A Death in Vienna (Gabriel Allon Series #4)

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Art restorer and sometime spy Gabriel Allon is sent to Vienna to investigate a bombing and uncovers a portrait of evil stretching across sixty years and thousands of lives-and into his own personal nightmares.

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A Death in Vienna (Gabriel Allon Series #4)

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Art restorer and sometime spy Gabriel Allon is sent to Vienna to investigate a bombing and uncovers a portrait of evil stretching across sixty years and thousands of lives-and into his own personal nightmares.

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Editorial Reviews

From Barnes & Noble
The Barnes & Noble Review
This is the third entry in Silva's espionage series (following The English Assassin and The Confessor) focused on the continuing repercussions of the Holocaust in the art world, the religious sphere, and the political arena. Gabriel Allon, a restorer of paintings and frescoes, is also an Israeli agent sent to Vienna to investigate a bombing at the Austrian Wartime Claims and Inquiries office. The case takes a bizarre personal twist when Allon learns that his mother, a concentration camp survivor, faced the sadistic Erich Radek, a notorious Nazi believed to be the perpetrator of the bombing. Newly fueled by vengeance, Allon sets off on his mission, as various assassins and spies seek to aid or hinder his purpose.

The characters in Death in Vienna are either covering up evils from the past or are motivated by revenge to throw themselves full force into the deadly game. In an author's note, Silva informs us that this novel closes his cycle of books dealing with the Holocaust. We can only hope that he returns soon with more rapid-fire, high-style thrillers.

From the Publisher
"A masterful and compelling tale of evil, treachery and revenge...goes to the top of the list of this year's best."— Rocky Mountain News

"A masterfully constructed tale of memory and revenge. It demonstrates that thrillers can be more than entertainment."— MiamiHerald

"[A] superbly crafted narrative of espionage and foreign intrigue."— Publishers Weekly

