The Dead Path [NOOK Book]

Overview

Do you remember the last time a book gave you the chills? The Dead Path is the ghost story we’ve been waiting for.

A haunting vision in the woods sets off a series of tragic events, leaving Nicholas Close lost amid visions of ghosts trapped in their harrowing, final moments. These uniquely ter­rifying apparitions lead him on a thrilling and suspenseful ride to confront a ...
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The Dead Path

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Overview

Do you remember the last time a book gave you the chills? The Dead Path is the ghost story we’ve been waiting for.

A haunting vision in the woods sets off a series of tragic events, leaving Nicholas Close lost amid visions of ghosts trapped in their harrowing, final moments. These uniquely ter­rifying apparitions lead him on a thrilling and suspenseful ride to confront a wicked soul, and will leave an indelible mark on lovers of high-quality suspense and horror alike.

Nicholas Close has always had an uncanny intuition, but after the death of his wife he becomes haunted, literally, by ghosts doomed to repeat their final violent moments in a chilling and endless loop. Torn by guilt and fearing for his sanity, Nicholas returns to his childhood home and is soon entangled in a dis­turbing series of disappearances and  murders—both as a sus­pect and as the next victim of the malignant evil lurking in the heart of the woods.

Stephen M. Irwin is the kind of debut author that readers love to discover—and rave about to all their friends. His electric use of language, stunning imagery, and suspenseful pacing are all on full display here. The Dead Path is a tour de force of wild imagination, taut suspense, and the creepiest, scariest setting since the sewers in Stephen King’s It.


From the Hardcover edition.
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Editorial Reviews

Publishers Weekly
Australian author Irwin's impressive debut, a supernatural thriller, evokes a world full of death and spirits to which we are, mercifully, oblivious. Since the night of his wife's death, Nicholas Close has been cursed with second sight to see ghosts re-enacting the final moments before their own often violent deaths. These disconcerting visions drive Nicholas back to his family home in Tallong, Australia, where, instead of finding comfort, he sees the ghost of a childhood playmate replay the murder that almost took Nicholas's life instead. Clues from other local murders and data gleaned from his father's books of occult lore apprise Nicholas of ancient unhallowed traditions still being practiced in the forest near his home--and of malignant powers attempting to reassert a balance that was upset when Nicholas escaped death. Irwin writes in a lyrical style that expresses both the poignancy of Nicholas's distressing supernatural experiences and the mood of horror those experiences conjure. (Oct.)
From the Publisher
The Dead Path is creepy and crawly and spooky, and there are some genuinely distressing scenes…I won’t reveal all the surprises in The Dead Path, and there are plenty. If you’re a horror fan, or you love ghost stories, this is one wowser of a book for you.”
  – Charlaine Harris, New York Times bestselling author of the Sookie Stackhouse novels.

"The Dead Path is a truly creepy thrill-ride. You may never want to go into the woods again."
   —Jeff Lindsay, New York Times bestselling author of Dexter Is Delicious

"A razor-sharp supernatural chiller from a master of suspense.  Stephen M. Irwin is a very talented writer and The Dead Path is a terrific debut."
   —Graham Joyce author of The Silent Land

"Australian author Irwin's impressive debut, a supernatural thriller, evokes a world full of death and spirits to which we are, mercifully, oblivious....Irwin writes in a lyrical style that expresses both the poignancy of [these] supernatural experiences and the mood of horror those experiences conjure."
  — Publishers Weekly (starred review)

"Irwin employs many of the images familiar from dark fairy tales—skittering spiders, a haunted forest, an evi witch—and infuses them with fresh terror. One of the scariest novels of this or any other year, The Dead Path is sure to draw comparisons to the work of Stephen King.
  —Booklist (starred review)

"It's a creepy, dark fairy tale, fastpaced and well-written, perfect for those who like a thriller with a touch of the supernatural."
The Free Lance-Star

Library Journal
Almost as creepy as Elizabeth and Alex Lluch’s The Ultimate Wedding Planning Guide (Wedding Solutions, 2009), this Australian novel plonks grieving widower Nicholas face-first into a gothic fairy story that sets him up against a supernatural force in the body of a witch. The title refers to a track leading into the proverbial dark wood where weird things happen, including the long-ago murder of Nick’s best friend Tristram and the recent death of a young girl. Reluctantly, Nick investigates but it just gets worse the deeper he goes. A bright light appears in the shapely form of Rowena Quill, local shopkeeper. Damned if there isn’t something familiar about her. Wait, something similar to the story’s skanky, evil witch? And if you ever thought it would be cool to have second sight, think again. All it does for Nick is turn on a perpetual loop of ghosts reliving their violent and untimely deaths. Yes, the book’s full of horrible things. But the most horrible is how Irwin lets readers care about characters whom he then kills. Readers will admire—and be repelled by—Irwin’s images: “Clouds, heavy as slate and swollen like the underbellies of diseased beasts.” Featuring spiders the size of small dogs.

