Desert Places

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Overview

Andrew Z. Thomas is a successful writer of suspense thrillers, living the dream at his lake house in the piedmont of North Carolina. One afternoon in late spring, he receives a bizarre letter that eventually threatens his career, his sanity, and the lives of everyone he loves. A murderer is designing his future, and for the life of him, Andrew can't get away.
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Overview

Andrew Z. Thomas is a successful writer of suspense thrillers, living the dream at his lake house in the piedmont of North Carolina. One afternoon in late spring, he receives a bizarre letter that eventually threatens his career, his sanity, and the lives of everyone he loves. A murderer is designing his future, and for the life of him, Andrew can't get away.
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Editorial Reviews

Publishers Weekly
Debut novelist Crouch puts a nasty spin on the serial killer thriller in this gruesome tale that, alas, folds under the weight of its ambitions. The story starts at full throttle: narrator Andrew Thomas, a successful horror writer, finds a letter outside his secluded North Carolina home that begins, "Greetings. There is a body buried on your property, covered in your blood." Indeed there is, and further missives direct Andrew to a motel outside Denver, where he is drugged, kidnapped and brought to a house surrounded by desert; there he meets his captor-his long-lost twin brother, Orson. Orson, who walked out of Andrew's life years ago, has, it turns out, been quite busy in the interim as a serial killer. Hoping that Andrew will share his passion, Orson forces his brother to participate in mutilating and killing three victims; he then lets Andrew go. Back home, Andrew joins forces with his best friend to track Orson down, locating him at a New England college. However, their plan to kill Orson ends with the friend dead and Orson locked in the trunk of Andrew's car as Andrew drives cross-country to the desert house, where matters reach a grisly denouement. Crouch's smart, tight prose displays plenty of narrative energy. The novel is gory enough to turn off many, though, and such serial-killer statements as "We all want blood. We are war. That's the code. War and regression and more blood," as well as a flashback to childhood sexual abuse, drag the story line into a portentousness that undercuts its serious exploration of the psychology of the serial killer. Still, Crouch shows real talent here, and perhaps his promised sequel to this novel will be lighter on its feet. (Jan.) Copyright 2003 Reed Business Information.
Kirkus Reviews
Brotherly love hammered ad nauseam in an unsavory horror debut. Thirtysomething Andy Thomas, a successful horror novelist, is about to experience how unsettling it can be when life decides to imitate art: in other words, he's about to be scared silly. The note, contained in an unstamped envelope, seems at first unworthy of serious attention: "There is a body buried on your property covered in your blood," it says. Andy smiles, chuckles even-a fan, he thinks. In his experience, horror fans are prone to that kind of sick joke; still, why not check it out? He does and, gulp, it checks. He finds poor Rita Jones, a young schoolteacher who's been missing for about a month, and whose corpse will, in a variety of irrefutable ways, tell tales to police pathologists, tales concerning Andy. In short, he's been well and truly framed-by his fraternal twin, it soon turns out. Andy hasn't seen Orson since they were 20, when, inexplicably, the latter walked out of the room they shared at Appalachian State University and vanished. What's he been up to since? Why, killing people, innocent people at random, a dozen of them, slicing their hearts out, depositing each in a cardboard box, and then, the collection complete, delivering it to the White House, though without benefit of the usual accompanying apologia. So explain, please. Neither Orson nor the author appears eager to do that. Ambiguous, also, is exactly what game Orson is inviting Andy to play. Whatever it is, Andy's unwilling. By now, however, he's convinced there's only one way to deal with a sibling gone psychopathic, setting the stage for a clash that gives fresh meaning to the phrase blood brothers. Sordid and mindlessly sadistic. There may bean audience for stuff this nasty, but wary readers will pass. Sadly, a sequel's in the works.
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Product Details

  • ISBN-13: 9780312286446
  • Publisher: St. Martin's Press
  • Publication date: 1/22/2004
  • Edition description: First Edition
  • Edition number: 1
  • Pages: 272
  • Product dimensions: 5.84 (w) x 8.54 (h) x 1.07 (d)

