Deja Dead (Temperance Brennan Series #1)
It's June in Montreal, and Dr. Temperance Brennan, who has left a shaky marriage back home in North Carolina to take on the challenging assignment of Director of Forensic Anthropology for the province of Quebec, looks forward to a relaxing weekend in beautiful Quebec City. First, though, she must stop at a newly uncovered burial site in the heart of the city. The remains are probably old and only of archeological interest, but Tempe must make sure they're not a case for the police.
One look at the decomposed and decapitated corpse, stored neatly in plastic bags, tells her she'll spend the weekend in the crime lab. Something about the crime scene is familiar to Tempe: the stashing of the body parts; the meticulous dismemberment. As a pattern continues to emerge, Tempe calls upon all her forensic skills, including bone, tooth/dental, and bitemark analysis and x-ray microflourescence to convince the police that the cases are related and to try to stop the killer before he strikes again.
Told with lacerating authenticity and passion, Déjà Dead is both poignant and terrifying as it hurtles toward its breathtaking conclusion and instantly catapults Kathy Reich into the top ranks of crime authors.
1100300579
Deja Dead (Temperance Brennan Series #1)
It's June in Montreal, and Dr. Temperance Brennan, who has left a shaky marriage back home in North Carolina to take on the challenging assignment of Director of Forensic Anthropology for the province of Quebec, looks forward to a relaxing weekend in beautiful Quebec City. First, though, she must stop at a newly uncovered burial site in the heart of the city. The remains are probably old and only of archeological interest, but Tempe must make sure they're not a case for the police.
One look at the decomposed and decapitated corpse, stored neatly in plastic bags, tells her she'll spend the weekend in the crime lab. Something about the crime scene is familiar to Tempe: the stashing of the body parts; the meticulous dismemberment. As a pattern continues to emerge, Tempe calls upon all her forensic skills, including bone, tooth/dental, and bitemark analysis and x-ray microflourescence to convince the police that the cases are related and to try to stop the killer before he strikes again.
Told with lacerating authenticity and passion, Déjà Dead is both poignant and terrifying as it hurtles toward its breathtaking conclusion and instantly catapults Kathy Reich into the top ranks of crime authors.
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Deja Dead (Temperance Brennan Series #1)

Deja Dead (Temperance Brennan Series #1)

by Kathy Reichs

Narrated by Barbara Rosenblat

Unabridged — 16 hours, 2 minutes

Deja Dead (Temperance Brennan Series #1)

Deja Dead (Temperance Brennan Series #1)

by Kathy Reichs

Narrated by Barbara Rosenblat

Unabridged — 16 hours, 2 minutes

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Overview

It's June in Montreal, and Dr. Temperance Brennan, who has left a shaky marriage back home in North Carolina to take on the challenging assignment of Director of Forensic Anthropology for the province of Quebec, looks forward to a relaxing weekend in beautiful Quebec City. First, though, she must stop at a newly uncovered burial site in the heart of the city. The remains are probably old and only of archeological interest, but Tempe must make sure they're not a case for the police.
One look at the decomposed and decapitated corpse, stored neatly in plastic bags, tells her she'll spend the weekend in the crime lab. Something about the crime scene is familiar to Tempe: the stashing of the body parts; the meticulous dismemberment. As a pattern continues to emerge, Tempe calls upon all her forensic skills, including bone, tooth/dental, and bitemark analysis and x-ray microflourescence to convince the police that the cases are related and to try to stop the killer before he strikes again.
Told with lacerating authenticity and passion, Déjà Dead is both poignant and terrifying as it hurtles toward its breathtaking conclusion and instantly catapults Kathy Reich into the top ranks of crime authors.

Editorial Reviews

New Orleans Times-Picayune

With fast action, a great lead character, impeccable writing, [and] a perfect setting....Deja Dead is a keeper.

New York Newsday

Great, suspensful fun....A fascinating inside look at the workings of a coroner's office....Temperance Brennan is the real thing. That's because her creator, Kathy Reichs, is the real thing.

Kirkus Reviews

Dr. Temperance Brennan, the forensic anthropologist transplanted from North Carolina to Montreal, hopes the bones found at Le Grand Séminaire are too ancient to fall within her purview. No such luck. Not only has Isabelle Gagnon been recently and horribly killed, but Tempe's memory of another grisly discovery in a bunch of trash bags marks this death as the work of a sadistic serial killer who's far from finished. To catch this monster, Tempe and her colleagues at the Laboratoire de Médicine Légale take a long look at several sets of teeth, compare the traces left on human bone by different kinds of saws, and consider exactly what it means to find a bathroom plunger, or a statue of the Virgin Mary, inside a rotting rib cage. As a break from her exhaustive lab sessions, Tempe spars with Sgt. Luc Claudel, the homicide cop who has a problem with interfering women, and hangs out with her grad school friend Gabby Macaulay, whose study of the mating habits of prostitutes is bound to be more closely connected to Tempe's case than she realizes. Tempe is an appealing new heroine, and the forensic detail is gripping, but because Reichs—whose résumé sounds a lot like her heroine's—lacks the whiplash control of Patricia Cornwell at her best, the story seems overlong, overpeopled (more lifeless walk-ons than the phone book), and overwrought. (The hysterical scenes between Tempe and Gabby, who keeps babbling about the unspeakable secrets she just can't share with her old friend, are especially annoying.)

