A Death in Summer (Quirke Series #4)

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Overview

One of Dublin's most powerful men meets a violent end— and an acknowledged master of crime fiction delivers his most gripping novel yet

On a sweltering summer afternoon, newspaper tycoon Richard Jewell—known to his many enemies as Diamond Dick—is discovered with his head blown off by a shotgun blast. But is it suicide or murder? For help with the investigation, Detective Inspector Hackett calls in his old friend Quirke, who has unusual access ...

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A Death in Summer (Quirke Series #4)

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Overview

One of Dublin's most powerful men meets a violent end— and an acknowledged master of crime fiction delivers his most gripping novel yet

On a sweltering summer afternoon, newspaper tycoon Richard Jewell—known to his many enemies as Diamond Dick—is discovered with his head blown off by a shotgun blast. But is it suicide or murder? For help with the investigation, Detective Inspector Hackett calls in his old friend Quirke, who has unusual access to Dublin's elite.

Jewell's coolly elegant French wife, Françoise, seems less than shocked by her husband's death. But Dannie, Jewell's high-strung sister, is devastated, and Quirke is surprised to learn that in her grief she has turned to an unexpected friend: David Sinclair, Quirke's ambitious assistant in the pathology lab at the Hospital of the Holy Family. Further, Sinclair has been seeing Quirke's fractious daughter Phoebe, and an unlikely romance is blossoming between the two. As a record heat wave envelops the city and the secret deals underpinning Diamond Dick's empire begin to be revealed, Quirke and Hackett find themselves caught up in a dark web of intrigue and violence that threatens to end in disaster.

Tightly plotted and gorgeously written, A Death in Summer proves to the brilliant but sometimes reckless Quirke that in a city where old money and the right bloodlines rule, he is by no means safe from mortal danger.

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Editorial Reviews

Publishers Weekly
Black's flat fourth crime novel set in 1950s Ireland (after Elegy for April) takes Dublin pathologist Quirke to Brook-lands, the country estate of newspaper baron Richard "Diamond Dick" Jewell, whose nearly headless body is found one summer afternoon in his office above the stables. Jewell appears to have blown his head off with the shotgun still in his hand, but Quirke suspects foul play. Jewell's beautiful widow, Françoise d'Aubigny, who flatters Quirke by remembering their previous brief meeting a year before, suggests that a feud was brewing between Jewell and another rich Dubliner, Carlton Sumner. Quirke unearths a connection between Jewell and St. Christopher's, an orphanage where he himself briefly lived. When threatening phone calls escalate into violence, Quirke must watch his back. The failure of Black (the pen name of Booker-winner John Banville) to make much of the demise of such a powerful figure and Quirke's unlikely attraction to the dead man's wife help make this Black's weakest effort yet. (July)
Library Journal
In the latest release (after Elegy for April) from Black (a pen name for John Banville), Detective Inspector Hackett calls his longtime adviser, Quirke, to investigate the shotgun suicide of "Diamond Dick" Jewell, a much-despised newspaper publisher. Quirke, a pathologist with family ties to Dublin's upper class, does not need long to determine that murder is the likely cause of death, although the exact motive remains elusive. With questionable ethics, Quirke rapidly becomes infatuated with Françoise d'Aubigny, Jewell's captivating estranged widow, and falls off the wagon. Phoebe, Quirke's fragile, complex adult daughter, again plays a role when she becomes acquainted with Dannie Jewell, the deceased's sister, and begins to discover some dark secrets involving a grim orphanage and its wealthy benefactors, all members of the mysterious Friends of St. Christopher's. VERDICT Black's mysteries are not black and white with cut-and-dried villains behind bars at the conclusion. However, readers looking for more character development and ambiguity than Stieg Larsson's popular Scandinavian thrillers offer will enjoy getting to know Quirke and Hackett by picking up this book and Black's previous works. [See Prepub Alert, 12/12/10; library marketing.]—Christine Perkins, Bellingham P.L., WA
Kirkus Reviews

The son of a Dublin newspaper magnate is murdered in a thriller that has everything but a catalyst to set things spinning.

Black (Elegy for April, 2010, etc.), pseudonym for Booker Award winner John Banville, knows what noir thriller fans go for. He spikes events with deliciously nasty wit and sharp, often elegant prose. The exploded remains of a victim's head, for example, smear a window like "a giant peony blossom, that blotted out most of the view of rolling grasslands stretching off to the horizon." Black's investigator, pathologist Garret Quirke, whose problems with women and alcohol qualify him as a valid hard-boiled investigator, has a laser eye for character foibles. So you know ifFrançoise d'Aubigny, the widow of the murder victim, the widely despised Richard Jewell, hides anything about his murder, it's certain Quirk (in his fourth case) will spot it. It's also certain he and the widow, who in profile has "the look of a figure on a pharaoh's tomb," will have an affair. In due order, a web of suspects is drawn. There's a gardener, an obnoxious bully; a business associate, Carlton Sumner, a rival to Jewell for "ruthlessness and skuldudgery"; and Jewell's half-sister Dannie, who murmurs something about "poor orphans," a clue that hangs inert over the proceedings. These and other characters, including Quirk's mistress, his assistant and his daughter, are drawn with laser sharpness, but their scenes seldom push the action forward.Matters get moving whenever Quirke starts investigating, but Black keeps him off-scene for long stretches, further stalling cohesion and momentum. The reveal, alas, will probably pop into the reader's mind before it does onto the page. Dublin, during an uncharacteristic hot spell, offers atmosphere Black never effectively drapes over the proceedings.

The parts are greater than the sum.

