Design, Form, and Chaos

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New Haven 1993 Hard Cover First Edition Very Good in Near Fine jacket Jacket in mylar, a short tear at fore edge. former owner name on endpaper and title page, otherwise clean ... inside. a hairline split at gutters between black endpapers, but sewn binding still tight. 218 pages, oversize: NO international please. Read more Show Less

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Overview

Paul Rand's stature as one of the world's leading graphic designers is incontestable. For half a century his pioneering work in the field of advertising design and typography has exerted a profound influence on the design profession; he almost single-handedly transformed "commercial art" from a practice that catered to the lowest common denominator of taste to one that could assert its place among the other fine arts. Among the numerous clients for whom he has been a consultant and/or designer are the American Broadcasting Company, IBM Corporation, and Westinghouse Electric Corporation. In this witty and instructive book, Paul Rand speaks about the contemporary practice of graphic design, explaining the process and ...
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Overview

Paul Rand's stature as one of the world's leading graphic designers is incontestable. For half a century his pioneering work in the field of advertising design and typography has exerted a profound influence on the design profession; he almost single-handedly transformed "commercial art" from a practice that catered to the lowest common denominator of taste to one that could assert its place among the other fine arts. Among the numerous clients for whom he has been a consultant and/or designer are the American Broadcasting Company, IBM Corporation, and Westinghouse Electric Corporation. In this witty and instructive book, Paul Rand speaks about the contemporary practice of graphic design, explaining the process and passion that foster good design and indicting faddism and trendiness. Illustrating his ideas with examples of his own stunning graphic work as well as with the work of artists he admires, Rand discusses such topics as: the values on which aesthetic judgments are based; the part played by intuition in good design; the proper relationship between management and designers; the place of market research; how and when to use computers in the production of a design; choosing a typeface; principles of book design; and the thought processes that lead to a final design. The centerpiece of the book consists of seven design portfolios - with diagrams and ultimate choices - that Rand used to present his logos to clients such as Next, IDEO, and IBM.

Product Details

  • ISBN-13: 9780300055535
  • Publisher: Yale University Press
  • Publication date: 3/31/1993
  • Pages: 224
  • Product dimensions: 7.79 (w) x 10.31 (h) x 0.78 (d)

Table of Contents

Introduction
Form + Content 1
Good Design Is Goodwill 11
Intuition and Ideas 43
Logos...Flags...Street Signs 53
The Presentation 69
Next 71
The Limited 89
The IBM Logo 113
AdStar Advanced Storage and Retrieval 151
IDEO Design 157
Morningstar Investment Advisers 165
Computers, Pencils, and Brushes 179
Aspects of Book Design 189
A Mentor 197
From Cassandre to Chaos 205

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