Desirable Daughters: A Novel

Desirable Daughters: A Novel

3.2 6
by Bharati Mukherjee

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"The highlight of her career to date . . . Mukherjee bursts out as a star" (Publishers Weekly [starred review]) in her stirring novel of three women, two continents, and a perilous journey from the old world to the new — now available in paperback.

In the tradition of the Joy Luck Club, Bharati Mukherjee has written a remarkable novel that is


"The highlight of her career to date . . . Mukherjee bursts out as a star" (Publishers Weekly [starred review]) in her stirring novel of three women, two continents, and a perilous journey from the old world to the new — now available in paperback.

In the tradition of the Joy Luck Club, Bharati Mukherjee has written a remarkable novel that is both the portrait of a traditional Brahmin Indian family and a contemporary American story of a woman who has in many ways broken with tradition but still remains tied to her native country.

Mukherjee follows the diverging paths taken by three extraordinary Calcutta-born sisters as they come of age in a changing world. Moving effortlessly between generations, she weaves together fascinating stories of the sisters' ancestors, childhood memories, and dramatic scenes from India's history.

National Book Critics Circle Award-winner Bharati Mukherjee has long been known for her elegant, evocative prose, and for drawing characters influenced by ancient customs and traditions but rooted in modern times. She is the author of five novels, two works of nonfiction and a collection of short stories, The Middleman and Other Stories. Currently a professor at the University of California at Berkeley, she resides in the San Francisco Bay area.

Editorial Reviews

Multicultural reality limned by Bharati Mukherjee with aculty, humor, and warmth.
New York Times
Her most thoughtful, emotionally detailed book yet.
Washington Post
Mukherjee has emerged as an exemplary author(Washington Post)
USA Today
Llyrical and insightful, sharing observations about family that apply to almost all cultures.
NY Times Book Review
A page turner.
Russell Banks
Desirable Daughters,with its broadband vision of history and geography,is [Mukherjee's] finest novel so far.
William Kennedy
A beautifully written family story of the eternal pull of ancient Indian tradition on even the most contemporary of lives.
Robert Olen Butler
Mukherjee is writing achingly compassionate, ravishingly beautiful, absolutely essential books. And Desirable Daughters is one of her best.
Elle Magazine
Evocative,richly layered sixth novel.
Publishers Weekly
HIt should take nothing away from the achievements of new young writers of South Asian origin to state that Mukherjee eclipses all of them in her new novel, the highlight of her career to date. Only a writer with mature vision, a sense of history and a long-nurtured observation of the Indo-American community could have created this absorbing tale of two rapidly changing cultures and the flash points where they intersect. The narrator, 36-year-old Tara Chatterjee, was born into comfort and privilege in Calcutta. She and her two sisters are part of a close knit, snobbish Brahmin Bengali family, and the girls are raised to marry well. Tara, however, has brought shame to the family by divorcing her multimillionaire husband, Bish, and moving with their teenage son, Rabi, to Atherton, Calif., where the sudden intrusion of the past into her and her sisters' lives is only the first tremor of an earthquake that will undermine their safe assumptions. The narrative succeeds brilliantly in interweaving several themes of class, history and changing consciousness. Beneath the family drama and Tara's quest for her identity, Mukherjee tells a larger story about Indians in India and the U.S., painting a complex picture of vastly different cultures Hindu, Muslim, Parsi, Sikh further divided by substratas of caste and ancient prejudices, yet kept together by strict rules of family behavior and spiritual rituals. Finally, there's a very real current of danger running through the narrative that explodes into violence and irrevocable change. With remarkable dexterity, Mukherjee depicts tradition and myth colliding with the free will and dynamics of a one-world economy. Winner of the NBCC Award for The Middleman, Mukherjee has always been considered a significant writer. Here she bursts out as a star. Copyright 2001 Cahners Business Information.
Library Journal
The complex plot of this novel by the award-winning Mukherjee (The Middleman and Other Stories) centers on three sisters of a Brahmin Indian family whose lives have diverged over the years; the youngest, Tara, has in fact moved to California. When Tara is approached by a young man claiming to be her nephew, a family secret is finally revealed, unleashing a sophisticated, gang-driven plot to kill or kidnap various family members. While Tara strains to unravel one mystery, new revelations surface, until she is forced to reevaluate everything she thought she knew. Artfully conveying the complexities of Indian society, philosophy and religion in India and the United States, Mukherjee's writing is rich, deep, and compelling, and her characters are well rounded and believable. Recommended for most collections. Joanna M. Burkhardt, Univ. of Rhode Island Coll. of Continuing Education Lib., Providence Copyright 2002 Cahners Business Information.
Kirkus Reviews
Mukherjee (Leave It to Me, 1997, etc.) offers a striking portrait of three sisters living in two worlds: the traditional Brahmin society of upper-class Calcutta, where they were born, and the secular world of the modern West they moved to as adults. Tara, who narrates, left Calcutta happily enough as a young woman and has rarely looked back. The youngest of three daughters of a Brahmin engineer and landowner, she grew up among the Bengali elite in an atmosphere that wavered between Hindu traditionalism and secular technocracy. Well-educated, she was married to an Indian computer designer who moved her to California and got rich in Silicon Valley. Tara became Americanized enough to divorce her husband after a few years and move to San Francisco with her son. There, however, she found herself brought sharply back to Calcutta when a young man named Chris Dey showed up at her door one day claiming to be the illegitimate son of her older sister Padma and bearing a letter of introduction from Ron Dey (a childhood friend of Padma's), who claimed to be the boy's father. But Padma, now a New York clothing designer, knows nothing of the boy, while Ron Dey, back in India, admits that the boy is his, but not by Padma-and denies ever sending him or a letter. The mystery deepens when Tara goes to the police, who ascertain that the boy isn't really Chris Dey but an imposter using his passport. Meanwhile, Tara finds she's being stalked by a Bengali gangster, and her ex-husband becomes implicated in a cyberterrorism threat by Indian hackers who say they'll unleash a supervirus that could disable every hard-drive in the US. Forget not going home again-sometimes you can't get away in the first place, evenhalfway across the globe. A nice hybrid, combining the suspense of a good thriller with the atmosphere and texture of a family epic.