From the Publisher
"[Benjamin Black’s] books about the dour Irish pathologist named Quirke have effortless flair, with their period-piece cinematic ambience and their sultry romance. The Black books are much more like Alan Furst’s elegant, doom-infused World War II spy books than like standard crime tales."—Janet Maslin, The New York Times

"Black’s drab Dublin streets are full of perplexing figures, archetypes, as if the characters were stalking through some Jungian map of the unconscious: weakened, dying fathers, good mothers, bad mothers, twins, ‘dark doubles,’ ghosts surging up from the past… His narratives are loaded with poetic devices."—The New Yorker

"Black has improved with every book, and the latest, A Death in Summer, is his best yet… [Black] knows how to create a first-rate sleuth—the ungainly, middle-aged Dublin pathologist Quirke, a man who can never seem to keep his nose out of trouble."—Malcolm Jones, The Daily Beast

"The author of the Booker Prize-winning The Sea, Banville is a literary artist, whereas Black is a craftsman who churns out page-turning crime tales… Banville’s latest Benjamin Black novel is another complex character study disguised as a plot-driven work of genre fiction."—The Kansas City Star

"[A Death in Summer] is an elegant novel, well-paced with dramatic twists, disturbing surprises and richly drawn characters whose actions and motives have a tangible psychological depth.

Mr. Black/Banville is well in form here... It can be either plunged into without any need to reference the previous three or else taken as a welcome new installment of a sequential quartet by one of Ireland’s leading contemporary novelists."—New York Journal of Books

The Barnes & Noble Review
A Death in Summer is the fourth crime novel by Benjamin Black to revolve around the troubled character of Quirke, a pathologist living in Dublin in the bleak 1950s. This latest installment is also Black's leanest. Indeed, the novel's pace is almost brisk. A corpse materializes promptly and—Benjamin Black being the pen name of John Banville—exquisitely framed. "On the big picture window in front of the desk," Black writes, "there was a great splatter of blood and brains, like a giant peony blossom, with a gaping hole in the middle of it giving a view of rolling grasslands stretching off to the horizon." This is what remains of Richard Jewell, a newspaper tycoon who once "?had a bland sheen to him, like all rich men..." and eyes "set like rivets in a smiling mask."

Jewell's chilly French widow, his unstable half sister, his groom and housekeeper are suspiciously reserved about the apparent suicide and the sense of intrigue and emotional intensity thickens when Quirke arrives on the scene, his keen intuition and his weakness for tempestuous women firmly intact.

Later, attending Jewell's memorial party, "?tipsy on the dead man's champagne and overflowing at the brim with infatuation for the man's enchanting and dangerous widow," Quirke acknowledges "?his taste for the hazard of sin" and is soon erotically entangled. Meanwhile, darker sexual impulses in Jewell's past gradually emerge as possible motives for his murder. Or was he simply the victim of a lethal business rivalry?

The answer is obvious in a plot that is plain and even predictable at times. Broad hints are punctually delivered. We learn that Jewell's half sister's depression is rooted in a childhood trauma and that his widow's steeliness was forged by her brother's death in the French Resistance. We notice that Jewell's child, a daughter, is disturbingly calm and manipulative.

Subterranean themes of child abuse, betrayal, and retribution surface as Black develops, somewhat cursorily, a romance between Quirke's daughter and his morgue assistant, who is Jewish, as was the murdered Jewell. Unifying these often distracting elements is Black's language, which, for all its noir flourishes, is recognizably Banville's: dark, sumptuous, and enveloping. There is more sunshine here than in Quirke's previous outings—Dublin bakes in summer heat—but the mood is familiarly somber and it darkens further when Quirke discovers that Jewell was a generous patron of the Catholic orphanage in which he, Quirke, spent part of his childhood. He remembers "?the particular smell of the place, a complex blend of damp stone, wet wool, tale urine, boiled cabbage, and another odor, thin and sharp and acidic, that seemed to the survivors of St. Christopher's the stink of misery itself."

As in previous Black (and some Banville) novels, the fictional horror here is based on real events and the city of Dublin is evoked with Joycean clarity. When it comes to action and resolution, however, Black prefers to hint at an outcome or to leave matters unresolved, reinforcing the sense that in his refined brand of noir mood trumps mayhem.

Anna Mundow writes "The Interview" and the "Historical Novels" columns for The Boston Globe and is a contributor to The Irish Times.
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Product Details

  • ISBN-13: 9780805090925
  • Publisher: Holt, Henry & Company, Inc.
  • Publication date: 7/5/2011
  • Series: Quirke Series , #4
  • Pages: 320
  • Product dimensions: 6.46 (w) x 9.32 (h) x 1.05 (d)

Meet the Author

Benjamin Black is the pen name of the Booker Award winning-novelist John Banville. The author of the bestselling and critically acclaimed series of Quirke novels—Christine Falls, The Silver Swan, Elegy for April, and A Death In Summer—he lives in Dublin. Visit Benjamin Black's website at www.BenjaminBlackBooks.com.

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Read an Excerpt

1

When word got about that Richard Jewell had been found with the greater part of his head blown off and clutching a shotgun in his bloodless hands, few outside the family circle and few inside it, either, considered his demise a cause for sorrow. Jewell, known to the jauntier among his detractors as Diamond Dick, had been a wealthy man. The bulk of his money he had inherited from his father, the notorious Francis T.—Francie—Jewell, sometime Lord Mayor and proprietor of a highly successful newspaper chain that included the scurrilous and much-feared Daily Clarion, the city's top-selling paper. The older Jewell had been something of an uncut stone, given to violent vendettas and a loathing of trades unions, but his son, though no less unscrupulous and vengeful, had sought to polish the family name to a high luster by means of well-publicized acts of philanthropy. Richard Jewell was known for his sponsorship of orphanages and schools for the handicapped, while the recently opened Jewell Wing of the Hospital of the Holy Family was in the vanguard of the fight against tuberculosis. These and other initiatives should have made Dick Jewell a hero in a city beset by poverty and chronic ill health, but now that he was dead many among the citizenry declared themselves ready to dance on his grave.

His corpse was discovered that Sunday afternoon in his office above the stables at Brooklands, the place in County Kildare jointly owned by him and his wife. Maguire, the yard manager, had come up by the outside stairs to give him a report of a stallion that was lame and unlikely to run the following Thursday in an evening fixture at Leopardstown. The door to the office was ajar but Maguire had known better than to walk in without knocking. Right away, though, he had the feeling that something was seriously amiss. When asked later to describe this feeling he could not; only the hair, he said, had stood up on the back of his neck, and he distinctly remembered hearing Blue Lightning sending up a whinny in the quiet below in the yard; Blue Lightning was Dick Jewell's darling, a three-year-old with the highest potential.