Meet the Author

BLAKE CROUCH is the author of DESERT PLACES, LOCKED DOORS, and ABANDON, which was an IndieBound Notable Selection last summer, all published by St. Martin's Press. His newest thriller, SNOWBOUND, also from St. Martin's, was released in 2010. His short fiction has appeared in Ellery Queen's Mystery Magazine, Alfred Hitchcock's Mystery Magazine, Thriller 2, and other anthologies, including the new SHIVERS VI anthology from Cemetery Dance. In 2009, he co-wrote "Serial" with J.A. Konrath, which has been downloaded over 300,000 times and topped the Kindle bestseller list for 4 weeks. That story and DESERT PLACES have also been optioned for film. Blake lives in Durango, Colorado. His website is www.blakecrouch.com.
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Read an Excerpt

On a lovely May evening, I sat on my deck, watching the sun descend upon Lake Norman. So far, it had been a perfect day. I'd risen at 5:00 a.m. as I always do, put on a pot of French roast, and prepared my usual breakfast of scrambled eggs and a bowl of fresh pineapple. By six o'clock, I was writing, and I didn't stop until noon. I fried two white crappies I'd caught the night before, and the moment I sat down for lunch, my agent called. Cynthia fields my messages when I'm close to finishing a book, and she had several for me, the only one of real importance being that the movie deal for my latest novel, Blue Murder, had closed. It was good news of course, but two other movies had been made from my books, so I was used to it by now.

I worked in my study for the remainder of the afternoon and quit at 6:30. My final edits of the new as yet untitled manuscript would be finished tomorrow. I was tired, but my new thriller, The Scorcher, would be on bookshelves within the week. I savored the exhaustion that followed a full day of work. My hands sore from typing, eyes dry and strained, I shut down the computer and rolled back from the desk in my swivel chair.

I went outside and walked up the long gravel drive toward the mailbox. It was the first time I'd been out all day, and the sharp sunlight burned my eyes as it squeezed through the tall rows of loblollies that bordered both sides of the drive. It was so quiet here. Fifteen miles south, Charlotte was still gridlocked in rush-hour traffic, and I was grateful not to be a part of that madness. As the tiny rocks crunched beneath my feet, I pictured my best friend, Walter Lancing, fuming in his Cadillac. He'd be cursing the drone ofhorns and the profusion of taillights as he inched away from his suite in uptown Charlotte, leaving the quarterly nature magazine Hiker to return home to his wife and children. Not me, I thought, the solitary one.

For once, my mailbox wasn't overflowing. Two envelopes lay inside, one a bill, the other blank except for my address typed on the outside. Fan mail.

Back inside, I mixed myself a Jack Daniel's and Sun-Drop and took my mail and a book on criminal pathology out onto the deck. Settling into a rocking chair, I set everything but my drink on a small glass table and gazed down to the water. My backyard is narrow, and the woods flourish a quarter mile on either side, keeping my home of ten years in isolation from my closest neighbors. Spring had not come this year until mid-April, so the last of the pink and white dogwood blossoms still specked the variably green interior of the surrounding forest. Bright grass ran down to a weathered gray pier at the water's edge, where an ancient weeping willow sagged over the bank, the tips of its branches dabbling in the surface of the water.

The lake is more than a mile wide where it touches my property, making houses on the opposite shore visible only in winter, when the blanket of leaves has been stripped from the trees. So now, in the thick of spring, branches thriving with baby greens and yellows, the lake was mine alone, and I felt like the only living soul for miles around.

I put my glass down half-empty and opened the first envelope. As expected, I found a bill from the phone company, and I scrutinized the lengthy list of calls. When I'd finished, I set it down and lifted the lighter envelope. There was no stamp, which I thought strange, and upon slicing it open, I extracted a single piece of white paper and unfolded it. In the center of the page, one paragraph had been typed in black ink:

Greetings. There is a body buried on your property, covered in your blood. The unfortunate young lady's name is Rita Jones. You've seen this missing schoolteacher's face on the news, I'm sure. In her jeans pocket you'll find a slip of paper with a phone number on it. You have one day to call that number. If I have not heard from you by 8:00 p.m. tomorrow (5/17), the Charlotte Police Department will receive an anonymous phone call. I'll tell them where Rita Jones is buried on Andrew Thomas's lakefront property, how he killed her, and where the murder weapon can be found in his house. (I do believe a paring knife is missing from your kitchen.) I hope for your sake I don't have to make that call. I've placed a property marker on the grave site. Just walk along the shoreline toward the southern boundary of your property and you'll find it. I strongly advise against going to the police, as I am always watching you.