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Hachette Book Group
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4.90(w) x 7.90(h) x 0.80(d)
Age Range:
17 - 18 Years

Read an Excerpt

Chapter One

In the mind's eye, a one-way procession of flickering oil lamps sways along the muddy shanko between rice paddies and flooded ponds, and finally disappears into a distant wall of impenetrable jungle. Banks of fog rise from warmer waters, mingle with smoke from the cooking fires, and press in a dense sooty collar, a permeable gray wall that parts, then seals, igniting a winter chorus of retching coughs and loud spitting. Tuberculosis is everywhere. The air, the water, the soil are septic. Thirty-five years is a long life. Smog obscures the moon and dims the man-made light to faintness deeper than the stars'. In such darkness perspective disappears. It is a two-dimensional world impossible to penetrate. But for the intimacy of shared discomfort, it is difficult even to estimate the space separating each traveler.

    The narrow, raised trail stretches ten miles from Mishtigunj town to the jungle's edge. In a palanquin borne by four servants sit a rich man's three daughters, the youngest dressed in her bridal sari, her little hands painted with red lac dye, her hair oiled and set. Her arms are heavy with dowry gold; bangles ring tiny arms from wrist to shoulder. Childish voices chant a song, hands clap, gold bracelets tinkle. I cannot imagine the loneliness of this child. A Bengali girl's happiest night is about to become her lifetime imprisonment. It seems all the sorrow of history, all that is unjust in society and cruel in religion has settled on her. Even constructing it from the merest scraps of family memory fills me with rage and bitterness.

