Devil's Got a New Disguise: The Very Best of Aerosmith

Devil's Got a New Disguise: The Very Best of Aerosmith

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by Aerosmith
     
 

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Aerosmith greatest-hits compilations can be sorted into three categories: ones that compile the band's 1970s prime with Columbia Records (of which Greatest Hits [1980] and Gems [1988] are the benchmarks, especially the former); ones that compile the band's subsequent run with Geffen Records (Big Ones [1994]); and ones thatSee more details below

Overview

Aerosmith greatest-hits compilations can be sorted into three categories: ones that compile the band's 1970s prime with Columbia Records (of which Greatest Hits [1980] and Gems [1988] are the benchmarks, especially the former); ones that compile the band's subsequent run with Geffen Records (Big Ones [1994]); and ones that ostensibly span both eras via cross-licensing (O, Yeah! Ultimate Aerosmith Hits [2002]). Devil's Got a New Disguise falls into the final category, as it spans Aerosmith's entire career to date, from "Dream On" and "Mama Kin" (from the band's 1973 eponymous debut) to a pair of new studio recordings ("Sedona Sunrise" and "Devil's Got a New Disguise"). Like O, Yeah!, unfortunately, it pays short shrift to the Columbia recordings, compiling a measly five songs: "Dream On," "Mama Kin," "Sweet Emotion," "Back in the Saddle," and "Last Child." The remainder of the 18 songs are Geffen recordings, beginning with the Run-D.M.C. version of "Walk This Way" and then moving on to Permanent Vacation (1987), bypassing Done with Mirrors (1985) as well as numerous other latter-day albums, namely Nine Lives (1997), A Little South of Sanity (1998), Honkin' on Bobo (2004), and Rockin' the Joint (2005). Such selective sampling doesn't bode well for comprehensiveness, yet it does result in a perfectly listenable album without any bad songs (unlike most of the double-disc Aerosmith best-ofs like O, Yeah! and Gold, which are comprehensive yet troublesomely bogged down by subpar material that doesn't really warrant compilation). After all, Aerosmith struggled to craft engaging material in the wake of Pump (1989), their last truly great album, so it's actually for the best that those latter-day albums are bypassed here. Truth be told, Devil's Got a New Disguise is simply a trimmed-down version of O, Yeah!, and while it's perfectly listenable, it also leaves much to be desired from the standpoint of comprehensiveness. If you were to own one and only one Aerosmith album and consequently wanted a broad, if inevitably cursory, overview, Devil's Got a New Disguise fits that niche well; however, you'd be better off with both the Columbia-era Greatest Hits and the Geffen-era Big Ones, two well-compiled best-ofs that complement each other ideally, and satisfactorily cover practically all of the band's key material without any overlap whatsoever.

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Product Details

Release Date:
10/17/2006
Label:
Sony
UPC:
0886970086721
catalogNumber:
700867
Rank:
22361

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Tracks

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Album Credits

Performance Credits

Aerosmith   Primary Artist
Joe Perry   Guitar,Background Vocals
Bob Dowd   Background Vocals
Bruce Fairbairn   Background Vocals
Joey Kramer   Drums
Jay Messina   Marimbas
Paul Prestopino   Banjo
Steven Tyler   Harmonica,Vocals,Background Vocals
Brad Whitford   Guitar
David Woodford   Saxophone
Tom Hamilton   Bass Guitar,Background Vocals

Technical Credits

Aerosmith   Producer
Joe Perry   Composer
Desmond Child   Composer
Adrian Barber   Producer
Jack Douglas   Producer
Bruce Fairbairn   Producer
Taylor Rhodes   Composer
Rick Rubin   Producer
Russell Simmons   Producer
Steven Tyler   Composer
Matt Serletic   Arranger,Producer
Howard Kaufman   Management
Michelle Holme   Art Direction
Danielle Faith Friedman   Management
Trudy Green   Management
Marcee Rondon   Publicity
Boneyard Boys   Producer
Randle Feagin   Booking
Amy Kalyn Sims   Cover Photo
Tom Hamilton   Composer

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