Death Is Now My Neighbor

Death Is Now My Neighbor

3.8 10
by Colin Dexter

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Why would a sniper shoot suburban physiotherapist Rachel James as she sips her morning coffee? Inspector Morse's hunt for answers kicks off with a tabloid journalist, winds through the strip clubs of Soho, then returns to Oxford, where two senior dons and their wives battle for a plum promotion. Then, on the personal front, Inspector Morse receives intimations of his


Why would a sniper shoot suburban physiotherapist Rachel James as she sips her morning coffee? Inspector Morse's hunt for answers kicks off with a tabloid journalist, winds through the strip clubs of Soho, then returns to Oxford, where two senior dons and their wives battle for a plum promotion. Then, on the personal front, Inspector Morse receives intimations of his own mortality.

And while Morse muses on life, he reveals his first name at last. . . .

From the Paperback edition.

Editorial Reviews

Publishers Weekly - Publisher's Weekly
The latest Inspector Morse yarn from the redoubtable Dexter (The Way Through the Wood, etc.) might well be subtitled "Morse Meets C.P. Snow," because part of the plot-about the machinations at an Oxford college to succeed the retiring Master-owes a good deal to Snow's The Masters (Morse even mentions the book in his one-uppish way). There is, however, more than academic politics to this tale involving two murders on a quiet Oxford suburban street, one of which was apparently a case of mistaken identity, and an alibi created with truly fiendish ingenuity. As usual with a Morse mystery, the Inspector's offbeat personality and his odd relationship with his earnestly lowbrow sidekick, Sergeant Lewis, provide much of the pleasure; the plot is entirely workmanlike. Here Morse, who seems to be drinking more than ever, has a nasty diabetic episode, slows down for a while, has a gratifying flirtation that actually ends up in bed and is ultimately forced to pen a touching missive to Lewis that reveals, in that stiff-upper-lip British way, a degree of affection for the man. A treat for buffs, this is also a good introduction for newcomers to an addictive detective. Author tour. (Mar.) FYI: In March and April, PBS will air new Morse episodes on Mystery! During 1997, Ivy Books will reissue five Inspector Morse novels in paper.
Library Journal
Most listeners will recognize Chief Inspector Morse as the music-loving, cranky detective from PBS's Mystery! series. Here, Morse has to cope with the problems of aging and ill health as he works toward solving the crime. He and his loyal assistant, Detective Lewis, set out to investigate the murders of a young physical therapist and a tabloid reporter and are soon led to Oxford and a rivalry at Lonsdale College between two dons vying for the retiring master's position, the rivalry even extending to their wives. The story teems with assignations, making it difficult at times to determine just who is meeting whom. Dexter writes with considerable skill, and the quickly moving plot will keep listeners anxiously awaiting the next clue. However, the abrupt scene changes require careful listening to avoid confusion. Morse, brilliant but irascible, displays an endearing humanity, an added dimension in a work with few memorable characters. Kevin Whately, who plays Lewis in the PBS series, reads convincingly, but at times his British dialect is difficult to understand. For popular fiction collections.Nancy R. Ives, SUNY at Geneseo
Kirkus Reviews
The ferocious intelligence that always blazes out of Dexter's Oxford mysteries makes Lonsdale College, where two ambitious candidates are jockeying to replace the retiring Master, a logical focus for this one. In this quadrangle is Senior Fellow Julian Storrs, whose connections include a scheming wife, a comely mistress, and his colleagues in the local Conservative Party. Opposing him is diffident historian Denis Cornford, newly married to a much younger woman. No one who's ever met a donnish academic will doubt Inspector Morse's faith that the murder of Rachel James, the physiotherapist who'd been brightening Storrs's bed, is connected to the mastership somehow. But what to make of the convenient neighbor who provides an alibi almost too good to believe, or the enterprising journalist who seems to be blackmailing everyone in the Oxford directory, or the possibility that Rachel James, who'll soon have company in the morgue, wasn't the intended victim? Ever-waspish Morse (Morse's Greatest Mystery, 1995, etc.) thriftily uses every scrap of information that crosses his desk, from a coded postcard to his own diagnosis with a life-threatening illness, as raw material for the answers.

