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Janet MaslinIn a book whose mystery plot is its least surprising aspect (though not its least forceful: Kate winds up killing someone with her stiletto heel), The Dead Hour takes its heroine a long way. She is nobody’s hen by the end of the story. With regret but determination, she has edged at least part of the way out of the Meehan nest. And she is moving into the boys’ club dominated by her male colleagues.
— The New York Times