Patrick Anderson
Given a bit of research, only a very clumsy novelist could not make gripping fiction out of Nazi inhumanity, and Silva is a skillful novelist who does justice to the often heartbreaking material without exploiting it. He has performed a service with his three post-Holocaust novels, but to continue mining that vein might well have limited his growth as a writer. Silva doesn't say whether he will bring back Gabriel Allon, but if he does I hope he will use him to explore the evils of today's world, which, if not always as clear-cut as those of the Holocaust, are no less real.
— The Washington Post
Marilyn Stasio
Indeed, Max does consult Freud after a beautiful medium is shot through the heart in a locked room, with neither a gun nor a bullet left behind. But Freud is less interested in supernatural forces than in the jokes he's collecting for a new book, and Max must apply his own wits to the investigation, which is stylishly presented and intelligently resolved against the enchanting backdrop of a city that clearly appreciates such refinements.
— The New York Times
New York Daily News
...gripping.... The grim, fateful plotting resembles the early work of John le Carre...
Publishers Weekly
Silva completes his cycle of three interconnected novels (The English Assassin; The Confessor) dealing with "the unfinished business of the Holocaust" with this superbly crafted narrative of espionage and foreign intrigue. During the later stages of WWII, Sturmbannfuhrer Erich Radek's job was to erase all evidence of the Holocaust. Radek, now known as Ludwig Vogel, is chairman of the Danube Valley Trade and Investment Corporation and lives quietly in Vienna. A bombing at the Austrian Wartime Claims and Inquiries office leaves chief investigator Eli Lavon near death. Undercover Mossad agent Gabriel Allon, protagonist of the two previous novels, is ordered by Israeli spymaster Ari Shamron to ferret out the perpetrator. Allon is reluctant-he's working as an art restorer on one of Bellini's great altarpieces in Venice-but Eli is an old friend from the secret service, and duty calls. The case becomes personal when Allon, reading his mother's account of her time in the camps-"I will not tell all the things I saw. I cannot. I owe this much to the dead"-discovers that not only was Radek a sadistic monster, his mother was very nearly murdered by him. The chase is long and complex as agents from a number of international spy groups circle and harass Allon as he hunts down the infamous and still deadly Radek. Those seeking cheap thrills should look elsewhere. Action and suspense abound, but this is serious fiction with a serious purpose. Silva keeps the pressure on the reader as well as his characters as there are important lessons to be learned and vital history to be remembered. Author tour. (Mar.) Copyright 2004 Reed Business Information.
Library Journal
This is Silva's seventh novel and the concluding volume in a trilogy featuring Gabriel Allon, an aging, lonely, and reluctant Israeli assassin and art restorer. In his latest case, an Israeli war claims office in Vienna has been bombed, innocent people are dead, and a connection is suspected between neo-Nazis and an upcoming Austrian election. While investigating the bombing, Allon finds an intensely personal link between a man who may or may not be a long-hidden Nazi war criminal and his own devastated family (Allon's mother survived the Holocaust). Along with discovering the truth behind the bombing, Allon has to confront cover-ups by the CIA and the Vatican and attempts on his own life, then deal with both an unrepentant Austrian government and stonewalling Swiss banks. As usual, Silva has crafted an exciting and complex novel. Recommended for all fiction collections. [Previewed in Prepub Alert, LJ 10/1/03.]-Robert Conroy, Warren, MI Copyright 2003 Reed Business Information.
Kirkus Reviews
Silva brings his Holocaust trilogy to a close with the pursuit of an SS Sturmbahnfuhrer who's climbed to the top of the greasy pole and stayed there for 60 years. When a bomb explodes outside the office of Eli Lavon, the archaeologist who's forsaken ancient history to head Vienna's Office of Wartime Claims and Inquiry is merely sent to the hospital in a coma, but his two research assistants aren't so lucky. Sent to investigate the poisoned city where his own family was shattered by terrorists, globe-hopping, art-restoring Israeli spy Gabriel Allon (The Confessor, 2003, etc.) is approached by tearful old violinist Max Klein, who survived Auschwitz to recognize in patrician industrialist Ludwig Vogel the voice of Erich Radek, the camp supervisor who had sent his parents to their death and spared him only to serenade their compatriots as they marched toward their own. Soon after Klein tells Allon that he'd approached Lavon with his suspicions, sealing his doom, he's dead himself, an apparent suicide, leaving as an inheritance both his knowledge and his danger, since much more than Radek's own fate hinges on the fortunes of Ludwig Vogel. The Austrian right wing, never long dormant, has powerful reasons for wanting Vogel to remain undisturbed. So do Allon's sometime friends in the CIA. In his attempts to plumb the depths of Aktion 1005, the real-life Nazi plan to conceal evidence of the death camps, Allon will be putting himself in constant danger of being almost, but not quite, assassinated by a killer dubbed the Clockmaker. A muffled hero caught in lethargic intrigue that will be disturbing news for readers who haven't already heard that many Austrians are in deep denial about their wartimehistory and that American hands aren't exactly clean in the matter of rehabilitating Nazis. The most chilling section is the historical note at the end.
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Product Details

  • ISBN-13: 9780451213181
  • Publisher: Penguin Publishing Group
  • Publication date: 2/28/2005
  • Series: Gabriel Allon Series, #4
  • Format: Mass Market Paperback
  • Edition description: Reprint
  • Pages: 448
  • Sales rank: 62,555
  • Product dimensions: 4.19 (w) x 7.50 (h) x 0.94 (d)

Meet the Author

Daniel Silva

Daniel Silva is the #1 New York Times-bestselling author of The Unlikely Spy, The Mark of the Assassin, The Marching Season, The Kill Artist, The English Assassin, The Confessor, A Death in Vienna, Prince of Fire, The Messenger, The Secret Servant, Moscow Rules and The Defector. He is married to NBC News Today correspondent Jamie Gangel. They have two children, Lily and Nicholas. In 2009 Silva was appointed to the United States Holocaust Memorial Museum Council.

