Dead Lift: An Emily Locke Mystery [NOOK Book]

Overview

Single mom Emily Locke is building a new life with her daughter. Hoping to spend more time at home, she?s relocated to Houston and put her career on hold to work part-time for her private investigator friend, Richard Cole. It?s a nice balance between work and family until Emily finds out she?s been working for the attorney who defended her husband?s killer.
The discovery nearly destroys her friendship with Richard, but Emily resists abandoning socialite client Claire Gaston, who...
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Dead Lift: An Emily Locke Mystery

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Overview

Single mom Emily Locke is building a new life with her daughter. Hoping to spend more time at home, she’s relocated to Houston and put her career on hold to work part-time for her private investigator friend, Richard Cole. It’s a nice balance between work and family until Emily finds out she’s been working for the attorney who defended her husband’s killer.
The discovery nearly destroys her friendship with Richard, but Emily resists abandoning socialite client Claire Gaston, who awaits trial for the murder of a local plastic surgeon. The threat of losing her children to a self-serving ex-husband terrifies Claire more than the specter of a life behind bars.
Claire has been leading a wildly unconventional life and passing around access to her home and assets like popcorn. Should she be condemned for bad choices? Emily, haunted by her own, doesn’t think so.
Meanwhile, Emily’s wild-child friend Jeannie, in town for a visit, sees a chance for Emily to loosen up when a mysterious note leads her into a daring undercover ruse at a high-brow ladies’ health club. Emily fakes conformity with Houston’s elite debutantes and trophy wives in a surreal fitness subculture where things, and people, are seldom what they seem. At this gym, “killer workout” takes on a whole new meaning.
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Product Details

  • ISBN-13: 9781615952601
  • Publisher: Poisoned Pen Press
  • Publication date: 5/27/2011
  • Series: Emily Locke Mystery, #2
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 250
  • Sales rank: 590,066
  • File size: 751 KB

Meet the Author

A graduate of Wright State University and The Ohio State University, Rachel enjoys a career in biomedical engineering in addition to the time she spends writing mystery and suspense fiction. Her interests include health and fitness, acoustic guitar, and books of all kinds. She lives outside of Houston, Texas, with her husband and their three children. Visit Rachel on-line at www.rachelbrady.net.
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Read an Excerpt

Dead Lift

An Emily Locke Mystery
By Rachel Brady

Poisoned Pen Press

Copyright © 2010 Rachel Brady
All right reserved.

ISBN: 978-1-61595-260-1


Chapter One

Claire Gaston's amber hair rode flat against her head, giving the impression she'd just climbed out of bed. Any make-up had worn away too, yet she still looked closer to forty than her real age—which I knew from her file was fifty-three. In any case, Claire was twenty years my senior, had spent a day and a night in the clink, and still looked better than I did after a comfortable night of sleep and a shower.

We picked up telephone handsets on either side of an opaque window in the jail's visitation room, and I tried to ascertain whether she regarded me with hope or just curiosity.

"I'm Emily Locke," I said, "part of your defense team." I smiled, trying to convey that I withheld judgment, even though I wasn't sure that was true. "Sorry about the circumstances."

She leaned forward and rested her elbows on a countertop that extended away from the dividing window. Richard Cole, the private investigator I worked for, often said that it was a good practice to mirror a subject's body language during interviews, so I did. My forearms ended up in something sticky.

"Are you the investigator my lawyer hired?"

"I'm that investigator's lackey."

She tipped her chin up but didn't speak.

"Hope you don't mind." I pulled a folded paper from my purse. "I brought a list of things to clarify. My boss is painfully deficient with specifics."

"What every woman looks for in an investigator."

"Actually, he's very good. We just work differently."

Claire surveyed the tiny countertop on her side of the glass and brushed invisible debris onto the floor. "Ask away."

"Let's start with your kids."

She inhaled and seemed to hold the breath. "They're all I think about."

"Who's keeping them?"

"My parents." Her gaze fell. "Even though they're too old to be caring for kids." She traced imaginary shapes on the countertop with neatly manicured fingers that reminded me of my best friend Jeannie's hands. "You probably know I'm in the middle of a divorce."