The shotgun blast had lifted Jewell out of his chair and flung him backwards at a crooked angle across the desk, where he lay with a bit of jawbone and a few teeth and a bloodied stump of spine, all that was left of what had been his head, dangling down on the far side. On the big picture window in front of the desk there was a great splatter of blood and brains, like a giant peony blossom, with a gaping hole in the middle of it giving a view of rolling grasslands stretching off to the horizon. Maguire at first could hardly take in what had happened. It looked as if the man had shot himself, but Diamond Dick Jewell was the last person Maguire or anyone else would have expected to blow his own head off.

Rumors and speculation started up at once. It added to the shock of the event that it had taken place on a drowsy Sunday afternoon in summer, while the beeches along the drive at Brooklands sweltered in the sun and the mingled smell of hay and horses lay heavy on the summer air. Not that many were privy to the details of what had happened. Who knew better than the Jewells how to hush up a scandal? And a suicide, in these days, in this place, was a very grave scandal indeed.

In the Clarion offices on Eden Quay the atmosphere was a combination of pandemonium and wondering disbelief. The staff, from copyboys to editorial, felt as if they were moving underwater, or through a medium heavier and more hindering than water, and yet at the same time everything seemed to be racing along like a river in spate and carrying all before it. The editor, Harry Clancy, had come in from Portmarnock, where a caddy had been sent on a bicycle to intercept him at the twelfth hole, and he was still in golfing gear, the studs in his shoes rattling out a tattoo on the lino as he marched back and forth in front of his desk dictating a eulogy which his secretary, the no longer young and faintly mustached Miss Somers, was taking down in longhand on a pad of copy paper.

". . . should have been struck down in the prime of life," Clancy was intoning, "by a cerebral hemorrhage—" He broke off and looked at Miss Somers, who had stopped writing and sat motionless with her pencil suspended over the sheaf of paper on her knee. "What's the matter?"

Miss Somers seemed not to have heard him, and began writing again. ". . . in the prime of life . . ." she murmured, scoring the words laboriously into the cheap gray paper.

"What am I supposed to say?" Clancy demanded. "That the boss blew his brains out?"

". . . by a cer-e-bral hem-orrh-age . . ."

"All right, all right, cut that." Clancy had been pleased with himself for having hit on such an acceptable-sounding cause of death. It had been a kind of hemorrhage, had it not? There was bound to have been plenty of blood, anyway, seeing it was a shotgun Jewell had used on himself. The Clarion would not say it was suicide, nor would any of its rivals; suicides never got reported in the press—it was an unspoken convention, to spare the feelings of the relatives and make sure the insurance companies would not seize on it as an excuse to renege on paying out to the family. All the same, Clancy thought, better not to print an outright lie. It would get around soon enough that the boss had topped himself—Jesus, there was an apt phrase!—no matter what convenient lies were told. "Just say at the tragically early age of forty-five and at the pinnacle of his professional career and leave it at that."

He thrust his hands into his pockets and crossed clatteringly to the window and stood looking down at the river. Did no one ever clean this glass? He was hardly able to see out. Everything was shimmering in the heat out there and he could almost taste the cindery dust in the air, and the river had a bilious stink that no thickness of grimed glass could shut out. "Read it over to me so far," he growled. He had been on fine form on the course today, with three bogeys and a birdie at the ninth.

His secretary risked a sideways glance at him. That pink pullover might be all right on the golf course, she thought, but here in the office it made him look like a superannuated nancy boy. He was a stout man with a head of auburn curls, graying now, and a cross-hatching of livid veins over his cheekbones that was the legacy of a lifetime's hard drinking. He should beware a brain hemorrhage himself, Miss Somers considered. He was the fourth editor she had worked for in the forty years of her employment at the Clarion, not counting Eddie Randall, who broke down after a fortnight in the job and was sacked. She remembered old man Jewell, the well-named Francie; over a hot port in Mooney's one Christmas he had made an indecent proposal to her that she had pretended not to understand. All the same, he was a real man, not like the fellows going about now, calling themselves journalists—what ever happened to reporters?—and spending half the working week playing golf and the other half in the pub.

Clancy was off again, pacing and prating: ". . . scion of a great Dublin family and a—" He stopped again, checked as Miss Somers delicately but unignorably cleared her throat. "What is it now?"

"Pardon me, Mr. Clancy—but what was that word?"

"What?" He was baffled.

"Do you mean scion?" Miss Somers asked. "I believe that's how it's pronounced, not skion."

She would not raise her eyes to his, and he stood in the middle of the floor breathing hard and gazing at the white parting down the center of her silver hair with an expression of angry helplessness. Bloody, impossible, dried-up old maid! "Oh, do forgive my ignorance, please," he said with weary sarcasm, "—scion of a great Dublin family . . ." And a ruthless bastard, he was thinking, who would tear out your heart as quick as look at you. He waved a hand impatiently and went and sat down behind his desk. "We'll finish it later," he said, "there's plenty of time. Ask the switch to get me Hackett over at Pearse Street, will you?"

•••

But Inspector Hackett, of course, was out at Brooklands. Like Clancy, he was not in a good mood. He had just finished his Sunday dinner—a nice leg of lamb—and was getting ready to go down to Wicklow for a bit of fishing when the phone rang. A phone call on a Sunday afternoon had to be either from his sister-in-law, threatening a visit with her brood, or from the station. Today, somehow, just by listening to the bell shrilling, he had known which one it was, and that the matter was going to be a weighty one. The new fellow, Jenkins, had picked him up in a squad car; he had heard the yowling of the siren from three streets away. His wife had made him a sandwich from the leftover lamb—May's main task in life nowadays seemed to be to keep him fed—and the warmish wad of bread and meat wrapped in greaseproof paper and making his jacket pocket sag was an annoyance to him. He would have thrown it out of the window of the squad car when they got into the country except that he would have felt disloyal.