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Read an Excerpt


The Man From Café central



THE OFFICE IS hard to find, and intentionally so. Located near the end of a narrow, curving lane, in a quarter of Vienna more renowned for its nightlife than its tragic past, the entrance is marked only by a small brass plaque bearing the inscription Wartime Claims and Inquiries. The security system, installed by an obscure firm based in Tel Aviv, is formidable and highly visible. A camera glowers menacingly from above the door. No one is admitted without an appointment and a letter of introduction. Visitors must pass through a finely tuned magnetometer. Purses and briefcases are inspected with unsmiling efficiency by one of two disarmingly pretty girls. One is called Reveka, the other Sarah.

Once inside, the visitor is escorted along a claustrophobic corridor lined with gunmetal-gray filing cabinets, then into a large typically Viennese chamber with pale floors, a high ceiling, and bookshelves bowed beneath the weight of countless volumes and file folders. The donnish clutter is appealing, though some are unnerved by the green-tinted bulletproof windows overlooking the melancholy courtyard.

The man who works there is untidy and easily missed. It is his special talent. Sometimes, as you enter, he is standing atop a library ladder rummaging for a book. Usually he is seated at his desk, wreathed in cigarette smoke, peering at the stack of paperwork and files that never seems to diminish. He takes a moment to finish a sentence or jot a loose minute in the margin of a document, then he rises and extends his tiny hand, his quick brown eyes flickering over you. “Eli Lavon,” he says modestly as he shakes your hand, though everyone in Vienna knows who runs Wartime Claims and Inquiries.

Were it not for Lavon’s well-established reputation, his appearance—a shirtfront chronically smeared with ash, a shabby burgundy-colored cardigan with patches on the elbows and a tattered hem—might prove disturbing. Some suspect he is without sufficient means; others imagine he is an ascetic or even slightly mad. One woman who wanted help winning restitution from a Swiss bank concluded he was suffering from a permanently broken heart. How else to explain that he had never been married? The air of bereavement that is sometimes visible when he thinks no one is looking? Whatever the visitor’s suspicions, the result is usually the same. Most cling to him for fear he might float away.

He points you toward the comfortable couch. He asks the girls to hold his calls, then places his thumb and forefinger together and tips them toward his mouth. Coffee, please. Out of earshot the girls quarrel about whose turn it is. Reveka is an Israeli from Haifa, olive-skinned and black-eyed, stubborn and fiery. Sarah is a well-heeled American Jew from the Holocaust studies program at Boston University, more cerebral than Reveka and therefore more patient. She is not above resorting to deception or even outright lies to avoid a chore she believes is beneath her. Reveka, honest and temperamental, is easily outmaneuvered, and so it is usually Reveka who joylessly plunks a silver tray on the coffee table and retreats in a sulk.

Lavon has no set formula for how to conduct his meetings. He permits the visitor to determine the course. He is not averse to answering questions about himself and, if pressed, explains how it came to be that one of Israel’s most talented young archaeologists chose to sift through the unfinished business of the Holocaust rather than the troubled soil of his homeland. His willingness to discuss his past, however, goes only so far. He does not tell visitors that, for a brief period in the early 1970s, he worked for Israel’s notorious secret service. Or that he is still regarded as the finest street surveillance artist the service has ever produced. Or that twice a year, when he returns to Israel to see his aged mother, he visits a highly secure facility north of Tel Aviv to share some of his secrets with the next generation. Inside the service he is still referred to as “the Ghost.” His mentor, a man called Ari Shamron, always said that Eli Lavon could disappear while shaking your hand. It was not far from the truth.

He is quiet around his guests, just as he was quiet around the men he stalked for Shamron. He is a chain smoker, but if it bothers the guest he will refrain. A polyglot, he listens to you in whatever language you prefer. His gaze is sympathetic and steady, though behind his eyes it is sometimes possible to detect puzzle pieces sliding into place. He prefers to hold all questions until the visitor has completed his case. His time is precious, and he makes decisions quickly. He knows when he can help. He knows when it is better to leave the past undisturbed.