(c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Library Journal
Suffering from the recent death of his wife and haunted by the images of ghosts reliving their deaths over and over, Nicholas Close returns from London to his childhood home in Australia. But his steps are dogged by murders reminiscent of those that happened when he was a boy. Nicholas's childhood and adult fears collide as he races to uncover the evil stalking his hometown and family. VERDICT Exploring the dark corners where childhood nightmares become adult terror, this debut novel by an Australian filmmaker and screenwriter is a ghost story to please murder mystery and horror fans alike, as well as John Saul and Peter Straub fans. Memorable characters, beautifully crafted writing, and an adept hand at storytelling will have readers begging for Irwin's next book. Highly recommended. [This was published in Britain to great acclaim under the title The Darkening.—Ed.]—Colleen S. Harris, Univ. of Tennessee at Chattanooga Libs.
Kirkus Reviews

A haunted woods, an old witch and the death of several children over a century and a half—Irwin writes a cautionary fairy tale but sets it in contemporary Australia.

Life seems good to Nicholas Close, for he and his wife Cate are very much in love and refurbishing an apartment in London. But one fateful afternoon Cate has a freak accident at home—she falls and dies. Mourning her loss deeply, Nicholas returns to the place where he grew up, in Tallong, a suburb of Brisbane. It turns out that during his childhood there had been the mysterious disappearance and murder of Tristram Boye, a friend of his, and now, on his return, other unnatural things start to happen—a child goes missing, for example, and the brother of his childhood friend shows up on Nicholas's porch and commits suicide. Not only that, but Nicholas is now literally haunted by ghosts—he becomes able to see people dying. There's also something uncanny in one of the stores that during Nicholas's childhood had been run by a creepy old woman. Now Rowena Quill, enigmatic and extremely attractive, runs a health-food store in the same building...but somehow she looks hauntingly familiar. In addition, the woods near this store have long had a spooky and sinister reputation, going back at least till the time when Tristram's body was discovered. Nicholas starts to poke around in the woods and makes some startling discoveries, some involving spiders the size of small dogs and others involving ritual child-killing to extend the age of a witch. As Nicholas tries to make sense of all this, others inevitably get involved, including his sister, a couple of Anglican clerics, a ten year old who could be the next victim and The Green Man, a menacing pagan deity.

Although Irwin packs his debut novel with fairy-tale and horror-story motifs, the results are lamentably tame.

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Product Details

  • ISBN-13: 9780385533560
  • Publisher: Knopf Doubleday Publishing Group
  • Publication date: 10/5/2010
  • Sold by: Random House
  • Format: eBook
  • Pages: 400
  • Sales rank: 86,659
  • File size: 3 MB

Meet the Author

STEPHEN M. IRWIN lives in Brisbane, Australia, with his wife and son. The Dead Path is his first novel.


From the Hardcover edition.
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Read an Excerpt

Chapter   1    ~    2007

 
Snow fell.
 
It drifted down slow as morning mist, settling white on brown, white   on silver, white on white. It fell so thickly that Nicholas could see no more than a meter or so ahead. His hair, normally the color of dry grass, was white with it. His hands on his hips, flecked coral, blood red, and indigo, grew steadily paler as he stood in the steady downward wash of white. His eyes, the darkest part of him, were all that moved as he watched the figure above him. A ghost, swaying its arms to the milky sky, waving. Or a summoning angel. A spectral thing, unmindful of him.
 
He stared a long moment, then pulled off his earmuffs.
 
The snow was driven by the roar of an orbital sander. The machine's   electric hornet buzz was so amplified by the soundbox of the ceiling   that it seemed some lunatic was on the roof tumbling an endless stream   of rocks down the tiles. A stepladder was perched half-in and half-out   of the bath, and atop it Cate strained upward as she sanded around the   vent in the bathroom ceiling. Plaster dust was everywhere, making the   small room a blizzard world of indeterminable size.
 