Jenkins was in a state of high excitement. This was the first serious job he had taken part in since he had been assigned to work with Detective Inspector Hackett, and serious it certainly promised to be. Although initial reports from Brooklands had suggested that Richard Jewell had killed himself, Hackett was skeptical, and suspected foul play. Jenkins did not understand how the Inspector was managing to be so calm—even with all his years of service he could not have dealt with more than a handful of murder cases, and certainly not with one as sensational as this, if murder it was. All he seemed concerned about, however, was the fact that his fishing trip had to be canceled. When he had come out of the house, his missus hovering behind him in the shadow of the doorway, he had been scowling, and the first thing he had done when he got in the car was demand why the hell the siren had been going, since it was Sunday and there was hardly a vehicle on the streets, and after that he had not spoken a dozen words until they got to Kildare town. There they had to ask the way to Brooklands, which made him all the more annoyed—"Would you not have thought of looking at the bloody map before you set out?" And then, when they reached Brooklands at last, there was the worst humiliation of all. A corpse was one thing, but a corpse with nothing where its head should be except part of the jaw and that gristly bit of spine sticking out at the back was altogether another. "Get out!" the Inspector had shouted at him when he saw him turn green. "Get out before you puke on the evidence!" And poor Jenkins had stumbled down the wooden stairway outside and coughed up the remains of his dinner in a corner of the cobbled yard.

It felt strange to Hackett to be standing here, on a fine country estate, with the birds singing all about and a slab of sunlight falling at his heels from the open doorway of Jewell's office, and at the same time to have the old familiar smell of violent death in his nostrils. Not that he had smelled it so very often, but once caught it was never to be forgotten, that mingled faint stink of blood and excrement and something else, something thin and sharp and insidious, the smell of terror itself, perhaps, or of despair—or was he being fanciful? Could despair and terror really leave a trace? He heard Jenkins down in the yard, dry retching now. He could not find it in his heart to blame the poor chap for his weakness; Jewell was a frightful sight, sprawled across the desk as crooked as a corkscrew with his brains spattered all over the window behind him. The shotgun was a beauty, he noticed, a Purdey, if he was not mistaken.

Jenkins came clumping up the wooden stairs and stopped just inside the door. "Sorry, Inspector."

Hackett did not turn. He was standing at the desk with his hands in his trouser pockets and his hat pushed to the back of his head. There was a shine, Jenkins noted, on the elbows and the backside of his blue suit. He peered past his boss's shoulder at the thing that had been thrown over the desk like a side of beef. He was disappointed; he had been hoping for a murder, but the corpse was holding the gun in its own hands.

They heard a car drawing up in the yard. Jenkins glanced back down the stairs. "Forensics," he said.

The Inspector made a chopping gesture with the side of his hand, still not turning. "Tell them to wait a minute. Tell them"—he laughed shortly—"tell them I'm cogitating."

Jenkins went down the wooden steps, and there was the sound of voices in the yard, and then he came back. Hackett would have liked to be alone. He always had a peculiar sense of peace in the presence of the dead; it was the same feeling, he realized with a start, that he had now when May went up to bed early and left him in his armchair by the hearth, with a glass of something in his hand, studying the faces in the fire. This was not a good sign, this hankering after solitude. It was the other, sweeter smells, of horses and hay and the like, that was making him think in this way—of the past, of his childhood, of death, and of the ones of his who had died down the years.

"Who was it found him?" he asked. "The groom, was it?"

"Yard manager," Jenkins, behind him, said. "Name of Maguire."

"Maguire. Aye." Scenes such as this of bloody mischief were a stopped moment of time, a slice taken out of the ordinary flow of things and held suspended, like a specimen pressed between the glass slides under a microscope. "Did he hear the gunshot?"

"He says not."

"Where is he now?"

"In the house. Mrs. Jewell brought him in, he was that shocked."

"She's here, the missus—the widow?" Jewell's wife was foreign, he recalled. Spanish, was it? No, French. "Did she hear the gun?"

"I haven't talked to her."

Hackett took a step forward and touched the dead man's wrist. Cold. Could have been lying here for hours, no one the wiser. "Tell those forensics lads to come up." Jenkins went to the door. "And where's Harrison, is he on the way?" Harrison was the state pathologist.

"Sick, apparently."

"Or out on that boat of his, more likely."

"He had a heart attack, it seems."

"Did he?"

"Last week."

"Christ."

"They're sending Dr. Quirke."

"Are they, now."

Maguire was a big man with a big square head and square rope-veined hands that even yet were noticeably trembling. He sat at the kitchen table in a patch of yellow sunlight with a mug of tea before him, staring at nothing. He was ashen, and his lower lip too was unsteady. Hackett stood and gazed at him, frowning. The ones that look the toughest, he was thinking, are always the hardest hit. There was a vase of pink tulips on the table. Off in the fields somewhere a tractor was buzzing; haymaking, on a Sunday afternoon, to get the best of the weather. Rain was forecast for later in the week. A big wireless set standing on a shelf beside the sink was muttering to itself in an undertone.

Hackett had met Richard Jewell only once, at a fund-raiser for Garda widows. Jewell had a bland sheen to him, like all rich men, and only the eyes were real, set like rivets into a smiling mask. Good-looking, though, in a wolfish way, with too many big white teeth and a nose like the head of a stone axe. As he moved among the crowd, glad-handing the Commissioner and the Mayor and making the women weak at the knees, he seemed to be holding himself aloft, turning himself this way and that, as if he were indeed a precious gem to be admired and envied. Diamond Dick. It was hard not to be impressed. Why would such a man think of shooting himself?

"Will you take some tea, Inspector?" Mrs. Jewell inquired. Tall, slender, with intense dark eyes, she stood by the sink with a cigarette in her fingers, cool and preternaturally calm, in a dress of dove-gray silk and narrow patent-leather shoes with stiletto heels. Her very black hair was tied back, and she wore no jewelry. Some tall, stately bird, a heron, say, would have looked less incongruous than she did in the midst of these homely surroundings.