    The bride-to-be whispers the "Tush TusliBrata," a hymn to the sacredness of marriage, a petition for a kind and generous husband:

What do I hope for in worshipping you? That my father's wisdom be endless, My mother's kindness bottomless. May my husband be as powerful as a king of gods. May my future son-in-law light up the royal court. Bestow on me a brother who is learned and intellectual, A son as handsome as the best-looking courtier, And a daughter who is beauteous. Let my hair-part glow red with vermilion powder, as a wife's should. On my wrists and arms, let bangles glitter and jangle. Load down my clothes-rack with the finest saris, Fill my kitchen with scoured-shiny utensils, Reward my wifely virtue with a rice-filled granary. These are the boons that this young virgin begs of thee.

In a second, larger palki borne by four men sit the family priest and the father of the bride. Younger uncles and cousins follow in a vigilant file. Two more guards, sharp-bladed daos drawn, bring up the rear. Two servants walk ahead of the eight litter-bearers, holding naphtha lamps. No one has seen such brilliant European light, too strong to stare into, purer white than the moon. It is a town light, a rich man's light, a light that knows English invention. If bandits are crouching in the gullies they will know to strike this reckless Hindu who announces his wealth with light and by arming his servants. What treasures lie inside, how much gold and jewels, what target ripe for kidnapping? The nearest town, where such a wealthy man must have come from, lies behind him. Only the jungle lies ahead. Even the woodcutters desert it at night, relinquishing it to goondahs and marauders, snakes and tigers.

     The bride is named Tara Lata, a name we almost share. The name of the father is Jai Krishna Gangooly. Tara Lata is five years old and headed deep into the forest to marry a tree.

    I have had the time, the motivation, and even the passion to undertake this history. When my friends, my child, or my sisters ask me why, I say I am exploring the making of a consciousness. Your consciousness? they tease, and I tell them, No. Yours.

* * *

On this night, flesh-and-blood emerges from the unretrievable past. I have Jai Krishna's photo, I know the name of Jai Krishna's father, but they have always been ghosts. But Tara Lata is not, nor will her father be, after the events of this special day. And so my history begins with a family wedding on the coldest, darkest night in the Bengali month of Paush—December/January—in a district of the Bengal Presidency that lies east of Calcutta—now Kolkata—and south of Dacca—now Dhaka—as the English year of 1879 is about to shed its final two digits, although the Hindu year of 1285 still has four months to run and the Muslim year of 1297 has barely begun.

    In those years, Bengal was the seat of British power, Calcutta its capital, its cultural and economic center. The city is endowed with the instruments of Western knowledge, the museums, the colleges, the newspapers, and the Asiatic Society. The old Bengal Presidency included all of today's Bangladesh, the current Indian state of West Bengal, and parts of Assam, Bihar, and Orissa. A reconstituted Bengal Presidency today would have over 330 million people and be the world's third most populous country. China, India, Bengal. There are more of me than there are of you, although I am both.

    The eastern regions of Bengal, even before the flight of Hindus during the subcontinent's partition in 1947, and its reincarnation as Bangladesh in 1972, always contained a Muslim majority, though largely controlled by a sizeable and wealthy Hindu minority. The communities speak the same language—Muslims, if the truth be known, more tenaciously than Hindus. But for the outer signs of the faith—the beards and skullcaps of the Muslims, the different dietary restrictions, the caste observances, the vermilion powder on the hair-parting of married Hindu women—there is little, fundamentally, to distinguish them. The communities suffer, as Freud put it, the narcissism of small difference.

    The Hindu Bengalis were the first Indians to master the English language and to learn their master's ways, the first to flatter him by emulation, and the first to earn his distrust by unbidden demonstrations of wit and industry. Because they were a minority in their desh, their homeland, dependent on mastering or manipulating British power and Muslim psychology, the Hindus of east Bengal felt themselves superior even to the Hindus of the capital city of Calcutta. Gentlemen like Jai Krishna Gangopadhaya, a pleader in the Dacca High Court, whose surname the colonial authorities lightened to Gangooly, and who, on this particular winter night squats with a priest in a palki that reminds him of wagons for transporting remanded prisoners, was situated to take full advantage of fast-changing and improving times. He spoke mellifluous English and one high court judge had even recommended him for a scholarship to Oxford. Had he played by the rules, he should have been a great success, a prince, and a power.

