Dead Souls: Introduction by Richard Pevear
Nikolai Gogol’s Dead Souls is the great comic masterpiece of Russian literature–a satirical and splendidly exaggerated epic of life in the benighted provinces.

Gogol hoped to show the world “the untold riches of the Russian soul” in this 1842 novel, which he populated with a Dickensian swarm of characters: rogues and scoundrels, landowners and serfs, conniving petty officials–all of them both utterly lifelike and alarmingly larger than life. Setting everything in motion is the wily antihero, Chichikov, the trafficker in “dead souls”–deceased serfs who still represent profit to those clever enough to trade in them.

This lively, idiomatic English version by the award-winning translators Richard Pevear and Larissa Volokhonsky makes accessible the full extent of the novel’s lyricism, sulphurous humor, and delight in human oddity and error.

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Dead Souls: Introduction by Richard Pevear
Nikolai Gogol’s Dead Souls is the great comic masterpiece of Russian literature–a satirical and splendidly exaggerated epic of life in the benighted provinces.

Gogol hoped to show the world “the untold riches of the Russian soul” in this 1842 novel, which he populated with a Dickensian swarm of characters: rogues and scoundrels, landowners and serfs, conniving petty officials–all of them both utterly lifelike and alarmingly larger than life. Setting everything in motion is the wily antihero, Chichikov, the trafficker in “dead souls”–deceased serfs who still represent profit to those clever enough to trade in them.

This lively, idiomatic English version by the award-winning translators Richard Pevear and Larissa Volokhonsky makes accessible the full extent of the novel’s lyricism, sulphurous humor, and delight in human oddity and error.

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Dead Souls: Introduction by Richard Pevear

Dead Souls: Introduction by Richard Pevear

Overview

Nikolai Gogol’s Dead Souls is the great comic masterpiece of Russian literature–a satirical and splendidly exaggerated epic of life in the benighted provinces.

Gogol hoped to show the world “the untold riches of the Russian soul” in this 1842 novel, which he populated with a Dickensian swarm of characters: rogues and scoundrels, landowners and serfs, conniving petty officials–all of them both utterly lifelike and alarmingly larger than life. Setting everything in motion is the wily antihero, Chichikov, the trafficker in “dead souls”–deceased serfs who still represent profit to those clever enough to trade in them.

This lively, idiomatic English version by the award-winning translators Richard Pevear and Larissa Volokhonsky makes accessible the full extent of the novel’s lyricism, sulphurous humor, and delight in human oddity and error.

Product Details

ISBN-13: 9781400043194
Publisher: Knopf Doubleday Publishing Group
Publication date: 09/21/2004
Series: Everyman's Library Classics Series
Edition description: New Edition
Pages: 488
Product dimensions: 5.30(w) x 8.30(h) x 1.20(d)

About the Author

About The Author
Nikolai Vasilevich Gogol was born in 1809; his family were small gentry of Ukrainian cossack extraction, and his father was the author of a number of plays based on Ukrainian popular tales. He attended school in Nézhin and gained a reputation for his theatrical abilities. He went to St Petersburg in 1829 and with the help of a friend gained a post in one of the government ministries. Gogol was introduced to Zhukovsky, the romantic poet, and to Pushkin, and with the publication of Evenings on a Farm near Dikanka (1831) he had an entrée to all the leading literary salons. He even managed for a short period to be Professor of History at the University of St. Petersburg (1834-5). Diary of a Madman and The Story of the Quarrel between Ivan Ivanovich and Ivan Nikiforovich appeared in 1934, The Nose in 1836, and The Overcoat in 1842. Gogol also wrote the play The Inspector (1836), Dead Souls (1842), and several moralizing essays defending the Tsarist regime, to the horror of his liberal and radical friends. He lived a great deal abroad, mostly in Rome, and in his last years became increasingly prey to religious mania and despair. He made a pilgrimage to Jerusalem in 1848, but was bitterly disappointed in the lack of feeling that the journey kindled. He returned to Russia and fell under the influence of a spiritual director who told him to destroy his writings as they were sinful. He burned the second part of Dead Souls, and died in 1852 after subjecting himself to a severe regime of fasting.

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From the Publisher

"Admired not only for its enduring comic portraits but also for its sense of moral purpose." —-Meriam Webster's Encyclopedia of Literature

Clifford Odets

Where else has one met such a group of brawling men, all of them straining, pleading, expostulating - bellowing to be released from the printed page? In Homer, in Shakespeare, in Rabelais, but not in many other places. Here are characters who veritably fly at the reader's throat.

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