"No, thank you, ma'am," Hackett said. Jenkins made a sound and Hackett half turned in his direction, lifting a hand. "This, by the way, is Detective Sergeant Jenkins." Whenever he said the young man's name he had to bite his lip in order not to grin. Jenkins: for some reason it made him think of a picture he had seen somewhere when he was a child of a donkey wearing a hat with holes in it for the big furry ears to stick up through. And indeed Jenkins's own ears were remarkably large, and were even pointed a little at the tops. He had a long, very pale face and an Adam's apple that seemed to be attached to the end of an elastic string. Though eager and always obliging, he was a hapless specimen. Many are the things, Hackett told himself, that are sent to try us.

"Tell me, ma'am," he said carefully, "were you here when—when it happened?"

Mrs. Jewell arched an eyebrow. "When did it happen?"

"We won't know for sure till the pathologist arrives, but my fellows think maybe four or five hours ago."

"Then no. I got here at"—she glanced at a clock on the wall above the stove—"three, half past three, something like that."

Hackett nodded. He liked her accent. She did not sound French, more like that Swedish woman in the pictures, what was she called? "Can you think of a reason why your husband . . . ?"

She almost laughed. "No, of course not."

He nodded again, frowning at his hat, the brim of which he was holding lightly between the tips of the fingers and thumbs of both hands; it irked him that in front of this woman he felt like an applicant for something or other, all meekness and humble deference. It struck him suddenly as odd that everyone was standing, except Maguire, sunk there in shock at the table. What was the matter with the fellow, had he lost his nerve altogether?

He turned his attention to the woman again. "Forgive me for saying so, Mrs. Jewell, but you don't seem very surprised."

She widened her eyes—how extraordinary they were, black and glittering, the lids tapered at the corners like a cat's. "But certainly I am," she said. "I am"—she groped for the word—"I am baffled."

This seemed to allow of no further advance, and he turned to the yard manager again. "You say you didn't hear the gun?"

At first Maguire did not realize it was him who was being addressed, and Hackett had to put the question again, more loudly. The big man stirred as if he had been prodded from behind. "No," he said, frowning at the floor. "I was probably out on the gallops."

Hackett looked to Mrs. Jewell. "The gallops, where the horses are exercised," she said.

She had finished her cigarette and was casting about for somewhere to deposit the butt, with an air of slightly amused vague helplessness; it was as if she had never been in a kitchen before, not even this one, and were both taken with and puzzled by the quaintness of all these strange implements and appliances. Jenkins spotted an ashtray on the table and came forward quickly and brought it to her, and was rewarded by an unexpectedly warm, even radiant smile, and for the first time Hackett saw what a beautiful woman she was—too thin, and too chilly in her manner, but lovely all the same. He was surprised at himself; he had never been much of a connoisseur of women's looks.

"Did you go up to the office?" he asked her.

"Yes, of course," she said. He was silent, turning the hat brim slowly in his fingers. She smiled with one side of her mouth. "I was in France for all of the war, Inspector," she said. "It is not the first dead body I have seen."

Ingrid Bergman—that was it, that was who she sounded like. She was watching him, and under her scrutiny he lowered his eyes. Was that what her husband was to her now, a dead body? What a queer person she is, he thought, even for a Frenchwoman.

Suddenly Maguire spoke, surprising himself as much as them, it appeared. "He got me to clean the gun," he said. The three of them looked at him. "He gave it to me yesterday and asked me to clean it." He returned their looks, each one's in turn. "I never thought," he said in a tone of wonderment. "I never thought."

There was nothing to be said to this and the others went back to being as they had been, as if he had not spoken.

"Who else was in the house?" Hackett asked of Mrs. Jewell.

"No one, I think," she said. "Sarah—Mr. Maguire's wife and our housekeeper here—was at Mass and then to visit her mother. Mr. Maguire himself, as he says, was out on the gallops. And I was still on my way here, in the Land Rover."

"There's no other staff? Yard hands, stable girls"—he did not know the technical titles—"anyone like that?"

"Of course," Mrs. Jewell said. "But it is Sunday."

"Ah, right, so it is." That tractor, the needling sound of it, distant though it was, was giving him a pain in the head. "Perhaps your husband was counting on that, on the place being deserted?"

She shrugged. "Perhaps. Who can say, now?" She clasped her hands lightly together at her breast. "You should understand, Inspector . . ." She faltered. "Forgive me, I—?"

"Hackett."

"Yes, yes, sorry, Inspector Hackett. You must understand, my husband and I, we live . . . separately."

"You were separated?"

"No, no." She smiled. "Even still, sometimes, my English . . . I mean, we have our own lives. It is—it was—that kind of marriage." She smiled again. "I think perhaps I have shocked you, a little, yes?"

"No, ma'am, not at all. I'm just trying to understand the circumstances. Your husband was a very prominent person. There'll be a lot of stuff about this in the papers, a lot of speculation. It's all very . . . delicate, shall we say."

"You mean, there will be a scandal."

"I mean, people will want to know. People will want reasons."

"People?" she said scathingly, showing for the first time a spark of passion, a spark, and no more. "What business is it of people? My husband is dead, my daughter's father. That is a scandal, yes, but for me and for my family and for no one else."

"Yes," Hackett said mildly, nodding. "That's true. But curiosity is a great itch, Mrs. Jewell. I'd recommend you keep the phone off the hook for a day or two. Have you friends you could stay with, that would put you up?"

She leaned her head far back and looked at him down the length of her narrow fine-boned nose. "Do I seem to you, Inspector," she asked icily, "the kind of person who would go into hiding? I know about people, about their itch. I know about interrogations. I am not afraid."

There was a brief silence.

"I'm sure you're not, Mrs. Jewell," Hackett said. "I'm sure you're not."

Jenkins in the background was gazing at the woman with admiring fascination. Maguire, still lost in himself, heaved a great sigh. Mrs. Jewell's anger, if it was that, subsided, and she turned her face away. In profile she had the look of a figure on a pharaoh's tomb. Then they heard the sound of another car squeaking its way onto the cobbles of the yard.

"That'll be Quirke," Inspector Hackett said.

