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| Dee Snider | Primary Artist, Vocals |
| Cyndi Lauper | Vocals, Guest Appearance |
| Patti LuPone | Vocals, Guest Appearance |
| Bebe Neuwirth | Vocals, Guest Appearance |
| Doug Katsaros | Piano, Keyboards, Background Vocals |
| Bob Kulick | Guitar |
| Rudy Sarzo | Bass Guitar |
| Nick Adams | Vocals, Guest Appearance |
| Clay Aiken | Vocals, Guest Appearance |
| Brett Chassen | Percussion, Drums, Background Vocals |
| Will Swenson | Vocals, Guest Appearance |
| Tony Sheldon | Vocals, Guest Appearance |
| Mark Wood | Violin, Guest Appearance |
| Jesse Blaze Snider | Vocals, Guest Appearance |
| Leonard Bernstein | Composer |
| Marc Blitzstein | Composer |
| A. L. Webber | Composer |
| Stephen Sondheim | Composer |
| Kurt Weill | Composer |
| Cy Coleman | Composer |
| Fats Waller | Composer |
| Richard Rodgers | Composer |
| Bertolt Brecht | Composer |
| Kander | Composer |
| Frank Loesser | Composer |
| Jerry Ross | Composer |
| Richard Adler | Composer |
| Dorothy Fields | Composer |
| Joe Franco | Engineer |
| Oscar Hammerstein II | Composer |
| Charles Hart | Composer |
| Doug Katsaros | Orchestration |
| Bob Kulick | Arranger, Producer |
| Stephen Marcussen | Mastering |
| Cole Porter | Composer |
| Dee Snider | Arranger, Producer |
| Richard Stilgoe | Composer |
| Mark Weiss | Art Direction |
| Phil Carson | Management |
| Gustavo Celis | Engineer |
| Fred Ebb | Composer |
| Danny McNerney | Engineer |
| Brett Chassen | Arranger, Producer, Engineer |
| George Marshall | Engineer |
| Danny Stanton | Booking |
| Matt Longoria | Engineer |
| Laura Destantis-Olsson | Layout |
| Ron Starrantino | Management |
Editorial Reviews
All Music Guide - Gregory Heaney
Given his penchant for on-stage theatrics as the frontman of the gender-bending glam metal outfit Twisted Sister, Dee Does Broadway, an album of metal covers of Broadway staples, feels like an oddly natural move for Dee Snider. Though the album might seem like a conceptual mess at a glance, the worlds of show tunes and '80s pop metal have a surprising amount in common, with both genres being the kind of place where a certain amount of flair, bombast, and swagger is not only encouraged, but necessary. Taking on tracks like "Cabaret," "The Ballad of Sweeney Todd," and "I Get a Kick Out of You," the album adds a snarl to these classic Broadway staples as Snider deftly ...