Should he accept your case, he asks for a small sum of money to finance the opening stages of his investigation. He does so with noticeable embarrassment, and if you cannot pay he will waive the fee entirely. He receives most of his operating funds from donors, but Wartime Claims is hardly a profitable enterprise and Lavon is chronically strapped for cash. The source of his funding has been a contentious issue in certain circles of Vienna, where he is reviled as a troublesome outsider financed by international Jewry, always sticking his nose into places it doesn’t belong. There are many in Austria who would like Wartime Claims to close its doors for good. It is because of them that Eli Lavon spends his days behind green bulletproof glass.

On a snow-swept evening in early January, Lavon was alone in his office, hunched over a stack of files. There were no visitors that day. In fact it had been many days since Lavon had accepted appointments, the bulk of his time being consumed by a single case. At seven o’clock, Reveka poked her head through the door. “We’re hungry,” she said with typical Israeli bluntness. “Get us something to eat.” Lavon’s memory, while impressive, did not extend to food orders. Without looking up from his work, he waved his pen in the air as though he were writing—Make me a list, Reveka.

A moment later, he closed the file and stood up. He looked out his window and watched the snow settling gently onto the black bricks of the courtyard. Then he pulled on his overcoat, wrapped a scarf twice around his neck, and placed a cap atop his thinning hair. He walked down the hall to the room where the girls worked. Reveka’s desk was a skyline of German military files; Sarah, the eternal graduate student, was concealed behind a stack of books. As usual, they were quarreling. Reveka wanted Indian from a take-away just on the other side of the Danube Canal; Sarah craved pasta from an Italian café on the Kärntnerstrasse. Lavon, oblivious, studied the new computer on Sarah’s desk.

“When did that arrive?” he asked, interrupting their debate.

“This morning.”

“Why do we have a new computer?”

“Because you bought the old one when the Hapsburgs still ruled Austria.”

“Did I authorize the purchase of a new computer?”

The question was not threatening. The girls managed the office. Papers were placed beneath his nose, and usually he signed them without looking.

“No, Eli, you didn’t approve the purchase. My father paid for the computer.”

Lavon smiled. “Your father is a generous man. Please thank him on my behalf.”

The girls resumed their debate. As usual it resolved in Sarah’s favor. Reveka wrote out the list and threatened to pin it to Lavon’s sleeve. Instead, she stuffed it into his coat pocket for safekeeping and gave him a little shove to send him on his way. “And don’t stop for a coffee,” she said. “We’re starving.”

It was almost as difficult to leave Wartime Claims and Inquiries as it was to enter. Lavon punched a series of numbers into a keypad on the wall next to the entrance. When the buzzer sounded, he pulled open the interior door and stepped into the security chamber. The outer door would not open until the inner door had been closed for ten seconds. Lavon put his face to the bulletproof glass and peered out.

On the opposite side of the street, concealed in the shadows at the entrance of a narrow alleyway, stood a heavy-shouldered figure with a fedora hat and mackintosh raincoat. Eli Lavon could not walk the streets of Vienna, or any other city for that matter, without ritualistically checking his tail and recording faces that appeared too many times in too many disparate situations. It was a professional affliction. Even from a distance, and even in the poor light, he knew that he had seen the figure across the street several times during the last few days.

He sorted through his memory, almost as a librarian would sort through a card index, until he found references to previous sightings. Yes, here it is. The Judenplatz, two days ago. It was you who was following me after I had coffee with that reporter from the States. He returned to the index and found a second reference. The window of a bar along the Sterngasse. Same man, without the fedora hat, gazing casually over his pilsner as Lavon hurried through a biblical deluge after a perfectly wretched day at the office. The third reference took him a bit longer to locate, but he found it nonetheless. The Number Two streetcar, evening rush. Lavon is pinned against the doors by a florid-faced Viennese who smells of bratwurst and apricot schnapps. Fedora has somehow managed to find a seat and is calmly cleaning his nails with his ticket stub. He is a man who enjoys cleaning things, Lavon had thought at the time. Perhaps he cleans things for a living.