The late afternoon had turned tawny and Hackett was pacing in a paddock behind the stables. The parched grass crackled under his feet and spurts of amber dust flew up. The country was in need of rain, all right, though it was only the start of June. He saw Dr. Quirke approaching from the direction of the house and stopped and waited for him. Teetering along on those absurdly dainty feet of his the big man seemed not so much to walk as to stumble forward heavily, limping slightly; it was as if he had tripped over something a long way back and were still trying to regain his balance. He wore as usual a dark double-breasted suit and a black slouch hat. Hackett believed that if they should chance upon each other in the middle of the Sahara Desert Quirke would be in the same getup, the jacket buttoned across and the hat pulled down over one eye and the narrow tie knotted askew.

"Dr. Quirke," the detective said by way of greeting, "did it ever strike you we're in the wrong line of work? We only seem to meet up when someone is dead."

"Like undertakers," Quirke said. He lifted his hat and ran a hand over his damp and gleaming brow. "This heat."

"Are you complaining, after the winter we had?"

They turned together and looked back at the house and the straggle of stables. "Handsome spot," Hackett said. "And to think, it's only Diamond Dick's little place in the country." The house was big enough to be a mansion, with fine Georgian windows and a sweep of granite steps leading up to a front door flanked by two stout pillars painted white. Ivy and Virginia creeper clung to the walls, and the four lofty chimneys of honey-colored brick had at least a dozen pots apiece. "Did you encounter the widow?"

Quirke was still squinting in the direction of the house. "Yes," he said. "I met her before, can't remember where—some function or other."

"Aye, the Jewells were a great couple for the functions."

They were each aware of a constraint between them, small but almost palpable. Death had that effect; it was embarrassing, like a bad odor. They spoke of Harrison and his heart attack. Quirke said he had not minded being called out on a Sunday, and Hackett thought, yes, single men don't care about their Sundays. Though he had heard Quirke was going out with some woman now—an actress, was it? He considered it best not to inquire; Quirke's private life was a tangled business at the best of times. If there was such a thing as a private life, the detective thought, in this country.

They set off ambling across the dry grass towards the house. "Did you have a look at his nibs?" the Inspector asked.

Quirke nodded. "Some mess."

"Indeed." There was a pause. "And what did you think?"

"Well," Quirke said drily, "there's hardly any doubt as to the cause of death."

They left the paddock and Hackett shut and barred the gate behind them. An unseen horse in one of the stables spluttered through its lips noisily and gave a kick to something wooden. Other animals stirred too, then settled down again. A sense of unease lay upon the Sunday quiet—or was it only imagined? But violent death is a definite presence; Hackett had felt the swish of its dark mantle before.

"There'll be some hullabaloo," he said. He chuckled. "What will the Clarion have to say, I wonder?"

"It will print the truth fearlessly, as always."

This time they both laughed.

"And what will that be?" Hackett asked.

"Hmm?"

"The truth."

"Ah, that's a question."

They came to the house and stopped to admire its noble frontage. "Is there an heir, I wonder?" Hackett mused.

"The widow will inherit, surely?"

"She hardly looks to me like one who'd be prepared to run a newspaper business."

"Oh, I don't know. She's French, after all. They're different."

"What age is the daughter?"

"I don't know—a child. Must be eight or nine, I suppose."

Jenkins came round the corner of the stables, whey-faced and shaky-looking still. "Are those fellows done yet?" Hackett asked him. Forensics teams always irritated him, he was not sure why.

"They're finishing up, Inspector."

"They never finish, those boys."

But when the three had climbed the outside stairs to the office, the head chemist and his assistant were packing their things into their square black leather bags and preparing to leave. Morton was the older one's name, a heavy-set fellow with dewlaps and a mournful eye. "Jesus Christ," he said disgustedly, "shotguns!"

"Well," Hackett observed mildly, "they're quick, that's for sure."

Morton's assistant had a bad stammer and rarely spoke. Hackett had a moment's trouble remembering his name. Phelps, that was it. Morton and Phelps: sounded like a comedy duo on the wireless. Poor Jenkins was looking everywhere except at what was left of Diamond Dick Jewell.

"You'll have a report for me by the morning, yes?" Hackett said to Morton, who rolled a moist eye and said nothing. The policeman was not to be put off. "On my desk, by nine?"

"It'll be ready when it's ready," Morton muttered, taking up his bag.

Phelps grinned and bit his lip. The two departed, tramping heavily down the stairs.

"What sort of an outfit is it we're running at all," Hackett asked of no one in particular, "with the likes of those two clowns for experts?" He put a hand to his jacket pocket and felt the lumpy sandwich there, warmish still and soft.

Quirke was standing in the middle of the floor with his hands in his pockets and his head inclined to one side, gazing thoughtfully at the body on the desk. "No note," he said. Hackett turned to him. "No suicide note, or did you find one?" Hackett made no answer, and they continued to regard each other for a long moment. "Not what you'd expect," Quirke said then, "of the likes of Richard Jewell."

Jenkins, his head cocked attentively, was watching them with lively attention.

Hackett sighed and shut his eyes and pressed bunched fingers and a thumb to the bridge of his nose, which was as shapeless as a potato and had something of the same grayish hue. "Are you saying," he said, looking at Quirke again, "that what we have here may not be a suicide?"

Quirke met his gaze. "Just what is it you're driving at, Inspector?" he asked, putting on a clipped accent. They grinned at each other, somewhat bleakly. As youngsters they had both been keen attenders of the picture palaces of the day.

"Come on," Hackett said, "let's go and have another word with the grieving widow."

In fact, Quirke remembered perfectly well where he had met Franvßoise d'Aubigny, which was how the independent-minded Mrs. Richard Jewell had introduced herself to him, and he could not think why he had pretended otherwise to the Inspector. It was at a Bastille Day cocktail party in the French embassy the previous summer. There had been a diplomatic flurry early on when someone had declined to shake hands with the Ambassador, an old Pv©tainist with exquisite manners, a majestic mane of silver hair, and a sinister tic in his left cheek. Quirke came upon the woman standing alone at a window overlooking the garden. She was pale and tense, and he did not know what had drawn him to her other than her classical if slightly severe beauty. She was wearing a gown of diaphanous white stuff, high-waisted in what he believed was called the Empire style, and her hair was piled high and bound with a scarlet ribbon; bathed in the gold light from the garden she might have been a portrait by Jacques-Louis David. She was clutching a champagne flute in the intertwined fingers of both hands and almost upset it when he spoke, startling her. He was momentarily taken aback by the look she gave him, at once hunted and haunted, or so it seemed to him. She quickly recovered herself, however, and accepted a cigarette.

