The Desert of Souls

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Overview

A thrilling, inventive cross between One Thousand and One Nights and Sherlock Holmes

In 9th century Baghdad, a stranger pleads with the vizier to safeguard the bejeweled tablet he carries, but he is murdered before he can explain. Charged with solving the puzzle, the scholar Dabir soon realizes that the tablet may unlock secrets hidden within the lost city of Ubar, the Atlantis of the sands. When the tablet is stolen from his care, Dabir and ...

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The Desert of Souls

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Overview

A thrilling, inventive cross between One Thousand and One Nights and Sherlock Holmes

In 9th century Baghdad, a stranger pleads with the vizier to safeguard the bejeweled tablet he carries, but he is murdered before he can explain. Charged with solving the puzzle, the scholar Dabir soon realizes that the tablet may unlock secrets hidden within the lost city of Ubar, the Atlantis of the sands. When the tablet is stolen from his care, Dabir and Captain Asim are sent after it, and into a life and death chase through the ancient Middle East.

Stopping the thieves—a cunning Greek spy and a fire wizard of the Magi—requires a desperate journey into the desert, but first Dabir and Asim must find the lost ruins of Ubar and contend with a mythic, sorcerous being that has traded wisdom for the souls of men since the dawn of time.

Debut author Howard Jones breathes new life into the glittering tradition of sword-and-sorcery, combining the masterful fantasy of Robert E. Howard with the high-speed action of Bernard Cornwell.

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Editorial Reviews

Publishers Weekly
As richly textured as an antique rug, this fantasy-mystery sweeps readers into ancient Baghdad. Asim, captain of Master Jaffar's guard, and the wily scholar Dabir, who is hopelessly in love with Jaffar's niece Sabirah, track stolen golden artifacts into the shifting sands that hide the ruins of legendary Ubar, entry to the land of the djinn. Asim's dazzling swordplay, his Muslim piety, and his unwavering loyalty to his friend balance Dabir's bittersweet devotion to Sabirah as the pair battle forbidden magic that forces them to slice away layers of their own spirits. Their antagonist, evil Zarathustrian sorcerer Firouz, poses moral questions that deepen this multicolored Arabian-nights tale, as does the plight of pretty, quick-witted Sabirah, who prizes scholarship and lives for the moment while facing the fate of a political marriage. A captivating setting and well-realized characters make this a splendid flying-carpet ride. (Feb.)
Library Journal
When the vizier charges the scholar Dabir and Captain Asim with solving a mystery regarding a jeweled tablet entrusted to his care, the duo finds their trail leads them in search of a pair of thieves and a lost city buried beneath the sands. Mythical creatures and very real enemies complicate their journey, with the search for wisdom the reward for success and death the punishment for failure. Jones's first novel blends the ambience of The Arabian Nights with the brilliant detection of Sherlock Holmes novels to produce an unusual fantasy detective novel—and a potential series opener—with wit and style. VERDICT Fans of Arthur Conan Doyle, Robert E. Howard, and Middle Eastern mythology will enjoy this unusual debut.
Kirkus Reviews

Middle Eastern sword-and-sorcery debut and first of a series.

In 8th-century Baghdad, young Jaffar the vizier grows bored and decides to adventure anonymously into the city's less salubrious quarters; he will be accompanied by guard captain Asim and scholar Dabir. To their astonishment, a bleeding man falls dying at their feet, hotly pursued by two sinister figures who claim the man is a thief. Indeed, the now dead man was carrying an ancient, inscribed gold door-pull of which Dabir immediately takes possession; the murderers, for so they turn out to be, vanish. Able to translate the inscription, Dabir declares the object to be a means to open a magical doorway—but located in the marvelous bejeweled city of Ubar, long destroyed and forgotten beneath the desert sands. However, the murderers—Diomedes, a Greek sorcerer and spy, and Firouz, a vengeful fire wizard of the Magi—soon recover the object by magical means and swiftly exit Baghdad. Jaffar dispatches Asim, Dabir and a contingent of guards to recover the door-pull. Not only must they trail the elusive and highly dangerous thieves, they also must learn the whereabouts of lost Ubar, figure out what Firouz intends and then stop him. Anachronisms and all, the ambiance captures much of the civilized, tolerant spirit of the ancient caliphate. The rest is Middle East lite, with a serviceable plot, few claims to originality and appealing odd-couple protagonists in Asim and Dabir.

Sufficiently involving to keep readers coming back for more.

From the Publisher
Praise for THE DESERT OF SOULS:

"The Desert of Souls is filled with adventure, magic, compelling characters and twists that are twisty. This is seriously cool stuff." - Steven Brust, New York Times bestselling author of the Vlad Taltos series

“A grand and wonderful adventure filled with exotic magic and colorful places — like a cross between Sinbad and Indiana Jones.” — Kevin J. Anderson, New York Times bestselling author of The Map of All Things

“Like the genie of the lamp, Howard Jones has granted this reader's wish for a fresh, exciting take on the venerable genre of sword-and-sorcery!” —Richard A. Knaak, New York Times and USA Today bestselling author of Legends of the Dragonrealm

"Howard Andrew Jones spins an exciting and suspenseful tale in his historical fantasy debut. A rich, detailed tapestry — part Arthur Conan Doyle, part Robert E. Howard, and part Omar Khayyam, woven in the magical thread of One Thousand And One Nights." — E.E. Knight, Author of the bestselling Vampire Earth

An entertaining and enjoyable journey into a world of djinns and magic far darker than expected, yet one that ends with hope, both for the characters... and that there will be yet another book.”  — L. E. Modesitt, Jr,  author of the Recluse Saga, the Imager Portfolio, and the Corean Chronicles

"A modern iteration of old school storytelling. Highly recommended to anyone in search of a fun run through strange lands and times." — Glen Cook, author of The Black Company Series