She attacked the ceiling in broad strokes that belied her size,   swooping mightily over the plaster filler like a baker spreading dough   or a shipwright planing planks. He watched the way her arm muscles   moved under their geisha patina, the way her calves stretched.
 
It was a gloomy Saturday afternoon. While Cate prepped the bathroom,   Nicholas had been chiseling up tiles in the minuscule laundry. Because   they worked in separate rooms, it was all the more enjoyable to come   together, picking their ways through the battlefield of paint cans,   balled drop sheets, takeaway curry containers holding limey water and   soaking brushes, to find some clean little beachhead in the madness,   wipe the dust off each other, kiss, and encourage themselves that the   renovations would indeed end and this would soon-God, please, soon!-be   the sexiest little flat in Ealing.
 
The dumb sky outside grumbled darkly, making the small bathroom in   false winter seem even cheerier.
 
A tearing sound, and Cate switched off the sander.
 
"You effing . . . shit." Her lips pursed tight, as if fighting to dam   a wild ocean of obscenities.
 
Nicholas tutted. "The language. It never fails to shock me."
 
She turned to him-an albino alien, goggled and masked.
 
"Funny boy. How long have you been skiving off there, pervert?"
 
Nicholas shrugged. "Why the foul mouth?"
 
Cate preferred not to swear, but that didn't mean she wouldn't. At a dinner party eighteen months ago, the host had asked Nicholas what   date his and Cate's wedding anniversary fell on and he had momentarily   drawn a blank. In the car on the way home, Cate had described the   moment as "fucking humiliating." Delivered quietly in her round,   wholesome vowels, the words cut with surprising efficacy. Less, for Cate, was more.
 
"A nailhead tore the sandpaper. Again. Last sheet."
 
She lowered her dust mask and lifted her goggles, revealing skin   almost as pale as the plaster dust. She climbed down off the ladder,   over the bath, to the floor. She was small. She spread her arms wide.   Without thinking, he stepped into them-a beautiful trap. She slapped   her arms around his waist-thup!-releasing a huge cloud of white dust.
 
"Sucka!" she cackled, and stepped back to survey her handiwork: a huge white patch on his front and a belt of white powder around his waist.   She grinned.
 
Nicholas shook his head in mock disgust. "You lured me. You used your   body as bait and lured me."
 
"Sucka!" she repeated, grinning more broadly. And opened her arms again.
 
This time she closed them around him slowly, and they talked through   their kiss.
 
"How are you going?"
 
"Good. Bored."
 
"Lazy slag." Cate slapped his bum. "Get back to it. I'll drive in and   get some sandpaper."
 
"I'll go. You're dirty. A dirty, filthy girl."
 
He felt her lips smile under his.
 
"And now you're a dirty, filthy boy."
 
It was four years ago, in a flat like this on a rainy evening, that   he'd met her. They'd talked for an hour, danced drunkenly and badly   for ten minutes, and kissed-smiling and clicking teeth-until the hosts   called them a cab and, with no small relief, sent them home together.   Maybe that was why he so liked their little apartment: because it felt   like Cate. New love, and lovely at it.
 
"Be careful, bear," she said. "It sounds like rain outside." She   patted his backside again and clambered up the ladder.
 
She was right: rain fell, steady and chill.
 
Nicholas shoved his hands in his pockets and stumped toward the curb.   Their flat might become the sexiest in Ealing, but it still didn't   have off-street parking.
 
He stopped and swore under his breath.
 
Their '03 Peugeot was neatly trapped between a Yaris and the new   neighbor's Land Rover. Again. He owns a truck capable of climbing   Kilimanjaro, thought Nicholas, but still catches cabs to get to   Paddington. But he was in a good mood and didn't want it ruined by   having words. He'd take the motorbike.
 
A minute later, Nicholas pulled on his helmet, twisted the throttle,   and his BMW let out a baritone rumble as it eased out from its stable   behind the dustbins onto the street. He'd be soaking wet before he got   to the hardware, and thoroughly dissolved by the time he got home, but   he couldn't be arsed going back inside to fetch his slick or facing   Cate's insistence that the urban adventurer next door get a talking-  to. The lumpy side panniers would keep the sandpaper dry.
 
