by Laura L. Sullivan

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Opening-night jitters are nothing new for seventeen-year-old Phil and her sister Fee, who come from a centuries-old line of stage illusionists. The girls love to dazzle London audiences, but in the aftermath of the Blitz they’re shipped off to the countryside, away from the bombs and Nazis. Phil, however, wants to fight for her country, and when she stumbles


Opening-night jitters are nothing new for seventeen-year-old Phil and her sister Fee, who come from a centuries-old line of stage illusionists. The girls love to dazzle London audiences, but in the aftermath of the Blitz they’re shipped off to the countryside, away from the bombs and Nazis. Phil, however, wants to fight for her country, and when she stumbles upon a hidden college of real magicians led by the devastatingly handsome Arden, all she wants to do is persuade them to help England win the war. She’ll risk anything to give her country a fighting chance, even if it means losing her heart . . . or her life.

Editorial Reviews

VOYA - Lona Trulove
Sullivan takes the intrigue of magic and blends it with WWII and the war effort in England. The Albion girls, Phil and Fee, are magicians at the Hall of Delusion with their parents and siblings when London is bombed during the London Blitz. They are sent away to the country to be safe from the threat of the Nazis, but while they are there they meet "real" magicians, manage to fall in love, tap into their own true magical abilities, and help fight the Nazis. The girls, especially Phil, are interesting characters and make strong female protagonists. Sullivan's use of magic is a nice twist on the fight against the Nazis and spurs interest into the idea and possibly research about the Nazi regime and the occult. While the premise is about the war effort and using magic to fight the Nazis, what really propels the story is Phil and her love interest, a very strong magician from the College of Drycraeft named Master Arden. Phil and Arden have a very volatile relationship that grows over time. Although the story takes place during WWII in England, it does not really feel like a WWII novel. If not for the mention of the Nazis, the story could almost be timeless. This is more of a good love story than it is a glimpse into WWII. This is a fun read for young girls, especially those who like strong female protagonists, young love, and magic. Reviewer: Lona Trulove
Children's Literature - Elizabeth Fronk
During bombing of London in World War II, the Albion family of magicians must send their two lovely seventeen-year old twin daughters Phil and Fee to the English countryside. Their younger brother goes missing and is presumed dead. Upon the sisters' arrival in the country, they fear any participation in the war effort might pass them. Phil takes on the mission of recruiting townspeople for the war in spite of little support. On this mission, Phil sees a Gothic building and men. The men are shocked that she can see them; the men are training in a real magic school and thought they were hidden. Handsome but sullen Arden serves as the school's leader but he could be sympathetic with German magicians. Phil proceeds with training of the magicians in war and Arden tries to remain true to the Essence, the source of magic. Phil and Arden fall in love but whether they can remain together and overcome the German magicians depends on how Phil can use the Essence. This novel has much to commend it: romance, unique setting and some hints of Harry Potter. However, the book's actions and feelings are either told passively or after they take place. This type of storytelling happens frequently and causes even suspenseful events to lose its impact for teenage readers. Female teenagers may be willing to stick with Phil and Arden in spite of the labored writing. Reviewer: Elizabeth Fronk
Kirkus Reviews
Their public debut canceled by the London Blitz, beautiful stage illusionists Phil and Fee Albion, sisters, are sent by their anxious parents to sit out World War II in the village of Bittersweet. That suits Fee, but Phil longs to contribute to the war effort and, finding the locals oddly indifferent, enlists help from a nearby magicians' college. After spells worked against the girls fail, they're reluctantly granted access to college secrets and the magicians (some attractive) who keep them; love blossoms. Fans of American mysteries set in England will appreciate the gauzy Anglophilia, though it jars with other elements. Even briefly referenced, the Holocaust generates its own dense atmosphere through which fantasy elements like the war's possible magical origins can appear heartless and trivial. Unfolding in omniscient third-person, this flawed but vivid and original fantasy makes a refreshing change from me-centered, first-person, present-intense narration. The unpredictable plot and abrupt shifts in tone--arch and mannered, harsh and elegiac--keep readers off balance, forcing them to consider unsettling but resonant questions. Is violence ever justified? Can its use annihilate life's interconnectedness? Sullivan's learning to manage her unique imagination, but when thickening plot and rising tension cry out for action, she relies on exposition, narrating events from a safe psychic distance. Quirky, intense, moving--an exasperating gem. (Historical fantasy. 12 & up)
From the Publisher