“Suspenseful and charming.” –Charlaine Harris

"Howard Jones wields magic like a subtle blade and action like a mighty cleaver in his scimitars and sorcery tale, weaving together Arabian myth, history, and some honest-to-gosh surprises to create a unique story that you’ll not soon forget."  — Monte Cook, author of The Dungeon Masters Guide, 3rd Edition

"A rousing tale of swords against sorcery. Howard Jones writes with wit and flair. His world is involving, authentic and skilfully evoked. The best fantasy novel I have read all year." — William King, Author of the Space Wolf trilogy and creator of Gotrek and Felix

"A whirlwind tale of deserts, djinn and doors to other worlds, told in a voice perfectly pitched for the style and setting." —Nathan Long, author of Bloodborn and Shamanslayer

“An Arabian Nights adventure as written by Robert E Howard. It is exciting, inventive, and most of all fun.” —Dave Drake, author of The Legion of Fire

“As richly textured as an antique rug, this fantasy-mystery sweeps readers into ancient Baghdad.… Asim's dazzling swordplay, his Muslim piety, and his unwavering loyalty to his friend balance Dabir's bittersweet devotion to Sabirah as the pair battle forbidden magic that forces them to slice away layers of their own spirits. Their antagonist, evil Zarathustrian sorcerer Firouz, poses moral questions that deepen this multicolored Arabian-nights tale, as does the plight of pretty, quick-witted Sabirah, who prizes scholarship and lives for the moment while facing the fate of a political marriage. A captivating setting and well-realized characters make this a splendid flying-carpet ride.” –Publishers Weekly

“An exciting, colorfully written novel with engaging characters and a story that mixes fantasy and real-world elements. It should appeal to readers of fast-paced historical mysteries.” —Booklist

"But though comparisons to the likes of Sir Arthur Conan Doyle and Robert E. Howard are merited due to plot and authorial provenance, there’s an even more fundamental similarity. At its heart, Jones’ work is a great read—a page-turner in its purest form. As such, The Desert of Souls is a powerful place—it can wreck sleeping schedules, cause chores to be neglected and, best of all, make one yearn for the next installment." –BookPage

"Jones's first novel blends the ambience of The Arabian Nights with the brilliant detection of Sherlock Holmes novels to produce an unusual fantasy detective novel—and a potential series opener—with wit and style. Fans of Arthur Conan Doyle, Robert E. Howard, and Middle Eastern mythology will enjoy this unusual debut." —Library Journal

"Lives up to the best in sword and sorcery traditions... Dabir and Asim are a winning pair who complement each others’ strengths well... those who like lots of swordplay mixed with some inventive magic will likely enjoy this." —RT BOOK Reviews

“Howard Jones proves himself a rare master of the storyteller’s art, a talent uncommon even amongst successful novelists. He’s written a pure, unapologetic, classically-structured adventure tale…. Brilliant and immediate characterization, not only for Asim, the narrator, but Dabir, as well, perfect pacing, and a truly intriguing mystery draw the reader deeply into the world of the story. At one point, a story within the story allows Jones to comment on the act of storytelling itself. The novel is polished to a mirror sheen, but it has that something extra that takes a story beyond technical excellence and into the human heart…. If you have any interest in historical fiction, fantasy adventure, Robert Howard, Harold Lamb, or the One Thousand and One Nights, you will love this book. If you’re not sure about any of those things, it’s still very possible that you may love this book. Stories that stay with me as this one has don’t come around very often, and I’m inclined to spread the word when they do.  Read this book.” –Greenmanreview.com

"One of the best debuts, likely the best debut, I’ve read since Ian Treglis’ Bitter Seeds last year.  The Desert of Souls is, in a word, awesome.... You’ll be hard pressed to find a debut as accomplished as The Desert of Souls.  This is some top notch fantasy adventure fiction that will put a grin on your face.  I want more." —kingofthenerds.wordpress.com 

"Both characters are excellently realized.... This is a very satisfying first novel, and I will certainly be looking for the promised sequel." —SFSite.com 

"I loved this book. This could possibly be the shortest review I ever write, because I don't know how to say it any other way: I loved this book. I wish it had been about 800 pages long. I wish I could pop in the DVD and watch the movie. I wish I had the kind of pocket change to pay Howard Andrew Jones to write me another story just like this. I wish I had the power to stop time, drop everything, and read every single one of the source texts he lists in his afterword. Heck, I wish I had the power to turn back time two days just so I could read this book all over again." —Intergalacticmedicineshow.com 

"Filled with adventure, magic, evil magicians, prophecies, djinn, and nefarious dealings....  Asim is a very able storyteller and much feels like you're sitting around the fire listening in. The Desert of Souls is a wholly satisfying buddy escapade.  I give The Desert of Souls 8 out of 10 hats. This is the kind of book that felt like it was written specifically for me and pulls you in and doesn't let you go until you've closed the cover and shout for more." —Booktionary.blogspot.com  

"Jones’ Arabian Nights-style adventure has the polish of a cut diamond, and the finish of a veteran author.... Jones has an excellent sense of pace and an affinity for a tale properly told. Not rushed, but told as a story should be told, as though novelist and the reader were drawn up around a campfire with the whole night ahead for stories.... a welcome relief in these often dark times of current fantasy offerings." —TheSilverKey.blogspot.com

“Part mystery, part thriller, part adventure, all woven expertly by Jones to create a tapestry of vivid imagery and excitement… The characters are as lively as Leiber’s to be certain and the action is fast-paced and draws you in from page one. This is the kind of pulp adventure novel that ranks ups there with writers like Robert E. Howard, Talbot Mundy, and H. Rider Haggard. Fun and fresh!” –Mania.com, Grade A 

