxes of hell, it was Wednesday. For the previous day had been notable, and I could swear that no more than a single night had passed since then.

You’ll find it in the records that on Tuesday, May 7, the Earth’s orbit passed through a cloud of comet debris. You can even believe it, if you like—millions did. Maybe it was so. I can’t prove anything either way. I was in no state to see what happened myself; but I do have my own ideas. All that I actually know of the occasion is that I had to spend the evening in my bed listening to eyewitness accounts of what was constantly claimed to be the most remarkable celestial spectacle on record.

And yet, until the thing actually began, nobody had ever heard a word about this supposed comet, or its debris. . . .

Why they broadcast it, considering that everyone who could walk, hobble, or be carried was either out of doors or at windows enjoying the greatest free firework display ever, I don’t know. But they did, and it helped to impress on me still more heavily what it meant to be sightless. I got around to feeling that if the treatment had not been successful I’d rather end the whole thing than go on that way.

It was reported in the news bulletins during the day that mysterious bright green flashes had been seen in the Californian skies the previous night. However, such a lot of things did happen in California that no one could be expected to get greatly worked up over that, but as further reports came in, this comet-debris motif made its appearance, and it stuck.

Accounts arrived from all over the Pacific of a night made brilliant by green meteors said to be “sometimes in such numerous showers that the whole sky appeared to be wheeling about us.” And so it was, when you come to think of it.

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Reading Group Guide

1. Some critics of The Day of the Triffids believe the novel is devoid of ideas and was written merely to please a destruction-hungry audience. However, there are many instances in the novel where morale, literature, and law and order are discussed and debated. Do you think this is a technique to simply further the action of the story or was Wyndham inserting political views?

2. Bill and Josella encounter a handful of new societies in their apocalyptic world. What are the social theories behind each? Why did they fail or succeed? If they did fail, could anything have been done to help the societies succeed? If any of these societies were formed in the present day, would they survive?

3. Which society would you yourself join and why?

4. Bill witnesses many suicides without interfering, and even helps three people kill themselves, actions that in the 1950s were against the law. How can he, from his own accounts a decent, law-abiding citizen, move so easily into depravity? Why, after we witness this depravity, do we still sympathize with him? Is Wyndham commenting on his country’s laws and culture?

5. The Day of the Triffids’s main characters are all decidedly bourgeois, as are the casts of many other sci-fi novels. How does this affect the themes and action of the story?

6. Do you appreciate the love story between Bill and Josella? Did Wyndham intend it to play a role in the action or was he simply inserting some human interest into the plot?

7. The literary theory Marxism states a piece of literature cannot be critiqued without studying the politics, economics, and culture of the time period it was written in. Hence, no text is universal or forever timely. Do you agree with this theory? Is The Day of the Triffids universal or timely? If yes, is this inherent in the actual text or our present-day culture?

8. Some critics feel Wyndham’s ultimate message is one of doom; humans are forced to live on a small island with no relief or chance for re-populating the earth. Other critics feel Wyndham meant his book to be hopeful; society’s ills, including those which produced the triffids and mass-destruction weapons, are wiped out and society can start afresh. What view do you hold?

9. Many critics have compared Wyndham to H.G. Wells, who was actually one of Wyndham’s favorite writers. Do you consider the two writers on the same level, both in their imagination and their writing talents?

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Customer Reviews

Average Rating 4.5
( 9 )
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Sort by: Showing all of 9 Customer Reviews
  • Posted February 20, 2010

    Make sure you have your Mask and Flame Thrower Ready!

    This book was finished in record time for me. I read it in three days, which a book of this size would be a week. I like to take my time and absorb the book, but this just grabbed and and ran away!

    The plot is very unqiue and very life like, if large man eating plants can be life like. I don't know what training Wyndham had, but he got the human condition spot on. I ws kind of surprised that the Triffids did not have such a more pronounced roll in most of the book. Only in the beginning and end of the book, but it was just enough to keep you going on.

    1 out of 1 people found this review helpful.

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  • Posted December 20, 2009

    more from this reviewer

    This book changed everything for me

    After reading this book as a teenager it changed how I viewed the entire world. It made me realize all the things I took for granted and all the things that someday I/we may have to do with out. It made me wonder just how we would evolve regardless of what caused the changes. John Wyndham was a genius! Read anything you can get your hands on by him.

    Personally, I think of this book every single time I look at my sunflowers!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted June 24, 2000

    Way better than Stephen King!

    Day of the Triffids captures your imagination without all the ridiculous sex and violence so prevalent in todays literature. Appropriate for ages 10 and up.

    1 out of 1 people found this review helpful.

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  • Posted June 2, 2012

    Fantastic!

    The only thing more amazing than this book is the fact that it was written so long ago. The author must have been able to see into our Monsanto future. Creepy! A must read for sure.

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    Posted March 24, 2009

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    Posted April 21, 2012

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    Posted September 17, 2009

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    Posted October 25, 2008

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    Posted May 13, 2009

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