What had they talked about? He could not remember. The weather, probably, and France, no doubt, given the day it was and where they were. She mentioned her husband but did not say who he was, only confided, smiling, that he was here and was not pleased with her, for it was she who had refused to take the Ambassador's expensively manicured hand. "My brother was in the Resistance," she said, and gave a small shrug. "He died." Other people had come to the window then and Quirke had drifted away.

Later, when Isabel Galloway, who was at the party, told him who the Frenchwoman was, he was surprised and even somewhat disconcerted; he would not have picked Richard Jewell as the kind of man that the kind of woman he guessed Franvßoise d'Aubigny to be would marry. Isabel had been suspicious, of course, and wanted to know what the two of them had been hugger-muggering about, as she said, there at the window, looking like Danielle Darrieux and Gv©rard Philipe, or somesuch. Isabel considered jealousy, quickly sparked and forcefully expressed, as love's necessary tribute. She and Quirke had been together only for—what?—half a year? In that time there had been bumpy passages: Isabel was an actress, and wore her theatricality offstage as well as on—

Hackett was speaking to him.

"Sorry?"

They were at the front door, waiting for their knock to be answered. Jenkins had been sent back to Jewell's office, to keep the corpse company, as Hackett had said, winking at Quirke.

"I said, what will we say to her? The wife, I mean."

Quirke considered. "It's not my place to say anything to her. You're the detective."

"I tried already, and got nowhere."

The door was opened by Sarah Maguire, the housekeeper. She was a wan creature with mousy hair and had a flinching manner, as if she were constantly in expectation of being hit. Her pale eyes were red-rimmed from weeping. She stood back for them to enter and led them off wordlessly along the broad hall, over the gleaming parquet. The place smelled of flowers and furniture polish and money.

Mrs. Jewell, Franvßoise d'Aubigny—what would he call her? Quirke wondered—was in the drawing room. At first when the two men entered they felt as if they had walked into a mass of hanging gauze, so dense was the light flowing in at four great windows, two each in adjacent walls. The windows were open wide at the top half, and the long trails of muslin curtain hanging before them were bellying languorously in the breeze. Mrs. Jewell was standing to one side, holding something in her left hand, some kind of glass ball, and turning back to look at them over her shoulder. How slender she was, how narrow her face with its high cheekbones and high pale forehead. She was far more beautiful than Quirke had recalled. She gave him a quizzical look, half smiling. Did she remember him from that one brief encounter a year ago? Surely not.

"This is Dr. Quirke," Hackett said. "He's here instead of Dr. Harrison, the state pathologist, who's not well."

She extended a cool hand for Quirke to shake. "We meet again," she said. Surprise made him miss a beat, and he could think of nothing to say and instead attempted an unaccustomed bow, bobbing his head awkwardly. "You've been to see my husband?" she asked. She might have been speaking of a social visit. Her glossy black eyes took him in calmly, with the hint of a smile, ironic, a little mocking, even.

"Yes," Quirke said, "I'm afraid so. I'm very sorry, Madame"—he faltered—"Mrs. Jewell."

"You are kind," the woman said, withdrawing her hand.

Quirke now was startled to notice, from the corner of his eye, that there was another person present, a woman, in her mid-twenties, reclining on a sofa in front of one of the windows, with her head back and her long legs extended sideways and crossed at the ankles. She wore jodhpurs and gleaming black riding boots and a moss-green shirt; a kerchief, knotted loosely at her throat, was the same shade of old gold as the upholstery of the sofa where she sat. She was regarding Quirke and the policeman with an expression of the scantest interest. A misted cut-glass tumbler of what must be gin and tonic, with ice cubes and a wedge of lime, was balanced beside her on the arm of the sofa. Not a hundred yards from this room and these svelte, poised women, Quirke was thinking, Richard Jewell is sprawled across a desk with his head blown off.

"This is my husband's sister, Denise," Mrs. Jewell said. "We call her Dannie."

Quirke went forward, offering his hand, with Hackett hard behind him. They were like a pair of clumsy courtiers, Quirke thought, stumbling on each other's heels in the presence of the queen and the crown princess. Dannie Jewell was as slim as her brother's wife, but fair where she was dark. She had short reddish-blond hair and a face, broad at the brow and tapered at the chin, that showed a strong, even a jarring resemblance, Quirke noted, to what he remembered of the man lying dead in his office across the cobbled yard. She hardly lifted her head from the sofa back as she took Quirke's hand and then the Inspector's, unsmiling. She said something but so softly it was inaudible, which made both men lean forward intently. Dannie Jewell cleared her throat.

"I'm his half sister," she said, in a tone almost of defiance. "We had different mothers."

The two men turned as one from the young woman and looked to Franvßoise d'Aubigny. "My father-in-law," she said, "was married twice, but both wives died. So sad."

This seemed to require a response that neither man could find the words to form, and in the awkward silence it was left to Franvßoise d'Aubigny to speak again. "I seem," she said, "to have been offering tea to people for hours. Dr. Quirke, what will you take?" She lifted her glass from where it had been standing on a low table. "Dannie and I, as you see, felt in need of something stronger than tea. Shall I ask Sarah to bring you something—a whiskey, perhaps?" She turned to Hackett, the corner of her lip twitching. "Although I suppose you are ‚Äòon duty,' Inspector."

"That's right, ma'am," Hackett stolidly said.

Quirke too declined her offer, and she lifted a hand to her forehead in a gesture that even Isabel Galloway would have thought a trifle overdone. "How strange all this is," she said, "and yet familiar, like something one might read in the newspaper."

"Was it yourself that called the Guards?" Hackett asked. "They told me it was a woman but that she wouldn't give her name."

