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| Eric Bibb | Primary Artist, Acoustic Guitar, Vocals, 6-string Banjo, 9-string Guitar, Foot Stomping, Contrabass Guitar, Guitar (Resonator), Guitar (Baritone), Diddley Bow |
| Jerry Douglas | Dobro, Guest Appearance |
| Christine Balfa | Cajun Triangle |
| Grant Dermody | Harmonica |
| Dirk Powell | Banjo, Fiddle, Mandolin, Accordion, Upright Bass, Fretless Banjo, Vocal Harmony |
| Danny Devillier | Drums, Tambourine |
| Michel Pepin | Electric Guitar, Guitar (Electric Baritone), Guest Appearance |
| Michael Jerome Browne | Mandolin, Fretless Banjo, Gourd Banjo, Guest Appearance |
| Cedric Watson | Fiddle, Background Vocals |
| Taj Mahal | Composer |
| Bob Dylan | Composer |
| Michael Bishop | Producer, Engineer, Mastering |
| Roger Bowling | Composer |
| Grant Dermody | Arranger |
| Harrison Kennedy | Composer |
| Dirk Powell | Arranger |
| Eric Bibb | Arranger, Composer, Producer, Liner Notes |
| Bruno Boussard | Artwork |
| Patrick Dollaghan | Composer |
| Traditional | Composer |
| Michael Jerome Browne | Composer |
| Martha Jo Emerson | Composer |
| Matt Greenhill | Producer |
Editorial Reviews
All Music Guide - Steve Leggett
Eric Bibb's version of the blues is calm, wise, hushed, and elegant, as much or more about redemption as it is about despair, and above all, Bibb sees the blues as narrative, part of the story we all drift through. His best songs, often built on traditional patterns and rhythms, are wise and affirming, and they fall to the brighter and more hopeful side of the blues. There are several such gems on Deeper in the Well, including the opening track, a delightful piece of Louisiana shuffle funk called "Bayou Belle," the string band gospel bounce of "Dig a Little Deeper in the Well," a modal and relentlessly driving "Boll Weevil," "Sittin' in a Hotel Room," which is a wise and ...