“The plot is like a roller coaster, going from one turn to another.  The writing is like a love child between Robert Ludlum and Michael Moorcock.  Very exceptional.  If this is the only fantasy book you read this year.  Read this one… Overall, I give this book 5 out of 5 stars!” — fantasydreamer12.wordpress.com

The Desert of Souls is an elegantly written, deftly plotted, scimitar-and-sorcery tale, as colorful and romantic as a Persian carpet, woven with bright, daring exploits, frequent glints of humor, and the darker threads of heartbreak, pathos, and knotty moral quandries. It is a buddy story dressed in turbans and wearing daggers, exploring the burgeoning but sorely tested friendship between the narrator, Asim, a pious, loyal warrior with an unexpected flair for story-telling, and Dabir, the clever problem-solver who cannot resist a puzzle—or the flashing eyes and fine mind of a certain young woman.  Toss in some undead monkeys, a jaded djinn, a feathered serpent who hoards treasure of a most unusual kind, a fortune teller who may—or may not—have mixed up her clients' fortunes, an evil sorcerer corrupted by a lust for revenge, a lost city, a stowaway virgin, magical artifacts, forbidden love, and enough sword-play and suspense to satisfy the most ardent lover of action....drop it into the harsh, fantastical landscape of old Arabia... and you have the critically acclaimed, thoroughly delightful and moving debut novel of Howard Andrew Jones.” — thestoneriver.blogspot.com

“The Desert of Souls is an engaging, enjoyable read that made me regret putting the book down whenever I had to stop… What I liked most about the book is the prose of Jones. Smooth and effortless, with a definite middle-eastern flair, I fell in love with Jones’s style and his skill at weaving adventure, action, wit, religion, and realism into a cohesive story. It also doesn’t hurt that a good first-person narrative is my favorite kind of story… Howard Andrew Jones has hooked me with a terrific story of middle-eastern adventure, rife with magic, swordplay, and great prose. I hope he decides to write another installment in the same setting with some of the same characters…I for one would look forward to such a tale, and I’m happy to have added The Desert of Souls to my library.” — hippogriff.wordpress.com

“Like the best stories of Robert E. Howard and Fritz Leiber, The Desert of Souls wastes no time with extraneous details or self-indulgent digressions, getting straight to the meat of the matter... Jones has succeeded in transporting the reader to another time and place and never once forgets that, first and foremost, this is an adventure novel, not a history text. There's a humility about the book that only added to the book's numerous charms. If, like me, you're not especially taken with contemporary fantasy has on offer, you should definitely take a look at The Desert of Souls. It's a fun read very much in the tradition of the best pulp fantasy but with plenty of unique pleasures owing to its historical and cultural setting.” — grognardia.blogspot.com

“The Desert of Souls is many things: dark mystery, hard-hitting fantasy, edge-of-seat suspense and swashbuckling adventure. It is written in a fast-paced, page-turning style replete with exotic, historic locales, vivid descriptions and memorable characters… It is no coincidence Howard’s novel pays homage to the legacy of authors like Howard and Lamb. Over the past few years Howard has almost single-handedly resurrected the Sword & Sorcery genre, first as editor of the late Flashing Swords eZine and currently as Managing Editor of Black Gate Magazine. In addition, his painstakingly compiled eight volume collection of stories by prolific pulp author Lamb has made him that author’s premiere scholar, and reintroduced the once popular writer to today’s audience. It is this love of fantasy and exotic history, along with his grand sense of storytelling that has made Howard Andrew Jones a writer to be reckoned with for many years to come.” — roguebladesentertainment.com

“A rollicking adventure… Howard Andrew Jones has created a masterpiece of entertainment in this journey back in time. Jones's writing style makes one feel as if they're listening to someone with incredible narrative talent telling a story as Asim and Dabir go from hurdle to hurdle, barely making it out alive from some. In Jones's hands, the characters come to vivid life, including the evil wizard, and it's easy to feel as if you've been transported back to early Baghdad as well. The dialogue, and especially the interplay between Asim & Dabir, rings true and speaks to a closeness only seen in strong teams like Sherlock Holmes and Watson. Jones incorporates forbidden romance and other intrigues in this tale and as with all good storytellers, slowly builds up the suspense. Once you get to a certain point, you'll just have to finish this one as there's no setting it down. I've heard rumors that there is a sequel to come, and I hope they're true. For fans of sword and sorcery adventure, this is a don't miss.” –FreshFiction.com

"A fast-paced adventure tale, full of swords and magic and heroism, set in the world of One Thousand and One Nights...I highly recommend this to anybody who likes fun adventure tales made of awesome." —Bureau42.com

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Product Details

  • ISBN-13: 9780312646745
  • Publisher: St. Martin's Press
  • Publication date: 2/15/2011
  • Edition description: First Edition
  • Edition number: 1
  • Pages: 320
  • Product dimensions: 6.30 (w) x 9.30 (h) x 1.30 (d)

Meet the Author

HOWARD JONES is the acknowledged expert on fiction writer Harold Lamb. He lives in Indiana with his family.

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Read an Excerpt

1

The parrot lay on the floor of his cage, one claw thrust stiffly toward the tiny wooden swing suspended above him. The black olive clenched in his beak was the definitive sign that Pago was a corpse, for while he had fooled us all by playing dead in the past, he had never failed to consume an olive. To be sure, I nudged the cage. It shook, the swing wobbled, and the bird slid minutely but did not move a single feather of his own accord.

"He is dead," Jaffar said simply behind me; simply, but with the weight of the universe hung upon the final word.

I turned to my master, who sat with his back to me upon the stone bench of his courtyard. The second-story balcony, from which the cage hung, draped Jaffar in shadow. Beyond him, sunlight played in the rippling water that danced from a fountain. Flowers blossomed upon the courtyard plants and wild birds warbled gaily. Another parrot, in a cage upon the far wall, even called out that it was time for a treat, as he was wont to do. But my master paid no heed to any of this.