    Jai Krishna's graduation portrait from the second class of India's first law school (Calcutta University, 1859) displays the expected Victorian gravitas and none of the eager confidence of his classmates. He is a young man of twenty who looks forty; his thick, dark eyebrows form an unbroken bar, and his shadow of a mustache—an inversion of prevailing style that favored elaborately curled and wax-tipped mustaches—reveal a young man more eloquent with a disapproving frown than with his words.

    For ten years I kept the graduation photo of Bishwapriya Chatterjee, my husband—Indian Institute of Technology, Kharagpur—on our nightstand. Last icon before falling asleep, first worshipful image of the morning. The countries, the apartments, the houses all changed, but the portrait remained. He had that eagerness, and a confident smile that promised substantial earnings. It lured my father into marriage negotiations, and it earned my not unenthusiastic acceptance of him as husband. A very predictable, very successful marriage negotiation.

    Had Jai Krishna been a native Calcuttan, or had he come from Dacca, Bengal's second city, he might never have suffered the anxiety of the small-town provincial elevated into urbanity. In my mother-language we call the powerful middle class "bhadra lok," the gentlefolk, the "civilized" folk, for whom the English fashioned the pejorative term "babu," with its hint of fawning insincerity and slavishly acquired Western attitudes. The rest of the population are "chhoto lok," literally, the little people. Jai Krishna Gangooly lacked the reflexive self-confidence of the bhadra lok. In his heart, he was a provincial from Mishtigunj, third son of a village doctor whose practice included the indigent and Muslims. He felt he'd been lifted from his provincial origins because of his father's contacts in the Calcutta Medical College. He was not comfortable in the lawyer's black robes and powdered wig.

    And so, the story of the three great-granddaughters of Jai Krishna Gangooly starts on the day of a wedding, a few hours before the palki ride where fates have already been decided, in the decorated ancestral house of the Gangoolys on the river in Mishtigunj town. The decorations signify a biye-bari, a wedding house. Beggars have already camped in the alleys adjacent to the canopy under which giant copper vats of milk, stirred by professional cooks, have been boiling and thickening for sweetmeats, and where other vats, woks, and cauldrons receive the chunks of giant hilsa fish netted fresh from the river and hold the rice pilao, lamb curry, spiced lentils, and deep-fried and sauce-steeped vegetables, a feast for a thousand invited guests and the small city of self-invited men, women, and children camped outside the gates.

    The astrologers have spoken; the horoscopes have been compared. The match between Jai Krishna's youngest daughter and a thirteen-year-old youth, another Kulin Brahmin from an upright and pious family from a nearby village, has been blessed. The prewedding religious rites have been meticulously performed, and the prewedding stree-achar, married women's rituals, boisterously observed. To protect the husband-to-be from poisonous snakebite, married women relatives and Brahmin women neighbors have propitiated Goddess Manasha with prescribed offerings. All of this has been undertaken at a moment in the evolution of Jai Krishna from student of Darwin and Bentham and Comte and practitioner of icy logic, to reader of the Upanishads and believer in Vedic wisdom. He had become a seeker of truth, not a synthesizer of cultures. He found himself starting arguments with pleaders and barristers, those who actually favored morning toast with marmalade, English suits, and leather shoes. Now nearing forty, he was in full flight from his younger self, joining a debate that was to split bhadra lok society between progressives and traditionalists for over a century.