"Quirky, intense, moving."
Kirkus Reviews
"Has enough romance, action, and magic to keep readers engaged. . . .Truly original."
"This is a fun read for young girls, especially those who like strong female protagonists, young love, and magic."
School Library Journal
Gr 9–11—Seventeen-year-old twins Fee and Phil come from a family of illusionists. On the night of their grand debut at the Hall of Delusion, the girls intend to dazzle the audience with an illusion months in the making. However, they find themselves performing in the midst of the London blitz. After the air-raid, everyone is eager to contribute to the war effort. Phil's fiancé joins the service, her brother and parents enlist in a unit tasked with befuddling the Germans, and Phil herself is dead set on joining the Home Guard. But the safe country community that she and her sister are sent to has no Home Guard. Desperate to be of some help, the siblings start their own organization. In search of proper training grounds, they stumble across the College of Drycraeft, a school for magicians. But these magicians are nothing like the ones the girls grew up with; they use real magic. Delusion is well paced and has enough romance, action, and magic to keep readers engaged. Drycraeft is no Hogwarts, but Sullivan's humor makes up for the lackluster castle scenes. An ideal choice for libraries looking to bulk up their fantasy sections with something truly original.—Jennifer Furuyama, Pendleton Public Library, OR

Product Details

Houghton Mifflin Harcourt
Publication date:
Product dimensions:
5.86(w) x 8.30(h) x 1.22(d)
Age Range:
12 Years