I stepped into the sunlight so that I might face him. Upon another bench, nearby, the poet Hamil sat with stylus and paper. There was no love in the look he bestowed me, and he returned to his scribblings with the air of a showman.

"Master," I said, "I am sorry. I, too, was fond of Pago."

"Who could not be?" Jaffar asked wearily. He was but a few years younger than my twenty-five, but due to time indoors looked younger still, no matter his full beard. His face was wan, from a winter illness that had also shed some of his plumpness.

"He was the brightest bird here," Jaffar continued in that same miserable tone.

"Brighter than many in your employ," Hamil said without looking up.

"Too true," Jaffar agreed.

"Is there some way that I can help, Master?" I was the captain of Jaffar's guard and sometimes his confidant; the matter of bird death, however, was outside the field of my knowledge, and I did not understand why he had summoned me. It is true that I had found Pago entertaining, for in addition to playing dead, he could mimic the master and his chief eunuch, and even sometimes answered the call to prayer by bowing thrice. He did this only when it pleased him to do so, which, as my nephew Mahmoud once noted, was far too much like many men he knew. Also Pago had once perched upon the poet's chest when Hamil had passed out from consuming the fruit of the grape, and pinched his long thin nose heartily. That had pleased me so that I brought Pago the choicest of olives whenever I knew I would pass by his cage.

"Do you suspect he has been killed?" Jaffar asked.

I blinked. "It had not occurred to me."

"The master lay ill for weeks," Hamil said with the patient air of one explaining to a simpleton. "Might it be that someone, in failing to poison him, poisoned one of his most cherished companions?"

"It may be," I replied, wishing that someone had, instead, poisoned the poet, "but the hakim did not believe the master to have been poisoned."

"The hakim has declined to examine Pago," Jaffar said, "saying that he is no expert on birds."

"I shall look at him," I said. "But, Excellency, if I may be so bold, Pago was your father's before he became yours. He lived a fine, long span of years. It may be that his fate was writ."

The master did not answer. I stepped back to the cage containing the rigid parrot, uncertain about what I was expected to see, but fully determined to ape the manner of someone looking with full concentration upon a weighty matter. It occurred to me then that the olive might be poisoned, and so I opened the cage. Pago, dead, was no easier to part from an olive than when he'd been alive, and that tiny beak resisted my attempts to pry it open. I resorted to sawing the olive back and forth until I'd worked it free. I stepped into the sunlight, the fruit between thumb and forefinger. There was nothing obviously wrong with the olive save the shredding it had endured at my hand. "I see no sign of poison, Master."

Jaffar sighed. "I did not think there would be."

"He is but a captain, Master, not an expert of poisons, or birds. Perhaps a specialist should be called." Hamil seemed determined to make much of this occurrence.

"Perhaps," I said. "Why don't you go fetch one?"

"I," the poet said, brandishing his stylus, "am composing a memoriam for Pago."

It was all a bit much, what with the self-important poet and my morbid master, and the parrot's last meal held tightly between my thumb and forefinger, and I chuckled.

The poet's head snapped up. Jaffar fixed me with his own eyes, his brow knitted. The very air was charged then with tension; Jaffar was a kind master, it was true, but he was one of the three most important men in Baghdad and only a fool would mock him to his face.

"He laughs!" said Hamil, and mixed in with his incredulity was a note of pleasure. A stunned smile spread across almost the whole of his narrow face.

"I laugh," I said, "because an excellent idea has come to me." I do not know who inspired such a fine lie, but it gave them pause, and at that moment I would have thanked hell-bound Iblis himself if he were responsible.

"What sort of an idea?" the poet prodded, with all the manner of a cat playing with prey.

"I am not sure," I said, bowing slightly to my master and thinking rapidly, "that it is appropriate to discuss at this time."

"No, please, Asim," Jaffar said. By all that was holy, I had gained his interest, and I had no idea whatsoever what I might say. "What is your idea?"

"A diversion," I managed, thinking as I spoke.

The master raised his hand dismissively. "No poem or pagentry would wash this sorrow from my soul."

"Of course," I said, a desperate inkling taking shape, "no ordinary diversion would help. Only a truly unique experience would gladden your wounded heart."

"I await astonishment," the poet said quietly, setting down his stylus, "and will be astonished if it arrives."

"When last the caliph visited, did he not regale you with a fine tale?" I asked.

Jaffar bowed his head in assent "Yes."

"He and his comrades dressed in common attire so that they would not be recognized, and walked the streets." The caliph had said he would have invited Jaffar, had he not lain ill, and, recognizing the disappointment upon my master's face, told him he hoped Jaffar would join him on some similar venture in the future. The master had mentioned the incident regretfully a number of times since.

Jaffar shook his head. "Yes, but the caliph hunts this week. I cannot venture forth with him."

"I had not forgotten, Master. It is my idea that you venture forth with comrades of your own, so that you might have an adventure to share with the caliph upon his return."

Jaffar did not brighten, exactly; his head rose and he ceased movement altogether. The little poet watched him for reaction, probably wondering whether he should mock or praise me, though he would certainly prefer the former. At the upturning of the master's lips, Hamil quickly said, "I think you have something there, Asim. If you go on this mad enterprise, Master, I hope that you will allow me to accompany you, so that I may record all that transpires."

Jaffar was nodding. "Yes—it would be good to leave the palace. We might go down to the market and see what has come from downriver. In disguise, I would be bothered only by beggars."

He referred indirectly to the courtiers who would always swarm about him wherever it was that he set his feet.

"Indeed, Master. But Hamil should remain so that he may finish his composition in silence."

"Hah! Who then will tell the story to the caliph?"

"I will do the telling," Jaffar said.

"But surely"—the poet halted in midsentence—"You need men of wit to accompany you. Who does Asim plan? A trio of guardsmen, I suppose?"