But readers ravenous for ghoulish detail and hints of unfathomable evil, spruced up by the modishly effective Quebec setting, will gobble this first course greedily and expect better-balanced nutrition next time.

From the Publisher

Great, suspenseful fun.”
New York Newsday

“As good as Cornwell at her best.”
Detroit Free Press

“Accomplished and chilling.”
People

“What makes Deja Dead so compelling, in addition to the authoritative descriptions of how a forensic scientist 'reads' the story the bones tell, is the character of Brennan—smart, persistent, gutsy, ironic yet vulnerable.”
—Judy Stoffman, Toronto Star

“Kathy Reichs knows how to put all [of her] exotic experience into a novel.... Quebec's own Southern gal give[s] Cornwell a run for the money.”
—Margaret Cannon, Globe and Mail

Product Details

BN ID: 2940169533064
Publisher: Simon & Schuster
Publication date: 03/08/2011
Series: Temperance Brennan Series
Edition description: Unabridged

Read an Excerpt

From Chapter 1

I WASN'T THINKING ABOUT THE MAN WHO'D BLOWN HIMSELF UP. Earlier I had. Now I was putting him together. Two sections of skull lay in front of me, and a third jutted from a sand-filled stainless steel bowl, the glue still drying on its reassembled fragments. Enough bone to co

It was late afternoon, Thursday, June 2, 1994. While the glue set, my mind had gone truant. The knock that would break my reverie, tip my life off course, and alter my comprehension of the bounds of human depravity wouldn't come for another ten minutes. I was enjoying my view of the St. Lawrence, the sole advantage of my cramped corner office. Somehow the sight of water has always rejuvenated me, especially when it flows rhythmically. Forget Golden Pond. I'm sure Freud could have run with that.

My thoughts meandered to the upcoming weekend. I had a trip to Quebec City in mind, but my plans were vague. I thought of visiting the Plains of Abraham, eating mussels and crepes, and buying trinkets from the street vendors. Escape in tourism. I'd been in Montreal a full year, working as forensic anthropologist for the province, but I hadn't been up there yet, so it seemed like a good program. I needed a couple of days without skeletons, decomposed bodies, or corpses freshly dragged from the river.

Ideas come easily to me, enacting them comes harder. I usually let things go. Perhaps it's an escape hatch, my way of allowing myself to double back and ease out the side door on a lot of my schemes. Irresolute about my social life, obsessive in my work.

I knew he was standing there before the knock. Though he moved quietly for a man of his bulk, the smell of old pipe tobacco gave him away. Pierre LaManche had been director of the Laboratoire de Médecine Légale for almost two decades. His visits to my office were never social, and I suspected that his news wouldn't be good. LaManche tapped the door softly with his knuckles.

"Temperance?" It rhymed with France. He would not use the shortened version. Perhaps to his ear it just didn't translate. Perhaps he'd had a bad experience in Arizona. He, alone, did not call me Tempe.

"Oui?" After months, it was automatic. I had arrived in Montreal thinking myself fluent in French, but I hadn't counted on Le Français Québecois. I was learning, but slowly.

"I have just had a call." He glanced at a pink telephone slip he was holding. Everything about his face was vertical, the lines and folds moving from high to low, paralleling the long, straight nose and ears. The plan was pure basset hound. It was a face that had probably looked old in youth, its arrangement only deepening with time. I couldn't have guessed his age.

"Two Hydro-Quebec workers found some bones today." He studied my face, which was not happy. His eyes returned to the pink paper.

"They are close to the site where the historic burials were found last summer," he said in his proper, formal French. I'd never heard him use a contraction. No slang or police jargon. "You were there. It is probably more of the same. I need someone to go out there to confirm that this is not a coroner case."

When he glanced up from the paper, the change in angle caused the furrows and creases to deepen, sucking in the afternoon light, as a black hole draws in matter. He made an attempt at a gaunt smile and four crevices veered north.

"You think it's archaeological?" I was stalling. A scene search had not been in my pre-weekend plans. To leave the next day I still had to pick up the dry cleaning, do the laundry, stop at the pharmacy, pack, put oil in the car, and explain cat care to Winston, the caretaker at my building.

He nodded.

"Okay." It was not okay.

He handed me the slip. "Do you want a squad car to take you there?" I looked at him, trying hard for baleful. "No, I drove in today." I read the address. It was close to home. "I'll find it."

He left as silently as he'd come. Pierre LaManche favored crepe-soled shoes, kept his pockets empty so nothing jangled or swished. Like a croc in a river he arrived and departed unannounced by auditory cues. Some of the staff found it unnerving.

I packed a set of coveralls in a backpack with my rubber boots, hoping I wouldn't need either, and grabbed my laptop, briefcase, and the embroidered canteen cover that was serving as that season's purse. I was still promising myself that I wouldn't be back until Monday, but another voice in my head was intruding, insisting otherwise.

Copyright ©1997 by Kathleen J. Reichs

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