A smile edged across my lips. I even chuckled to myself. Because my novels treat crime and violence, my fans often have a demented sense of humor. I've received death threats, graphic artwork, even notes from people claiming to have murdered in the same fashion as the serial killers in my books. But I'll save this, I thought. I couldn't remember one so original.

I read it again, but a premonitory twinge struck me the second time, particularly because the author had some knowledge regarding the layout of my property. And a paring knife was, in fact, missing from my cutlery block. Carefully refolding the letter, I slipped it into the pocket of my khakis and walked down the steps toward the lake.

---

As the sun cascaded through the hazy sky, beams of light drained like spilled paint across the western horizon. Looking at the lacquered lake suffused with deep orange, garnet, and magenta, I stood by the shore for several moments, watching two sunsets collide.

Against my better judgment, I followed the shoreline south and was soon tramping through a noisy bed of leaves. I'd gone an eighth of a mile when I stopped. At my feet, amid a coppice of pink flowering mountain laurel, I saw a miniature red flag attached to a strip of rusted metal thrust into the ground. The flag fluttered in a breeze that curled off the water. This has to be a joke, I thought, and if so, it's a damn good one.

As I brushed away the dead leaves that surrounded the marker, my heart began to pound. The dirt beneath the flag was packed, not crumbly like undisturbed soil. I even saw half a footprint when I'd swept all the leaves away.

I ran back to the house and returned with a shovel. Because the soil had previously been unearthed, I dug easily through the first foot and a half, directly below where the marker had been placed. At two feet, the head of the shovel stabbed into something soft. My heart stopped. Throwing the shovel aside, I dropped to my hands and knees and clawed through the dirt. A rotten stench enveloped me, and as the hole deepened, the smell grew more pungent.

My fingers touched flesh. I drew my hand back in horror and scrambled away from the hole. Rising to my feet, I stared down at a coffee brown ankle, barely showing through the dirt. The odor of rot overwhelmed me, so I breathed only through my mouth as I took up the shovel again.

When the corpse was completely exposed, and I saw what a month of putrefaction could do to a human face, I vomited into the leaves. I kept thinking that I should have the stomach for this because I write about it. Researching the grisly handiwork of serial killers, I'd studied countless mutilated cadavers. But I had never smelled a human being decomposing in the ground, or seen how insects teem in the moist cavities.

I composed myself, held my hand over my mouth and nose, and peered again into the hole. The face was unrecognizable, but the body was undoubtedly that of a short black female, thick in the legs, plump through the torso. She wore a formerly white shirt, now marred with blood and dirt, the fabric rent over much of the chest, primarily in the vicinity of her heart. Jean shorts covered her legs down to the knees. I got back down on all fours, held my breath, and reached for one of her pockets. Her legs were mushy and turgid, and I had great difficulty forcing my hand into the tight jeans. Finding nothing in the first pocket, I stepped across the hole and tried the other. Sticking my hand inside it, I withdrew a slip of paper from a fortune cookie and fell back into the leaves, gasping for clean lungfuls of air. On one side, I saw the phone number; on the other: "you are the only flower of meditation in the wilderness."
In five minutes, I'd reburied the body and the marker. I took a small chunk of granite from the shore and placed it on the thicketed grave site. Then I returned to the house. It was quarter to eight, and there was hardly any light left in the sky.

Two hours later, sitting on the sofa in my living room, I dialed the number on the slip of paper. Every door to the house was locked, most of the lights turned on, and in my lap, a cold satin stainless .357 revolver.

I had not called the police for a very good reason. The claim that it was my blood on the woman was probably a lie, but the paring knife had been missing from my kitchen for weeks. Also, with the Charlotte Police Department's search for Rita Jones dominating local news headlines, her body on my property, murdered with my knife, possibly with my fingerprints on it, would be more than sufficient evidence to indict me. I'd researched enough murder trials to know that.

