Debussy: Clair de lune

Editorial Reviews

All Music Guide - Stephen Eddins
Natalie Dessay has an instinctive understanding of Debussy's idiom and a combination of passion and delicacy that makes her an ideal interpreter of the composer's distinctive vocal style. In this recording, made in 2011, Dessay's voice doesn't always convey the supple ease floating above the staff that characterized her work around the turn of the century. She sounds terrific when she can cut loose with exuberance and plenty of volume, as in "Flôts, palmes, sables." It's her in her approach to the upper register at a quiet dynamic level that she comes across as less secure. Those moments are few, though, and overall Dessay's singing is beguilingly sensuous and her ...
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Editorial Reviews

All Music Guide - Stephen Eddins
Natalie Dessay has an instinctive understanding of Debussy's idiom and a combination of passion and delicacy that makes her an ideal interpreter of the composer's distinctive vocal style. In this recording, made in 2011, Dessay's voice doesn't always convey the supple ease floating above the staff that characterized her work around the turn of the century. She sounds terrific when she can cut loose with exuberance and plenty of volume, as in "Flôts, palmes, sables." It's her in her approach to the upper register at a quiet dynamic level that she comes across as less secure. Those moments are few, though, and overall Dessay's singing is beguilingly sensuous and her insights illuminating. One of the chief attractions of the albums is the inclusion of the premiere recordings of four songs unpublished songs Debussy wrote when he was 20, that had only recently come to light. They fit seamlessly into the composer's song output and are likely to become standards on Debussy song recitals. The most distinctive is the ballad, "Les elfes," the composer's longest song and one of his most dramatic, which makes extreme coloratura demands and has a wonderfully eccentric piano part. The album also includes "La Damoiselle élue," a cantata using a translation of a poem by Dante Gabriel Rosetti, for soprano, mezzo-soprano, women's choir, and piano. Pianist Philippe Cassard is a fully equal collaborator in the endeavor and brings an acute sensitivity and intelligence to the accompaniment. Mezzo-soprano Karine Deshayes and Le jeune chœur de Paris deliver lovely performances in the pastel-hued cantata. Virgin Classics' sound has a warm, natural ambience, excellent balance, and is clean and clear.
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Product Details

  • Release Date: 3/13/2012
  • Label: Erato
  • EAN: 5099973076926
  • Catalog Number: 30769
  • Sales rank: 97,127

Tracks

Disc 1
  1. 1 Nuit d'étoiles ("Nuit d'étoiles, sous tes voiles"), song for voice & piano, L. 4 - Claude Debussy & Theodore de Banville (3:09)
  2. 2 Pantomime ("Pierrot qui n'a rien d'un Clitandre"), song for voice & piano, L. 31 - Claude Debussy & Jacques-Émile Blanche (2:32)
  3. 3 Clair de lune ("Votre âme est un paysage choisi"), song for voice & piano, L. 32 - Claude Debussy & Jacques-Émile Blanche (2:31)
  4. 4 Pierrot ("Le bon Pierrot que la foule contemple"), song for voice & piano, L. 15 - Claude Debussy & Theodore de Banville (1:50)
  5. 5 Apparition ("La lune s'attristait"), song for voice & piano, L. 53 - Claude Debussy & Jacques-Émile Blanche (3:19)
  6. 6 En sourdine ("Calmes dans le demi-jour'), song for voice & piano, L. 28 (first version) - Claude Debussy & Jacques-Émile Blanche (2:43)
  7. 7 Fête galante ("Voilà Sylvandre et Lycas et Myrtil"), song for voice & piano, L. 23 - Claude Debussy & Theodore de Banville (2:03)
  8. 8 Romance ("L'âme evaporéee est souffrante"), song for voice & piano, L. 79/1 - Claude Debussy & Jacques-Émile Blanche (1:53)
  9. 9 Les cloches ("Les feuilles s'ouvraient"), song for voice & piano, L. 79/2 - Claude Debussy & Jacques-Émile Blanche (1:47)
  10. 10 Rondel chinois ("Sur le lac bordé d'azalée"), song for voice & piano, L. 17 - Claude Debussy & Jacques-Émile Blanche (3:13)
  11. 11 Flôts, palmes et sables ("Loin des yeux du monde"), song for voice & piano, L. 25 - Claude Debussy & Jacques-Émile Blanche (4:54)
  12. 12 La Romance d'Ariel ("Au long ds ces montagnes douces"), song for voice & piano, L. 54 - Claude Debussy & Jacques-Émile Blanche (4:30)
  13. 13 Regret ("Devant le ciel d'été, tiède et callme"), song for voice & piano, L. 55 - Claude Debussy & Jacques-Émile Blanche (2:35)
  14. 14 Chanson triste ("On entend un chant sur l'eau dans la brume"), song for voice & piano, L. 47 - Claude Debussy & Jacques-Émile Blanche (1:17)
  15. 15 Coquetterie posthume ("Quand je mourrai, qu l'on me mette"), song for voice & piano, L. 39 - Claude Debussy & Jacques-Émile Blanche (3:42)
  16. 16 L'archet ("Elle avait de beaux cheveux blonds"), song for voice & piano, L. 46 - Claude Debussy & Jacques-Émile Blanche (2:58)
  17. 17 Les elfes, song for voice & piano - Claude Debussy & Jacques-Émile Blanche (7:19)
  18. 18 La Demoiselle élue, for soprano, mezzo-soprano, female chorus & orchestra, L. 62 - Claude Debussy & Jacques-Émile Blanche (18:44)
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Album Credits

Performance Credits
Natalie Dessay Primary Artist
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