He knew me too well. That is exactly what I had planned. A brief foray out; my master well protected. I smiled only.

"You might as well go in accompaniment of dung merchants," the poet said. "Nay, you need me. Allow me to suggest other companions, as well."

"Nay, Master," I said. "Take the scholar Dabir. He is crafty, and does not lack for wit."

Jaffar nodded and climbed to his feet. "That is a fine thought. Go and gather him. Tell him that we shall meet at the west servant's entrance. Just after midday prayers. Oh—tell him not to wear anything extravagant. You, too, should disguise yourself. Something common."

I bowed. "I hear and obey."

The poet was still politely protesting as I left the courtyard and made my way through the palace halls. The master's palace was nearly the size of the caliph's, and no place for an aimless search. While I was friendly with Dabir, I did not know him so well that I was familiar with his rounds, and thus I asked directions from one of the slaves.

The little man bowed. "At this hour he is most likely tutoring the mistress, Sabirah, off the main courtyard."

Of course. It was only my miraculous escape from potential dismissal or death that had left me unthinking. The slave's expression was blank, but there was a hint of derision in his tone, as if all the palace surely knew Dabir's daytime assignment. I left him and made my way through the hall.

That a male tutor should be used for the master's niece had set many tongues to wagging. The situation had begun after our return from the dig in Kalhu, where my actions and those of Dabir had not only brought us higher in the eyes of Jaffar, but, through him, garnered a word of praise from the caliph himself. The master had brought me closer into his confidence, and augmented Dabir's position, entrusting him with the teaching of his beloved niece.

Sabirah's father, Musa, had declared that as God had seen fit to bless his daughter with so excellent a mind, God must have meant for it to be used. Musa had been appointed governor of Syria, but had left his eldest child in Jaffar's care with instructions that she receive the best education available in Baghdad.

I neared the twin doors to the room where she was being taught and caught the warm tones of a young woman's laughter from within. She sounded no brighter than any other girl. I rapped on one door and then walked straight in, as was my right as guard captain.

Two crones looked up from a backgammon table. They apparently did not mind their charge giggling at a man, but fixed me with a glare that would shrivel a ready groom. Dabir and Sabirah sat at a nearby table, each holding a book.

I did not look first at Dabir, but to Sabirah. Though I sometimes saw her without a veil, she had been told to wear thick ones while under Dabir's tutelage. In that day, amongst the wealthy folk, it was not uncommon to show hair, but this too was concealed. She was a slip of a thing, with a slim nose. For myself, I preferred a woman of more ample curve, but I admit that her eyes were large and clear, her voice sweet.

"Good morning, Captain," she said.

"Good morning, Mistress. Forgive this interruption."

"The mistress is taking lessons," one of the crones told me curtly.

"Are they lessons in courtesy?" I asked her, then looked back to Jaffar's niece.

Sabirah's eyes crinkled as though she smiled.

"I come at your uncle's behest to fetch Dabir," I told her.

"He's not in trouble, is he?"

"Oh, no."

"Why do you need him?"

She had me there. Apparently my well of inspiration had run dry for the morning, and I stood statue-still for a moment too long trying to think of an explanation that did not reveal my purpose.

"It must be something very important," Sabirah prompted.

"Yes," I agreed, though it was not important in the way that she supposed. Doubtless behind her eyes lurked the fancies of a maid; that Dabir was needed to consult about some important affairs of state involving marriages and horses, most like. In truth, I felt suddenly awkward, for I understood then that if I had maintained my composure around the stupid poet, the girl, the scholar, and the crones would have gone the morning uninterrupted.

"Take him if you must, then," Sabirah said. "Though I would gladly have read more."

"Read on," Dabir said, "while I gather my things. First in the original, then translate."

The girl began to recite curiously worded Greek.

Dabir stood, searching me with a look. His eyes were a clear blue, more vibrant than that of the blue jubbah he wore, a gift from Jaffar. In those days the hair below his turban was dark and thick. There was no gray yet in the well-trimmed beard, shaped spadelike below his lips, nor in the mustache perched above. Elsewise his beard was thin, only following the shape of his jaw. He searched, I think, for some reassurance that all was truly well, and I nodded once.

"Some lucky Thracian has my noble shield," Sabirah continued. "I had to drop it in a wood. But I got clean away, praise God. I'll get another, just as good."

Dabir chuckled as he stuffed his own papers and a stack of books into his satchel. "Quite right. You see?"

"It mocks the Spartans," Sabirah said.

"Yes. What do you think? Is pragmatism more important than glory?"

Sabirah stared into space as Dabir closed his satchel.

"It must depend upon the circumstance. Practicality might excuse evil practice."

Dabir nodded. "Well said. Keep reading; we will meet again in the morning."

"You won't be traveling, will you, Captain?" Sabirah asked me.

"Not very far," I said. I judged by her look that my reply brought no satisfaction, but she wished us good day and said nothing further.

Dabir and I walked at each other's side then, down the hall.

"What has happened?" he asked.

I told him that Pago had died and that the master craved a diversion. "Hamil had suggested he go; I thought of you."

"I see," he said, not sounding especially pleased.

I bade him stop in the shadow of a column, and lowered my voice. "It is folly, but I hope to make the best of it. The master desires clever conversation. You can provide that, but you also have a head upon your shoulders. I expect you to help me keep watch upon him."

"Where does he intend to go?" Dabir asked.

"He mentioned the market."

"We should shape his steps, then, to safe places."

"They must also hold his interest," I said.

"Of course. Do you suppose we should take him to a seller of birds?"

"I would prefer to keep his mind from the parrot."

I conveyed the rest of the master's instruction. Dabir listened without question and then we parted, he for his preparations, me for mine.