As the phone rang, I stared up at the vaulted ceiling of my living room, glanced at the black baby grand piano I'd never learned to play, the marble fireplace, the odd artwork that adorned the walls. A woman named Karen, whom I'd dated for nearly two years, had convinced me to buy half a dozen pieces of art from a recently deceased minimalist from New York, a man who signed his work "Loman." I hadn't initially taken to Loman, but Karen had promised me I'd eventually "get" him. Now, $27,000 and one fiancee lighter, I stared at the ten-by-twelve-foot abomination that hung above the mantel: shit brown on canvas, with a basketball-size yellow sphere in the upper right-hand corner. Aside from Brown No. 2, four similar marvels of artistic genius pockmarked other walls of my home, but these I could suffer. Mounted on the wall at the foot of the staircase, it was Playtime, the twelve-thousand-dollar glass-encased heap of stuffed animals, sewn together in an orgiastic conglomeration, which reddened my face even now. But I smiled, and the knot that had been absent since late winter shot a needle of pain through my gut. My Karen ulcer. You're still there. Still hurting me. At least it's you.

The second ring.

I peered up the staircase that ascended to the exposed second-floor hallway, and closing my eyes, I recalled the party I'd thrown just a week ago-guests laughing, talking politics and books, filling up my silence. I saw a man and a woman upstairs, elbows resting against the oak banister, overlooking the living room, the wet bar, and the kitchen. Holding their wineglasses, they waved down to me, smiling at their host.

The third ring.

My eyes fell on a photograph of my mother-a five-by-seven in a stained-glass frame, sitting atop the obsidian piano. She was the only family member with whom I maintained regular contact. Though I had relatives in the Pacific Northwest, Florida, and a handful in the Carolinas, I saw them rarely-at reunions, weddings, or funerals that my mother shamed me into attending with her. But with my father having passed away and a brother I hadn't seen in thirteen years, family meant little to me. My friends sustained me, and contrary to popular belief, I didn't have the true reclusive spirit imputed to me. I did need them.

In the photograph, my mother is squatting down at my father's grave, pruning a tuft of carmine canna lilies in the shadow of the headstone. But you can only see her strong, kind face among the blossoms, intent on tidying up her husband's plot of earth under that magnolia he'd taught me to climb, the blur of its waxy green leaves behind her.

The fourth ring.

"Did you see the body?"

It sounded as if the man were speaking through a towel. There was no emotion or hesitation in his staccato voice.

"Yes."

"I gutted her with your paring knife and hid the knife in your house. It has your fingerprints all over it." He cleared his throat. "Four months ago, you had blood work done by Dr. Xu. They misplaced a vial. You remember having to go back and give more?"

"Yes."

"I stole that vial. Some is on Rita Jones's white T-shirt. The rest is on the others."

"What others?"

"I make a phone call, and you spend the rest of your life in prison, possibly death row...."

"I just want you-"

"Shut your mouth. You'll receive a plane ticket in the mail. Take the flight. Pack clothes, toiletries, nothing else. You spent last summer in Aruba. Tell your friends you're going again."

"How did you know that?"

"I know many things, Andrew."

"I have a book coming out," I pleaded. "I've got readings scheduled. My agent-"

"Lie to her."

"She won't understand me just leaving like this."

"Fuck Cynthia Mathis. You lie to her for your safety, because if I even suspect you've brought someone along or that someone knows, you'll go to jail or you'll die. One or the other, guaranteed. And I hope you aren't stupid enough to trace this number. I promise you it's stolen."

"How do I know I won't be hurt?"

"You don't. But if I get off the phone with you and I'm not convinced you'll be on that flight, I'll call the police tonight. Or I may visit you while you're sleeping. You've got to put that Smith and Wesson away sometime."

I stood up and spun around, the gun clenched in my sweaty hands. The house was silent, though chimes on the deck were clanging in a zephyr. I looked through the large living room windows at the black lake, its wind-rippled surface reflecting the pier lights. The blue light at the end of Walter's pier shone out across the water from a distant inlet. His "Gatsby light," we called it. My eyes scanned the grass and the edge of the trees, but it was far too dark to see anything in the woods.

"I'm not in the house," he said. "Sit down."

I felt something well up inside of me-anger at the fear, rage at this injustice.