She glanced up long enough to see me nod.

"Daniel's not their father. My second husband, Ruben, moved back to Argentina last year. Our custody fight was ... I'm ashamed of it. And now with me here—" she looked around our tiny, divided cubicle—"he'll come back and take them away, I know it. I didn't kill Wendell Platt. You have to help me prove it before Ruben swoops in and disappears with the boys."

"It would help me to understand what's going on with Daniel."

Claire leaned back and crossed her arms. Richard would have said I'd put her on the defensive.

"What does he have to do with this?"

I cupped my chin in my hands and watched her for a moment, trying to figure out if she was angry. "Police are reconstructing your day on Thursday, trying to figure out where you went and what you did before Dr. Platt's murder. I hear you and Daniel had quite a fight."

She straightened and opened her mouth to argue, but I raised a hand and continued. "We've all said things we didn't mean, don't worry. The trouble's that the police want to interview Daniel but can't find him. You were the last person to see him and witnesses say you were enraged. It doesn't help to have extra suspicion directed at you."

"No one can find Daniel?"

I shook my head. "Know where he might be?"

She shook her head in return.

"Why the divorce?"

Her shoulders relaxed, like she was resigned to surrender her privacy as well as her marriage.

"Neither of us could be faithful."

My stomach flip-flopped, but I stayed quiet. Richard said sometimes people will volunteer extra information if you give them a chance.

This didn't turn out to be true for Claire. After a few moments, I asked her to continue.

"It's complicated," she said. "For years we've talked about parting ways. Last month I finally filed."

"What was your relationship with Platt?"

Claire shook her head, more to herself than to me, and screwed her face into a queer sort of smile that could only be described as sarcastic. I was considering how to rephrase when she surged toward the glass and banged it with her fist, sending me back in my chair so violently its legs scraped the linoleum.

"I've never met Wendell fucking Platt!"

All I could do was try to control my breathing.

"Never met him," she said. "No one believes me."

She settled back into her chair and I tried to convince myself that the person in front of me was the same woman from thirty seconds ago.

"He was murdered in his home," I said. "Your fingerprints were at the scene."

"Worse, honey. They were on the weapon."

Perhaps reading my incredulity, she added, "Don't tell me. Your boss left that out."

"How do you explain your prints on the weapon?"

She squinted at me and the vibe I got was borderline venomous. "That's what I'm paying you to do."

I pressed my fingertips to my temples. "If you never met him, I assume you were never in his house?"

She combed her fingers through her hair so severely I thought she might yank out a fistful of highlights. "I already told all this to Mick Young."

The name elicited a visceral adrenaline surge—the kind brought on when something's wildly wrong.

I made a point to keep my tone calm. "You're represented by Brighton and Young?"

She looked at me quizzically. "Of course."

That explained why Richard had been sketchy about her case. His omissions made me look like an idiot, so now I was doubly miffed. But nothing good would come of showing that to the client, so I pushed it aside and put on my best professional show.

"I apologize for the lack of communication in my office," I said. "Your case is important to me and I want to get the facts straight. Please tell me about Thursday, starting from the beginning."

She regarded me for a drawn out interval and I felt the discomfort of being on the receiving end of a silent stare.

"Do you have kids, Emily?" she finally asked.

If she did kill Platt, I certainly didn't want her to know about Annette.

But then she added, more gently. "I need to know. Please."

"Why does that matter?"

"Because I didn't kill anyone. And if Young can't prove I'm innocent, my kids will go to a man who shouldn't have them. Ruben isn't capable of putting the boys' needs in front of his own. It's terrifying to imagine and hard to explain to someone who's not a parent."

Her fears resonated with me, but I wasn't ready to share that. "Tell me about Thursday."

She tucked her hair behind an ear and edged forward, resting a forearm on the little countertop again. I promised myself I wouldn't flinch if she had another outburst.

"Thursday I got a tip about a dog and went to check it out."

Before I could ask, she added, "I'm in an animal rescue group."

Claire seemed more likely to wear an animal than rescue one. I wondered what else about her I might have misjudged.