All too soon came the call to prayers, and then I hastened to the west servant's entrance. There I found Dabir already attending the master. The scholar had donned a dusty brown robe. Jaffar smiled and nodded to me. Boulos, the plump old eunuch, stood behind him, making final adjustments to the master's turban, which seemed especially bedraggled. On any other day the master would have pitched the dirty cloth through a window. His own jubbah was threadbare and stained; I am not sure from where it had come, but it was considerably worse than my own travel garments. It did not quite work, in truth, for his beard was so well trimmed, his nails so clean that he seemed less a poor man than a child playing dress up. The master was well known for his handsome face and fine figure—though of course poets exaggerated—and he carried himself with confidence that belied his clothing.

"How do I look?" he asked me.

"Your garments are suitably ragged," I replied.

"I was thinking," Boulos said, "that a smudge of dirt upon one cheek might complete the look."

"Do you think?" Jaffar asked. He turned to me.

I wished to say that he would then resemble a clown, but Boulos, no matter that he was slave and eunuch, had more power within the palace than I, and only an idiot antagonized him.

"It would be a fine touch," Dabir said, "but the girls will look with less favor upon His Excellency then."

"I seek adventure, not wives," Jaffar said.

"Oh, you should always be prepared," Boulos said cheerily. "Who knows when God shall send some tidbit to cross your path?" He and Jaffar laughed; I groaned inwardly.

Boulos bent to buckle on Jaffar's sword belt.

"Is it sharp?" my master asked.

"It was seen to. I found you an older sheath, though."

"Thank you, Boulos," Jaffar said, and again I groaned internally, for a proper warrior would see to his own weapon; it had not even occurred to Jaffar to be embarrassed to ask. He turned eagerly to us. "I'm quite pleased with all this. Are you two ready?"

"We await only your word, Master." I bowed.

"This was a fine idea, Asim," Jaffar said. Boulos hustled forward; the two guards waiting to either side of the door pretended not to notice us, although they reached for the door pulls.

The master held up a hand and the sentries stepped back. "I'm sure you know," he said as he turned to us, "that you are not to call me by title, or, indeed, by any honorific whatsoever, once we leave the palace."

"Of course, Master," I said.

"Of course, Andar," Jaffar corrected with a smile. "I am to have an adventure, why not name myself after one of the greatest adventurers?"

"An excellent idea," Boulos said. "Captain, see him safely home."

"Of course."

"What time shall we expect your return, Master?" Boulos asked.

"There is no telling," Jaffar replied. "We may be gone through the night." He turned to the door, thought better of it, and faced Boulos again with raised finger, as though he were ticking off a point from an invisible list. "Do not let word spread of our adventure."

"Of course not, Master."

"Dabir, Asim, let us be off."

Once more the sentries reached for the doors, eyes focused blankly above our own, lest they be in on a secret they should not know. Outside was bright and fragrant, for even here at one of the side entrances were a row of bushes in bloom. It was but a short walk to the gate in the outer wall, likewise guarded by sentries. One opened the gate for us while the other advanced to push back the crowd of folk who tend to gather about all palace entrances. Dabir and the master and I stepped around them; the assorted beggars and job applicants and onlookers watched us curiously; one even pulled at Dabir's robe, pleading for alms, and then we were past.

I think the master was more bewildered than amazed by the cacophony of the streets. Baghdad teemed with people and their attendant smells, and we were in the thick of both. It is not that the master had never been out of his mansion, it is just that he never ventured forth without a buffer of servants and guardians.

When Jaffar asked where we should go, Dabir suggested first the nearby market in south Al-Rusafa, the wealthiest quarter of the city, where we spent the greater part of the next hour. Merchants could not know the master's true identity, but even a fool could tell at a glance that he was a nobleman in disguise because of his fine manner. They bade him look at the best of their baubles and silks and perfumes and nearly everything else under the sun. Jaffar paid them little heed, but he examined much, listening with interest to the outrageous lies regarding the rarity of certain cloths, or the unmatched skill of a bootmaker's leatherwork. He was especially taken by the elaborate tale of one jeweler's perilous trip to Baghdad from India. I found it tiresome and stepped away. Dabir joined me.

"Is your sword sharp?" he asked quietly.

I did not take his meaning at first, then saw his sly smile and chuckled.

"We must give thought as to our next course," Dabir said, "for he will grow bored."

"There is a place across the river where men often race pigeons," I said.

"That involves birds, though," Dabir wisely pointed out, and I nodded agreement.

"Do you suppose he would like to see some wrestling?" I asked.

At that moment Jaffar returned, passing each of us a small gold ring.

"Thank you . . . Andar," I said. Dabir echoed me. I slipped the thing over my smallest finger and admired the effect.

"It is my pleasure." Jaffar ignored the beckoning calls of other merchants and turned his head this way and that, searching the distance. Because the market was crowded, there was not much to be seen but the turbans and backs of shopping folk.

"The jeweler spoke to me of a woman who deals in magical things. She is down one of these side streets."

Dabir and I traded a quick look while the master was looking the other way.

"Is it not said that upright men should turn their face from magics?" I asked.

"Andar," Dabir said, "our last encounter with magic was . . . somewhat . . ."

"There will be no Greeks involved this time," Jaffar said airily. "Besides, that wasn't really magic."

Dabir and I exchanged a glance. The master had never fully believed our accounting of the events with the Greeks, having been drugged at the time. "This," he continued, "is simple marketplace magic, in our own city. There can be no real harm. Let us seek her. The jeweler said she is very good."

"She is probably the man's aunt," I said, "who will share our monies with him."

"Asim, must you always grumble so?" the master asked. "I thought we were going to have fun today. Let us see this magic woman, then find some food."