The world was painted from a palette of grays. There was next to no   traffic. The rain on his face stung lightly enough to be pleasant, and   the bike rumbled contentedly. As he turned down past Walpole Park,   Nicholas resolved to enjoy the icy wet. He would be cold and happy   with it: a pasha on his mount, a cavalier on royal duty; a man with an   excuse to become naked before his beautiful wife in a quarter of an   hour. He smiled to himself and glanced at the green park flashing past.
 
The grove always drew his eye. It was tucked in the corner of the   park, its old trees cloistered together, huddled close as weary   soldiers under grim umbrellas. Neglected and conspiring. Secretive.   Their trunks were dark as tar in the late light and the gray rain, and   their tops were huge inverted bowls of sea black-thick green and   rambling and restless.
 
Between the dark trunks was a face.
 
A man's face . . . yet not human. Larger. Older. In the instant before   it retreated into the night-black shadows of the grove, Nicholas saw   that from the corners of its mouth grew-
 
A sharp, sick symphony of collapsing metal and shattering plastic,   then he was arcing through the air. For a long moment, his eyes were   filled with cloud-bruised acres of sky and telephone lines and   silence. Then a small cracking sound and his lungs filled with   mercury. Pain as hard as ice jolted through him like electricity. He   was still moving: not flying now, but sliding on his back along the   wet bitumen, frozen in a breathless world of insane agony. Sliding.   Slowing. Stopped.
 
Gray rain and dark leaves. Silence.
 
And pain so solid that he felt carved from it-lungs spasming, wanting   to work but unable to, more winded than he'd ever been during high   school rugby or behind-the-shed fisticuffs. He could do nothing but   lie there and will his burning lungs to please, please, please inhale!
 
A face loomed over him. Brown teeth behind thin fish lips. Wide eyes,   deep frowns. Two faces. Then, like a tide returning and bringing waves   with it, the world's noise returned with his breath-with a rattle, he   sucked in cold, wet, beautiful air.
 
". . . an ambulance!"
 
"Don't move him!"
 
He let out a whistling breath and tried to sit up, but the movement   brought fresh icicles of pain.
 
"He's okay!"
 
"Oh, Terry, he's okay!"
 
Nicholas, wanting to contribute to the optimistic mood, tried to   whisper, "I'm okay," but all that came out was a weak sigh.
 
A man and a woman stood above him, their details vague through tears   of wretched pain.
 
Words spilled out of the woman like marbles from a split sack. "We   just backed out and didn't look and we are so, so sorry-"
 
"Don't say you're sorry!" hiss-whispered her husband.
 
"I didn't say sorry."
 
"You did!"
 
"Phone?" wheezed Nicholas.
 
The couple clarified: a horse-faced pair in matching tweed, looking   down at this wounded, talking marvel.
 
"Of course." The man handed over his mobile. Nicholas's thumb shook as   he dialed. He loosened his helmet as the LCD screen blinked: Calling.
 
"My bike?" he whispered.
 
The man lifted his chin and peered between the top of his glasses and   the brim of his tweed driver's cap.
 
"Pretty well buggered. You know you're bleeding?"
 
"Oh, God! He's bleeding?"
 
Nicholas held up a hand for silence. A click as the other end picked up.
 
"Hello?"
 
Cate. Nicholas's heart slowed. Relief as warm as sunlight washed   through him.
 
"Cate."
 
"Hello, bear. What's up?"
 
"Cate." He was so happy to hear her. Why? He'd only left her a moment   ago . . .
 
"Nicky? Where are you? Are you on the road?" Concern in her voice now.   "I heard the motorbike and-oh, God, have you had an accident?"
 
Her voice was growing fainter.
 
"I'm fine, nothing. A little bingle. You, though. Are you all right?"
 
He was so happy. Happy and amazed. She was fine. Why had he worried so?
 
Evening seemed to be falling fast. The equestrian couple was darkening   in shadow, their faces growing as lean and hidden as the evening trees   themselves. The rain was a steady hiss.
 
"I'm worried about you! Where are you? Nicky? Nicholas?" Her voice was   thin and distant, words from the bottom of a well.
 
"I'm here . . . but you're all right?"
 
"Nicholas?"
 
Bump.
 
A gray pall fell over the world, rapidly making everything dimmer and   darker. Gray became black. Evening became night.
 
"You're all right . . ." he whispered.
 