Lavon turned round and pressed the intercom. No response. Come on, girls. He pressed it again, then looked over his shoulder. The man in the fedora and mackintosh coat was gone.

A voice came over the speaker. Reveka.

“Did you lose the list already, Eli?”

Lavon pressed his thumb against the button.

”Get out! Now!”

A few seconds later, Lavon could hear the trample of footfalls in the corridor. The girls appeared before him, separated by a wall of glass. Reveka coolly punched in the code. Sarah stood by silently, her eyes locked on Lavon’s, her hand on the glass.

He never remembered hearing the explosion. Reveka and Sarah were engulfed in a ball of fire, then were swept away by the blast wave. The door blew outward. Lavon was lifted like a child’s toy, arms spread wide, back arched like a gymnast. His flight was dreamlike. He felt himself turning over and over again. He had no memory of impact. He knew only that he was lying on his back in snow, in a hailstorm of broken glass. “My girls,” he whispered as he slid slowly into blackness. “My beautiful girls.”

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Table of Contents

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Customer Reviews

Average Rating 4
( 112 )
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See All Sort by: Showing 1 – 20 of 112 Customer Reviews
  • Anonymous

    Posted April 11, 2004


    Although a scion of Hollywood's famed Goldwyn family, Tony Goldwyn has very much made it on his own as producer, director, and actor. As producer he brought us 'A Walk On The Moon' (1999); as director he gave us 'Someone Like You' (2001). His acting credits are extensive with TV appearances running the gamut from 'Frasier' to 'L.A. Law.' He voiced the title character for Disney's 'Tarzan.' All who heard know he is a voice performer par excellence, and this is evidenced once again in his reading of Silva's latest. International suspense is Daniel Silva's milieu, and strongly imagined characters only one of his strengths. He has been compared to the masterful John le Carre, and rightly so. 'A Death In Vienna' is related to two of his earlier works, 'The English Assassin' and 'The Confessor.' For pure pleasure and a greater appreciation read or listen to all three. This time out an art restorer who doubles as a spy, Gabriel Allon, is summoned to Vienna where an old friend has died in a bombing. His task is to ferret out the truth behind this death. As clues lead to a man now living in Vienna, the search takes on new meaning for Allon as he reads his mother's account of her days in a concentration camp: 'I will not tell all the things I saw. I cannot. I owe this much to the dead.' - Testimony of Irene Allon, March 19, 1957. Not only may this man be responsible for his friend's death, but may also have tried to kill Allon's mother. Shadows of the Holocaust fall on this elegantly wrought tale of suspense.

    3 out of 3 people found this review helpful.

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  • Anonymous

    Posted April 29, 2013


    Historical and entertaining thriller that opens up your mind to question your knowledge and understanding of thew world.

    1 out of 3 people found this review helpful.

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  • Posted April 12, 2011

    Very well written

    The beuty of Silva's stories is that they don't have a warm, fuzzy ending. The conclusions reflect real life and are more of a compromise. They are eye opening. I did not realize the extent of the atrocities committed during the holocaust and the blind eye the rest of the world turned to the Jews even after he war. Well worth reading.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted March 21, 2004

    BETTER THAN A FIVE STAR**********************

    I have always loved the books by Daniel Silva but he outdid himself with A DEATH IN VIENNA. I love the characters and they did not let me down. It is so hard to find a good 'spy thriller' and this author never lets you down.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted December 28, 2003