I would have preferred that we find the food first, for I had neglected a proper meal in preparation for this venture, but Dabir and I followed the master down a winding side street, stepping past running urchins and around a series of foul-smelling brown puddles. After a time it was clear that Jaffar had become lost, so we gave alms to a graybeard who then provided directions, and in the next quarter hour we sat on the rugs within a small, dark front room. From elsewhere in the house came the enticing sound of sizzling meat, and a most pleasing scent of lamb.

None was offered us, though, by the stripling who had answered the door and told us to sit, and nothing was offered us by the bent woman who emerged from behind the curtained doorway and bade us welcome to her home. Her voice was like that of an old songbird, for it was clear, but tired, and a little thin. She fished then for information about us, as fortune-tellers do, whether we were young men looking for wives or taking a break from important business, all the time watching us with dark eyes. In the shadowy room there was no seeing through her veil, and her gaze revealed no emotion or sign of her thoughts. I took in the room, ordered neatly with strange things, both rare and humble. High shelves stood out from the dark walls. I could see few of the contents perched on those directly to my right, so close were we to the wall itself, though I thought I saw a small bird's claw hanging off one ledge. On the shelf to my left was a hodgepodge of wooden balls adorned with strange symbols, chips of colored stone, a clay goblet decorated with what looked to be emeralds, and the mummified head of a ferret. The peculiarity of these items lent an ominous mien even to the more mundane trappings—that kettle hung from a rafter, for instance, might hold more than emptiness. And what had those dark wooden spoons on the wall been stirring?

My sword lay ready to hand and so too did my knife. As my hand brushed over its hilt I felt the magic woman's eyes upon us. Just then she asked us for coin and Jaffar revealed his station by bidding me pay an initial fee. The woman passed the coins without comment to one of two similarly dressed youths, identical in feature and hair save that one was a few inches taller. He disappeared briefly then returned with small pastries, which he sat before us. He retreated again. The older boy sat quietly upon a stool in the shadows.

"You seek magic," the woman said, sitting. "Why?"

"Because I am curious," Jaffar answered.

"You are bored." The woman glanced over at me as I munched on a treat. It was fresh, and seasoned with honey. It can never be said that I dislike sweets. "Do you seek magic only because you are bored?" she asked Jaffar.

"My friend has witnessed true magic," Dabir said. "Dark magic. He has no interest in that."

The master's mouth turned down at this.

The woman turned to Dabir, appraising. "What sort of magic does he desire?"

Jaffar spoke up. "A merchant outside told us you are gifted with an understanding of future events. I would hear them."

"Would you?" She cocked one of her thick gray eyebrows. She leaned closer, her voice dropping. "Do you know for what you ask? It is a dangerous thing to know one's fate. The knowledge has driven some mad. Some spend the whole of their lives twisting and turning and scheming to avoid what they have been told, until they realize they are wrapped within the coils of the serpent they thought to escape."

"We are not afraid," Jaffar said.

Perhaps he was not; I covertly made the sign warding against evil, hiding it behind my thigh.

She paused a moment more, staring into his eyes. "You have paid the price," she spoke without sentiment, "and I will honor your coin with my service."

She motioned to the boy, who brought forth short red candles, which she lit. They gave off but little smoke. She then presented us with parchment, one small square each, of a peculiar wrinkled texture.

"What manner of paper is this?" Dabir asked.

"It is fashioned from the skin of Egyptian cats," she said, whereupon my master fell to examining his own paper more closely. In truth it did not look to me to be animal skin, but I said nothing.

Then came the presentation of an especially old-looking stone inkwell, in which black ink rested, and a pen with a marvelously colorful feather. This she handed to my master.

"Breathe deep of the candle fumes, then write your name upon this parchment and set it within the bowl." At this word, the youth placed a small brown bowl before each of us. I looked at Dabir, wondering if he too were concerned by Jaffar revealing his name to this woman, but he kept silent; Jaffar hesitated not at all.

My master leaned close to breathe in of the candle—which smelled faintly of cloves, put the parchment across his knee, and boldly wrote out his name. He then folded the paper and set it within the bowl. Next was my turn, and then Dabir's, who had watched us closely at work.

In light of later events, I wish that I had paid closer heed to how the woman brought the bowls to her, but I saw only that she reached forth and set them near. She closed her eyes and began droning indistinct syllables. I thought them words of magic, and made again the sign casting off evil. It may be that she spoke some prayer. Whatever it was, she sat thus, with eyes closed, mumbling, back straight, for some minutes. The fumes spun about us and the flames of the candles flickered and the air felt heavy. The atmosphere was cavernous, as though we were somewhere quiet and secret, deep beneath the earth, rather than a mere few feet from the entrance to a Baghdad alley.

When the woman's eyes opened, it was with such suddenness that my master flinched. Trancelike she reached for each bowl, held the parchment over the nearest candle, and dropped it back within. Three times she did this. Dabir started to say something, but held his tongue. The master and I were silent, though he glanced over at me, eyes alight with excitement.

Each of the papers flared and went out, leaving black ashes that glowed red at their tips; these the magic worker stirred clockwise three times with her fingers and observed in turn, her eyes blinking seldom. Finally she set the last of them down, and straightened.

"I have read the fates. Be warned—you may not wish to hear."

"Speak!" Jaffar demanded, breathless.

"You." Her gaze fastened upon Dabir. "You shall be known far and wide as a slayer of monsters and protector of the caliphate. Fame will go before and after you; heroes shall listen to tell of your exploits with envious ears."

Dabir's brow furrowed and he looked as though he might have asked for further detail, but the woman's eyes fell upon me. I found that I could not help but meet them, and it was not at all like staring into the eyes of a courtesan; it was more like studying the immensity of the night sky above the desert.

"Your bravery will not be unknown, but in later days it will grow when you will take up the difficult weapons of pen and parchment; the fruits of these labors shall carry your name down the ages."