Bump.
 
Bump.
 
Just a little nudge, stirring a tinkle of ice. Bump. A flick of paper   somewhere.
 
Nicholas opened one eye a fraction. It was night. Well, dark,   certainly. And his face was cold and damp; chill hissed down on him.   Was it still raining? His vision was swimmy.
 
Bump.
 
He opened the other eye, and blinked.
 
The aircraft cabin was as dark as a cinema. Hard plastic window shades   were pulled down. The cool air was loosely laced with body odor and   cologne. Passengers lay motionless with blankets drawn to necks,   mouths agape, sleeping. Most lights were out, but a few private oases   of yellow or blue peppered the gloom, a woman reading here, a man   wearing headphones watching a small screen there. Up the aisle, a   flight attendant checked on her wards, walking between passengers as   silently as a benevolent spirit.
 
Someone behind Nicholas was drinking: ice ticked on thin plastic.   Across the aisle from him, a girl of six or seven sat awake, coloring   a picture.
 
"Oh, God . . ."
 
Nicholas turned at the desperate whisper, before realizing it was his   own. His nose was blocked. He touched his face. His cheeks were wet   and cold under the air hissing from the vent above.
 
He'd been crying in his sleep.
 
If I shut my eyes now and go to sleep, he thought, I can go back. Back   to the beautiful lie that Cate had answered the phone, worried, but   alive.
 
But the truth of things rushed through floodgates, dousing him wide   awake. He was alive and leaving Britain. Cate was dead: three utterly   dreadful months in the ground. She'd fallen getting down the ladder to   answer his telephone call after the motorbike crash, splintering her   neck on the bath edge.
 
The cold weight of the realization sank Nicholas deeper into his seat.   He swallowed back bile and wiped his nose. The little girl across the   aisle glanced at him disapprovingly. The flight was an eternity. He   angled his watch to catch what little light there was.
 
"Are you all right, sir?"
 
He blinked.
 
A flight attendant looked down at him, brows drawn in tight concern.   Her face was pale but her cheeks were pink and her nose freckled. Young.
 
"Excuse me?"
 
The flight attendant leaned closer, whispered again, "Are you all   right, sir? You . . . made some noise in your sleep." She held a   tissue toward him.
 
"Oh." Not knowing what else to do, he took the tissue. "I'm fine." A   lie to send her on her way.
 
"Bad dream?"
 
"Yes." Another lie. So, now she could go.
 
But she lingered. The little girl across the aisle had stopped   coloring and was sitting upright.
 
"That's no good. We like our passengers to sleep well." The flight   attendant's white smile was disconcertingly bright in the darkness.
 
"You really don't have to charm me. I'm already on the plane."
 
The woman's smile faltered. "But we'd like you to come back. Another   blanket?"
 
Movement across the aisle caught Nicholas's eye. The little girl was   shaking.
 
"Hey, you okay?" He pushed himself out of his seat, but was held back   by the buckled belt. "Jesus, look."
 
The little girl was convulsing now, her legs jack-hammering and her   hands clawing at her tiny neck. Her face was sharp red and her mouth   was opening and closing like a hooked fish's.
 
The flight attendant followed Nicholas's glance, then looked back at   him, concerned. "Or a pillow?" she asked quietly.
 
"Help her!" said Nicholas loudly, finally unclasping the strap.   "She's . . ."
 
The little girl was turning blue, her eyes so wide they showed a   finger's width of reddening white around the irises.
 
Nicholas stood too quickly, smacking his head on the luggage   compartment. Other passengers began to stir at the noise.
 
"Help who?" The young woman's voice was sharp. "Sir?"
 
The silently gasping girl fell to the floor right at the attendant's   comfortable flats. The child's pink and yellow top tore open, wrenched   by invisible fingers, exposing a pale fluttering little chest and   ribs. Nicholas stared in horror as the attendant took an awkward half-  step back . . . and her foot passed through the girl to rest solidly   on the carpeted floor.
 
Nicholas trembled. His heart smashed in his chest, vibrating his body.
 
The little girl's back arched, and her head wrenched back at a hideous   angle. She jerked mightily, a landed trout flopping with horrible,   drowning violence. Then, like a sandcastle undermined by a wave, she   collapsed on herself and grew still.
 
"Sir?" whispered the attendant sharply. "Could you sit down please,   sir?"
 