    A Dacca barrister, Keshub Mitter, teased him for behaving more like a once-rich Muslim nawab wedded to a fanciful past and visions of lost glory than an educated, middle-class Hindu lawyer. Everyone knew that the Indian past was a rubbish heap of shameful superstition. Keshub Mitter's insult would have been unforgivable if it hadn't been delivered deftly, with a smile and a Bengali lawyer's wit and charm. My dear Gangooly, English is but a stepping-stone to the deeper refinement of German and French. Where does our Bangla language lead you? A big frog in a small, stagnant pond. Let us leave the sweet euphony of Bangla to our poets, and the salvation-enhancement of Sanskrit to our priests. Packet boats delivered Berlin and Paris papers to the Dacca High Court, along with the venerated Times.

    The cases Jai Krishna pleaded in court often cast him as the apostle of enlightenment and upholder of law against outmoded custom, or the adjudicator of outrages undefined and unimaginable under British law. The majesty of law was in conflict with Jai Krishna's search for an uncorrupted, un-British, un-Muslim, fully Hindu consciousness. He removed his wife and children from cosmopolitan Dacca and installed them in Mishtigunj. He sought a purer life for himself, English pleader by day, Sanskrit scholar by night. He regretted the lack of a rigorous Brahminical upbringing, the years spent in Calcutta learning the superior ways of arrogant Englishmen and English laws, ingesting English contempt for his background and ridicule for babus like him. He had grown up in a secularized home with frequent Muslim visitors and the occasional wayward Englishman. In consideration of non-Hindu guests, his father had made certain that his mother's brass deities and stone lingams stayed confined in the closed-off worship-room.

* * *

On the morning of Tara Lata's wedding, female relatives waited along the riverbank for the arrival of the groom and his all-male wedding party. The groom was Satindranath Lahiri, fifth son of Surendranath Lahiri, of the landowning Lahiri family; in his own right, a healthy youth, whose astrological signs pointed to continued wealth and many sons. Back in Dacca, Jai Krishna had defended the ancient Hindu practices, the caste consciousness, the star charts, the observance of auspicious days, the giving of a dowry, the intact integrity of his community's rituals. His colleague, Keshub Mitter, to be known two decades later as Sir Keshub, and his physician, Dr. Ashim Lal Roy, both prominent members of the most progressive, most Westernized segment of Bengali society, the Brahmo Samaj, had attempted to dissuade him. The two men had cited example after example of astrologically arranged marriages, full of astral promise, turning disastrous. The only worthwhile dowry, they'd proclaimed, is an educated bride. Child-marriage is barbarous. How could horoscopes influence lives, especially obscure lives, in dusty villages like Mishtigunj? Jai Krishna knew these men to be eaters of beef and drinkers of gin.

    "I consider myself a student of modern science," Jai Krishna had explained, "and because I am a student of modern science, I cannot reject any theory until I test it." And so far, the tests had all turned out positive. His two older daughters, seven and nine, were successfully married and would soon be moving to their husbands' houses and living as wives, then as mothers. They were placid and obedient daughters who would make loving and obedient wives. Tara Lata, his favorite, would be no exception.

    In the wintry bright hour just before twilight blackens Mishtigunj, the decorated bajra from the Lahiri family finally sailed into view. The bride's female relatives stood at the stone bathing-steps leading from the steep bank down to the river as servants prepared to help the groom's party of two hundred disembark. Women began the oo-loo ululation, the almost instrumental, pitched-voice welcome. Two of Jai Krishna's younger brothers supervised the unrolling of mats on the swampy path that connected the private dock and Jai Krishna's two-storied brick house.

    The bajra anchored, but none on board rushed to the deck railings to be ceremoniously greeted by the welcoming party of the bride's relatives. The bridegroom's father and uncles had a servant deliver a cruel message in an insulting tone to the bride's father. They would not disembark on Jai Krishna's property for Jai Krishna and his entire clan were carriers of a curse, and that curse, thanks to Jai Krishna's home-destroying, misfortune-showering daughter, had been visited on their sinless son instead of on Jai Krishna's flesh-and-blood. They demanded that Jai Krishna meet them in the sheltered cabin of the bajra.

