Detour and Access: Strategies of Meaning in China and Greece
In Detour and Access, François Jullien investigates the subtlety, strategy, and production of meaning in ancient and modern Chinese aesthetic texts and political events. Moving between the rhetorical traditions of ancient Greece and China, Jullien attempts no simple comparison between these two civilizations. Rather, he uses the perspective provided by each to gain access to one culture considered all too strange — “It’s all Chinese to me” — and to another whose strangeness has been eclipsed by the assumption of its essential familiarity and originary position in Western civilization.

In Detour and Access, Jullien rereads the major texts and authors of Chinese thought — The Book of Songs, Confucius’s Analects, Mencius, and Lao Tse. He addresses the question of oblique, indirect, and allusive meaning in order to explore how literary and political techniques of detour give access to a world of symbolization and truth not characterized by simple modes of mimetic representation and static essentialism.

Working indirectly, favoring the allusive expression over the direct one, the Chinese art of meaning appears as a complex mode of indication, open to multiple perspectives and variations, infinitely adaptable to situations and contexts. Concentrating on what is not said, or what is only conveyed through other means — such as the distancing produced by allusive poetic and political motifs — Jullien traces the ideological and aesthetic benefits and costs of a rhetorical strategy that lacks a fixed ontological perspective and absolute truth.

Illuminating in its close textual readings, provocative and sophisticated in its theoretical insights and political analyses, Detour and Access provides a necessary refinement of ways of thinking about Chinese strategies of meaning as yet unanalyzed in the Western world.

1119003994
Detour and Access: Strategies of Meaning in China and Greece
In Detour and Access, François Jullien investigates the subtlety, strategy, and production of meaning in ancient and modern Chinese aesthetic texts and political events. Moving between the rhetorical traditions of ancient Greece and China, Jullien attempts no simple comparison between these two civilizations. Rather, he uses the perspective provided by each to gain access to one culture considered all too strange — “It’s all Chinese to me” — and to another whose strangeness has been eclipsed by the assumption of its essential familiarity and originary position in Western civilization.

In Detour and Access, Jullien rereads the major texts and authors of Chinese thought — The Book of Songs, Confucius’s Analects, Mencius, and Lao Tse. He addresses the question of oblique, indirect, and allusive meaning in order to explore how literary and political techniques of detour give access to a world of symbolization and truth not characterized by simple modes of mimetic representation and static essentialism.

Working indirectly, favoring the allusive expression over the direct one, the Chinese art of meaning appears as a complex mode of indication, open to multiple perspectives and variations, infinitely adaptable to situations and contexts. Concentrating on what is not said, or what is only conveyed through other means — such as the distancing produced by allusive poetic and political motifs — Jullien traces the ideological and aesthetic benefits and costs of a rhetorical strategy that lacks a fixed ontological perspective and absolute truth.

Illuminating in its close textual readings, provocative and sophisticated in its theoretical insights and political analyses, Detour and Access provides a necessary refinement of ways of thinking about Chinese strategies of meaning as yet unanalyzed in the Western world.

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Detour and Access: Strategies of Meaning in China and Greece

Detour and Access: Strategies of Meaning in China and Greece

Detour and Access: Strategies of Meaning in China and Greece

Detour and Access: Strategies of Meaning in China and Greece

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Overview

In Detour and Access, François Jullien investigates the subtlety, strategy, and production of meaning in ancient and modern Chinese aesthetic texts and political events. Moving between the rhetorical traditions of ancient Greece and China, Jullien attempts no simple comparison between these two civilizations. Rather, he uses the perspective provided by each to gain access to one culture considered all too strange — “It’s all Chinese to me” — and to another whose strangeness has been eclipsed by the assumption of its essential familiarity and originary position in Western civilization.

In Detour and Access, Jullien rereads the major texts and authors of Chinese thought — The Book of Songs, Confucius’s Analects, Mencius, and Lao Tse. He addresses the question of oblique, indirect, and allusive meaning in order to explore how literary and political techniques of detour give access to a world of symbolization and truth not characterized by simple modes of mimetic representation and static essentialism.

Working indirectly, favoring the allusive expression over the direct one, the Chinese art of meaning appears as a complex mode of indication, open to multiple perspectives and variations, infinitely adaptable to situations and contexts. Concentrating on what is not said, or what is only conveyed through other means — such as the distancing produced by allusive poetic and political motifs — Jullien traces the ideological and aesthetic benefits and costs of a rhetorical strategy that lacks a fixed ontological perspective and absolute truth.

Illuminating in its close textual readings, provocative and sophisticated in its theoretical insights and political analyses, Detour and Access provides a necessary refinement of ways of thinking about Chinese strategies of meaning as yet unanalyzed in the Western world.


Product Details

ISBN-13: 9781890951115
Publisher: Zone Books
Publication date: 05/03/2004
Series: Zone Books
Pages: 432
Product dimensions: 6.00(w) x 9.00(h) x (d)
Age Range: 18 Years

About the Author


François Jullien is Professor at the Université Paris VII-Denis Diderot and director at the Institut de la Pensée Contemporaine. He is the author of Detour and Access: Strategies of Meaning in China and Greece, The Propensity of Things: Toward a History of Efficacy in China, and In Praise of Blandness: Proceeding from Chinese Thought and Aesthetics all published by Zone Books.

Table of Contents

Preface7
Reader's Guide11
I"He's Chinese," "It's All Chinese to Me"15
IIFrontal Versus Oblique Attack35
IIIUnder the Cover of the Image: Insinuated Criticism55
IVQuotations as Proxy: The Power to Unsettle75
VInsinuating and Avoiding to Say, or How to Read Between the Lines93
VIThe Impossibility of Dissidence (The Ideology of Indirection)117
VIIBetween Emotion and Landscape: The World Is Not an Object of Representation141
VIIIBeyond the Landscape: The Figurative Meaning Is Not Symbolic165
IXFrom the Master to the Disciple: The Proposition Is Only an Indication195
XThere Is No Plane of Essences, or Why Detour Is Access223
XIAdvancing Toward Maturation: The Leap of Realization249
XIIThe Great Image Has No Shape, or How to Indicate the Ineffable275
XIII"Net" and "Fish," or How to Gain Access to Nature305
XIVThe Clouds and the Moon333
XVThe Allusive Distance355
Conclusion: Detour or Split?371
Notes381
Glossary of Chinese Expressions415
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