Nicholas felt the pressure of the young woman's grip on his wrist, and   looked into her face. A tough, forced smile was on her face, her   cheeks red. Nicholas saw other passengers turning to look at him,   murmuring, whispering to one another.
 
He glanced down at the aircraft floor.
 
The little girl's dead eyes stared at the cabin ceiling for a long   moment . . . then rolled to fix on Nicholas's.
 
"Sure." His voice was a sandy whisper. Shaking, he sat back into his   seat. "Sorry."
 
The attendant shook her head, as if his behavior was perfectly normal,   and sent a quick, calming smile around to the other passengers.   Nicholas forced himself to focus on rebuckling his belt, on not   looking at the dead girl the attendant was standing upon.
 
"Can I get you something?" the young woman asked. "Water? Tea?"
 
"What did the little girl die of?" he whispered.
 
The attendant blinked. "I beg your pardon?"
 
Nicholas looked across the aisle. The little girl was suddenly in her   seat again. Her blouse was whole. She watched Nicholas, eyes   unreadable. Her hands, as if with minds of their own, picked up the   coloring book and crayon and recommenced their childish business.
 
Nicholas knew he should just shut up. But the words came of their own   accord.
 
"A little girl just died here, didn't she?"
 
The woman stared at Nicholas, her mouth working as she made some   decisions. He knew the look: the how-did-he-know-that, is-he-a-  reporter, is-he-mental, is-he-dangerous look.
 
"How do you -" Her words were clipped. No politeness now.
 
The little girl was coloring her book with tedious slowness. Her face   was in shadow. The passenger beside her rolled in his sleep and put   his arm right through her head.
 
The flight attendant straightened her skirt. "I have no idea, sir.   Information like that is kept by the airline. I must ask you not to   talk about . . . such things on the flight, sir."
 
She glanced once at the empty seat opposite Nicholas, then moved away,   a little too fast, up the dark aisle.
 
Nicholas looked over. The girl's hands stopped coloring. Her gaze was   on his as she started shaking and turning blue again.
 
He rolled away from her and closed his eyes.
 
  
 
 




From the Hardcover edition.

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Customer Reviews

Average Rating 4
( 21 )
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See All Sort by: Showing 1 – 20 of 21 Customer Reviews
  • Posted October 20, 2010

    A Definite Must Read!!!

    This has supernatural, horror, mystery, and crime all in one in a fast paced story that will make you want to finish it in one go. The characters are so well made, and the story flows together brillantly! I was really suprised to find out Irwin is a first time writer!! (I will be looking out for his name now because this is one of the best books I have read in a while!) This book is fantastic!! If you really love the supernatural and fast paced, suspenseful, thrilling books, this is a definite MUST!!!

    3 out of 3 people found this review helpful.

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  • Posted July 4, 2012

    A 25-Year Single Malt of Spooky Stephen M. Irwin's supernatural

    A 25-Year Single Malt of Spooky

    Stephen M. Irwin's supernatural thriller debut, THE DEAD PATH, is without a doubt one of the finest things to come out of Australia in the last twenty years. With a slow, considered burn of a beginning, the story twists a few times before it really gets rolling, and you think you are in for a predictable The Sixth Sense kind of "I See Ghosts" tale. But Irwin has loftier things in store for you. The story moves effortlessly into different territories than where you thought you were heading, and it sucks you in so deeply, that when it returns to issues brought up in the early part of the tale, you had completely forgotten about them, and the resulting impact is just what a terrific spookathon requires. The tale twists and turns, moving in directions you don't see coming until they are upon you. And by that point, the new direction is so wonderfully obvious, you question why you didn't see it coming in the first place. Because you are in the hands of a master, that's why.

    This novel was also a surprise for me in another way, unrelated to the excellent tapestry of woven plot. The prose is lush, exotic, and so concise, that Irwin can evoke the heebie jeebies as easily as he evokes your misspent childhood with a simple sentence about the weather. I found, for the first time in 15 years, I was savoring the prose of a novel, dipping into it like a fine single malt whisky, letting each sentence roll over my tongue, and feeling the delicious burn of each chapter. I found myself going back and re-reading a sentence to marvel at its construction--at how perfect it was, and yet how simple. Like any master of a craft, Irwin makes it look easy. I made the first third of the book last weeks, because I refused to barrel through it at the pace the plot demanded. I wanted it to last. I hadn't done that with a book since I read John Banville's lavish espionage drama, THE UNTOUCHABLE, over a decade ago. There's a reason why, like Banville, Irwin is an award-winning author. He's just that good. After my fine sips began to come one after the next, with a delicious warm intensity, I started gulping, until I finished the book in a staggering bender of intoxicated reading.