    Great action thriller

    When he is not restoring art, Israeli Gabriel Allon works as an espionage agent for his country. He is sent to Vienna to investigate the bombing of the Wartime Claims and Inquiries Bureau run by Eli Lavon. Gabriel learns that Eli was trying to prove that wealthy businessman Ludwig Vogel was an SS officer at Auschwitz. Vogel is spending millions to get the Austrian National Party candidate elected as chancellor.............................. When Gabriel is kicked out of Austria, he travels to Israel and with the information he accumulated. People working on the Holocaust believe that Vogel is actually Erich Radek, a monster responsible for the killings of thousands of Jews. Gabriel recognizes a picture of Radek because he is in one of his mother¿s paintings. He did something terrible to her as they were evacuating Auschwitz in 1945 and for Gabriel this case has become very personal. An organization that has international tentacles wants Gabriel to stop investigating and they hire the infamous hitman the Clockmaker to kill him before he exposes secrets that the group wants to stay buried........................... A DEATH TO VIENNA is an exciting espionage thriller that will appeal to fans of John de Carre, Tom Clancy and Clive Cussler. The action is non-stop but the author does not neglect his characters that have a depth rarely seen in a work of this type. Drawing on facts, Daniel Silva portrays a world that would rather forget about the Holocaust or just as bad, believe it never happened. Readers will adore the troubled and vulnerable protagonist who fights in an invisible war against his country¿s enemies......................................... Harriet Klausner

    1 out of 1 people found this review helpful.

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  • Posted November 20, 2014

    Well written albeit the subject matter sad. Still worth reading

    Well written albeit the subject matter sad. Still worth reading so as not to afford sadness caused by evil.

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  • Anonymous

    Posted October 15, 2014


    Great read

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  • Anonymous

    Posted February 13, 2013

    This book to me was one of the most confusing books that I have

    This book to me was one of the most confusing books that I have ever read, somehow even more confusing to me then Don Quixote. The long descriptive vocabulary and also the constant location change could make anyone lose interest in the book as they read further into it. Another thing that can make one lose interest is the constant introduction of characters, which can make the reader wonder who is who. But I will admit that it is a good book. All I have to say is that it takes a lot of focus in order to understand this book.

    0 out of 1 people found this review helpful.

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  • Posted February 8, 2013

    enjoyed most of it.....

    Alittle hard to get going......but enjoyed it as it progressed

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  • Anonymous

    Posted December 10, 2012

    Highly Recommended

    The Gabriel Allon series is excellently written. Despite disclaimer that events are fictional, unfortunately they are close to the truth, and reflect in many aspects exactly what the "Islamic" world thinks and believes about the west.

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  • Anonymous

    Posted June 4, 2012

    Interesting story with great historical details

    I really enjoy Silva's novels. I like the historical details he weaves into the plot. His books are good leisure / summer reading. Check them out.

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  • Anonymous

    Posted December 26, 2011

    Intoxicating read

    Great writing style, love the twists and turns that keep you interested in the book

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  • Anonymous

    Posted December 6, 2011

    Very exiciting hard to put down

    Like all his books & Lee Child's

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  • Anonymous

    Posted December 6, 2011

    Terrific read, maybe my favorite Silva

    Have told several people they need to read this book! An absolutely gut-wrenching, visceral story. Stays with you for a long time. Silva is maybe my favorite thriller writer and this is possibly his best.

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  • Anonymous

    Posted December 6, 2011

    Gabriel Allon Unraveling

    Mystery and intrigue find this man - and when they do he follows his head and his heart until the solution is resolved. His band of faithful characters are tried and true to him and their country.

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  • Anonymous

    Posted December 6, 2011

    "A Death In Vienna"

    Very Decriptive about everything that happened to Irene, and her parents. It had to be so hard to survive in those conditions. I wished mengele would have been caught, and tortured like the prisoners or been stuffed in the crematorium.

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  • Anonymous

    Posted December 6, 2011

    Well worth purchasing and reading.

    Love the action and read Silva's books for the fast moving and not boring situations.

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  • Anonymous

    Posted October 9, 2011

    Highly recommended

    I love Daniel Silva's novels about Gabriel Allon - waiting to start the next in the series.

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  • Anonymous

    Posted October 12, 2009

    I Also Recommend:

    Great Story!!!!!

    One of the best spy novels written. This book cannot be put down until you finish. Amazing!!!!!

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  • Posted July 2, 2009

    Great Book

    This book is amazing and has everything you could possibly want and more. Very action packed.

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