Decoys and Disruptions: Selected Writings, 1975--2001

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Overview

Decoys and Disruptions is the first comprehensive collection of writings by American artist and critic Martha Rosler. Best known for her videos and photography, Rosler has also been an original and influential cultural critic and theorist for over twenty-five years. The writings collected here address such key topics as documentary photography, feminist art, video, government patronage of the arts, censorship, and the future of digitally based photographic media. Taken together, these thirteen essays not only show Rosler's importance as a critic but also offer an essential resource for readers interested in the issues confronting contemporary art. The essays in this collection illustrate Rosler's ongoing investigation into means of exposing truth and provoking change, providing a retrospective of characteristic issues in her work.Mixing analysis and wit, Rosler challenges many of the fundamental precepts of contemporary art practice. Her influential essay "In, around, and afterthoughts: on documentary photography" almost single-handedly dismantled the myth of liberal documentary photography when it appeared. Many of the essays in this volume have had a similarly wide-ranging influence; others are published here for the first time. Illustrating the essays are
81 images by Rosler and other artists and photographers.

The MIT Press

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What People Are Saying

From the Publisher

"For many years, and almost single-handedly, Martha Rosler has provided a solid theoretical basis for critical studies in photography and video. This collection of her lucid essays is a useful compilation of her most important theoretical work. Seeing the essays (and a fascinating collection of photographs)
together in this book, one is struck by the depth of her work: a unique blend of insight as critical clarity and art as idea." DeeDee Halleck, independent film maker and Professor Emeritus of Communications, University of California, San Diego

The MIT Press

"For many years, and almost singlehandedly, Martha Rosler has provided a solid theoretical basis for critical studies in photography and video. This collection of her lucid essays is a useful compilation of her most important theoretical work. Seeing the essays (and a fascinating collection of photographs)
together in this book, one is struck by the depth of her work: a unique blend of insight as critical clarity and art as idea."--DeeDee Halleck, independent film maker, and Professor Emeritus of Communications, University of California, San
Diego

The MIT Press

From the Publisher
"For many years, and almost single-handedly, Martha Rosler has provided a solid theoretical basis for critical studies in photography and video. This collection of her lucid essays is a useful compilation of her most important theoretical work. Seeing the essays (and a fascinating collection of photographs) together in this book, one is struck by the depth of her work: a unique blend of insight as critical clarity and art as idea." DeeDee Halleck, independent film maker andProfessor Emeritus of Communications, University of California, San Diego

"For many years, and almost singlehandedly, Martha Rosler has provided a solid theoretical basis for critical studies in photography and video. This collection of her lucid essays is a useful compilation of her most important theoretical work. Seeing the essays (and a fascinating collection of photographs) together in this book, one is struck by the depth of her work: a unique blend of insight as critical clarity and art as idea."—DeeDee Halleck, independent film maker, andProfessor Emeritus of Communications, University of California, San Diego

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Product Details

  • ISBN-13: 9780262681582
  • Publisher: MIT Press
  • Publication date: 4/1/2006
  • Series: October Books Series
  • Edition description: New Edition
  • Pages: 402
  • Product dimensions: 7.00 (w) x 9.00 (h) x 0.75 (d)

Meet the Author

Martha Rosler lives and works in Brooklyn, New York. She has taught and lectured on photography since the mid-1970s. Her work wasthe subject of a major retrospective, "Martha Rosler: Positions in the Life World," in 2000. She is the author of 14 books and numerous essays.
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Table of Contents

For an art against the mythology of everyday life 3
Lookers, buyers, dealers, and makers : thoughts on audience 9
Video : shedding the utopian moment 53
The figure of the artist, the figure of the woman 89
Lee Friedlander, an exemplary modern photographer 113
Notes on quotes 133
In, around, and afterthoughts (on documentary photography) 151
Post-documentary, post-photography? 207
Wars and metaphors 245
Image simulations, computer manipulations : some considerations 259
Theses on defunding 321
The suppression agenda for art 335
Place, position, power, politics 349
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