It's strange what you eventually come up with when you write for other people: some elements of your own experience emerge as well as fresh, new stories that seem to come from nowhere. This has been my experience since I began to write for pleasure. I initially used my professional and personal life to produce Deepwater, the Litigation Junkie and Diary of a Novice Market Organiser but also found a stream of fantasy that became the Archie the Royal Hot Water Bottle series. I continue to find the creative writing process interesting as I work on a new novel and hope you enjoy the results so far.
Deepwaterby Suzie Louis
The first book in the Deepwater series, an Australian historical saga set in early 20th century Australia where the Sydney docks were a place of poverty, bigotry and ignorance. The Catholic Church and the appearance of respectability ruled the lives of ordinary people. The men worked on the docks for little, while the women had babies and worked as well, doing what… See more details below
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The first book in the Deepwater series, an Australian historical saga set in early 20th century Australia where the Sydney docks were a place of poverty, bigotry and ignorance. The Catholic Church and the appearance of respectability ruled the lives of ordinary people. The men worked on the docks for little, while the women had babies and worked as well, doing what they could to make ends meet. Women eked out the housekeeping to last until their man's next payday. Children went barefoot to school and wore patched up dresses and shorts to Sunday school. On Sunday the family went to Church where priests delivered sermons on chastity and obedience to the Church. While being treated as an unpaid servant by her mother, Louise, the daughter of a boarding house keeper, becomes pregnant. She and her lover Harry want to marry but are prevented by her parents' bigotry for Harry is an orphan, born illegitimate and to Louise's hypocritical parents, a social pariah. They attack and berate him while hiding their own secrets. From a young child Harry raised himself on the streets and now lives by his fists, collecting debts for a bookie. He's good at his job and has a reputation for being a thug. He does what's necessary and has little sympathy for the customers who drink and gamble away money that should be supporting their wives and children. After their baby's birth Harry and Louise manage to obtain her parents' consent to their marriage with help from Louise's uncle who sees his sister, Louise's mother for what she is. The tension between what is acceptable behaviour and what is right escalates and results in tragedy that affects Louise and threatens her fragile respectability. She finds that transforming a life takes more than a ceremony. The violence Harry metes out comes back to haunt him and instils fear in Louise as she faces the reality of how Harry provides for them. Although she's young, inexperienced and completely dependant she loves Harry and is under the spell of their passion which leaves her blind to the experience of other women who live with husbands who abuse not only them but their children. The kindness and generosity of their neighbour, Prudence, who suffers more than most, opens the way to another life for Harry and Louise. The story moves from Sydney to the New England Tablelands where the grass is deep and the sheep are nearly as fat as the wool cheques. Here life is very different but violence pursues all of them to their and it is Harry's choice in the face of a threat that will define him as a man. A cast of original characters move through the streets of a Sydney since lost where SP bookies like Harry's boss Snow plied their trade, cops were on the take, priests drank whiskey with their tea and children played cricket in the street before bedtime. The contrast between the slums and life on the New England couldn't be more starkly highlighted as Louise and Harry see the possibility of a world.
- Suzie Louis
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What a great story. It succeeds on many levels: a well-connected plot: powerful, real and varied characters; and strong creation of action and place. But most importantly the story has drive, drama, conviction and a sensitive evocation of human relationships. It's a cliche, I know, but I couldn't put it down - the suspense of unfolding events and character development combined with caring about what happened in the lives of people who were supposedly fictional. Deepwater compels reader involvement. It has sweep, a kind of big-stage grandeur, a nobility that much modern writing lacks - it could be a riveting saga. Suzie Louis has produced something remarkable which stays in the memory, in the tradition of the great Australian novels of family dynasties in a vast land. Well done!
I was moved by this book: the characters are real people; the plot well constructed building to a fabulous climax.
Five star book. Excellent writing and characters. The story was very good.
Agree with the earlier reviews that this is an accomplished drama that portrays love, violence, transformation and redemption in a mature narrative with exceptional characteristation. The sweep of the story from the city slums to the riches of the Australian squattocracy is huge. Wonderful. This should be in print.