Read an Excerpt

Chapter 1 
Phil sprinted along the bank of the Thames, unbraiding her hair as she ran, so late she didn’t dare ask a passing stranger the time. Even that small delay might be disastrous. This was opening night.
   She’d been doing clever bits of magic for a wounded soldier at the hospital as part of the Women’s Voluntary Service when she caught sight of his watch: six o’clock. With a hasty apology and a promise to return the next day to finish the trick, she dashed off to the Hall of Delusion. She didn’t know the soldier’s watch had stopped the moment the bombs first fell on his troop of the British Expeditionary Force in France, and that he kept it only as a memento.
   Fee, dear Fee, was waiting for her when she slipped around the back of the theater. As always when they’d been apart any length of time, they embraced in their own peculiar way, forehead to forehead, leaning against each other, their long hair mingling in an alchemical blending. When they stood together like this—and they tended to linger, supporting and drawing support—they looked like a single creature. A magnificent portmanteau beast, said one of the old thespians who treated the Hall as his personal salon—a griffin, a chimera.
    “I’m so sorry,” Phil whispered to her sister. “Do we have time to dress?”
   “We have all the time in the world!” Fee said merrily, and revealed that it was only a little before five. “Time enough to draw a crowd.”
   Phil groaned with the familial melodrama and separated herself from her sister. As always, they made a mutual soft murmur of regret that they must become their own unique selves again. With all that was going on in the world, they needed each other’s sisterly solace more than ever, but were so busy that they rarely had time simply to be together, as they had almost every moment in their earlier childhood.
   Maybe there’ll be time tonight, when the show is over and everything is still, Phil thought as she ran inside to change. There was so much for them to talk over.
   When Phil came out, disguised, the sisters tossed a coin with Hector and Stan for who would be the busker and who would be the shill. “I hate being the shill,” Phil said. “Anyway, by rights we shouldn’t have to do a thing but get in our costumes and gather our powers. It is our night, after all.”
   “If we don’t have an audience, it won’t be much of a show,” Fee said, coaxing Phil down the steps and casting an angelic smile at the two orphan boys her family had informally adopted. “Besides,” she added, “they’re much better at close-up magic than we are.” They parted, going around opposite sides of the Hall of Delusion, the theater that had been in their family since the seventeenth century.
    Phil might have preferred to sip tea (though not too much before going onstage, she’d learned the hard way) or, better yet, work out her nerves boxing with her brother, but she would never dream of shirking her duty—any duty. Her life, her calling, was the stage, but she had any number of lesser passions too, and she approached each of them with a single-minded dedication. Everything she did was, to her, the most important thing in the world, and she took herself, and her causes, very seriously.
   She adjusted the severe lines of her dowdy wool suit. Fancy, dressing like a spinster secretary at my age, she thought. In addition to her inherited histrionics, she shared her family’s obsession with clothes and generally managed to wear something that sparkled, even in wartime. Phil was seventeen but was disguised that day as a forty-year-old, complete with faint painted crow’s-feet around her eyes. She came from a long line of performers and was ready to play anything from infant to sexpot to granny if it made the audience roar.
   Now she looked respectable, practical, as ordinary as it was possible for her to look. A close observer might have noticed the lush curves that strained against the spare, rationed goods of her skirt, or the extravagance of flame-colored hair she’d tucked up under an efficient turban—she was most palpably made for the stage—but her family’s business relied on the public’s inability to closely observe anything, and Phil was, to the casual eye, just another pedestrian, one who would never believe in magic.
   Which made it all the more impressive when this stodgy gray-clad secretary loudly exclaimed, “Merciful heavens, that fellow is flying!”
   She let her mouth gape and her eyes bulge — an unattractive expression, but one she’d practiced at great length in front of a mirror. She looked like a codfish, but it got people to stop and share her amazement.
   The instant she’d cried out, a young man in sprightly plus-fours who was apparently levitating a few inches in the air fell heavily to the ground with an apologetic grunt, as if to beg the public’s pardon for doing something as frivolous as floating when there was a war going on. No fewer than five people stopped and stared.
   “It can’t be,” the disguised Phil said, shaking her head. “I must be seeing things.”
   “What you are seeing, madam, is magic, pure and simple.”
   “I don’t believe it,” she said, for there’s nothing more compelling than seeing a skeptic converted.
   Another three people joined the gathering.
   “Do it again,” Phil begged, then settled back to watch Hector work his magic.
   “Take care, please,” he told a woman bending curiously to examine his shoes for wires or hydraulic lifts. He gave a self-deprecating little laugh. “I am only an apprentice, and sometimes I fall from the sky.”
   A clever new touch, Phil thought, suggesting he could soar to the heavens if he trained a bit more. If you lead someone to consider the impossible, they’re that much more likely to accept the merely improbable. “And you, sir, with your fine watch, please step back a bit. The antigravitational forces are such as to occasionally disrupt timepieces.”