Though the characters and the writing alike pulse with the endless capacity to surprise, the relatively unoriginal central situation here will throw most readers back on fringe pleasures—though Dexter's are among the best in the business. Alert fans will even work out Morse's first name.

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Read an Excerpt

Chapter One

In hypothetical sentences introduced by if and referring to past time, where conditions are deemed to be unfulfilled, the verb will regularly be found in the pluperfect subjunctive, in both protasis and apodosis.

-- Donet, Principles of Elementary Latin Syntax

It is perhaps unusual to begin a tale of murder with a reminder to the reader of the rules governing conditional sentences in a language that is incontrovertibly dead. In the present case, however, such a course appears not wholly inappropriate.

If (if) Chief Inspector Morse had been on hand to observe the receptionist's dress -- an irregularly triangled affair in blues, grays, and reds -- he might have been reminded of the uniform issued to a British Airways stewardess. More probably, though, he might not, since he had never flown on British Airways. His only flight during the previous decade had occasioned so many fears concerning his personal survival that he had determined to restrict all future travel to those statistically far more precarious means of conveyance -- the car, the coach, the train, and the steamer.

Yet almost certainly the Chief Inspector would have noted, with approval, the receptionist herself, for in Yorkshire she would have been reckoned a bonny lass: a vivacious, dark-eyed woman, long-legged and well-figured; a woman-judging from her ringless, well-manicured fingers -- not overtly advertising any marital commitment, and not averse, perhaps, to the occasional overture from the occasional man.

Pinned at the top left of her colorful dress was a name tag: Dawn Charles.

Unlike several of her friends (certainly unlike Morse) she was quite content with her Christian name. Sometimes shed felt slightly dubious about it; but no longer. Out with some friends in the Bird and Baby the previous month, shed been introduced to a rather dashing, rather dishy undergraduate from Pembroke College. And when, a little later, she'd found herself doodling inconsequentially on a Burton beer mat, the young man, on observing her sinistrality, had initiated a wholly memorable conversation.

Dawn? That is your name?

She'd nodded.


She'd nodded.

Do you know that line from Omar Khayyam? "Dreaming when Dawn's left hand was in the sky ..." Lovely, isn't it?

Yes, it was. Lovely.

She'd peeled the top off the beer mat and made him write it down for her.

Then, very quietly, he'd asked her if he could see her again. At the start of the new term, perhaps? She'd known it was silly, for there must have been at least twenty years difference in their ages. If only ... if only he'd been ten, a dozen years older ...

But people did do silly things, and hoped their silly hopes. And that very day, January 15, was the first full day of the new Hilary Term in the University of Oxford. Her Monday-Friday job, 6-10pm, at the clinic on Banbury Road (just north of St. Giles) was really quite enjoyable. Over three years of it now, and she was becoming a fixture there. Most of the consultants greeted her with a genuine smile; several of them, these days, with her Christian name.


She'd once stayed at a four-star hotel which offered a glass of sherry to incoming guests; and although the private Harvey Clinic was unwilling (perhaps on medical grounds?) to provide such laudable hospitality, Dawn ever kept two jugs of genuine coffee piping hot for her clients, most of them soberly suited and well-heeled gentlemen. A number of whom, as she well knew, were most seriously ill.

Yes, there had been several occasions when she had heard a few brief passages of conversation between consultant and client which she shouldn't have heard; or which, having heard, she should have forgotten; and which she should never have been willing to report to anyone. Not even to the police.

Quite certainly not to the Press ...

As it happened, January 15 was to prove a day unusually easy for her to recall, since it marked the twenty-fifth anniversary of the clinic's opening in 1971. By prior negotiation and arrangement, the clinic was visited that evening, between 7pm and 8:30pm, by Radio Oxford, by the local press, and by Mr. Wesley Smith and his crew from the Central TV studios out at Abingdon. And particularly memorable for Dawn had been those precious moments when the camera had focused upon her: first, when (as instructed) she had poured a cup of genuine coffee for a wholly bogus client; second, when the cameraman had moved behind her left shoulder as she ran a felt-tipped pen through a name on the appointments list in front of her -- but only, of course, after a full assurance that no viewer would be able to read the name itself when the feature was shown the following evening.