"Change of plan," I said. "I'm going to hang up, dial nine one one, and take my chances. You can go-"

"If you aren't motivated by self-preservation, there's an old woman named Jeanette I could-"

"I'll kill you."

"Sixty-five, lives alone, I think she'd love the company. What do you think? Do I have to visit your mother to show you I'm serious? What is there to consider? Tell me you'll be on that plane, Andrew. Tell me so I don't have to visit your mother tonight."

"I'll be on that plane."

The phone clicked, and he was gone.

Copyright 2004 by Blake Crouch
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Customer Reviews

Average Rating 4
( 75 )
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Sort by: Showing all of 17 Customer Reviews
  • Posted January 30, 2011

    Not worth a penny

    The author knows how to write, technically. The substance of the book is disturbing to read. The main character's lack of any "stones" is offensive to me. The book is gruesome and lacks morality.

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  • Anonymous

    Posted June 29, 2004

    I, too, expected more

    I think that this book's biggest flaw was that it's obviously a debut, meaning that the writing style was a bit pretentious with excessive use of adjectives and obscure vocabulary where it really wasn't needed. The story was interesting, although at some points I felt that it strayed into weird territory - i.e. the whole thing in DC; I don't want to spoil anything for future readers, but I felt that the DC episode was really out of character for Orson because he didn't seem to be the type to cry out for attention in such a dramatic way(and then the whole thing was dropped???) I expect the sequel will be very good, now that Mr. Crouch has had a successful debut he can stop trying to impress.

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  • Anonymous

    Posted May 17, 2004

    Expected More.

    I am giving it 4 stars because I will read the sequel if one comes out. However, I was dissappointed in the end. The book was very fast paced and really kept me wanting to keep reading. The problem was I thought the book ended poorly. I was on edge until 'someone' shows up and from that point on I was upset. I was maybe expecting a huge finale of some huge mystery being revealed. Overall the book was very interesting and very fast paced. As I said I will read the sequel because of how great the overall book was written...I'll just hope for a better ending.

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  • Anonymous

    Posted May 6, 2004

    A Promising Debut

    This is a gripping, if grisly, story. Serial killers with unusual abilities are nothing new but the twin brother aspect is well played. When Andrew begins his quest to kill his brother the events are, to put it mildly, implausible. The pacing keeps the reader enthralled and I look for more from this author, if not necessarily the sequel.

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  • Anonymous

    Posted February 25, 2004

    An absolute 'must read'

    Make sure your agenda is clear...you will not be able to put this book down.

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  • Anonymous

    Posted January 19, 2004

    best book of 2004

    Excellent read from start to finish. The author describes each character with great detail.

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  • Anonymous

    Posted November 12, 2003

    A powerful tour-de-force

    The letter informs popular horror-suspense author Andy Thomas that the butchered corpse of missing schoolteacher Rita Jones is buried on his lake front property with all evidence proving beyond a shadow of a doubt that Andy is the culprit. The correspondence contains a threat to abide by its instructions or the Charlotte police will be informed of the homicide. Andy assumes that the note is a prank from a crazy fan especially with how melodramatic it sounds, but still, he checks. To his horror he finds Rita¿s body and that he is set up to take the fall.<P> Andy has not seen Orson in over a decade. When they were roommates at Appalachian State University, Orson one day disappeared. In the ensuing years while Andy wrote novels that have been turned into movies, Orson randomly killed twelve people, cut out their hearts, and sent the collection of hearts to the White House once he achieved his objective. Now Orson challenges Andy to play a game of cat and mouse with the stakes being the elimination of a twin.<P> This seemingly Cain vs. Abel thriller is very exciting and adrenalin pumping, but lacks credible explanations re Orson¿s behavior until the very end and even that ¿elucidation¿ uses too much too late implication. Andy will receive empathy as he appears as a victim of his sibling¿s malice. Still readers who take delight in a taut war of survival with plenty of blood flowing and a twist so that nothing is quite like it seems will appreciate this high octane suspense tale that never slows down until the epilogue.<P> Harriet Klausner

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  • Anonymous

    Posted October 3, 2003

    True thriller!

    I could not put this book down. Just as soon as you think you have it all figured out, there is a new twist. This book was masterfully written to keep you on the edge of you seat. Great new author. Can't wait for the sequel!

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