For a moment Mrs. Jewell seemed confused, then nodded. "Yes, yes, I placed the call," she said. She glanced from the detective to Quirke and back again. "It seems so long ago."

There was silence in the room, save for the faint sibilant sounds the billowing curtains made. Then Dannie Jewell stood up from the sofa. "I'll have to go," she said. "Franvßoise, will you be all right?"

Hackett turned to her. "Maybe you'd hang on a minute, Miss Jewell," he said, smiling his most avuncular smile.

The young woman frowned. "Why?"

"Ah, it's just I'm trying to get an idea of the—of the sequence of events, you know, and I'm interested to talk to anyone that was here earlier today."

"I wasn't here," she said, almost indignantly. "I mean, not when it—not when—"

"But you're in your riding gear, I see," he said. He was still smiling.

Now it was her turn to look confused. "Yes, I was riding. I keep a horse here. We went out early—"

" ‘We'?"

"I—I mean Toby and I. My horse."

"So you didn't hear the gunshot?"

"How could I? I was out on the Curragh, miles away."

Quirke saw that what Mrs. Jewell was holding in her left hand was a snow globe, with a tiny stylized French town in it, complete with houses and streets and a chv¢teau flying a tricolor from its narrow turret. "I feel," she said, addressing Hackett, "that we are being—how do you say?—cross-examined." She gave an apologetic little laugh. "But I'm sure I am mistaken."

Dannie Jewell lifted her glass from the arm of the sofa and took a long drink from it, thirstily, like a child. She held the glass in both hands, and Quirke thought again of Franvßoise d'Aubigny standing at the window in the embassy that day, with the champagne glass, and of the look she had given him, the odd desperateness of it. Who were these two women, really, he wondered, and what was going on here?

Hackett had lifted both his hands and showed the palms placatingly to Mrs. Jewell. "I'm only asking a few questions, ma'am," he said easily, "that's all I'm doing."

"I should have thought," Mrs. Jewell said, with a sharper glint to her look now, "there can be no doubt as to what has happened."

"Well," Hackett answered, all ease and smiling, "that's the question, you see—what did happen."

There was another silence. Mrs. Jewell looked at Quirke, as if for enlightenment, then turned back to Hackett. "I don't understand, Inspector." She was holding her gin glass in one hand and the snow globe in the other; she might have been an allegorical figure in a tableau, illustrating some principle of balance or justice.

Dannie Jewell sat down again abruptly on the sofa. With her head bowed she groped beside her blindly to set the tumbler down where it had been before and then covered her face with her hands and let fall a single muffled sob. The other three looked at her. Mrs. Jewell frowned. "This has been a terrible day," she said, in a tone of mild amazement, as if only now registering the full weight of all that had happened.

Hackett took a step nearer to her, and stopped. "I don't know, ma'am," he said, "whether it will make it better or worse for you if I say that we think your husband did not kill himself."

The young woman on the sofa lifted her face from her hands and threw herself back almost with violence against the cushions and turned up her eyes to the ceiling, in seeming anger, now, or exasperation.

Franvßoise d'Aubigny frowned, leaning forward and putting her head a little to one side as if she were hard of hearing. Again she turned to Quirke to help her, but he said nothing. "But then," Mrs. Jewell began to ask in a baffled voice, "but then who . . . ?"

Excerpted from A Death In Summer by Benjamin Black Copyright 2011 by Benjamin Black Published in 2011 by Henry Holt and Company All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher.

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Sort by: Showing all of 5 Customer Reviews
  • Posted July 5, 2011

    more from this reviewer

    Quirke is great, the storyline, not so much

    Good old Quirke. The coroner/sleuth/ladies man is back to solve another puzzle. I've read the other Dr. Quirke books by Benjamin Black, and there's just something so appealing about the Dublin city life and Dr. Quirke in it: his mournful boozing, the earnest but misguided attempts at parenting his adult daughter, and the stream of ladies that nevers ends, despite no apparent effort on his part to attract them. In fact, I picture him much as the detective George Gently played by Martin Shaw on the British television series Gently.



    In any case, this story involves the suspected suicide of the high-profile society member and horseman Richard Jewell. Quirke ends up at the country estate almost immediately and assists in interviewing the widow, a striking French woman who is calm and collected despite the horror she just discovered. As in many television shows, the medical examiner here seems more of a detective than a doctor...he pretty much leads the investigation for all purposes. Yes, it's a bit of a stretch but Quirke is just that kind of character, one that Black (a pseudonym of author John Banville) writes well.



    Because it takes place in Ireland, there are gorgeous descriptions of country estates, drawing rooms, and endless cups of tea. As in all Black novels, many descriptions of the facets of light and dark, the penumbras of shadow play. I noticed a new motif in this particular novel-trees are often described extensively and with a sense of purpose to the story. It's a nice touch that makes the story feel more of a journey than a procedural.



    So with all that going for it, it should be better than it is. Don't get me wrong, I really enjoy the series and the character of Quirke is up there with Wallander for me in terms of crime fiction. But this one disappointed me in two ways. First, it introduces a story line about Sinclair, Quirke's assistant, and his possible relationship with Phoebe, Quirke's troubled but plucky daughter. It's compelling, but it doesn't seem to develop-it drops off completely. Then, there are the other characters that make up the suspects, and I felt like they were all sort of caricatures-from beginning to end, they never changed in their behavior. Instead of developing some complexity or depth, they simply remained the same as when the story introduces them. This made predicting and solving the crime fairly easy for the reader. Usually in a detective story, the underlying rule is 'nothing is as it seems'; yet in this one, yep, it pretty much is exactly how it seems.



    And, no spoilers here, but in terms of imagination, the plot of this book has been on every other episode of Law & Order SVU. Mental illness, homeles children, anti-Semitic hate crimes, and business corruption fill in the blanks, but the basic premise is pretty bland and predictable. It's still an enjoyable read, as there's something strangely peaceful about the old-school sleuthing that Quirke does.

    1 out of 2 people found this review helpful.

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    Posted October 2, 2011

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    Posted July 22, 2011

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    Posted November 2, 2011

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