Yet Dawn Charles was always to remember the name: Mr. J. C. Storrs.

It had been a fairly new name to her -- another of those patients, as Dawn suspected correctly, whose influence and affluence afforded the necessary leverage and money to jump the queues awaiting their calls to the hospitals up in Headington.

There was something else she would always remember, too ...

By one of those minor coincidences (so commonplace in Morse's life) it had been just as most of the personnel from the media were preparing to leave, at almost exactly 8:30pm, that Mr. Robert Turnbull, the Senior Cancer Consultant, had passed her desk, nodded a greeting, and walked slowly to the exit, his right hand resting on the shoulder of Mr. J. C. Storrs. The two men were talking quietly together for some while -- Dawn was certain of that. But certain of little else. The look on the consultants face, as far as she could recall, had been neither that of a judge who has just condemned a man to death, nor that of one just granting a prisoner his freedom.

No obvious grimness.

No obvious joy.

And indeed there was adequate cause for such uncertainty on Dawn's part, since the scene had been partially masked from her by the continued presence of several persons: a ponytailed reporter scribbling a furious shorthand as he interviewed a nurse; the TV crew packing away its camera and tripods; the Lord Mayor speaking some congratulatory words into a Radio Oxford microphone -- all of them standing between her and the top of the three blue-carpeted stairs which led down to the double-doored exit, outside which were affixed the vertical banks of well-polished brass plates, ten on each side, the fourth from the top on the left reading:

If only Dawn Charles could have recalled a little more.

If -- that little conjunction introducing those unfulfilled conditions in past time which, as Donet reminds us, demand the pluperfect subjunctive in both clauses -- a syntactical rule which Morse himself had mastered early on in an education which had been far more fortunate than that enjoyed by the receptionist at the Harvey Clinic.

Indeed, over the next two weeks, most people in Oxford were destined to be considerably more fortunate than Dawn Charles: She received no communication from the poetry lover of Pembroke; her mother was admitted to a psychiatric ward out at Littlemore; she was twice reminded by her bank manager of the increasing problems arising from the large margin of negative equity on her small flat; and finally, on Monday morning, January 29, she was to hear on Fox FM Radio that her favorite consultant, Mr. Robert H. Turnbull, MB, ChB, FRCS, had been fatally injured in a car accident on Cumnor Hill.

From the Hardcover edition.

Meet the Author

Colin Dexter lives in Oxford, England. He has twice won Britain's Gold Dagger Award for the best crime novel of the year--for The Wench Is Dead and The Way Through the Woods.

From the Paperback edition.

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Death Is Now My Neighbor 3.8 out of 5 based on 1 ratings. 10 reviews.
MindyMM More than 1 year ago
I have watched most of the Inspector Morse Mysteries on TV, I don't find it disappointing, like many of the books that have been made for a TV series. Follows very close to the TV show. However you get a much closer look at the lives of the stories main characters. I just wish that you had the complete set of Colin Dexter's Morse series.
Guest More than 1 year ago
This is the most enjoyable Morse book I have read to date. I find that the relationship between Morse and Lewis is the backbone of the novel, the fact that a murder (or murders) is being solved at the same time is incidental. The banter between our two heroes brings them to believable life , and once again we can sympathise wholeheartedly with Lewis for putting up with his cantankerous boss. I also love Colin Dexter's digs at academia, although GCSE Media Studies teachers and students might not be so tolerant! I have a sense of dread, however, in Morse's worsening physical condition, and feel that Colin Dexter is preparing us for the worst. However, we at least know Morse's first name, and share in Lewis's gratification at being told it.
Guest More than 1 year ago
Inspector Morse, ahem Chief Inspector, and Sgt. Lewis solving an Oxford murder mystery, naturally it is a great read!
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Have enjoyed the pbs spin off with lewis as head detective and the prequel though that only lasted two seasons. Excellent classic mysteries along with James though hers dont film well you have to have a"cast" of regulars and good foil assist to make any series better and morris and lewis are i cried at the last in series at morris death which could have been avoided if he had any sense but alcoholics are self destructive
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