    Jai Krishna ordered the wedding musicians to stop their shenai playing and dhol beating. His women relatives, shocked at the tone in which the servant repeated his master's message to Jai Krishna babu, the renowned Dacca lawyer, had given up their conch shell blowing and their ululating on their own. For several minutes, Jai Krishna stood still on the bathing-steps, trying to conceal at first his bewilderment, then his fury, that the man who was to have full patriarchal authority over his beloved daughter had called her names. Then he heard a bullying voice from inside the cabin yell instructions to the boatmen to pull up anchor.

    "They're bargaining for more dowry," muttered one of Jai Krishna's brothers.

    "No beggar is as greedy as that Lahiri bastard!" spat another brother.

    Two boatmen played at reeling in ropes and readying the bajra to sail back.


Excerpted from Desirable Daughters by Bharati Mukherjee. Copyright © 2002 by Bharati Mukherjee. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Meet the Author

Bharati Mukherjee is the author of five novels, two non-fiction books, and two collections of short stories, including The Middleman and Other Stories, for which she won the National Book Critics Circle Award. She is a professor of English at the University of California Berkeley.

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Desirable Daughters 3.2 out of 5 based on 0 ratings. 6 reviews.
Anonymous More than 1 year ago
I descided to read this book for my summer reading for my sophmore worl literature class under the assumption that it would be interesting and relatable, considering I'm South Asian like the main character, Tara. This assumption proved wrong. Overall, the book was a bit of a bore, terribly underdeveloped, and confusing. The author tries to pt together too many ideas, conflicts, and plotlines together. First is the conflict of self discovery, etc, which in itself would have been enough. Then comes the story with Chris Dey, the possible illegitamate child of Tara's oldest sister which, again, in itself would have made for a good story. Then theres the conflict between American and Indian values, and so on. The weaving together of these plotlines was confusing and too complicated. Along with that, a lot of phrases and stereotypes used in the book were more exclusive to West Bengalis like Tara, which readers would not really understand unless they're from that part of the world. In a nutshell, I would not recommend this book unless you have a liking to complicated, feminism-based stories.
Guest More than 1 year ago
This is about three Bengali sisters who grew up in Calcutta and eventually end up in three different corners of the globe leading three different lifestyles! One lives a comfortable life in a posh residential locality in Mumbai keeping herself busy with household chores. Another of the sisters ends up New Jersey among the elite class of migrant Indians. The third ends up in the West in California leading a more pedestrian life after getting a divorce from herbusiness tycoon husband. It's an interesting tale about how life puts us in different circumstances we hardly imagined ourselves in and how each one of us overcomes the challenges that life poses us.
Guest More than 1 year ago
This book served as a good representation of the culture that origiantes from the Indian sub-continent. The life story of Tara in America pointed out the differences between the two cultures(American and South Asian). This character lived in America but was still tied to her family, her culture, and its values. She was able to get through her struggles in life with the help and guidance of her family members. There was often a cultural clash that took place when it came to seeing things from an Indian point of view and an American point of view. Tara made fun of her people and their ways throughout the book but at the end, she turned back to her culture and its values.
Guest More than 1 year ago
Desirable Daughters was a great book based on cultural and moral values that origianted from the Indian sub-continent. A very touching and sensational story.
Guest More than 1 year ago
Strong female character. First generation immigrant. Broke the traditional boundaries. Still allowed herself to get caught up in cultural cross over and hand-over-mouth family drama. The development of what happened, why it happened, and how it got resolved were all over the place. Hate to say, but there was a lot of this story that didn't flow, and I finished the book trying to figure out what happened in the chapter before that...and before that...
Guest More than 1 year ago
Difficult book to get through. The author seemed to jump around the characters ideas and thoughts. I think with proper review the book could have and would have been great. But really difficult to follow and keep interested.