    We are living through a new renaissance of supernatural horror thriller fiction at the moment. Stephen M. Irwin is joining the ranks of the other new maestros: Joe Hill, Michael Koryta, and Justin Cronin. As the illustrious Stephen King spends more time tinkering with his magnum opus and knocking baseball novellas out of the park, these four authors are forging ahead with the genre, taking us places we've never been, but where we have been yearning to go. Any one of these authors could carry the legacy of Stephen King, with the fine chilling tales to which we have become accustomed. With Irwin's addition to the new spookmaster's club, readers of the genre are in fine hands.

    2 out of 2 people found this review helpful.

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  • Posted October 5, 2010

    Fantastic read - could not put this down!

    This book will appeal to readers of supernatural thrillers, horror and crime. I picked the book up yesterday and finished it in one day! I have since searched for other titles by this author - finding out that Stephen M Irwin is a first-time Australian author. The author's website promises that a second book is on its way - and I will be first in line to pick it up. Great for book club discussion groups as there are certainly some interesting themes to pick up on. This book may might even make 'non-horror' readers change their mind about the genre! Looking for an exciting new author to become a favourite - then give The Dead Path a go, you won't be disappointed.

    2 out of 2 people found this review helpful.

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  • Posted June 23, 2012

    more from this reviewer

    I would love to give credit to whomever recommended this book to

    I would love to give credit to whomever recommended this book to me but I honestly can't remember who it was. I hate when that happens - feel free to remind me because I am grateful you did.

    The book started off a bit slow to me - it seemed as if it took quite a while for Nicholas to get to his hometown and the woods where it all begins and ends. A recent widower, Nicholas is both depressed and disinterested in life until the first child goes missing in the same way his best friend had decades before. As Nicholas tries to unravel the mysteries around the woods, he finds himself drawn into a sinister web as old as time itself.

    Irwin pulls you in so subtly that it isn't almost to the 50th page you realize you can't put the book down without knowing what happens next. Black magic, voodoo, witchery...Nicholas encounters it all. The use of spiders in the story gave me the willies. I am rather phobic about spiders so this story will, no doubt, be incorporated in bad dreams over the next few days. Irwin's writing style has the scenes jumping off the pages. Both disturbing and sinister, the book will keep you squirming in your seat - you might even gag a time or two before the end. I found myself swishing at invisible spiders crawling up my leg more than once - such vile little creatures.

    I've read in other reviews that this is Aussie Stephen Irwin's debut novel and that it was in the running for the best horror book of the year. I'd like to know what book won for it is hard to imagine a spooky story more worthy. My only disappointment in the book was the ending - it did not go the way I had thought it would yet the ending did make a certain amount of sense. I'm not one who has to have happy endings and I'm not saying this wasn't one - but it wasn't the one I expected. Usually I can guess a book's ending pretty accurately but this one had a little twist I didn't see coming.

    If you love spooky stories - ones where you swear you can feel spiders crawling down your spine - this is the book for you. I give the book an A!

    1 out of 1 people found this review helpful.

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  • Posted July 12, 2012

    Didn't like this book at all. The author tried WAY to hard with

    Didn't like this book at all. The author tried WAY to hard with metaphors. It got tiring after about the 20th one and distracted from the writing. Also, if you don't like spiders...don't read this because you will definitely not get through it. I thought the subject was unbelivable and just not a good read. Appears the author is trying to be like Stephen King but failing.

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  • Anonymous

    Posted December 1, 2011

    Would read more by this author

    I enjoyed this book. Great, talented writer. Will keep my eyes open for more from this author in the future.

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  • Posted December 11, 2010

    more from this reviewer

    The Dead Path

    When Nicolas Cage's wife dies, he starts seeing ghosts or people dying over and over again; one of them a childhood friend who was murdered years ago. When another child goes missing, Nicholas begins to investigate he learns a horrible secret. This horror tales begins slow and picks up as the story progresses, but yet I didn't get into it as the premise began to deviate into a different area.

    0 out of 1 people found this review helpful.

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