"When I got to the address, something was off."

I tried to conjure the image of Claire skulking into bad neighborhoods, retrieving mutts. Pet rescuing sounded like a dirty, hands-on job, ill-suited for her.

"Most of our rescues are from poor, rundown areas. The address for this dog was in the Heights."

That was weird. Houston Heights, better known as simply the "Heights," was a quaint, historical community in north central Houston. Noted for meticulously maintained period architecture and its artist community, it didn't seem the place one would expect neglected pets.

"I knocked, but no one answered the door."

I wondered what she might have said if someone had. Hi. I heard you're mean to your dog so I'm here to take it away?

"I looked through the windows and didn't see anyone so I went around back. There was one of those wooden privacy fences. I went through the gate. It wasn't the backyard of someone who can't afford to feed a dog, believe me. But I thought there was a hurt animal inside so I had to check anyway."

"You broke in?"

"I didn't have to. The back door was open a smidge. I knocked and shouted inside, but no one answered. I whistled for a dog, but none came. I should have stopped there."

You should have stopped at the gate.

"But I went into the kitchen and called for the dog again. When I didn't see signs of one, I left."

"That's why your prints were at the scene."

"Front door, back door, and windows." She considered. "And countertops, I guess."

"They ID'd you pretty fast. You have a record?"

Claire shook her head. "When my boys were little, I worked at their elementary school. They fingerprinted everyone they hired."

That made sense. She'd still be in the system.

"So what do you think happened? You think Platt was already dead in the house when you showed up?"

"I think it happened after I left."

"Why?"

"Because I don't think he had a dog."

"What?"

"Somebody went to a lot of trouble set me up."

I thought of my friend Jeannie again. She'd have loved the element of scandal.

Claire continued. "I got summoned to a rescue and when I got there, there were no signs of a dog—no poop in the backyard, no bowls on the floor. My fingerprints were on the inside and outside of the house and even on the screwdriver lodged in his trachea—a tool that came from my own garage."

Inwardly, I winced. The bit about the screwdriver was news to me, but I didn't dare show it.

"So I asked myself ... who hates me enough to go to all the trouble? Don't get me wrong. Plenty of folks would leave me off their dinner party lists, but it would take real hate to pin something like this on a person. And I keep coming back to Diana King."

"Who's she?" I'd been tailing Socialite Diana around Houston for two days, but Claire didn't know that. "What's your relationship with her?"

Claire pursed her lips and gazed upward as she considered how to answer.

"The better question is what's my relationship with her husband."

I blinked. "Oh."

"Chris did a lot for me last year. We developed a comfortable rapport that developed into friendship and eventually," she shrugged, "an affair."

I leaned forward again, into the same sticky residue I'd forgotten was on the damn counter. "What does that mean, 'did a lot for you'?"

She touched her nose and forehead, then counted silently on her fingers. "Nose, brow, boobs, thighs, ass."

"Excuse me?"

"He was my surgeon."

I nodded, buying myself a moment to let the new information gel.

"So you think Diana King has framed you for a murder as revenge for your affair with her husband."

"Yes."

"Why not just kill you?"

Claire moved her mouth into a peculiar combination of a pout and a snarl. I got the impression she'd never considered the question. She shook her head by way of response.

"Do you know a reason Diana King would want Platt dead?"

"No."

"Then I agree with you. This set-up was an awful lot of trouble and risky too. Maybe we should think about who else wanted Platt dead and you in trouble."

"It was Diana."

"I'm only saying—"

"That tip about the dog came on an anonymous note in my gym locker. I belong to a private club. It'd be hard for anyone but a member to leave a note that way."

Her mind was made up.

"You still have the note?"

She shook her head. "The police asked me that too. I remember putting it on my kitchen counter, but after that, who knows. Maybe the cleaning lady tossed it."

After a bit, I thanked her for her time and left.

Claire's interview raised more questions than it answered and my mind was busy sorting and filing critical pieces. One nugget had me hot for an explanation, and it had nothing to do with finding Platt's killer. I dropped into the driver's seat of my now hundred-and-twenty degree car and headed for Richard's office so we could talk about Mick Young.