Her veil rippled when she turned to face Jaffar. "High have you risen and higher still shall you rise, until you lose your head when you dare to love a woman beyond your station. Your master will weep, but he shall not spare you."

The master blinked, then stared with rapt fascination and horror. His mouth opened, moved up and down, yet no sound came forth.

"You stand at a juncture," the woman said to all of us. "If you delay, if you do not rise and take immediately to the street, none of this shall come to pass, and your lives shall be forgotten in the greater misery that shall follow."

"Ah—" the master began, but the woman's head fell forward, her shoulders slumped, and she breathed shallowly. The stripling hurried to her side, and she reached feebly for him. He helped her rise.

"My grandmother must rest," he said in a high piping voice. "No more than a few moments. If you wish to ask her further about her sight, you may wait."

She leaned heavily upon him as he guided her through the curtains. My master meanwhile was still silently working his mouth, as though continued exercise might see sound evolve there.

"I suppose," he said eventually, "that we should depart." Saying this, he rose, staring hard at Dabir. He stared hard at him again as I opened the door. I did not think him happy. Who would be, after such news?

Sunlight flew at us in a blinding rectangle, and the noise of people haggling just down the street, and the laughter of children, even the snort of a horse, reached us with all the scents of the bustling city. I preceded both men, surveying the street as my eyes adjusted.

The master was quiet as we walked, and his tread was slow.

"I would not trouble myself overmuch about any of this," Dabir said, by the sound of his voice smiling as he spoke. I thought it false cheer.

"I do not know what to think," Jaffar said. "Did you not hear the truth in her words? There was magic there."

I dropped back to his side. "There may have been, ma—yes." I had forgotten what I was supposed to call him.

"But I think, perhaps, that she confused the bowls. Consider." Jaffar raised a finger. "Dabir is no slayer of monsters, he is a scholar! Surely she must have meant you, Asim. You are the warrior. I think that God plans great things for you."

"I hope so, Master."

"And me—I have often thought that I might take pen in hand. I have been inspired to create many stories, but never set them down. You have heard me tell of some of them, I think?"

"Yes," I agreed, though I had always thought he went on a bit long before reaching his point.

Now Jaffar looked long at Dabir, even as we stepped in to the main street.

"She must have confused her fortunes," the master said with surety. "There is no other explanation. Dabir, do not think me harsh, but I think you should leave my service. For your own safety."

"Master—" Dabir began.

"Andar," Jaffar corrected. "My niece is fair, I know. She is young and well spoken, and it was unwise for me to present her with a tutor instead of a suitor." He smiled. "You see," he confided to me, "I do have a way with words." He looked back at Dabir. "Clearly the woman confused the bowls."

I brushed past a kneeling man begging with upthrust and dirty arms, fearful no longer for myself, but for my friend, whose livelihood was jeopardized because I had suggested he join us.

"Master—Andar—she was just an old woman in a rude hut. If she were truly a mistress of magic, would she not reside in a palace walled with rubies and emeralds? Surely we can look upon it all as a jest. A lark."

I saw from Jaffar's expression that he was not convinced.

Again he raised that index finger of his. "I think—"

I was never to learn what he thought, for at that very moment a bleeding man stumbled into our path, clutched vainly at Jaffar's robe, then pitched into the dust before us.

From The Desert of Souls by Howard Andrew Jones. Copyright © 2010 by the author and reprinted by permission of Thomas Dunne Books, an imprint of St. Martin’s Press, LLC

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  • Anonymous

    Posted March 18, 2013

    An absolutely enjoyable read. Jones richly renders his world an

    An absolutely enjoyable read. Jones richly renders his world and creates very likable, memorable characters to inhabit it. I'm looking forward to reading more from him.

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  • Anonymous

    Posted December 5, 2011

    A good adventure story that is a lot of fun

    The characters feel like real people. A lot happens but it never gets overwhelming. It's just an all around good book. I'll be looking for more of this author in the future.

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  • Posted April 28, 2011

    A magical story

    Very enjoyable; had a hard time putting it down, even for dinner. It's told from the viewpoint of the faithful warrior, which is an interesting take in fantasy--lots of bards, scholars and loveable scoundrels narrating, but not many warriors. It's an interesting viewpoint, because often his interpretations and solutions are very straightforward and honest. He tends to think strategically only when it comes to protecting his young master or in a fight. He pairs with a scholar, Dabir, and they end up on a quest, hoping to thwart an evil magician and his henchmen. Sounds like the stuff bedtime stories are made of, and it works. I enjoyed the level of detail; while the author used 8th century Arabia in describing people, setting and customs, he took enough liberties to make the area his own. A magical tale, and I look forward to his next.
    Didn't rate 5 stars just because I save that for my 'best' books, or 'need to own.'

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  • Posted March 9, 2011

    Escape to the Arabian Nights with The Desert of Souls

    I received an advance reader's copy of the novel, The Desert of Souls (Thomas Dunne Books, February, 2011), by Howard Andrew Jones for review. In addition to being a novelist, Howard Jones is also the Managing Editor of Black Gate magazine.

    Soldier Asim el Abbas and scholar Dabir ibn Khalil make an unlikely buddy match-up in this thrilling novel set in an 8th century Middle East filled to the brim with legend, buried cities, blades, and wizardry leavened with just the right touch of romance. The book has an amusing, if slightly slow start, but don't let that tempt you into setting it aside before you reach the challenge awaiting Asim and Dabir in the "desert of souls" that lies, physically and metaphorically, at the heart of the story. Howard Jones, through Asim, his heroic narrator, displays a consummate gift for storytelling that immerses you fully into the world of the Arabian nights while leaving you stunned by the frequent awesome beauty of his prose style. In spite of reading through the night, when Asim announced "this tale is done," all I wanted to do was open the book at the beginning and read it again.

    In one word? Splendid!

    [Posted here under my pen name, Louise Herring-Jones.]

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