   Phil nodded in approval. He had them positioned exactly right, clustered and facing traffic so the passing motors and pedestrians too single-minded to stop would create a blurring backdrop to the trick and add to the distraction. He turned so they looked at his heels from an angle, placed his feet just so, raised his hands with a flourish that brought all eyes but Phil’s briefly away from his feet, then, trembling with the mighty effort needed to control the forces of the universe, raised his entire body three inches off the ground.
   Except, of course, for the toes of his right foot, which the astonished crowd couldn’t see.
   Gravity pounced upon him again, and he landed with a stagger, out of breath and grinning. “Come back in a year and see how high I can go. Or you can see what a master magician can do this very afternoon.” He gestured to a brightly lit marquee that would be extinguished when blackout began at dusk.
   “Experience the powers of the House of Albion, possessed of the secrets of the ages. This family of magicians has been at the royal command for four hundred years.” This was not strictly true. Legend had it that an Albion once cast Charles I’s horoscope, predicting a short life and a sore throat, and occasionally a prince and his entourage filled a box at the Hall, but they had no royal charter. “For mere pennies”—well, quite a few of them—“you too can see the wonders once reserved for kings and emperors. See the visible vanish and unseen spirits forced into flesh. See a man have his head sawed off, a woman drown and be reborn.” His voice had lapsed into a hawker’s dramatic wheedle, and he instantly lost half the crowd. They liked the show, but they didn’t want to be sold something.
   That was careless of him, sounding like a carny at a fair. He knew his business better than that. Come to think of it, he was off his game in his levitation, too. He’d done the lazy version, not the more difficult—and much more impressive—variation that required clandestinely removing his shoe and picking it up between his heels while standing on his hidden bare foot. You could deceive a much larger crowd that way, and get better altitude.
   She watched him awhile as he set up a little table and began card tricks. Again, he stuck to the most basic palmings and switches—and was so clumsy that Phil heard a little boy say, “Mummy, I see the queen in his pocket!”
   Hector wasn’t an Albion, but he’d been training with the family for five years, since arriving as a scruffy twelve-year-old with a black-haired gypsy-looking boy in tow. He knew the business almost as well as those who had it in their blood, so it surprised Phil that he would put on such a ham-handed show.
   Not that they needed to boost the audience that night. It was Phil and Fee’s debut, and their parents had called in every favor to fill the seats on their daughters’ most important night. It was a graduation of sorts — the first time they’d be performing an elaborate illusion entirely of their own device — and their parents were as nervous and proud as mother eagles watching their chicks’ maiden flight.
   And now, Phil thought, I have something to distract me on the most important day of my life. There was only one reason Hector would be dropping cards and losing his ace: he was planning to propose.
   It was a logical match, and Phil was an eminently logical girl. He’d been devoted to her since the day after showing up at the
   Albion doorstep, when she’d pulled a piece of chocolate from his ear and deigned to share it with him. At first she refused to teach him any magic tricks—they were family secrets, after all—but he managed to spy on them while earning his keep sweeping the aisles and scrubbing the loo, and one day he surprised them all with a quite passable
transformation of a beetle into a flower. From that day on, he was allowed to sit in on magic lessons, and he attached himself particularly to Phil. He continued to spy on her, to ferret out the few spectacular illusions the family refused to teach him, but a year ago he let himself be caught, accepted Phil’s furious lecture, told her how lovely she was, and kissed her.
   Hector’s courtship had progressed with increasing  confidence, and Phil tolerated it with a good humor. At first, indeed, it was something of a joke, and when she curled up in bed with Fee every night, they’d giggle over his imbecilic love poetry and misguided attempts at gallantry. But—and maybe it was simply force of habit—she eventually stopped laughing and tentatively accepted his advances. They never progressed beyond kisses and a bit of pawing. Neither had time for much more than that, what with the theater and their studies under a tutor (who gave his services in exchange for the use of the venue every Tuesday to put on his avant-garde plays.)
   As soon as he’d planted that first kiss, he began talking about their future together in such an assured manner that she didn’t quite have the heart to correct him. He was a dear friend—and she couldn’t kill a dear friend’s dreams. But when his dreams seemed to include her as his wife, she became uneasy.
   Well, it’s only sensible, she told herself. I’m a magician, I mean to remain a magician, and I can’t see myself married to a greengrocer or publican. Magicians marry magicians, or at least entertainers. Phil’s own heartrendingly beautiful mum had been an opera singer when she married Dad, but one stage is very like another, and she knew how to wear false eyelashes and take direction. Phil knew she would marry a magician and bear magician children, as her ancestors had for hundreds of years, and it was all very proper, very suitable, that she should marry Hector.
 Then why does it put me off  my game to even think of  him proposing?
 She  wondered
 Because I don’t love him. I’m very fond of him. I always have a good time when I’m around him. We work well together. It would be an ideal marriage, without passion, perhaps, but who needs that? Leave that for Fee, who falls in love every ten days like very romantic clockwork.
   So she told herself, but though she could generally convince anyone of anything when she set her mind to it (though it’s true they sometimes gave in from sheer weariness), Phil still had her doubts.