Chapter Two

More hurt than angry, I slumped into a visitor's chair across from Richard's desk, my keys still in hand. "You didn't tell me who we were working for."

Richard looked over the rim of his coffee mug and paused mid-sip. Even behind his spectacles, the dull shadows beneath his eyes were unmistakable. He set down the cup, rolled away from his computer monitor, and made no excuses. "It's not relevant."

"It's relevant to me."

He glanced at a picture on the corner of his desk. If I hadn't been so focused on his eyes, I'd have missed it.

"Linda wanted you to tell me, didn't she?"

His silence said it all.

"Smart men listen to their wives." I turned my keys, one at a time, around the circumference of my key ring, listening for the metallic clink as each landed on its neighbor.

Richard removed his cheater glasses and dropped them into his shirt pocket. "Unlike Tone Zone," he said, with obvious distaste for the health club we'd been watching, "I can't afford to turn away business. I considered telling you. Decided it would cloud your judgment."

Morning sun was bright behind him and his tired eyes and graying hair phased in and out of focus depending on which way I leaned.

"My judgment's clouded more because you lied."

Only months ago, Mick Young had defended the people responsible for destroying my family.

Richard took a breath as if to say something, then let the thought pass.

"I interviewed Claire this morning and looked like a fool because you didn't tell me."

"You were supposed to keep tabs on Diana King," he said. "Leave Claire to me."

"I wanted to form my own opinion about her."

"That's irrelevant. Diana's your assignment."

"My impression's relevant if I'm going to invest personally in this case, Richard. That's the difference between you and me." I rose and strode toward the door.

"Don't judge Claire based on Young's other clients," he said to my back.

I spun to face him. "You don't get to decide what I can handle."

"Look how upset it made you!"

"This isn't about Young. It's about you not trusting me. Underestimating me. Being a jerk."

He stood. "It's not about Young?" The words sounded more like a challenge than a question.

"I don't care what you believe. You're not my shrink and you're not my father. And effective immediately, you're not my boss anymore either. Find somebody else to insult and psychoanalyze."

I turned and walked away.

"Come back," he said behind me. "Let's finish this."

I didn't stop to answer, just shoved open the door and left, taking all my irrelevant opinions and unfounded overreactions with me.

* * *

I did something new on my drive home—turned off my radio. So much noise was in my head that I couldn't stand anymore. Mick Young had recently defended murderers, kidnappers, and world class racketeers and, as far as I was concerned, that made him unconscionable. By association, I brooded over what that implied about the character of his newest client.

For all I knew, Young himself might even be part of the same criminal ring—still at large—that he'd recently tried to help. The FBI had chased that group for years and was still after its splinter groups today. I knew firsthand that its members were steeply networked into all sorts of professions. Having an attorney in the mix certainly couldn't hurt.

No, I told myself. Everybody who came in contact with that group was not necessarily linked to it. I forced the idea aside.

Shortly before eleven, I let myself into my apartment, half expecting Jeannie to be nestled in Annette's pink princess bed where I'd left her two hours ago. Instead she was unpacking shopping bags strewn across the sofa and loveseat, her suitcase open at her feet. I smelled toast and coffee.

"I meant to shop for your birthday," she said, "But I ended up shopping for myself. Happens."

She removed a cashmere sweater from a bag, folded it neatly, and added it to a stack of other new merchandise in her now very-full bag on wheels. "Saved you some brunch though."

I looked over her new clothes. "You got an early start."

"The boutiques were calling me."

I dropped my generic purse on the coffee table next to her Louis Vuitton tote. Unbuttoning my sleeveless blouse, I headed for the hall. "I need a run to clear my head."

"Silly girl," she said. "Coffee clears your head, not exercise."

When I didn't answer, she followed me into my bedroom. "If you're going to run, you might as well do it at that fancy club, right? Get the 4-1-1 on Diana King?"

I pulled on a dirty pair of shorts and an ancient tank top. "I'm not in the mood for your jokes."

Claire's and Diana's hoity-toity, women's only gym had denied my membership request on the spot. When I'd tried to join, the front desk attendant, Starr, took a little too much pleasure in explaining that membership was by invitation only. Her sideways glances at my clothes and hair translated the euphemism for me: I wasn't rich or pretty enough.

Jeannie disappeared for a moment and returned with a luxurious envelope. She extracted the card inside and presented it with a flourish. Pressed flowers adorned the paper, through which a sheer ribbon had been woven. It looked like a wedding invitation.

I read its message, incredulous. "They let you in?"

"Of course. And now you'll be my guest. Happy?" Her self-indulgent smile said she certainly was.

"No," I said. "I'm pissed."

"We have appointments at one."

She vanished into the hallway.

I knelt on the floor and reached under my bed for a stray running shoe. Behind it I found an abandoned bowl of goldfish crackers and a cow flashlight that mooed when I grabbed it. "What kind of appointments?"

(Continues...)



Excerpted from Dead Lift by Rachel Brady Copyright © 2010 by Rachel Brady. Excerpted by permission of Poisoned Pen Press. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Sort by: Showing all of 4 Customer Reviews
  • Posted March 25, 2012

    While certainly a strong character in her own right, Emily Locke

    While certainly a strong character in her own right, Emily Locke isn’t the heart and soul of this second installment of this ongoing mystery series: it’s Jeannie, her best friend and world renowned shopper. Whereas Emily may toss outfits together like she’s getting dressed in the dark, Jeannie spends more time at spas, and being pampered like each day might be the last one she has left. And it’s Jeannie’s good looks and perfected outfit combinations that help them waltz through the doors of an exclusive health club.

    While the mystery proves intriguing on its own, it’s the characters that really help the prose sing, with the mother-daughter relationship giving this story more warmth than a down-filled fuzzy blanket. If you want more than a little heart with your mystery, you should pick up this tale without delay.

    Robert Downs
    Falling Immortality: Casey Holden, Private Investigator

    Was this review helpful? Yes  No   Report this review
  • Posted April 4, 2011

    Love Emily Locke!

    This is one book that truly kept me guessing until the very end as to who was the murderer!! The story is fast paced and is full of excitement that I was not able to put down the book until I had finished it. Having read Final Approach, it helped me understand the dynamics of Emily's relationship with Richard and Annette. However, this is a book that does stand on its own and can be read independently.

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  • Posted December 19, 2010

    I Also Recommend:

    A Great Ride

    The clever plot, an outstanding cast of characters and an fast-paced ride kept me intrigued and rooting for Emily as she tries to reclaim her life, both personally and professionally. This book immediately captured my attention and it never wavered as I quickly consumed the pages to great satisfaction. Dead Lift is the best one in this series.

    Was this review helpful? Yes  No   Report this review
  • Posted October 19, 2010

    more from this reviewer

    A complex mystery

    Emily Locke, after losing her husband, rescued her infant daughter who had been taken from her and sold to a couple who thought the purchase was legal (see Final Approach). She and her child move to Houston where she works as an assistant to her private investigative friend Richard Cole. Their client, wealthy society lady Claire Gaston, is charged with the death of Dr. Wendell Platt, who was murdered in his home and her fingerprints are everywhere including on the murder weapon. She swears that she never met the victim nor knows where her missing current husband Daniel is after they had quite a public brawl.

    Emily believes their client is innocent because her first concern is for her children who she fears her first husband will take them home with him to Argentina. During the conversation, she learns that the lawyer Richard works for defended the group that kidnapped her daughter. Despite everything Emily remains on the investigation, which leads her to Diana King. Claire believes she framed her because she had an affair with her husband. After sleuthing, not always legally, Emily concludes they are looking in the wrong direction; she changes direction and soon thinks another murder is connected to Platt's. She soon becomes the recipient of threatening emails and an attempt on her life.

    The second Emily Locke private investigative thriller hits the heroine in the gut when she learns who their client is and in the heart when she learns who Claire's concerns are for. It is for latter, as much as for her own needs that Emily goes beyond stretching legality by breaking the law. The rest of the cast is solid especially still sassy smack the butt BFF Jeannie.

    Harriet Klausner

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