   Hector was having difficulty holding the crowd’s interest, and he flashed her a subtle signal to help. But she was annoyed at his presumption to think of doing something so silly as proposing on her big night, so she abandoned him and drifted over to the cluster of people gathered around little Stan.
   After all, Phil was a master of escape.
   As if the buildings around the Hall of Delusion had been a pagan temple constructed to mark the passing of the seasons, there were a very few evenings of the year when the declining sun squeezed its molten light directly into the narrow crevice between the walls, casting the street in a buttery glow. The light seemed to seek out two objects: a haze of a girl in the softest red and gold, and a small dancing crystalline orb. The boy who manipulated the orb was himself in shadow. He carried the shadow with him, in his dark skin and hair, in his very being, as if he both cast his own darkness and hid in it. His opacity served as a foil for the brilliant glass ball he danced over and under his fingers, defying gravity as surely as Hector but without, as far as Phil could ever see, using any tricks. It was pure dexterity, the dint of countless hours of practice, and was in itself a kind of magic of concentration. The sun made opalescent fire flash in the clear glass as it floated over his knuckles, slipped between his fingers, and leaped up in the air, only to roll down his suddenly arched back and caper once more on his waiting fingertips.
   Stanislaus Bambula spied Phil and flashed a smile, a candle in the darkness. He was solemn and solitary by nature, and Phil sometimes believed there was so much on his young mind, he simply could not think with other people around him too often. Nonetheless she knew he was blissfully happy curled up in the welcoming bosom of the Albion family, fed, sheltered, and taught the arcane arts without many questions asked. They knew he was an orphan but never quizzed him about his past. His future was clear. At ten, his was the most natural talent the family had ever seen, and he was destined to be a great magician.
   Near him, absently oohing when the ball miraculously ducked under Stan’s hand and righted itself, was the dreamy Fee. While Phil had received her mother’s extravagantly red hair unadulterated, Fee’s hair combined Mum’s improbable scarlet with Dad’s bright gold (“A preposterous complexion for a magician,” Mum always said. “Ought to be raven-haired with black flashing eyes.”), creating a strawberry mist of waves that seemed on the verge of evaporating. All of Fee seemed caught in the middle of a spell, on the verge of transfiguring to another state, as deliquescent as the moment before the dew falls.
Her skin was very pale, her blue-gray eyes elsewhere. Her favorite expression was wistful, her favorite activity was love, her favorite utterance a sigh.
   She was, as might be imagined, a master of vanishing.
   Phil walked deliberately past her sister without acknowledging her, a sign that Fee was to follow her. A moment later Fee joined her in their dressing room.
   “Hector’s going to ask me to marry him tonight. After the show, I think.” Please, please not before  it.
   “You’ve perfected mind reading?”
   Phil chuckled. That was a lark. It was their constant joke that magic was real. How nice that would be, they often said, if all you had to do was mutter a few archaic words instead of practicing a thousand hours in an icy tub learning how to hold your breath for three minutes while wiggling out of handcuffs and a straitjacket.
   “No, but he’s clearly nervous about something, and what else could it be? What should I say?”
   “If you have to wonder what you’ll say, the answer must be no.” Fee believed in True Love. Phil believed in a Good Match.
   “I think I’ll tell him I have to think about it. For two years at least.” Fee sighed.
   “Or maybe when the war’s over. It can’t last much longer.”
   Fee covered her elfin ears. “Don’t talk to me about the war, please.” She had never quite grown out of the childhood belief that if she did not acknowledge something, it did not exist. Fee, who could hardly bear to see a worm writhe its last on the pavement, grew faint if she thought about the good, beautiful, kind young people who were killing one another in horrible ways. Because they all would have been good, she said, if people had just left them alone and never told them to fight. What about Hitler? Phil would ask. Well, perhaps he wasn’t raised quite right, Fee would equivocate. There must be good in everyone, somewhere, I know it.
   “Maybe I can just avoid him. He’ll be busy with the lights throughout the show, and if he fouls up The Disappearing World, I’ll murder him. There’s no second show today, so afterward it will be hours of congratulation, if it goes well, or commiseration, if it fails, but in any case lots of people and food and drink, and he can’t exactly propose in front of everyone, can he?”
   “Wouldn’t that be romantic?” Fee said. “A declaration of his love before all the world?”
   “No,” Phil said adamantly, “it would not.” Because the only thing worse than breaking Hector’s heart in private would be breaking it in public.
   No, she amended. The worst thing would be to accept him out of embarrassment and obligation and kindness. For she liked Hector so very much, she did not quite know how to tell him that she didn’t love him.    

What People are Saying About This

From the Publisher
"Quirky, intense, moving—an exasperating gem."

"Has enough romance, action, and magic to keep readers engaged. . . .Truly original."
School Library Journal

Meet the Author

Laura L. Sullivan is a former newspaper editor, biologist, social worker, and deputy sheriff who writes because storytelling is the easiest way to do everything in the world. She lives on the Florida coast, but her heart is in England.

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